Spouse Sam Caird(May 14, 2016 – present) (1 child)
QUOTES:
“I can relate to Susan. She thinks in terms of practicality. There are certain areas where we’re very similar and certain areas where we’re not. I feel very defensive of her. If anyone accuses Susan of being an outright cynic, I’ll say, ‘No, she’s not. There’s a perfectly logical explanation for it all. Don’t talk about her like that!'” (on her character, Susan Pevensie in The Chronicles of Narnia)
“Skandar has these eyes that are really expressive and quite penetrating” (on her first impression of costar Skandar Keynes).
“It’s gone more quickly than I expected; the time has really flown past. It’s a bit like a long and lovely dream, and now I’m ready to wake up.” (on the experience of filming the Chronicles of Narnia)
It’s a laid-back set, and everyone’s very friendly. Andrew is so relaxed that it makes everyone else relaxed. – On the set of the Chronicles of Narnia
Born December 16, 1967 · Brisbane, Queensland, Australia
Spouse Peter O’Brien (January 1, 2003 – present) (1 child)
QUOTES:
I’m so fair that I didn’t go in the sun as a child. When all my friends were on the beach, I was going to ballet. The teachers there didn’t like you going in the sun, so I never did.
[When asked about her worst memory of being involved in the Lord of the Rings trilogy] “When we were doing reshoots, we spent a few days doing the scene where I’m fighting the Witch-King. It was hard coming back after a couple of years away and not being as fit as I had been then.”
Everyone says you should get a photo taken of yourself while you’re pregnant. I’ve got a film [War of the Worlds (2005)]. It’ll be nice for my daughter, too, to look at one day. She was in it.
Krysten Ritter attends The 75th Annual Peabody Awards Ceremony in 201
Born December 16 · Bloomsburg, Pennsylvania, USA
Birth name Krysten Alyce Ritter
QUOTES:
I’m a weirdo. I don’t leave the house unless I have to.
I was always loud and obnoxious and giggly and funny.
I’m having a great time. I get to travel and see the world. And yeah, I’ll have a family, because I don’t want to miss out on that amazing experience, but it’s not defining who I am.
I used Vamps (2012) as a casting couch! I pretty much did, because I was casting Life Happens (2011) while I was on the set of ‘Vamps,’ and anybody I had ever worked with, I asked to be in this movie.
I have a new little stray dog that I’ve had for about a month now. His name is Mikey Mohawk – he’s this little terrier with a natural Mohawk. My friend found him hit by a car on Pico Boulevard.
I don’t normally do shoots in bikinis – I’m just not that kind of girl. But for ‘Maxim’ I was like, ‘Bring it on!’ I wanted to wear the higher heels and the skimpier bathing suit. I figured I’d go for it!
Go to the Daily Film Festival Platform http://www.wildsound.ca and sign up for the free 7 day trial to watch a new and original festival every single day.
ROOMIE, 11min., USA Directed by Macela Robison Joana, a young schoolteacher who lost her job, has no money to pay her rent. Thus, she advertises for a new roommate.
BEWILDERNESS, 4min,. South Africa Directed by Nkhensane Mhishi Bert, a lumberjack, works hard at chopping down the new forest before him. Between chopping down trees, he piles his lumber sky high, disturbs the natural wildlife, and desecrates the clean land with litter and trash. As he gets closer to the forest’s core, he sees a flower that blasts hallucinogenic pollen into his face. Bert loses his bearing on reality and is lured deeper into the forest he sought to destroy through an intense, psychedelic drug trip.
HARD TO SWALLOW, 4min,. South Africa Directed by Mark du Preez Buhloo, a Jelly Baby, whose conjoined twin brother and the rest of his family have been eaten by a lazy man named Trent, who decides to take his revenge. Buhloo must first make his way across the messy wastes of Trent’s room, facing challenges and foes along the way. In the end, Buhloo will find out that taking his revenge will come at a cost.
I’M DEAD, YOU’RE WELCOME, 15min,. USA Directed by Roderick Fenske Four friends reminisce about their legacy after the wake of their friend’s passing. Revelatory private affairs force them to deal with life choices that tangle them closer together in a way they never expected.
BACK TO WORK, 2min,. UK Directed by Michael Bundred A young workforce struggles to adapt to life back at the office, post lockdowns.
MOON THIEF, 11min,. Germany Directed by Robert Peichi London, 1920: When the penniless street artist Jules broke into a townhouse through a window at night, he would not have expected to end up in the nursery and be discovered by two small children. Disguised with their moon lantern over his head, he intends to make the children think they are dreaming. Will he succeed or will the children be able to unmask him sooner or later?
FLORES & CIENFUEGOS, 15min,. Mexico Directed by Henry Bedwell A couple of rusted-old fashioned-middle aged police investigators got themselves stuck in an old parking lot with a blood-thirsty creature, wondering their next move in order to escape this supernatural experience.
Dystopian stories are a type of speculative fiction that explore the darker aspects of human nature and the human mind. They often serve as a warning about what could happen to modern society if certain aspects grow out of control.
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A great way to get your words out there, obtain the Agent you’re looking for or just get your story seen by more people. If you win, your story will be seen by 100,000s of people when it’s read online using a top professional actor. It’s a rush you’ll never experience in your life seeing it come to life that way.
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What is your screenplay about? The central topic is a wildfire that grows uncontrollably, generating its own micro-weather followed by a downburst, which spreads destructive and fast winds of fire, while different civil defense officers try to fight it and save lives. It is a multicharacter plot, focusing on different layers of drama. At the same time, it’s also a conspiracy thriller, as a journalist tries to uncover the causes behind it.
What genres does your screenplay fall under? Action, thriller, drama
Why should this screenplay be made into a movie? First if all, it’s full of action and drama, possibly the main “ingredients” of any Hollywood blockbuster. Then, it’s a genuine, dramatic and heroic story with uncommon elements: wildfires are rarely depicted in movies; and, the story, which may seem incredible and fictional, was actually based on true events that no one could ever predict. So, if I do say so myself, I think it would be a great movie, something between “Band of Brothers” and “Dante’s Peak”.
I just graduated from high school, and I was working at Blockbuster. Not only did I get into movies while I was there, but I was putting away boxes and looking at the kids on the covers, it felt like windows into these seemingly perfect lives.
I’ll never have a more life-changing year than than this last one (2003-2004). I could win an Oscar and it wouldn’t alter my daily life as much as The O.C. (2003) has.
You know how in The Fugitive (1993), when Harrison Ford hears sirens, he’ll just subtly steer the other way? I do that when I see groups of teenage girls.
I love movie-making. I’m interested in writing and directing, and I’ve dabbled, but I haven’t done anything I care to brag about. Yet.
I wish I came from a more pure place. I don’t have something to say from the bottom of my soul. I just know how to take stuff I like and repackage it in a slightly different way.
