TIFF 2018 Review: ANTHROPOCENE: THE HUMAN EPOCH (Canada 2018) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Anthropocene: The Human Epoch Poster

 

Filmmakers filmmakers Jennifer Baichwal and Nicholas de Pencier return with their latest and third of their trilogy after MANUFACTURED LANDSCAPES and WATERMARK, entitled ANTHROPOCENE: THE HUMAN EPOCH.  

The doc, written by Baichwal and narrated by Swedish actress and Oscar winner Alicia Vikander is a disturbing doc that demands to be seen for it explores human impact on the Earth.  The film’s first scene is that of molten metal.  

The site on display is north of the Arctic circle in what Baischwal describes as Russia’s most polluted city.  This is where the world’s largest metal smelting industry is located.  Baichwal and her crew travel the world documenting evidence of human domination – from concrete seawalls that cover 60% of China’s mainland coast, to psychedelic potash mines in Russia’s Ural Mountains, to vast marble quarries in Italy, to surreal phosphate tailings ponds in Florida.  

ANTHROPOCENE: THE HUMAN EPOCH is a spectacular film – Baichwal’s best of her trilogy.  She has spent an immense amount of time on research and travels resulting in this magnificent educational documentary.

Trailer: https://www.youtube.com/watch?v=44RYqgKwfSQ

 

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Interview with Festival Director Matty Steinkamp (iNDIE FILM FEST)

An exclusive independent film festival featuring the the highest quality in independent filmmaking. Our goal is to create the highest quality platform to showcase independent films while giving the filmmakers a place to make money and succeed at selling out their first premiere. Filmmakers will have the opportunity to premiere their film with a sold out audience in a nationally recognized independent theater and benefit from direct ticket sales with the festival.

Contact

 
Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

A: Our fest premieres films with filmmakers giving part of the ticket sales directly to the winning filmmakers. We also provide earned media for each of our films here in the southwest along with radio interviews on Phoenix morning radio shows the week of the festival as part of our festival partnerships. Winners also receive cash prizes and in some categories direct distribution to several theaters in the southwest to screen their film after the festival. All of our premiere screenings will be held in downtown Phoenix in the heart of the art community so there is very active audience that filmmakers get to premiere their films in front of.

2) What would you expect to experience if you attend your upcoming festival?

A: An inclusive art experience that premieres new indie films in vintage movie theaters and classic ballrooms, being surrounded by art, artists, and art lovers, the chance to experience VR at our VR installation, or take some fun photos in our photo booth, or catch a panel or our Key Note speaker at Crescent Ballroom and learn what it takes to get to the next step in your filmmaking career, or on opening night catch one of the pop up screenings down on the art walk with short films and music videos being projected on the buildings as you walk by. There will be live music and live art throughout the festivals two days. Unique film viewing experiences is what we are aiming to accomplish this year.

3) What are the qualifications for the selected films?

A: The films must be created under a $250,000 budget. We are looking for true indie films. We want films made by filmmakers not the industry or some major studio system. Of course with each category there are different qualifications. Like the Drone Film category, we are only selecting films in this category filmed on or with a drone. Also we are looking for films that have not had a World Premiere yet in theaters or online. It is our goal to help new films reach audiences faster and with a successful premiere that the filmmakers can move on to more premieres and make money doing it without needing to struggle all along the way with putting films out alone.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

A: Our team is made up of filmmakers and artists, we know from our own experiences in submitting films to 100s of festivals that indie films are over looked and passed on more so to give popular icons / studio films more lime light….. even if the the popular icon made a shitty film and the indie film that got passed up was actually amazing and might have been an award winner. Indie films are on the rise though and now is the time to showcase them and celebrate them even more! Our festival is going to give independent films and filmmakers a 100% chance to succeed the second they announce their official selection with INDIE.

5) What motivates you and your team to do this festival?

A: We have always wanted something in downtown Phoenix to be honest. The art scene in Phoenix needs a great film festival that is more than just one night at one venue. Combining two of the top venues in downtown Phoenix in the festival allows for our audience to walk or ride a bike between venues while on the way possibly catch a pop up screening on the side of building just to keep in fun… no one is doing this here in the downtown area… we almost feel like its up to us to move the film festival concept forward in favor of the artists and become more experimental with the screenings to hopefully evolve the art form.

6) How has your FilmFreeway submission process been?

It has been great so far, we have had some amazing submissions early on and are very excited to see the outcome of our committee selections!!! Filmfreeway gives us the chance to reach way more filmmakers across the entire planet… we are very excited!!!

7) Where do you see the festival by 2023?

Our plan is to be in the same locations but keep adding days as we grow. Our festival is still only a two day festival at this point but it is our goal to stay small and maintain the highest quality while giving the filmmakers the best opportunity to premiere their film. We do plan on growing into larger and more venues once we can accommodate the right budget for additional venues.

8) What film have you seen the most times in your life?

A: Coming to America, Goodfellas, Citizen Kane, Play The Documentary,

9) In one sentence, what makes a great film?

A: A great film needs to have the ability to tell a story that transports the audience to a different place or time.

10) How is the film scene in your city?

A: The film scene in Phoenix is growing. While the industry itself is not investing into the growth in Phoenix, several groups in Phoenix are working hard to collaborate more to help the growth of the film scene from within. New film companies are starting up everyday and more and more creatives are making indie films and putting them out to the world. We have a very strong activist community in Phoenix that is leading the way with social justice films telling the stories of our communities to help us move closer to an inclusive society as well to tell the stories of our communities correctly on not mislead or conveyed by the mass media.

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Interview with Festival Director Dave Harlequin (Stranger Days Independent Film Festival)

The Stranger Days Independent Film Festival is an annual event celebrating the art of truly independent cinema in Charlotte, North Carolina. Showcasing the contributions of independent filmmakers from all around the world, with a strong emphasis on locally and regionally produced short films from the Carolinas, the Stranger Days Independent Film Festival strives to build community and establish positive connections by offering an outlet to artists often overlooked by the mainstream, and providing viewers with an interactive experience in a diverse environment that is both welcoming and inclusive for all people from all walks of life.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

I think it’s really giving a voice to independent filmmakers, as well as a legitimate outlet to showcase their work. We are independent filmmakers ourselves, so we know all too well how difficult it can be for independent filmmakers out there. That’s honestly why we created this film fest to begin with, to showcase these hidden gems that so often get overlooked, and I really think we’re succeeding at that.

2) What would you expect to experience if you attend your upcoming festival?

Every time I attend any film festival, I always expect to see a wide variety of films I can’t see anywhere else; be that at a theater or streaming online somewhere. I truly feel like we accomplish that, as do so in an environment that is both relaxed and fun for our audiences.

3) What are the qualifications for the selected films?

Every film submitted absolutely MUST be an independent film, and I mean truly independent. We do not accept any films with major studio backing, huge budgets, or big stars. Additionally, every film submitted must not already have wide VOD distribution such as Amazon, Netflix, VuDu, or anything like that. Also, if it’s a local film produced in the Carolinas, we also have a special category just for those films, and thus give a selection preference to them, seeing as how we’re located in Charlotte and always like to support local filmmaking.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Absolutely. In fact, that’s a big part of why we started the Stranger Days Independent Film Fest to begin with. Far too often great films are being rejected by tons of film festivals out there because they’re either too low-budget, don’t have the exact right run-time, or don’t have the star-power behind them to entice some sort of celebrity appearance or something like that. Lots of times a short film, for example, isn’t long enough to fit into a feature film category, but isn’t short enough to fit into some rapid-fire block of 10-15 minutes or less, so these really great stories that happen to run in that so-called ‘unacceptable’ window of 20-45 minutes can’t even get in the door at most festivals because said festivals don’t make a place for them to be.

5) What motivates you and your team to do this festival?

Honestly, a ton of film festival rejections and a handful of really hurtful anonymous comments is probably my biggest motivator personally. Again, we’re filmmakers ourselves, and know exactly how it feels to have something you’re really proud of that can’t seem to find anywhere to screen and be seen by an actual audience. So, we decided to create a place locally for all of those toiling away in the so-called underground.

6) How has your FilmFreeway submission process been?

FilmFreeway has been wonderful to us. It’s a fantastic platform to not only accept and process our submissions, but with the ability to download files, organize, and most of all promote your listing to filmmakers all around the world. We work exclusively with FilmFreeway, and will continue to do so for as long as they’ll have us.

7) Where do you see the festival by 2023?

I honestly never look that far into the future, as I tend to live in the moment, but I don’t see any scenario where were not still going strong, and still offering our event to filmmakers out there. We’ve got an outstanding venue that works with us, with an excellent layout, top-notch equipment, and a great atmosphere that’s with us for the long haul, so I don’t see us going anywhere any time soon.

8) What film have you seen the most times in your life?

Oh man, that’s a tough one. I think as far as live screenings, I’ve got to say The Rocky Horror Picture Show, mostly because I do a lot of conventions and film festival events across the country and that one tends to run a lot. At home on my own, probably a tie between Pulp Fiction, Richard Linklater’s SubUrbia, and Mulholland Drive. Of course, this is just a total guess, because I watch and re-watch a ton of films.

9) In one sentence, what makes a great film?

A really great story that leaves you feeling something after you’ve seen it.

10) How is the film scene in your city?

Much better than it gets credit for. Charlotte has a wonderful film scene, and a ton of super creative, hardworking people that really strive to make the best art they possibly can. Sure, there are a lot of filmmakers around here that just seem to be more interested in cranking out one good thing so they can leave and head off to Hollywood or Atlanta, but there’s a lot more who are dedicated to creating and sustaining some great stuff right here in North Carolina, and those are the ones I’m interested in.

stranger days 2

DAVE HARLEQUIN BIO:
Dave Harlequin is an award-winning independent filmmaker and professional writer from Charlotte, North Carolina. He is the Creative Director and Lead Screenwriter of A Stranger Concept Films and has to date written and produced over a dozen films, with many winning multiple awards throughout the film festival and convention circuits. His most recent short film, CLOSING TIME, is currently touring the festival circuit and has thus far won several awards and nominations, with plans to join some of his other work on Amazon Prime. Outside of filmmaking, Harlequin is also a professional journalist and currently serves as Editor in Chief of digital fandom culture and entertainment publication Nerd Nation Magazine. When he’s not making films and writing, Harlequin enjoys cooking, gaming, and hanging out with his dog.
And there you have it! I’ve also attached the poster image for the 2018 Stranger Days Independent Film Festival, as well as a headshot of yours truly for your use in the article. Please let me know if there’s anything else you might need from me, and once the article is published, please send me a link to it and I’ll be sure to share it all over our social media, website, etc. Thanks again for the opportunity, and I look forward to working with you again in the future!

TIFF 2018 Capsule Review: EL ANGEL (Argentina/Spain2018) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

El Angel Poster
Carlitos is a seventeen-year-old youth with movie star swagger, blond curls and a baby face. As a young boy, he coveted other people’s things, but it wasn’t until his early adolescence that…See full summary »

Director:

Luis Ortega

Not since THE OMEN has evil been given a more deliciously portrayal as in the angelic innocent face of Damien the satanic child.   Loosely based on the infamous Argentinian serial killer dubbed “Death Angel”, EL ANGEL (THE ANGEL) follows an innocuous-looking, all blond hair and cherubic face but deeply sinister thief whose lawlessness escalates exponentially when he takes up with a career criminal. 

 Carlitos (Lorenzo Ferro) has decent parents who discouragers him from stealing but Carlitos does so because he revels in it.  Trouble really begins when he meets Ramon (Chino Darín), the son of criminals, the attraction he feels (for both crime and also for Ramon as evident in one homo-erotic scene) causes him to up the ante and engage in more serious criminal activity.  Soon, the young men are killing.   

Director Ortega is surely fascinated with subject and the film shows mostly the glamour that goes with the killing and robbing.

Trailer: https://www.youtube.com/watch?v=jfNtW7xkvzM

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TIFF 2018 Review: BIRDS OF PASSAGE (PAJAROS DEVERANO) (Colombia/ Denmark/Mexico,/France 2018) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Birds of Passage Poster
During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

 

BIRDS OF PASSAGE plays like a Colombian style GODFATHER epic.  Both films begin with a young couple’s love.  In BIRDS OF PARADISE, Raphayet (José Acosta) is captivated by Zaida (Natalia Reyes) at her “coming out” ceremony, and is determined to come up with the enormous dowry her mother and family matriarch Úrsula (Carmiña Martínez) demands.  This where the trouble starts.  He gets the dowry from drug money involving wats between clans that eventually is too difficult to solve.  The film is good study of how things get seriously totally out of control from a small incident which in this case is Rapha’s trigger happy outsider Moisés.

BIRDS OF PARADISE is a colourful film (though a lot of colour is blood red) showing Colobia as many have not seen before, especially with the indigenous Wayuu customs, traditions, and celebrations  In addition there is the classic tragedy  arising from pride, greed, and the clash between the old and new worlds.

Trailer: https://www.youtube.com/watch?v=_cbzb4pXZT0

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Submit to the Summershort Festival in Germany

SUBMIT via FILMFREEWAY

The Summershort Festival – Summer Edition – is the first international Open Air Film Festival in Munich, Germany.

Interesting Feature Films, Shorts, Drinks, Asian Food, and a nice atmosphere is guarranteed. You can buy Tickets here on Filmfreeway. We are accepting Submissions EXCLUSIVELY within Filmfreeway.com (Preferred Festival).

The Festival will suggest the winning films with a professional jury.
The OFFICAL Selections will be 35 films from all categories, shown in our open air festival days. There will be 1st, 2nd and 3rd prize winning in every category.

#PRIZES#
1st – Place (Gold Winning Award)
– 1000$ Coupon for Equipment Rental Service Partner
– free entry ticket for the next festival edition
– first place winning certificate, statue
– mentioned on website, social media
– interview on the next edition of SSFestival
– Q&A for the visitors at the festival
– contact for distribution of the film

2st – Place (Silver Winning Award)
– 500 $ Coupon for Equipment Rental Service Partner
– 50% off entry ticket for the next festival edition
– silver winning certificate
– mentioned on website, social media

3rd – Place (Winning Award)
– 250$ Coupon for Equipment Rental Service Partner
– 25% off entry ticket for the next festival edition
– winning certificate
– mentioned on website, social media

4th – SPECIAL MENTION PRIZE
(Chosen from all submissions)

– free ticket to next edition
– winning statue and certificate

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TIFF 2018 Review: LET ME FALL (Iceland/Finland/Germany 2018) ***1/2

Let Me Fall Poster
Drawing on true stories and interviews with the families of addicts, this harrowing portrait of addiction follows Stella and Magnea through the decades as precarious teenage years morph into perilous adulthoods.

LET ME FALL follows the downward spiral of Magnea through decades from teenager to adult through drug addiction.  The trouble with Magnea is that she never ever genuinely wishes to turn her life around.  

She is happy to give blow jobs in to fat, ugly blokes in order to earn a fix.  In the film, there is an almost unwatchable scene in which she is forced to give one even before she showers and after that, gets punched up instead of him keeping his promise.  “Nobody wants you, you are ugly,” he says to her at another point in the film before throwing her out into the street.  One cannot but still feel sorry of Magnea.  

Magnea’s parents have given up on her because she has constantly lied to them and has failed to show any gratitude for their care.  LET ME FALL is understandably a very difficult film to watch.  It is set in the Icelandic capital of  Reykjavik.  Diretcor Baldvin  Z (LIFE IN A FISHBOWL) draws his film on true stories and interviews with the families of addicts.  Magnea and her friend Stella are portrayed by two different sets of actresses for their teen and adult years.  

The film alternates between their teen and adulthood, which sometimes  get a bit confusing.

Trailer: https://www.youtube.com/watch?v=PO_-KcTMQnU

TOFF 2018 Review: ENDZEIT (Germany 2018)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Ever After Poster

Carolina Hellsgård’s occasionally chilling second feature is a zombie philosophical film that follows two women fighting for their lives in a post-apocalyptic world overrun by zombies.  

The voiceover informs the audience at the beginning that a plague has swept the world and that Weimar and Jura are the only surviving cities left.  The two women are Vivi (Gro Swantje Kohlhof), vulnerable and numb and Eva (Maja Lehrer), whose icy indifference make the two initial enemies that eventually bond because Vivi can repair cameras, having experience working on eBay.  It all sounds too silly. 

 The premise of the zombie-ed world is too far-fetched to be believable and who really cares about these two women anyway.  What about the rest of the surviving population?   The only thing going for the film is the cinematography by Leah Striker with nicely shot countryside landscapes.  

The zombie attack scenes are well done though.  The mix of horror and philosophy of friendship does not work.

Trailer: https://www.youtube.com/watch?v=d_nPQ4Inzbw

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TIFF 2018 Review: DONBASS (Germany, Ukraine, France, Netherlands, Romania, 2018) **

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2018. Go to TIFF 2018 Movie Reviews and read reviews of films showing at the festival.

Donbass Poster
In eastern Ukraine, society begins to degrade as the effects of propaganda and manipulation begin to surface in this post-truth era.

Director:

Sergey Loznitsa

DONBASS is a series of highly charged vignettes set in various locations (command post; community centre) in occupied Ukraine directed by Sergei Loznitsa’s (The Trial).   It is an often scathing political commentary following the ugly war that has been raging in Eastern Ukraine for years, wielding both artillery and propaganda as weapons.  

Not all the vignettes make sense and they are loosely connected – a sort of interpretation of events by Loznitza.  They are very well acted and with conviction by unknown actors that are repeatedly seen in more than one vignette.  The best segment is the first one with two ladies arguing fiercely after one of them pure a bucket of shot over an official during a community conference. 

 The film would have been more effective if it made more sense and the audience could see what the director is aiming for.  Still, DONBASS won the director Best Director at Cannes’ Un Certain Regard Section.

Trailer: https://www.youtube.com/watch?v=ndKO_2tPfLI

 

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Film Review: TULIPANI – LOVE, HONOUR AND A BICYCLE (Netherlands/Italy/Canada 2017) ***

Tulipani: Love, Honour and a Bicycle Poster
Trailer

After losing his farm during the floods of 1953, a romantic Dutch farmer is tired of getting his socks wet. He cycles to Italy and decides to grow tulips in the sweltering heat of Puglia.

Director:

Mike van Diem

 

If the title of the new Dutch, Canadian and Italian co-production TULIPANI – LOVE, HONOUR AND A BICYCLE (written by Dutch-Canadian writer Peter Van Wijk) sounds whimsical, it is appropriate – for the film is a whimsical tall-tale of romance and  comedy.  The film begins with the Dutch catastrophic flood of 1953 where farmers lost their lands.  

Gauke (Gijs Naber), a one of hose unfortunate Dutch farmers.  He vows he will never have wet feet again.  Armed with a satchel full of tulips bulbs, he cycles south, where fate leads him to the sweltering heat of Italy, and he settles (after collapsing on his bike) on the outskirts of a small village in Puglia.  Against all odds, he plies his fairylike and miraculous tulip trade, lives his passionate love-life.

The film alternates between the present and the past.  The present sees Italian inspector (Giancarlo Giannini) questioning three suspects that includes Anna (Ksenia Solo) on a murder.  Anna relate the story oh how she had left Montreal, Canada after her mother dies in hospital to disperse of her ashes in Italy.  Her story is the film’s story.  The film goes back to where Anna first goes back to Puglia, Italy where she meets Vito and his mother.  The mother is the one who took Gauke in.  The tale goes on to how the Dutchman helps the village stand up against the local Mafia.  

TULIPANI is a beautifully shot film, a sort of fairy tale that does not necessarily have a happy ending.  But it has a message of standing up against oppressors.  The fact that Gauke sells hundreds of tulips to every single one of the villagers who have them displayed on their windows  is quite the fairy tale.  The story involves all three countries, the Netherlands, Italy and Canada with the most respect given to Dutch culture and the love of tulips.  The Italians are portrayed as loud-mouthed feisty people but the film shows the beauty of Italy.

One has to take some of the scenes in stride.  The audience is to believe that all the tulips sprout up one day in multiple colours to the delight of the Italians which no one notices the day before.  The excuse given however, is that the story as told by Anna to the inspector is exaggerated,  At one point, the inspector claims that he loves a good story, implying the director Van Diem giving himself a pat on the shoulder for being a good story teller.

Director Van Diem might be a familiar name as he was the director way back when in 1997 responsible for the Best Foreign Film Oscar winner CHARACTER.  That was a different kind of film – a harsh film on a father and son relationship in a law setting, compared to this tulip fairy tale romantic comedy.  TULIPANI is the kind of film that will delight the commercial public but will have critics shrugging. (The film has a 100% audience approval rating on Rotten Tomatoes with many critics panning the film.)

Trailer: https://www.youtube.com/watch?v=fUw0Wsuba_s

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