Fiona Haegerbergh, a journalist for The Metro Standard, arrives in a rural Norwegian town to investigate rising drug use. Officially, she’s there to produce a webcast— but Fiona has her own agenda: uncovering the truth behind the recent suspicious death of a local drug dealer. Fiona’s editor urges her to stay on task, as much is riding on the Metro Standard’s survival—now largely dependent on the recent success of its popular web series.
Get to know the writer:
What is your screenplay about?
My screenplay is about a journalist Fiona Haegerbergh, who travels to a remote Norwegian town to cover rising drug use for her paper’s popular web series, but she’s secretly investigating the suspicious death of a local dealer. She’s met with hostility from townsfolk and a wary sheriff, but she gradually earns his reluctant trust as she digs into the community’s hidden drug network. Her search leads to Jenny, a young mine worker with ties to Fiona’s brother, who may have inherited the operation. When Jenny is suddenly found drowned, Fiona’s investigation takes a darker turn and she is faced with a devastating choice: expose what she’s uncovered and risk her own secret being revealed—or stay silent and let the town’s shadows close in.
What genres does your screenplay fall under?
Thriller, Mystery
Why should this screenplay be made into a movie?
Because it has a good mystery, loveable characters and an unexpected twist.
Resonance in the Castle, 17min., USA Directed by Brandon Katcher A mysterious castle breathes with light and color, drawing all who enter into its shifting embrace. Stained glass spills vivid hues across ancient stone, golden reflections dance over strange artifacts, and ethereal performances flare up like living paintings. Surreal, electric, and unbound by space or time. Musicians, dancers, and performance artists bring their visions to life, each performance casting a ripple, before fading into the ether. A place of mystery and spectacle, this living museum exists only in the moment it is seen, leaving behind only echoes. Here, the castle is not a place but a state of mind, a dream in motion, inviting us to lose ourselves within its walls.
Stamino, 11min., Czech Republic Directed by Marie-Anna Šulc Stamino drifts through fatigue and the quiet rituals of nourishment and recovery, always accompanied by vulnerability, the urge to heal, and a wry gaze toward a culture obsessed with the body and its perfection. It moves between closeness and distance, frustration and renewal, tracing the edges of what it means to live in a body that aches, adapts, and resists. Beneath it all runs a longing for meaning, for connection, for transformation, within the slow and uncertain struggle of becoming.
The Afternoon of a Faun, 2min., Japan Directed by Fuyubi Kusamori “L’Après-midi d’un Faune” emerges as a contemporary digital meditation on Debussy’s timeless masterpiece, itself born from Stéphane Mallarmé’s symbolist poem of 1865. This music video transcends conventional boundaries, weaving electronica and noise music into a sonic tapestry that honors the impressionist legacy while boldly venturing into uncharted territories of sound.
Café Kuba: Who Dared to Awaken the Dead Memory, 28min,. Congo Directed by David Shongo At its core, Café Kuba explores Kinshasa through the silent presence of a mobile coffee vendor navigating the vibrant streets of the Bandal district. Filmed after the M23 rebel group’s capture of Goma, as they threatened Kinshasa, the film portrays a city on the brink of conflict. David Shongo avoids framing the vendor as a conventional protagonist. Instead, his silence becomes his strength—absorbing and reflecting the city’s tensions, frustrations, and private conversations.
Khimairas of the Kinesphere, 9min., USA Directed by Eric Souther, Kelsey Paschich Khimairas of the Kinesphere explores the extension of the mediated body. Human movement choreographed for digital avatars which work as sites for artificially generated images. The crises of climate change demands a hybridization and reexamination of the relationship between humans and nature, a redesign, a second nature. We are forced to reimagine our co-existence and our role in shaping the future.
The plaza of time, 11min., China Directed by Xinyuan He The Plaza of Time is an observational documentary directed by a teenage dancer, chronicling the lives of three elder performers—Auntie Yuan, Auntie Zhang, and Mr. Li—who each bring their own rhythm, resilience, and reason to dance on the public plazas of urban China.
The Moment I Said It, 3min., USA Directed Ryn Deyo This piece reflects the moment of introspective learning — where the quiet, unseen transformation that occurs when healing begins is explored. We don’t return to what was, but learn to live with what is.
Split Focus, 5min,. USA Directed by Cherie Carson “Split Focus” is a captivating dance film that delves into the intricate relationship between self-perception and external projection. Through mesmerizing shadow play, the film explores images of spirit and internal feelings versus outward appearances, prompting viewers to question which aspect demands more attention— the dancer herself or her shadow. Visually poetic, it offers a compelling examination of how we project ourselves into the world and the duality of inner and outer identities.
HALLWAYS, 2min., USA Directed by Elizabeth Sears Hallways is a dance film about independence and resilience in the midst of ambiguity. A mix of uncertainty and confidence permeates the choices we makes when navigating the external forces swirling around us.
Acid Alone In The Woods, 5min., USA Directed by Alec Gessert A dance music video exploring fear, paranoia, and pleasure one experiences alone in a dark forest.
MATTER, 21min., USA Directed by Gabe Katz, Mike Murphy A young woman enters into a journey of self-exploration, discovery, and identity. As she travels through the ephemeral, working through her understanding of self-perception, other travelers within the same universe try to join. These travelers soon realize that her story is not for them to mimic or assume, but to discover through their own experiences. They learn to accept that one can be empathetic to the experiences of others, without being central to the plot. These travelers become members of a creative community, observing and understanding a greater universal struggle: accepting oneself as a thread within the fabric of existence, and not the fabric itself. The young woman continues on her journey within the greater schema of reality. She endures everything and nothing all at once—accepting her present reality for its momentous nature, knowing it will be quickly lost to the vastness of time.
True crime novels detail the actions of people affected by or associated with a crime. They often explore the motivations and psychological factors behind criminal behavior, as well as the consequences of those actions.
A travel story is a piece of writing that describes a location, its people, culture, and customs. It can also be a narrative of a journey that provides information about the physical, biogeographic, and ethnographic characteristics of an area.
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Top moments in entertainment history today. October 11th.
#1 – 1963 William Shatner stars in “Nightmare at 20,000 Feet” episode of CBS anthology series “The Twilight Zone”.
“Nightmare at 20,000 Feet” is a legendary horror story by Richard Matheson, adapted for television and film multiple times, most famously as an episode of the original Twilight Zone. The plot centers on a terrified passenger who is convinced that a monster on the wing of his airplane is trying to sabotage the flight.
#2 – 1975 “Saturday Night Live” created by Lorne Michaels premieres on NBC with George Carlin as host.
Premiere: The show debuted on October 11, 1975, hosted by comedian George Carlin.
Initial title: The program was originally called NBC’s Saturday Night to avoid confusion with a different show called Saturday Night Live with Howard Cosell on rival network ABC.
Creator: The show was developed by Lorne Michaels and Dick Ebersol.
I have to really thank the actors for my reading, nothing short of terrific as they were, nothing short of incredibly smart, attractive, and perceptive as they were. They brought the script to life. – F. Maffai
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Honored to be a selection and award winner! Fantastic festival that goes above and beyond most others, including audience feedback, interviews, podcasts and transparent communication with the organizers. Opportunities for further collaboration as well. I would definitely submit again!