Short Film Review: Birthday Blues. Directed by Elisabet Johannesdottir

A couple on the rocks struggles with honesty, leading the woman to make a fateful decision.

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Review by Victoria Angelique:

The happiness of what should be a happy day is ruined in the short film BIRTHDAY BLUES. This very tense film depicts a moment between a husband and wife that are near the end of their relationship. It’s made in a way that even makes the audience tense, wanting to look away from this fight as if it’s being done in public though the couple are in the privacy of their home. 

The cinematography is shot in a way that adds to the tension, coupled with the fact that there is no score. There are long shots that don’t cut, following the actors as the tension builds up between them. The cuts become quick as the fight heats up, making it come across the screen to the viewer. 

The story is one that is quite common across the world. A wife that is married to a narcissistic man that only puts on the appearance of thinking about her. The moment she walks in the door, he makes fun of her for liking ice cream cakes as he presents her with his favorite cake. He continues to attack her, stating fictitious reasons that she would be a horrible mother simply because he does not want to be a father. His wife can do nothing right and when she calls him out on his behavior, he gaslights her by blaming his dark sense of humor. 

This very tense film shows how a self centered person can ruin something as joyous as a birthday. It can quickly destroy a person when their significant other is the one destroying their self worth. This is depicted expertly as the husband is the type of person that everyone should run from, someone that will never change and cannot stand when anyone else has a day to celebrate themselves. It’s very well done. 

Today’s Podcast: Screenwriter Naz Tokgoz (CHRYSALIS)

Watch the Screenplay Reading: https://www.youtube.com/watch?v=ONlg9ToDKoY

“Chrysalis” navigates the story of Deniz, an enigmatic alien who, upon arriving on Earth, assumes the form of a 20-something girl. Driven by loneliness and curiosity, she becomes captivated by the vibrant Turkish culture. Alternating between the euphoria of her love with a Turkish woman, Melisa, and the aftermath of a tragic loss caused by homophobia in modern Turkish society, the narrative weaves subtle hints alluding to Deniz’s true nature, inviting contemplation on whether she is an extraterrestrial or a representation of someone who feels like an outsider within their own country. The story delicately portrays the healing journey of both Deniz and Melisa’s grieving mother within a city so capable of profound love, yet at times challenged to extend that love to others.

Get to know the writer:

What is your screenplay about?

The screenplay explores what it means to love in a city like Istanbul- a place that is both beautiful and complicated. Growing up in this country (as with any country), you can find love in every corner within its people. However, there’s also a heartbreaking cycle of hate that seeps through, especially towards the LGBTQ community.

Istanbul is naturally a loving city, but the struggle to embrace all forms of love has persisted for years. This paradox inspired me to create a story that highlights the loneliness and complexity of being part of a community like this in Istanbul. Despite the hate, I believe the city is and will always be filled with love- sometimes, all it takes is a shift in perspective to see that love in its purest form is universal. My love is no different than your love.

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March 2025: WILDsound Festival VOTED Best Reviewed Film Festival in the world!

NOTE from FilmFreeway:

Dear WILDsound FEEDBACK Film and Screenplay Festival,

Congratulations! Your festival has ranked as one of the Top 100 Best Reviewed Festivals on FilmFreeway for the month of February!

According to reviews from real FilmFreeway users, your festival ranks in the top 1% of more than 14,000 film festivals and creative contests around the world. No doubt, this ranking is a testament to the countless hours of hard work and care that you and your staff have devoted to creating such a wonderful event.

We’re especially proud to be partnered with amazing events like yours that help independent film continue to thrive.

Submit via FilmFreeway:

Watch Today’s Festival: SCI-FI/FANTASY Shorts Festival (bonus showcase from the last in-person festival)

Watch the festival here: https://www.wildsound.ca/videos/scifi-fantasy-shorts-in-person-festival-encore

Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.

Go to the festival page directly and watch dozens of films:
https://www.wildsound.ca/todays-film-festival/

SEE THE LINEUP OF FILMS:


SAINT-SACRIFICE, 14min., Canada
Directed by Jean-Claude Leblanc
He had promised her love and faithfulness until death do them part, but Antoine, the widower, will be willing to lose his soul to be reunited with his wife on the other side.

https://www.facebook.com/saintsacrificedsaxefilms
https://www.instagram.com/jean.claude.leblanc/
https://www.instagram.com/saint_sacrifice/

WEASEL, 2min., Mexico
Directed by Hisham Iyad Hajir
“An inattentive mother is captivated by her new Weasel—a weasel-shaped high-tech scanner that instantaneously sells anything it scans. But when a mishap involving her playful children turns the device from a helpful tool into a dangerous threat, she realizes this new technology is far beyond her understanding.”

7:59, 3min., Canada
Directed by Henri Carreau
In a dystopian world, a masked figure commutes to work. For him, everything is normal, but things truly aren’t.

BEYOND THE SYSTEM, 16min., Ireland
Directed by Fergus Mulligan
A worker in a future dystopian world begins to question his place in the production line and takes steps to break free from it.

EFFIGY HOUSE, 5min., Canada
Directed by Deb Ethier
A meditative dreamlike journey through the surreal inner spaces of the filmmaker’s mind as passing images and thoughts overlap, yearning to coalesce into a concept.


https://rustybolttheatre.zyrosite.com/
https://www.facebook.com/rustybolttheatre

OVERCLOCKING, 7min., Russia
Directed by Alexander Vikulov
A hero awakens in a mining farm powered by human brains, with no memory of who he is or how he got there. Under pressure from aggressive orderlies trying to administer a mysterious injection, he discovers superhuman reflexes and intellect, allowing him to overcome his adversaries and escape to freedom.

https://www.imdb.com/title/tt29593991
https://www.instagram.com/art_simulacra

KILLING R, 15min,. Sweden
Directed by Irene Altagracia Perez Lopez
Rebecka needs assistance to focus on an important deadline and receives help from her AI clone, R. However, R not only provides support but also constantly criticizes Rebecka, reminding her of her limitations as both a mother and an architect, which creates feelings of insecurity and guilt within her.

http://irenelopez.se/killing-r/
https://www.facebook.com/profile.php?id=100087540991321

OTHERS, 19min., USA
Directed by Chris Durr
A lonely radio enthusiast in a midwest suburb becomes suspicious that a hispanic teenager is a response to his interstellar transmissions. Misperceptions turn to confrontation, when they are interrupted by a close encounter with an unexpected guest.

https://www.othersfilm.com/
https://www.instagram.com/others.film

METAMORFOSI, 5min,. Canada
Directed by Arty Sandler
A composer chooses to write music for “Alice in Wonderland” and by doing so accidentally opens a portal inside her piano, falls down the rabbit hole into the Wonderland and meets manifestations of different sides of her own character – Queen of Hearts and Jabberwocky.

https://www.milanazilnik.com/albums/metamorfosi
https://facebook.com/zilnikmilana
https://instagram.com/milanazilnik

New Film on the Platform: FULL MOON, 5min., USA, Animation/Fantasy/Family

Watch the film: https://www.wildsound.ca/videos/watch-full-moon

Full Moon tells a story about a little girl and her big sister celebrating Halloween. The little girl wonders about the man who she believes lives on the moon, who she also believes might need her help. Her big sister helps the little girl carry out her well-intentioned deed.

Logline: Love and imagination come together to make for a most memorable Halloween.

https://facepaint.team/
https://www.facebook.com/facepaintkenellen
https://www.instagram.com/facepaintnonprofit/

Directed by John Vo, Ken Yoffe, Ellen Weisberg

Director Statement

Ken Yoffe’s and Ellen Weisberg’s stories, including Justin and the Werloobee and Full Moon, strive to promote kindness and empathy, love and friendship.

New Film on the Platform: LOST AT SEA music video, 6min., Germany

Watch film: https://www.wildsound.ca/videos/watch-lost-at-sea

A fairy tale gone wrong: A woman between two men

http://alexsebastian.de/
https://facebook.com/alexsebastianmuc
https://instagram.com/alexsebastianmuc

Directed by Alex Sebastian

Cast: Lisa Surmann, Manuel Köhler, Joseph Hehenwarter

Director Statement
Lost At Sea is another ambitious project we were not sure whether we could pull it off with the limited budget available from a self producing artists point of view. In the end we found partners in crime who believed in the story and brought this incredible piece of film to light. My love goes out to everyone involved!

New Film on the Platform: CAÑA short film, 14min., Dance/Experimental

Watch the film here: https://www.wildsound.ca/videos/cana

This film is an investigation of movement within a natural landscape, of rich textures and textiles in motion, and of the mystery of ritual. It provides a window into a private world of a group of women, dancing together unselfconsciously among natural landscapes and dressed in lusciously colored textiles. Throughout the film, sugar cane is ripped, bitten, and swung about as a meditation on this indulgent substance—echoing themes of vice and virtue.

https://www.facebook.com/CONTRATIEMPOActivistDanceTheater/
https://www.instagram.com/contra_tiempo/

Directed by Ana Maria Alvarez

Cinematography: Meena Murugesen

Performers: Bobbie Bell, Ana Maria Alvarez, Shamell Bell, Jennet Galdamez

Today’s PODCAST: Miguel Ángel Vives Ponzanelli (Onámuh)

Onámuh, 22min,. Mexico
Directed by Miguel Ángel Vives Ponzanelli
Onámuh, a humanoid marked by past abuses, searches for resources to survive. Árret, a deity of the earth, helps him and takes him to her lair, where Onámuh finds the energy he needed. However, his need turns into an addiction, leading him to abuse Árret and make her his prisoner. As the environment rapidly deteriorates, Onámuh must make a fatal decision due to his accumulated guilt.

https://www.instagram.com/pm.a.v/

Get to know the filmmaker:

What motivated you to make this film?

Philosophically, I’ve always loved the ideas Nietzsche had around nature and the way Humans perceive it in terms of an ego out of proportions. We humans tend to try and trap nature in our supposed “reason” but, in that futile attempt, we unleash a destructive force that tries to compensate the shameful fact that we understand almost nothing in the greater scheme of the natural universe. I wanted to portray that struggle with visual metaphors, symbols and allegories.

This brings me to the social part of the motivation to do the film. I’m mexican and, inside my country, we have deep problems concerning the destruction and exploitation of the natural environment. So, I saw an opportunity to try and create awareness of the problem that affects Mexico but also the entire planet as well. A good film can change perspectives and put people into action. Hopefully, this short film generates a bit of that in the audiences that watch it.

What were your initial reactions when watching the audience talking about your film in the feedback video?

I cried. Really, I did. I felt like the film directors that inspired me to do films. My sole purpose has always been to give audiences something worth watching you know? Good quality, good script, performances and attention to detail! The feedback video gave me validation to do more without compromising.

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Feature Film Review: SHUCKS. Directed by Ty Brueilly

A slow burning and silent eerie tale about escaping followed by personal transformations, addiction, programed human nature and the primal urges of evolved creature comforts through a macabre metaphorical manufacturing process. Written, Directed and Scored by Ty Bru. Starring Austin Rich.

Review by Andie Karvelis:

Writer, Director and Composer Ty Bru has a specific vision with Shucks. This
experimental/horror/music video is definitely a journey into the macabre. Shot entirely in black
and white helped give the film that eerie quality of being in the middle of nowhere. Choosing to
make this a silent film also lent itself to a “story” that could constantly metamorphosize and not
fall into one genre.


Musically this film was just as diverse. The score at times reflected an ominous tone and slowed
down to build the suspense and then dramatically switched to an uptempo almost rave quality
which constantly kept you guessing. The props were done with utmost care and had a really
cool yet sinister look to them, especially when they were utilized in conjunction with the
flickering television.


The creativity with camera work and angles, especially with the shots that were indoors on a
tripod came out great. I wish the hand held shots were done by steadicam due to the amount of
shake, it was hard to focus on what was happening on screen. This is definitely a film that
makes you question what was reality and what wasn’t. In the end, the film lets you decide.

Project Links