Author: festreviews

Filmmaker Sue A. Schroeder (HOME)

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HOME, 30min,. USA
Directed by Sue Schroeder, Adam Larsen
Filmed in France and Poland, Larsen and Schroeder, alongside an international community of gifted artists – from Columbia, France, Germany, Israel, Poland and the US- seek to create connection, impact, and meaning through a visually rich and poetic experience of beauty and loss, tenderness and urgency, action and recognition, mirroring and magnifying light. The work is gentle and steadfast, sharing and protecting life and in its surest moments, revealing the “we”, instead of the “I”.

Get to know filmmaker Sue A. Schroeder:

What motivated you to make this film?

Adam Larsen and I have collaborated on a number of projects with one or the other of us taking the lead. For HOME, we chose to start with a “shared” idea, tied to our kindred artistic vision – beauty and nature. An urgency developed as the climate crisis raged on. Activating empathy in our viewers, a “felt” sense became all the more important – hence the personal stories and human figure within the film.

2. From the idea to the finished product, how long did it take for you to make this film?

We initiated the film prior to Covid – mid-2019. Then the shooting came to a halt. We picked up again in late 2021 and premiered in October 2022.

3. How would you describe your film in two words!?

Beauty & Loss

4. What was the biggest obstacle you faced in completing this film?

Covid

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Curiosity and amazement – how each viewer has their individual experience of the film and yet all are true.

6. When did you realize that you wanted to make films?

Adam and I have made films throughout our careers, most notably over the last 15 years.

7. What film have you seen the most in your life?

Like Water for Chocolate (Sue), I can’t speak for Adam (😊)

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

It all comes down to people experiencing the work and from there seed funding is possible. A personal recommendation to other festivals is super helpful.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

It’s great. Easy and a central location for a large part of the film festival world.

10. What is your favorite meal?

Breakfast! Beginning the day well nourished!

11. What is next for you? A new film?

I just completed & premiered 2 short films, breath (https://www.coredance.org/breath-at-bmcm-ac) which will become a performance installation in 2026) and I am a word and also its echo (https://www.coredance.org/word-echo a collaboration with Portuguese filmmaker and composer, Nuno Veiga). Now my focus is on the curation of my first exhibition at Leicester Gallery in Britian which opens in February 2026. Adam is working on 2 documentaries – Neurotypical 2 https://www.hum-bar.com/documentary/neurotypical/ and WORK – as well as Access Point, a hybrid documentary/immersive installation (all connected to giving voice to people with disabilities). Adam is also developing The Pinecone, https://www.hum-bar.com/direction/pinecone/ a mobile 360-degree projection venue designed to bring immersive cinematic experiences to new audiences. We would be honored to share more about these projects!

Filmmaker Samuel Hart (SPARE ME THE DECISION: NATION OF LANGUAGES)

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SPARE ME THE DECISION: NATION OF LANGUAGES, 3min., USA
Directed by Samuel Hart
A dance music video exploring the pull of longing and Self Isolation

https://www.samueljhart.com/
https://www.instagram.com/samuel.j.hart/

Get to know the filmmaker:

1. What motivated you to make this film?

I had heard this song come up on my Spotify, and I knew pretty immediately that I wanted to make something for this song. I was really inspired by the music video Degrau a grau by Hugo França. He used these matching cuts as he jumped from location to location, and I wanted to make a project where doing that would energize the piece and add depth.

2. From the idea to the finished product, how long did it take for you to make this film?

It took us 3 months to produce the film. It took two months of preproduction, two days of shooting and and three and half weeks of post production.

3. How would you describe your film in two words!?

Expansive isolation

4. What was the biggest obstacle you faced in completing this film?

We had to be incredibly precise in our pre-production work. We shot everything on an iPhone in the studio and used it as a template to know how many shots we needed at each location and the exact points in which we would be cutting.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

It’s always so nice to hear when people enjoy something that you make. I sat on the link for a couple weeks too nervous to open it. But I’m grateful it was so well received! 🙂

6. When did you realize that you wanted to make films?

I always thought I would be a photographer, but in my last couple years of college I started being introduced to film and was encouraged by my professor Robert Machoian to pursue it more seriously. I’ve always loved film but he helped me see the crossover possible of transitioning photography to film.

7. What film have you seen the most in your life?

My parents loved old films. I grew up watching What’s Up Doc all the time with my family. I loved the absurdist humor that never stopped in the film.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

For where I’m at, I feel like it’s been a great experience.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Great! No complaints.

10. What is your favorite meal?

Chili

11. What is next for you? A new film?

I think another music video is definitely on the horizon. 😉

Filmmaker Stefan Westphal & Artist Christine Westphal (PLAY THE KEY REVISED)

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PLAY THE KEY REVISED, 4min,. Germany
Directed by Stefan Westphal
Play the Key is a self-produced, no-budget music video that visualizes a complex journey of resilience and healing. This song, part of our 2013 collection from [Former Drum & Bass Work PT.08 2013 – 2017], follows a protagonist grappling with deep personal challenges. Under relentless emotional assault from her close yet fractured surroundings, she discovers solace by “playing the key,” which transports her into an epic, dreamlike world. In this alternate reality, she encounters the dandelion—a symbol of healing and renewal—that provides a powerful antidote to the cruelty she’s endured since childhood.

http://www.rawtekk.com/
https://www.facebook.com/rawtekk
https://www.twitter.com/rawtekk
https://www.instagram.com/rawtekk_music

Get to know filmmaker Stefan Westphal & artist Christine Westphal

What motivated you to make this film?

Stefan: I was motivated to visually translate the aesthetic of the song into a minimalist and essential style. The concept was to work with a high number of cuts and develop an otherworldly, slightly disturbing scenery. Despite being new to filmmaking and having no budget, I wanted the visuals to feel energetic, mesmerizing, ethereal, and perfectly synchronized with the music.

From the idea to the finished product, how long did it take for you to make this film?

Stefan: The entire process took approximately six months. During the audience feedback session, someone assumed the cuts were created using AI and even thought Christine was an avatar. Just to clarify: Christine is real, and there was no AI involved in this project! 🙂

I filmed Christine in numerous settings, capturing multiple takes during each session. After post-processing the footage – denoising, color grading, and enhancing the visuals – I meticulously reviewed each take frame by frame to select the best shots. The final video features around 1,000 cuts, all edited in DaVinci Resolve. Visual effects like burn marks, film burns, dust overlays, and film damage effects were added manually and timed perfectly to the music, creating a dynamic and handcrafted aesthetic.

Additionally, I included generated codes as a nod to our earlier music video, Here’s To Them (2016), reflecting how our style has evolved while connecting this work to our creative path.

How would you describe your film in two words?

Christine: Energetic. Handcrafted.

What was the biggest obstacle you faced in completing this film?

Christine: The biggest obstacle was working with no budget, which required immense creativity and resourcefulness. Stefan spent countless hours setting up all 1,000 cuts manually – a painstakingly time-consuming process, especially as he was new to filmmaking. Learning DaVinci Resolve while diving into such an ambitious project was a steep learning curve for him, but he embraced it with the same passion and patience he puts into his music. Ultimately, the process was incredibly rewarding and pushed him to refine his visual storytelling skills.

What were your initial reactions when watching the audience talking about your film in the feedback video?

Christine: We were incredibly excited! Hearing the audience’s thoughts and interpretations was deeply rewarding. It’s amazing to see how people connect with the work in unexpected and meaningful ways.

When did you realize that you wanted to make films?

Stefan: My interest in filmmaking goes back to preschool when I dreamed of becoming an actor. Music entered my life when I was 12, and over the years, my desire to work on films resurfaced.

While music is already a full-time job, filmmaking allows me to combine my love for storytelling and visual art. The synergy between music and film is incredibly powerful, and I hope to explore it more in the future.

What film have you seen the most in your life?

Stefan: As a child, it was probably the original Star Wars trilogy and National Lampoon’s Vacation. Later, I developed a deep appreciation for Stanley Kubrick’s films. The ones I’ve rewatched the most are Eyes Wide Shut and A Clockwork Orange.

What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Christine: We’d love more support for our music project, Rawtekk, whether through listening to or sharing our tracks. We recently released our life’s work as The Rawtekk History Collection and curated playlists on Spotify featuring music from other artists who inspire us.

If you’re interested, you can find them: https://open.spotify.com/playlist/0xm71yGST0B2oDYPDSnLN4?si=8d24e79a1f9b49ea

Stefan: Opportunities to connect with other filmmakers for creative exchange and collaborations would be invaluable. We’ve been working on our album Posthumanity for over three years, and it’s a very serious project. We pour months into each song, doing everything ourselves – lyrics, composition, sound design, mixing, and mastering. Your support helps us dedicate ourselves fully to our art without needing to work for clients or brands.

You submitted to the festival via FilmFreeway. How has your experience been working on the festival platform site?

Christine: It’s been a great experience! The platform is user-friendly, and the submission process is smooth and straightforward.

What is your favorite meal?

Stefan: Christine’s amazing vegan, authentic Asian cooking—it’s absolutely the best!

Christine: I didn’t know you thought that! 😀 I love exploring the vibrant colors of plant-based eating, like purple sweet potatoes, red cabbage, and turmeric to name a few. I’m so thankful for the variety we have access to, and I’m endlessly fascinated by the science of how these foods affect the body on so many levels.

What is next for you? A new film?

Christine: We’re planning more music videos! We’ve already shot footage for an older song called My Love, which we recently remastered and re-released as part of the History Collection.

Stefan: We’d love to create three videos for our upcoming album and are open to collaborating with other creatives. If our music inspires you, we’d love to hear from you or get your support!

Filmmaker Mike Onley (Walk Off The Earth at Bud Stage 2024)

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WALK OFF THE EARTH AT BUD STAGE 2024, 11min., Canada
Directed by Mike Onley
A behind the scenes look at a day in the life of Canadian rockstars Walk Off The Earth at Budweiser Gardens the day of their annual performance. We explore why the home-town show is so special to the band and fans alike, and what goes in to creating a spectacular show.

Get to know the filmmaker:

1. What motivated you to make this film?
As a long time fan of the band I was excited to be invited to the show and I just wanted to capture the experience for everyone else to see.

2. From the idea to the finished product, how long did it take for you to make this film?
It was a whirlwind – I captured the day primarily on a single handheld camera, and then supplemented with some additional archival and event footage – Honestly there wasn’t much planning involved, it was run and gun but I think that adds to the charm and the “fly on the wall/sneak peak” feel.

3. How would you describe your film in two words!?
Rock and Roll

4. What was the biggest obstacle you faced in completing this film?
Not getting set on fire by the stage pyro

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
It was nice to see that people were engaged and felt the energy that the piece was meant to convey

6. When did you realize that you wanted to make films?
I’ve always loved capturing the moment – I used to film (terribly uninteresting) videos of my friends hanging out, and doing silly things at parties when we were young, and that grew into a passion for documentary story telling.

7. What film have you seen the most in your life?
The blink 182 rock-umentaries.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
i think the audience feedback is a cool feature. I would have liked an email reminder about the festival screening as I completely missed it – largely my own fault.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?
good

10. What is your favorite meal?
taco bell

11. What is next for you? A new film?
I work largely in commercial and agency production, but always eager to find time for passion projects like this.

Filmmaker Serkan Aktaş (RESURRECTION UNDER THE OCEAN)

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RESURRECTION UNDER THE OCEAN, 3min., Turkey, Experimental
Directed by Serkan Aktaş
“Resurrection under the Ocean” is about the resurrection of a man who was helplessly sinking to the bottom of the ocean, after falling to the bottom of the ocean, with a symbolic narrative.

Get to know the filmmaker:

1. What motivated you to make this film?

“Making Resurrection under the Ocean was driven by a deep personal and creative desire to explore themes of human resilience and transformation in the face of adversity. The ocean has always been a powerful metaphor for the unknown, for both the depths of the human experience and the mysteries that lie beyond our comprehension. I wanted to create a story that reflected the fragility and strength of life, much like the ocean itself—where vast, powerful forces exist beneath the surface, often unseen.
The inspiration also came from my fascination with the idea of rebirth. In many ways, the ocean represents a kind of infinite possibility, a place where life can be both created and destroyed. This duality resonated with me on a personal level, and I wanted to explore the transformative power of human experience, especially in the face of environmental change and the shifting tides of society.
The film also stems from my love of storytelling that combines both the physical and emotional realms. The underwater setting allowed me to visually convey feelings of isolation and survival, while also diving deep into the psychological effects of confronting the unknown. Ultimately, Resurrection under the Ocean is a reflection on human survival, connection, and renewal, all set against one of the most powerful and mysterious forces in nature.”

2. From the idea to the finished product, how long did it take for you to make this film?

“It took just three months. The idea came quickly, and we worked with urgency and focus. With a great team and a clear vision, we were able to bring it all together in record time. The tight timeline pushed us to be creative and efficient.”

3. How would you describe your film in two words!?

“Resilient and transformative.”

4. What was the biggest obstacle you faced in completing this film?

“The biggest obstacles were finding the right sea location and working with a low budget. Securing a location that captured the essence of the story was tough, and managing the budget meant we had to be creative with resources. But these challenges only fueled our determination to make the film work.”

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

“Watching the audience react to Resurrection under the Ocean in the feedback video was both humbling and exciting. It was incredible to hear their thoughts and to see how the film connected with them. The feedback was deeply insightful, and I was moved by the emotions it evoked. It reassured me that the story resonated with people, and it reinforced my passion for filmmaking.”

6. When did you realize that you wanted to make films?

“I discovered my talent for writing stories and making films when I was 16. My elder brother and I watched Hokkabaz, a Turkish film, and it was the first movie I saw in a theater. That experience sparked my passion for filmmaking.”

7. What film have you seen the most in your life?

“Groundhog Day” (1993). It’s a fantasy film that I find fascinating, and its unique take on time and repetition has always captivated me. It sparked my love for fantasy films and storytelling that explores deeper themes.”

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

“More opportunities for networking with industry professionals and other filmmakers would be invaluable. Workshops and panels on emerging technologies and storytelling techniques would also help me grow as a filmmaker and push my work to new heights.”

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

“My experience with FilmFreeway has been great. The platform is user-friendly, and it made the submission process smooth and efficient. It’s easy to track submissions and connect with festivals, which is incredibly helpful for filmmakers.”

10. What is your favorite meal?

“My favorite meal is Gözleme with mushrooms, a traditional Turkish dish from my hometown of Kastamonu, Turkey. It’s even more special when my mom makes it—it’s a meal full of warmth and great memories.”

11. What is next for you? A new film?

“My next project is Kanlısırt – The Blood Ridge, a feature film I’m writing and directing. The script is already finished. Set during World War I, it tells the story of the intense battle between the Turkish and British armies at Gallipoli. The plot follows a fake war veteran who wronged his brother over inheritance. As his brother is about to die in battle, he must reach him to make things right.”

Filmmaker Aniruddha Das (MADE IN PARADISE)

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MADE IN PARADISE, 44min., India
Directed by Aniruddha Das
Set against the stunning backdrop of Ladakh, Made In Paradise tells the story of the Changpa nomads, guardians of the world’s finest Pashmina. A testament to human resilience and perseverance, the film highlights the community’s immense respect for the environment, and its attempt to protect a rich heritage and culture, only to ensure that their Pashmina remains a global treasure. The film also explores the symbiotic relationship between the herders and their animals, the legacy of the Pashmina, and the fight to preserve a way of life that teeters on the edge of survival.

https://madeinparadisefilm.com/
https://x.com/pashminafilm
https://www.instagram.com/pashminafilm/

Get to know the filmmaker:

1. What motivated you to make this film?

The breathtaking landscapes of Ladakh and the resilient spirit of the Changpa nomads drew me in. Their story—rooted in harmony with nature and a fight to preserve heritage—felt too precious to remain untold. This film is my love letter to them and my way of sharing their story with the rest of the world.

2. From the idea to the finished product, how long did it take for you to make this film?

It took about a year and a half to bring this film to life. We wanted to immerse ourselves in the journey of the Changpa across seasons—through the extreme winters and harsh summers of Ladakh—capturing the rhythm of their lives as it unfolds.

3. How would you describe your film in two words!?

Resilient Harmony.

4. What was the biggest obstacle you faced in completing this film?

The biggest challenge was reaching the remote, high-altitude locations near the Indo-China border and finding the nomads, who are always on the move. It was a journey of patience and persistence, inspired by the very spirit of the Changpa people.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?

Watching the audience react to our film for the first time was nothing short of thrilling. Hearing their positive words and knowing the story resonated deeply was both humbling and exhilarating—it felt like the journey was truly worth it.

6. When did you realize that you wanted to make films?

After over a decade in the advertising industry, I realized the power stories have to connect with and inspire people. My work has allowed me to encounter countless such untold stories from India that deserved a global voice. This film is my humble beginning to bring those narratives to the world.

7.What film have you seen the most in your life?

The film I’ve seen the most is Baraka. Its visual poetry and ability to convey profound stories without words deeply resonate with me, reminding me of the universal language of cinema.

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?

Festivals like yours already excel in connecting filmmakers to audiences and amplifying our voices. A valuable addition could be live Q&A sessions with the audience after screenings—whether virtual or in person. These interactions allow for direct engagement, fostering a deeper understanding of the stories we tell and inspiring future collaborations.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

FilmFreeway has been a seamless and intuitive platform for submitting films. Its accessibility and organized interface make the process straightforward, allowing filmmakers to focus on storytelling rather than logistics. It’s a great bridge between filmmakers and festivals worldwide.

10. What is your favorite meal?

My favorite meal is Shapta with Tingmo, a flavorful Tibetan stir-fry paired with soft, steamed bread. Its rich spices and comforting textures make it a dish that feels like home.

11. What is next for you? A new film?

Next, I’m exploring the intricate world of Ladakh Shingskos—a centuries-old woodwork tradition, shaped by time and nature, now fighting to preserve its legacy in a rapidly modernizing world. This is the untold story of art, resilience, and the hands that carve history.

Filmmaker Mike Goldberg (THE KENTUCKY COWBOY)

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THE KENTUCKY COWBOY, 58min., USA
Directed by Mike Goldberg
Despite becoming a success on the football field, a man struggles internally with mental health issues all his life, as he continuously tries to gain acceptance from his father and legendary football coach.

Get to know the writer:

1. What motivated you to make this film?
Hearing Chris’s story was eye opening, as we just don’t hear a lot about athletes who admit to mental health struggles, let alone in football and in the 80s-90s. We wanted to hear his entire story knowing it could likely help others who deal with similar struggles.

2. From the idea to the finished product, how long did it take for you to make this film?
About a year and half.

3. How would you describe your film in two words!?
Mentally Fulfilling

4. What was the biggest obstacle you faced in completing this film?
Getting athletes from Chris’s playing time to go on camera and discuss their mental health struggles.

5. What were your initial reactions when watching the audience talking about your film in the feedback video?
Chilling… hearing others feel as we did making it, was amazing.

6. When did you realize that you wanted to make films?
Many many many years ago… but easier said than done.

7. What film have you seen the most in your life?
The Godfather probably

8. What other elements of the festival experience can we and other festivals implement to satisfy you and help you further your filmmaking career?
More categories could be helpful even in documentary world. Maybe some type of ‘in person” gathering/awards once a year.

9. You submitted to the festival via FilmFreeway. How has your experiences been working on the festival platform site?

Seems very easy to navigate and find what you’re looking for.

10. What is your favorite meal?
Sushi

11. What is next for you? A new film?
Yes… but not sure the topic quite yet.

Screenwriter Shaun Delliskave (WIT HAPPENS)

festreviews best scene screenplay, screenplay festival

“Wit Happens” is a dramedy blending sharp satire and heartfelt comedy, capturing the unlikely bond between two souls at different stages of life. As Jack learns to break out of his “one-trick pony” role, Barbara guides him in finding his unique voice—one that has the power to connect, heal, and inspire.

Get to know the writer:

What is your screenplay about?
It follows Jack Demarrant, a struggling comedian known for his Trump impersonations, who is grappling with being typecast and ridiculed for his act. As he attempts to reinvent himself, he forms an unexpected connection with Hilary Steiner and her feisty grandmother, Barbara, which leads to personal growth, comedic challenges, and an exploration of legacy and relationships.

What genres does your screenplay fall under?
Comedy, Drama.

Why should this screenplay be made into a movie?
The screenplay offers a unique blend of humor and heart, addressing themes of self-identity, resilience, and generational wisdom through its comedic lens. Its sharp dialogue and cultural relevance make it both entertaining and meaningful.

How would you describe this script in two words?
Comedic Redemption.

What movie have you seen the most times in your life?

Raiders of the Lost Ark

6. How long have you been working on this screenplay

I crafted this over a period of three months this year.

7. How many stories have you written?

I have crafter over eight screenplays, with four of the being optioned and one working with a current studio right now.8.

8. What is your favorite song?

Hey Jude

9. What obstacles did you face to finish this screenplay?
Quite literally, two presidential assassination attempts. The screenplay would have been dropped had things gone worse.

10. Apart from writing, what else are you passionate about?
I write articles for my hometown newspaper (it’s not my full-time job) and collect exotic pine cones.

11. You entered your screenplay via FilmFreeway. What has been your experience working with the submission platform site?

It makes things super easy to find the right festival for my project.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
Not many festivals focus on comedy and provide options for getting input and other useful feedback on scripts. The Toronto Festival was able to organize that all in one spot!

Screenwriter Robert Feldges (A BETTER HERO)

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Based on the animated series “Teen Titans” and characters appearing in DC Comics.

Get to know the writer:

1. What is your screenplay about?
On kid flash from the original Teen titans cartoon, taking his girlfriend Jinx to visit Central City and reconnect with his best friend Hunter, but they encounter an evil speedster who promises to break Kid Flash.

2. What genres does your screenplay fall under?
Superhero, Animation (technically a medium not a genre, but that’s the source material), Drama, Action

3. Why should this screenplay be made into a movie?
I doubt my full script is quite ready to be made into a full film, but once it fully is, it should be adapted because of how it respects the original characters and incoraptes them into the setting of a beloved show

4. How would you describe this script in two words?
Fallen Friends

5. What movie have you seen the most times in your life?
Definitely one of the Disney classics – I’m gonna go with The Lion King

6. How long have you been working on this screenplay?
About 3-4 months.

7. How many stories have you written?
I’d say a dozen, but this is the only one I’ve made into a script.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)
The Scarecrow by Avantasia.

9. What obstacles did you face to finish this screenplay?
Finding enough time.

10. Apart from writing, what else are you passionate about?
Spending time with my wife, reading, running, pc gaming

11. You entered your screenplay via FilmFreeway. What have been your experiences working with the submission platform site?
It was very easy to use.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?
I wanted to get some professional feedback, so I just googled “fan fiction submission” and found the festival. The feedback was very helpful, and the one-on-one with the screenplay consultant (Sydney) gave me a lot of advice on how to improve.

Screenwriter Les Lahage (THE PRESAGE)

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Leisal Werster lived in the woodsy shadows of Marstons Mills, Cape Cod. A former clergyman with a mysterious past and even darker secret who’s now on the run. Jessica Stone is no stranger to seeing tragedy in her life. With one year of college left she’s more determined than ever to see her dreams come true. A chance encounter will bring these two strangers together, changing their lives and impacting the lives of others. Jessica will soon question the unfathomable as she’s pulled into a series of horrific events. A game of cat and mouse will ensue while unearthly eyes observe from afar.

Get to know the writer:

1. What is your screenplay about?

It’s a game of cat and mouse while the antagonist chases down an ancient artifact.

2. What genres does your screenplay fall under?

Suspense, thriller and drama.

3. Why should this screenplay be made into a movie?

Intriguing characters, real life struggles, never seen before locations and an enticing storyline. It also begs the question, is there more to this life than just what we see?

4. How would you describe this script in two words?

Gripping and original.

5. What movie have you seen the most times in your life?

Jaws.

6. How long have you been working on this screenplay?

Six to eight months.

7. How many stories have you written?

The Presage is my ninth screenplay.

8. What is your favorite song? (Or, what song have you listened to the most times in your life?)

My favorite song is Inner City Blues by Marvin Gaye.

9. What obstacles did you face to finish this screenplay?

The ending. I’ve never left an ending open for a sequel, The Presage was my first.

10. Apart from writing, what else are you passionate about?

Reading, hiking, art and living a healthy lifestyle.

11. You entered your screenplay via FilmFreeway. What has been your experiences working with the submission platform site?

Overall it’s been very good.

12. What influenced you to enter the festival? What were your feelings on the initial feedback you received?

My screenplay was the perfect fit, it’s a suspense/thriller.

Any feedback, good or bad is always welcome; it comes with the territory. I’m very happy the reader was entertained, that’s the main goal.