FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival.
SUBMIT your FEATURE, TV PILOT or SHORT SCREENPLAY.
Submissions take 3-5 weeks for evaluation. Looking for screenplays from all over the world.
This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)
1st Tier: FULL FEEDBACK on your screenplay (all submissions)
2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional video.
3rd Tier: We will send you a list of questions to answer for our blog interview that will promote you and your film.
4th Tier: Then we will set up a podcast interview on our popular ITunes show where will we will promote the winning writer and script.
(BONUS: 5th Tier. A winning screenwriter’s WhatsApp group has just been formed. Over 50 writers to date. Great way to share ideas and contacts with people in the industry.)
FAMILY and KIDS Books will always be needed and wanted in our society. If you can write a great family story, then you are definitely on your way to having a great career. This portion of the Writing Festival would like to present at least 20 new works of Family Novels in the next 12 months. Submit your family novel today.
Submit your SPORTS short story to the festival, and we will automatically have it performed by a professional actor and turned into a promotional video for yourself.
Accept only stories that fit into the sports genre. Sports storytelling is more than just reporting scores. It’s about weaving narratives that connect us emotionally to athletes, teams, and events.
There is no festival like this!
Mainly what this contest does is give exposure to the writer. They will be able to obtain a solid agent, plus get notice by producers looking for writers like yourself. NOTE: The writer will always own 100% rights to their story. The only thing we do is help the writer. Either with notes on their next draft, or gain exposure by having their story showcased at our festival.
What an incredibly sensitive and intuitive Festival! Our film “Cats and Husbands” was awarded Best Relationship Film and this means so much to us because that is what our film is all about. The audience feedback that was created was awesome and so good to hear. If you have an emotional film that you want to have reviewed with the care it deserves, The Romance and Relationship festival is the very Best! We are so Grateful and so Honored!
A woman races through the woods, hiding from an unseen threat. After injuring her leg, she finds refuge in a house, but we see a girl curled up on her couch, safe at home watching the same film we are. As the woman hides, the girl realizes the events on-screen are linked to her world. Terrified, she turns off the TV but hears a cry from upstairs. Drawn by fear, she approaches her closet…
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WIND LINES, 13min,. Spain Directed by Janire Etxabe As soon as I tried vertical dance, I knew I wanted to keep doing this. At home, in the mountains, flying, hanging. In a incessant search for the indefinable feeling.
AFTER COMA, 2min., South Korea Directed by Soo Hyun Kim This film is composed of 7 poems that take the viewers into the journey of spending the last moment with the loved one as a views of both people who leave and who is left. Each poems are represented with symbolic image and sound.
nor any memories of the turning backs, 15min., Turkey Directed by Ahmet Mete Balyan, Zeynep Su Topal [poem_body_memory_voice] none of them belong to each other and all of them belong to themselves an accumulation over the years// a practice of relating** on love, migration and mourning
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
BLEED, 3min,. USA Directed by Nico Van Den Berg, Ilana Armida Simone BLEED is a sci-fi horror film depicting the archaic infringement of women’s reproductive rights today by religious & government establishments. In a not-so-surreal depiction, Ilana Armida is bound against her will in a focus group testing facility. The facility is trialing different treatments to achieve full autonomy over women’s bodies.
FAZA, 14min., Poland Directed by Weronika Frycz-Zeme?ka “PHASE” is a story about a young Ukrainian living abroad, a tale of an intense life, extreme choices, and the thin line between the pursuit of freedom and the perilous consequences of poor decisions. The film paints a portrait of youthful recklessness and the challenging journey toward maturity in a world teetering between exhilaration and abyss.
THE MOMENT, 7min., Canada Directed by Craig Wrobleski A poem about resilience and strength as a path to peace. The film follows one woman’s extraordinary journey.
ONE, TWO…, 18min., Spain Directed by Verònica Font A portrait of people dancing, of gesture, of the body, of pleasure, of emotion… A collage of image and sound in which locations in Barcelona act as a stage and the rhythm of everyday life as a counterpoint.
Your Everyday Heroes traveled to Costa Rica and searched for inspirational everyday people who are changing the world. Jeremy, Tracey, Vernon and Che are clearly all examples of what it takes to be a Hero, and we’re proud to share their stories with you.
One of our film crews traveled to Costa Rica to film Jeremy Levine at Wild Sun Rescue of an episode of season two. Once they arrived, they kept meeting amazing people who were involved with their own non-profits, so we decided to feature all of them in a longer documentary in an effort to draw attention to their causes. To make this film? This production has many legs… Each hero ended up being featured in their own episode, then we decided to combine the 3 animal rescues and recut it from scratch, so to get this far has taken just about a year. That is why you see Che in the after credits, as he was the 4th hero we filmed in Costa Rica, but didn’t hit the theme of this story.
