As you get older, you learn what you can endure. And I know that I just can’t endure living in a trailer in Burbank anymore and saying things like “And what did forensics tell you?”.
[on aging as an actor, and having] …the horrible and frightening revelation that in order to be good at what you do, you have to go deeper and deeper with each part and have to eviscerate yourself in a way that the man in the audience would never dream of doing. It may be that I keep doing it because I’m afraid to die. It may be that simple fact. The idea of saying, “I did this, I won that, I didn’t win that, and now I’ll just stop.” – that isn’t me. I’m a worker. If I don’t pit myself against things that are larger than myself, I’m lost.
[on his portrayal of Count Dracula on Broadway] I don’t play him as a hair-raising ghoul. He is a nobleman, an elegant man with a difficult problem… a man with a unique and distinctive social problem: he has to have blood to live and he is immortal.
It’s hard when you see a scene where it’s raining, and we have the rain machine, and you see it for 5 minutes, but that scene takes all day to shoot, and you do it with rain, and the dry off, and go back and do it again.
Unless you are really grounded and have a true sense of reality, you can get lost in that and a lot of people do and that’s why you see so many people with successful careers but with destructive lives.
And I think from a male perspective, we have men talking about their feelings and it being okay.
LOS ANGELES, CA – MAY 05: Writer/director Gia Coppola attends the premiere of Tribeca Film’s “Palo Alto” at the Directors Guild of America on May 5, 2014 in Los Angeles, California. (Photo by David Livingston/Getty Images)
Born January 1, 1987 · Los Angeles, California, USA
Birth name Giancarla Coppola
Niece of Sofia Coppola and Roman Coppola. Daughter of Gian-Carlo Coppola. He was killed in a boat crash before she was born. Granddaughter of Francis Ford Coppola and Eleanor Coppola.
I don’t want to play the girlfriend who’s there because she’s the girlfriend. And. That’s. Her. Job. I want to play women and girls who are active and strong and who have a character arc and make decisions and have a rich background.
I went to my first school dance on the set of ‘Spider-Man.’ The funny thing is, it wasn’t actually real. I didn’t choose my dress or my date or anything about it. I just showed up for work.
I have my friends who like me because I’m me and not because I’m in films, and that’s really important to me. They tell me, ‘You look terrible; don’t wear that,’ or ‘That joke wasn’t funny,’ and that’s really important: they keep me grounded.
For me, the audition is always the hardest part of the whole process. Once you get on set, once you’re in costume, you’re with the director, it’s so much easier to get in the headspace.
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INCA, 3min., Russia Directed by Michail Lazarev A girl leaves the house at night, sees a beautiful pile of glass, and lies down on it. A brief coming-of-age story set in the ’90s.
JANET DEVIS, 10min,. USA Directed by Brian Gregory Janet Devis is set in a non-specific time and place, blending sci-fi with horror and social commentary. It tells the tale of a telekinetic girl, named Janet Devis, who has been branded a witch and captured by an unknown organisation. She is interrogated, tortured and forceably inducted into an all encompassing programme by computers and machines. It appears that the unseen forces see Janet as a threat to themselves. They aim to control her, understand and obtain her powers for their own usage.
MONKEY ENTERS LANKA, 30min,. China Directed by Saie Surendra The ancient city of Lanka suffers under a tyrant. Concubines are being abducted from all over the world. One special princess disappears and that’s when a legendary folk hero is called for once again, his name, feared throughout the heavens and hells.. the Monkey King.
ALL THAT ROAMS BELOW, 30min., France Directed by Fabien Legeron, Estelle Faye A troubled young man comes back to the island, just an old photograph and adress in his possesion. There, he finds a girl he soon desires. But is she part of his family? Is she a metamorphic creature from the sea? What’s hidden in the basement ? Will the man have to confront his terrible father?
AURORA, 30min., USA Directed by Thomas Negovan, Aaron Sharps The true story of the first documented UFO crash in American history. Written and directed by Thomas Negovan and Aaron Shaps.
THE TREES ARE BLUE, 37min., France Directed by Mélanie Grancourt “You’ll feel better soon ” said the doctor. Meanwhile, it’s the little Aislinn’s entire family which tries to recover from the unspeakable drama.
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