Hannah Ehman chats with actors Darlene Popovic & Cynthia Gatlin on the making of the short film GIN RUMMY.
“Three best friends have been playing Gin Rummy every week for over 50 years. On this Gin Rummy night they have made other plans as a final bonding of the trio.”
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
SERPENTINE PINK, 78min., USA Directed by Vivian Sorenson A dark surreal experience. A first of its kind, vortex of a lesbian?? John Waters film meets Yellow Rose meets early Almodóvar on a Lynchian induced trip??in the Mojave desert.??Serious Lost Highway vibes!
Serpentine Pink started out as a play and was given a sublimely wild life as a visceral immersive festival production in Los Angeles in 2013. It was an incredibly special experience to put on such an emotional story about broken hearts trying to heal in the weirdness of the California desert, everybody involved in the production bonded through the uniquely rigorous catharsis that occurred after conjuring such rawness in every performance. I can’t remember who it was but it was either Kristin Condon, who co-leads the film as Henrietta and is a co-producer, or O-Lan Jones who plays Andra, who expressed that Serpentine Pink and the expansive possibilities within its surreal visual vocabulary, as well as the vibrational intimacy of the wounded characters, would make a rad indie movie. I was super moved and excited by the focus on the female-led filmmaking of an underheard LGBTQ+ story, as well as the idea of transforming the theatrical depiction of pain and the characters’ wayward navigational attempts towards healing into an ambitiously poetic cinematic experience – at once personal and epic, highly stylized and on location on the spiritual vortices of the Joshua Tree desert.
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
BARON MUNCHAUSEN, 20min., Ukraine Directed by Ilya Noyabrev Eternal love or eternal life? This difficult choice is facing a brilliant actor. His life in the gray real world and the life of the world of fantasies are so closely intertwined that bright pictures of visions in his imagination layered on each other, mixing and breaking into small fragments fold again into the incredible patterns of a magic kaleidoscope …
AN ARTIST’S CURSE, 10min., Australia Directed by Steven J Mihaljevich When a malevolent creature resides inside the artwork of a 10 year old girl, fate is sealed, with trauma from her childhood echoing across her life. Art and horror collide when the girl becomes a Mother and desperately tries to come to terms with her delusions and the shocking truth of her daughter.
THE COORDINATES, 15min., Greece Directed by Despina Moraitou A husband and wife lawyer-team are caught between an ethical and a moral dilemma in the aftermath of their guilty client’s acquittal when the victim’s mother begs them to reveal her grave.
VIATICUM, 14min., USA Directed by Derek Frey A priest performing Last Rites is challenged by a hospice nurse who believes her patient should not be absolved of a deadly sin.
MINOTAUR, 14min., USA Directed by Steven Wright Clarkson I was just vibing on my adolescenct dungeon and dragons days in the late 70s/early 80s. 100s of AI renders on 12 different platforms were edited carefully together to tell the classic story of warriors fighting the dark creatures on their search for gold.