Film Review: HOW TO TRAIN YOUR DRAGON: THE HIDDEN WORLD (USA 2019) ***

How to Train Your Dragon: The Hidden World Poster
Trailer

When Hiccup discovers Toothless isn’t the only Night Fury, he must seek “The Hidden World”, a secret Dragon Utopia before a hired tyrant named Grimmel finds it first.

Director:

Dean DeBlois

Writers:

Dean DeBloisCressida Cowell (based upon the “How to Train Your Dragon” book series by)

Two years after the first sequel, Toothless the dragon and Hiccup the dragon trainer , along with their fellow dragon riders and friends, continue to rescue captured dragons in order to bring them back to Berk and create a bustling dragon and human utopia.  Unfortunately, their efforts have also resulted in the island becoming severely overpopulated with dragons. In a response to the overcrowding, Hiccup desires to find the “Hidden World”, a safe haven for dragons that his late father Stoick told him about.  Meanwhile, a white Fury dragon, held captive by warlords, is given to infamous dragon hunter Grimmel the Grisly as bait for him to capture Toothless for the warlords’ use as an alpha.

Toothless discovers the white Fury (dubbed a “Light Fury” by Astrid) in the woods and the two quickly become enchanted with each other until the Light Fury, sensing Hiccup’s nearby presence, flees. Hiccup and Tuffnut later discover Grimmel’s dragon traps in the area. Grimmel visits Hiccup that night, but Hiccup has prepared an ambush to capture him; Grimmel escapes, burning down Hiccup’s house and part of Berk in the process. In response, Hiccup rallies the citizens and dragons to leave Berk on a quest to find the Hidden World and safety from dragon hunters.

The rest of the plot is silliness and uninspired writing from director DuBlois.  There is the climatic fight between Grimmel and Hiccup while Fury and Toothless fall in love.  The Hidden World is now the place the dragons reside without their masters, now humans and dragons in their own worlds till the next sequel.

What is lacking in plot an story is more than made up by special effects and solid animation.  Often there is too much going on-screen than meets the eye.  The film is best seen in 3-D IMAX but the screening I saw was in normal 2-D.  Still the film looks stupendous.  The humour is only slight and could do with a lot more funnier.  The dialogue comes off as ‘cute and amusing’ at best.

Jay Baruchel does a good voice characterization as Hiccup as does F. Murray Abraham as the villain Grimmel.  But the best of all voices come from comedienne Kristen Wiig as the annoying Tuffnut.  The dragons do not speak so no voices from Toothless or Fury.  The filmmakers seem to oddly love the Vikings speaking with a Scots accent.

The film turns too romantic and sappy, especially with two twin romantic couples – Hiccup and Astrid and the dragons Toothless and Fury.  The dragon  matingis overextended and silly.  Worse still, the film goes on several years into the future when each couple show up complete with overcute offspring.

The film will likely take over the box-office #1 spot this weekend.  The film has already broken even making $175 million internationally at the time of writing, more than its $129 million budget and it has not even opened in North America.

Trailer: https://www.youtube.com/watch?v=CYe7oMmCFr0

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Film Review: THE LONGING RITUAL, (USA, Experimental/Animation)

An American four minute animation, THE LONGING RITUAL is really a piece about visual design and graphic aesthetics. The film is composed of a basic series of repetitive shots- similar colors, shapes and designs, set against a series of motifs of the natural world, such as flowers or a person running. The effect is graphic design turned cinematic. The creation of, and circulation of the natural world embedded against the geometric world. Visually tantalizing and unique, THE LONGING RITUAL does not leave its meaning blatantly obvious. It is rather, an expression of textures, designs and colors intermingled with elements of the natural world. A  contemplative piece about the world we live in, and the space our art takes up within it.

Review by Kierston Drier

Watch the Audience FEEDBACK Video of the Short Film:

THE LONGING RITUAL, 4min., USA, Experimental/Animation
Directed by Scott TurriMost recently, in my latest series The Longing Ritual the focus has been on the nature/culture continuum, in particular the search for real experience and a connection to the natural world

CLICK HERE – and see full info and more pics of the film!

Film Review: JOY! BLUE MOON, (USA, Animation/Music)

This bright, happy musical number is full of starlight and technology. Literally. When the city goes to sleep, the technology that monitors the heavens comes to life. This three minute animated comedy is joyful romp through music and memory. Coming to us from the USA, the piece follows observatories, satellite dishes and radio towers all joining in harmony to the song “Blue Moon.” All bookkended by some very confused evening crew monitoring the event at their seats in the station.

There are many charming things about JOY BLUE MOON. One is that is uses a dated song and blends it with moderns technology, creating a lovely blend of old-and-new to create something lively and entertaining. Another, is that the animation somehow manages to capture a feeling a joy within the context of the technological pieces it uses as actors. The “actors”, the observatory, the satellite dishes, don’t have mouths, or even animate in a human-like way, yet they use what moveable parts they do have to give the impression that they are not only singing, but engaging in a chorus all their own. Away from humanity they sing to each other and for each other- a secret world of music under the stars.

Fun, fantastical and full of light hearted musical effervescence, JOY BLUE MOON is not to miss.

Review by Kierston Drier

Watch the Audience FEEDBACK Video of the Short Film:

JOY! BLUE MOON, 3min., USA, Animation/Music 
Directed by John VollmerMusic and images intertwine for a joyful experience.

CLICK HERE – and see full info and more pics of the film!

Film Review: OUR WONDERFUL NATURE, Germany, Animation

Like staring at a big bowl of candy, this film offers joy, delight and enthusiasm. OUR WONDERFUL NATURE is a three minute German animation in a mock-documentary style about the ravenous and foolhardy cameleon.

Brimming with physical comedy, polished images and laugh-out-loud moments, OUR WONDERFUL NATURE is packed with lush humour and frame-by-frame comedy. A film to engage and delight every viewer, this piece is like eating a huge slice of cake! Thankfully for the viewer, our eyes aren’t going to be too big for our stomach- the same can’t be said for our dear Chameleon.

Review by Kierston Drier

PLAYED at the January 2018 EUROPEAN Film Festival.

WATCH the Audience FEEDBACK Video:

OUR WONDERFUL NATURE, 3min., Germany, Animation
Directed by Tomer EshedThe feeding habits of the common cameleon as never seen before.

CLICK HERE – and see full info and more pics of the film!

Film Review: THE WAVES, UK, Animation

A bright and unique animation, this four minute UK film brought to us by director Oscar Lewis tells a deeply moving story. An artist retells his childhood memories through simple and vibrants animations- softened and slightly surreal, the way distant memories often feel. Poetic and interpretive in nature, the film appeals to a love of high contrast. On one hand, the bright, youthful images dance carefree in the minds of the viewers- on the other hand, the adult recounting these memories seems to hint at a darkness that lurks within him- sometime after these early memories, sometime before his current point.

Laced with occasionally ominous undertones, but still managing to captures the purity and innocence of youth THE WAVES is a love letter to childhood. It is a short film that carefully wraps up memory and tucks it safely away from the harsh realities of adulthood. A deep and compelling animated film.

Review by Kierston Drier

PLAYED at the January 2018 EUROPEAN Film Festival.

WATCH the Audience FEEDBACK Video:

THE WAVES, 4min., UK, Animation
Directed by Oscar LewisAn artist returns to his work after suffering a mental breakdown.

CLICK HERE – and see full info and more pics of the film!

Film Review: BARRY THE BLOBFISH (USA, Animation)

  This two minute short is a delight for young and old alike. BARRY THE BLOBFISH, an American film directed by Marleia A Alfaro is simple and effective, delivering its’ story with heart and ease.

Barry, our melancholic blobfish at the bottom of the shallow sea floor can’t get to the top reef no matter what he does. Depressed that he can’t get to his friends, he begins to cry- but then his friends come to him.

A simple and sweet story with a strong message for any one- we are always better when we work together.

Short Film played at the ANIMATION FEEDBACK Film Festival in December 2017

Review by Kierston Drier

BARRY THE BLOBFISH, 2min., USA, Animation
Directed by Marleia A. AlfaroBarry is a fat ugly fish that can’t swim and lives at the bottom of the ocean. He longs to live on a beautiful coral reef at the top of a tall, tall cliff.

CLICK HERE – and see full info and more pics of the film!

Film Review: CHRYSALIS (Singapore, Animation)

A truly inspiring work of animation, this visual masterpiece of a short comes to life in gripping detail with its use of the visual media. Dancing off the screen stream-of-consciousness style images, it retells an ancient fable of a butterfly- when assisted out of its’ cocoon it never develops properly and it hindered its’ whole life. It explores the greater concept of our struggles making us stronger.

While the strong story is enough to make film enjoyable- what is truly excellent about it are the images. They move within the story with the intensity of a roller coaster.

A vibrant and startling piece to engage with. CHRYSALIS is a spellbinding short film- it encapsulates all the things we want to see in shorts- beautiful story, meaningful messages and utterly beautiful images.

Short Film played at the ANIMATION FEEDBACK Film Festival in December 2017

Review by Kierston Drier

CHRYSALIS, 7min., Singapore, Animation 
Directed by Ina ConradiBased on an old legend about the butterfly’s struggles the film is the symbolic metaphor of rebirth after death and fascination with the human innate drive to survive.

CLICK HERE – and see full info and more pics of the film!