Today’s Screenplay Deadline: ROMANCE/RELATIONSHIPS Festival

Deadline Today. Submit on the screenplay submission page: https://festivalforromance.com/

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival. SUBMIT your FEATURE, TV or SHORT SCREENPLAY.

Submissions take 3-5 weeks for evaluation. Looking for screenplays from all over the world.

Why this is the #1 Screenplay Festival and Contest in the World today!

– 0ffers screenwriters at all levels the fantastic opportunity to hear their scripts read aloud using TOP PROFESSIONAL ACTORS and showcased online for 1000s to see.

– Now showcasing 5x more winners than in the past. At least 1 romance screenplay winner a month.

– This network currently averages over 90,000 unique visitors a day and growing.

Today’s Screenplay Deadline: LGBTQ+ Toronto Festival

LGBTQ+ Screenplay Festival – Get Full Feedback and a performance video reading

Submit to the festival on the submission page: https://lgbttorontofilmfestival.com/lgbtq-screenplay-festival/

We are proud to showcase 2-5 winning LGBTQ+ screenplays at our festival every single month!! Go to the site and watch the winning readings each month.

Submit your Feature, TV Pilot, or Short Screenplay

All entries receive full feedback from the industry. Accepted screenplays get their screenplays performed by professional actors.

One of North America’s leading gay destinations, Toronto has been holding Pride observances since the ’70s. The Pride parade draws more than 1.2 million spectators and participants annually, making it one of the top such draws in the world. The cinema is located in the Church & Wellesley area, where all of the Pride Events take place.

LGBTQ+ festivals occur 12 times a year.

All submissions receive feedback on their screenplay no matter what.

Today’s Screenplay Deadline: ANIMATION Feedback Festival

Submit your Animation Short, TV Pilot, or Feature screenplay and get it showcased at the FEEDBACK Film Festival.

Submit your screenplay at the Animation Festival website: https://feedbackanimationfestival.com/

Screenplay Festivals occur every single month. Submit your animation geared script.

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival. SUBMIT your FEATURE, TV or SHORT SCREENPLAY.

Submissions take 3-5 weeks for evaluation. Looking for screenplays from all over the world.

Today’s Screenplay Deadline: YOUNG ADULT Festival

Get your script and story performed by professional actors at the Young Adult Festival. Get your Short Film showcased at the FEEDBACK Film Festival and get an audience video.

Submit your screenplay on the submission page: https://festivalforfamily.com/young-adult-screenplay-festival/

– 0ffers screenwriters, novelists and storytellers at all levels the fantastic opportunity to hear their stories read aloud using TOP PROFESSIONAL ACTORS (see below for recent performance readings).

– Offers filmmakers to get their works showcased at the FEEDBACK Film Festival. Then the filmmaker will receive and audience reaction video on their film (see below for recent film festival videos)

– One of the best places in the world for the writers to sell their script and/or obtain and agent.

– No matter what happens, you will receive full feedback on your work by our established committee. No other place in the world will you get coverage for the price you pay.

– Even if you’re just looking for feedback of your work, this is the festival for you.

– It’s there for all to see. The proof is in the viewership. These videos garner 1000s of views online. Some of the screenplay readings are more popular than actual studio films made!

– We specialize in showcasing Family stories and making sure that when the work is ready, the writer will benefit by at least obtaining a solid agent.

Today’s Screenplay Deadline: EROTICA Festival

Erotica is a genre of written works or art that focuses on sexual feelings and is intended to arouse similar feelings in readers:

Submit your screenplay that’s an erotica genre and/or plot line to the festival.

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival.

SUBMIT your FEATURE, TV PILOT or SHORT SCREENPLAY.

Submissions take 3-5 weeks for evaluation. Looking for screenplays from all over the world.


This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)

1st Tier: FULL FEEDBACK on your screenplay (all submissions)

2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional video.

3rd Tier: We will send you a list of questions to answer for our blog interview that will promote you and your film.

4th Tier: Then we will set up a podcast interview on our popular ITunes show where will we will promote the winning writer and script.

(BONUS: 5th Tier. A winning screenwriter’s WhatsApp group has just been formed. Over 50 writers to date. Great way to share ideas and contacts with people in the industry.)

You can also take advantage of the Best Scene Screening Video Reading Deal:
https://tvfestival.org/best-scene-screenplay-deal/

What this festival does is give the writer exposure. With our best scene video reading, plus the 2 interviews, this festival simply makes the screenwriter’s name and script searchable and out there to the world. Plus, submissions receive full feedback on their script no matter what.


SUBMIT your FEATURE or SHORT
Screenplay TODAY
You will receive feedback
on your script in 3-5 weeks

The RULES are simple:

1. Write a script. Edit the heck out of it. We accept features and shorts of any genre.

2. Email your script to screenplays@wildsoundfestival.com in .pdf, .doc, .wpd, .rtf, or .fdr format.

In the body in the email please add your:
– FULL NAME
– CITY AND COUNTRY
– TITLE OF SCRIPT
– TYPE OF SCRIPT (feature, TV, short)
– (optional) and a 1-2 line synopsis of your screenplay.

OR if you like to mail us your script with a check, please email us and we’ll make arrangements.

PLEASE ADD YOUR FULL CONTACT INFO (especially email address) on the title page of your script!

3. Pay the $50 submission fee ( via the button below or include a cheque payable to WILDsound Film Festival. Please put your full contact info (name, email address) on a title page
Buy Now Button

Also submit via FilmFreeway:

4. OR, if you like extra full feedback, make your payment here for only $100. With this, the committee points out all grammatical and structural errors in your story. Plus, it sends you an extra 2 pages of notes to enhance your rewrite. (best deal in town!)
Buy Now Button


Watch Recent Screenplay Winners

More Recent Testimonials:

WILDsound is a screenwriter’s treasure! They take enormous time to provide the most expert, detailed feedback, even allowing my choice to incorporate all the committee’s ideas or stay with my draft. With caring support, they’ve honored each deadline and every award they promised, and I’m forever grateful for their right-on insightful niggles to enhance my story. WILDsound provides everything a screenwriter needs to find the way to a story’s successful completion. I’m forever grateful!
– Elan Carlton, Cahoots, Feature Script

I have taken the time to review your feedback and have found your comments and suggested invaluable. As an amateur writer, with this being my first attempt at a screenplay, it’s feedback like this that will help mold me into a stronger writer. I am taking your suggestions and comments into consideration and heading back to the drawing board. My time is limited and I do not want to rush myself.
– Sarah Kochan, Feature Screenplay “Infected Romance”

Thank you for your incisive feedback on my submission. I especially appreciate the specificity with which you address areas that need improvement, and I can see how revising them will make my resubmission better.
– Edythe Wise, Feature Screenplay “Orpheus Takes a Detour”

Thank you for your excellent feedback! This is my first ever script / writing attempt, so I really did need the valued advice you so clearly pointed out.
– Ben Browne, Feature Screenplay “Sinjar”

Thank you very much for your email and taking the time to write such a good feedback. I really appreciate all your comments and I will definitely take them on board. No worries about being harsh – the harder the better as it helps me to improve my writing.
– Andrew Chaos, Feature Screenplay “Release the Chaos”


A note from the CEO of WILDsound:

When I officially took over the Writing Festival in May 2013 from the old majority ownership, the new mandate was to showcase as many scripts, novels, plays, poems, and stories as possible. No more finalists or waiting for a reading for anyone who submitted. If your story is ready, we’ll perform it no questions asked. It’s that simple. As you can see since that time, we have showcased over 1000 stories/scripts at our festival and will continue to showcase 1000s more by the end of the decade. SEE HERE recent winning readings.

Our mandate first and foremost for all the submitters is to receive professional feedback from people in your industry, and we have an excellent rotation of talent who read and give you notes on your work. And they’ll tell you what stage your writing piece is at. If it’s not ready, you can re-submit your new draft anytime. If it’s ready, then we’ll make sure thousands of people see your reading online and you will obtain an agent if you do not yet have one.

When your work is ready, it benefits everyone. The festival, the people who approved your work, and of course the writer who wrote the piece. If we feel it is not ready, there is a reason as we try to find as much ready work as possible. Some months you’ll see us performing over 40 reading videos, and no matter what we always perform at least 20 stories/scripts a month at the festival.

We have the platform on our popular network and YouTube channel to showcase many writers using our large database of professional actors always excited to perform your work.

All of the submission fees go to the writer’s feedback, and the winning videos.

Sincerely,
Matthew Toffolo, WILDsound


WATCH past and recent script winning readings! CLICK HERE and see what happens when your script wins.

There is no reading series like it!

Today’s Screenplay Deadline: FEMALE Feedback Film Festival

The FEEDBACK Female Film Festival (FFFF) was created for women filmmakers and screenwriters. The goal is to showcased the best of female talent in film & TV from around the world.

Submit your screenplay here: https://femalefilmfestival.com/

This festival has a guaranteed 4-tier set up for each accepted script. (No matter what, all screenplays submitted receive FULL FEEDBACK on their work.)

1st Tier: FULL FEEDBACK on your screenplay (all submissions)

2nd Tier: Accepted scripts (25% on average of submitted entries) get a best scene of their screenplay performed by professional actors and made into a promotional video.

3rd Tier: We will send you a list of questions to answer for our blog interview that will promote you and your film.

4th Tier: Then we will set up a podcast interview on our popular ITunes show where will we will promote the winning writer and script.

(BONUS: 5th Tier. A winning screenwriter’s WhatsApp group has just been formed. Over 50 writers to date. Great way to share ideas and contacts with people in the industry.)

What this festival does is give the writer exposure. With our best scene video reading, plus the 2 interviews, this festival simply makes the screenwriter’s name and script searchable and out there to the world. Plus, submissions receive full feedback on their script no matter what.

June 2019 – Interview with NEW Screenwriters from around the world.

16 interviews in total conducted by Matthew Toffolo:

Interview with Screenwriter Josh Brushett (PERSEVERANCE)
Interview with Screenwriter Josh Brushett (PERSEVERANCE)

Interview with Screenwriter Anthony DeFoe (SUPERCUT)
https://matthewtoffolo.com/2019/06/11/interview-with-screenwriter-anthony-defoe-supercut-2/

Interview with Screenwriter Nicole De Sapio (The Magnificent Mid-Century Met)
https://matthewtoffolo.com/2019/06/01/interview-with-screenwriter-nicole-de-sapio-the-magnificent-mid-century-met/

Interview with Screenwriter Ronald V. Micci (MARLISE)
https://matthewtoffolo.com/2019/06/01/interview-with-screenwriter-ronald-v-micci-marlise/

Interview with Screenwriter Samuel Zehr (MY FAVORITE PERVERT)
https://matthewtoffolo.com/2019/06/01/interview-with-screenwriter-samuel-zehr-my-favorite-pervert/

Interview with Screenwriter Raymond A. Porter (Himal Gold: Murder and Intrigue in the High Mountains)
https://matthewtoffolo.com/2019/06/01/interview-with-screenwriter-raymond-a-porter-himal-gold-murder-and-intrigue-in-the-high-mountains/

Interview with Screenwriter Justin Lifflander (THE PLOWSHARE PARADOX)
https://matthewtoffolo.com/2019/06/01/interview-with-screenwriter-justin-lifflander-the-plowshare-paradox/

Interview with Screenwriter Horton Emory (TRANSPARENT Spec Screenplay)
https://matthewtoffolo.com/2019/06/01/interview-with-screenwriter-horton-emory-transparent-spec-screenplay/

Interview with Screenwriter Gail B. Robinson (He Tried to Kill Me… He Died!!)
https://matthewtoffolo.com/2019/06/01/interview-with-screenwriter-gail-b-robinson-he-tried-to-kill-me-he-died/

Interview with Screenwriter Federico Carro (THE KING OF LIGHT)
https://matthewtoffolo.com/2019/06/01/interview-with-screenwriter-federico-carro-the-king-of-light/

Interview with Screenwriter Eduardo Ramirez (TRAVEL COMPANION)
https://matthewtoffolo.com/2019/06/01/interview-with-screenwriter-eduardo-ramirez-travel-companion/

Interview with Screenwriter Alysha Nunez (SOW DON’T SING)
https://matthewtoffolo.com/2019/05/28/interview-with-screenwriter-alysha-nunez-sow-dont-sing/

Interview with Screenwriter Morgan Schefflin (L.A.’s Finest)
https://matthewtoffolo.com/2019/05/28/interview-with-screenwriter-morgan-schefflin-l-a-s-finest/

Interview with Screenwriter Louetta Jensen (Bittersweet Serenity)
https://matthewtoffolo.com/2019/05/28/interview-with-screenwriter-louetta-jensen-bittersweet-serenity/

Interview with Screenwriter Janet Caulfield (LOTUS OPERANDI)
https://matthewtoffolo.com/2019/05/28/interview-with-screenwriter-janet-caulfield-lotus-operandi/

Interview with Screenwriter Richard Trask (COSMOSIS OF WORLDS)
https://matthewtoffolo.com/2019/05/28/interview-with-screenwriter-richard-trask-cosmosis-of-worlds/

Interview with Screenwriter Carol Hoffman (TO WALK AMONG WOLVES)
https://matthewtoffolo.com/2019/05/28/interview-with-screenwriter-carol-hoffman-to-walk-among-wolves/

Best Screenwriter Interviews of January 2019


Interview with Screenwriter Tayler Carter (FLUIDITY)

Interview with Screenwriter Tayler Carter (FLUIDITY)

Interview with Screenwriter Eileen Wilson (THE CLICHE)

Interview with Screenwriter Eileen Wilson (THE CLICHE)

Interview with Screenwriter Zach Paul Brown (CAIROS)

Interview with Screenwriter Zach Paul Brown (CAIROS)

Interview with Screenwriter James Zeankowski (MIND FORCE)

Interview with Screenwriter James Zeankowski (MIND FORCE)

Interview with Screenwriter Alan Rosenfeld (Jonny Quest: The Terror of Dr. Zin)

Interview with Screenwriter Alan Rosenfeld (Jonny Quest: The Terror of Dr. Zin)

Interview with Screenwriter Elizabeth Shum (THE GOLDBERGS TV Spec Screenplay)

Interview with Screenwriter Elizabeth Shum (THE GOLDBERGS TV Spec Screenplay)

Interview with Screenwriter Mona Fuller (SALACIOUS)

Interview with Screenwriter Mona Fuller (SALACIOUS)

Interview with Screenwriter Steven Prowse (THE NIGHT WITCHES)

Interview with Screenwriter Steven Prowse (THE NIGHT WITCHES)

Interview with Screenwriter Tara C. Hall (WOMEN AND CHILDREN FIRST)

Interview with Screenwriter Tara C. Hall (WOMEN AND CHILDREN FIRST)

Interview with Screenwriter Michael Aliotti (JIMMY)

Interview with Screenwriter Michael Aliotti (JIMMY)

Interview with Screenwriter Steve Feld (AND THEN, THIS HAPPENED)

Interview with Screenwriter Steve Feld (AND THEN, THIS HAPPENED)

Interview with Screenwriter Jessi Thind (UP AND AWAY – Superman Script)

Interview with Screenwriter Jessi Thind (UP AND AWAY – Superman Script)

Interview with Screenwriter P.J. Palmer (NORTH STAR)

Interview with Screenwriter P.J. Palmer (NORTH STAR)

Interview with Screenwriter Helen Marsh (Alice Through the Microscope)

Interview with Screenwriter Helen Marsh (Alice Through the Microscope)

October 2018 – Read the best of Screenwriter Interviews

Interviews by Matthew Toffolo

Touch the link and read 35 different interviews with the best of new screenwriters from around the world.

Interview with Screenwriter Sara Landucci (STRONG ENOUGH)

Interview with Screenwriter Sara Landucci (STRONG ENOUGH)

Interview with Screenwriter 42 Tribes (Nyobaywa)

Interview with Screenwriter 42 Tribes (Nyobaywa)

Interview with Screenwriter Rita Martinos (ON THE VERGE)

Interview with Screenwriter Rita Martinos (ON THE VERGE)

Interview with Screenwriter M.V. Montgomery (DON-JOHN’S DISAPPOINTED MAM)

Interview with Screenwriter M.V. Montgomery (DON-JOHN’S DISAPPOINTED MAM)

Interview with Screenwriter Colleen Asbury (The Dance of the Desert Mermaids)

Interview with Screenwriter Colleen Asbury (The Dance of the Desert Mermaids)

Interview with Screenwriter Chloë J. Hightower (Monochrome)

Interview with Screenwriter Chloë J. Hightower (Monochrome)

Interview with Screenwriter Travis Darkow (HOW DID WE GET HERE?)

Interview with Screenwriter Travis Darkow (HOW DID WE GET HERE?)

Interview with Debasree Banerjee (GERALDINE HALL)

Interview with Debasree Banerjee (GERALDINE HALL)

Interview with Screenwriters Jeff & Julia Heinen (COFFEE IN SOUTHTOWN)

Interview with Screenwriters Jeff & Julia Heinen (COFFEE IN SOUTHTOWN)


Very good. Helps us track submission and awards very easily.

Interview with Screenwriter Daniel Cook (HELL ON EARTH)

Interview with Screenwriter Daniel Cook (HELL ON EARTH)

Interview with Screenwriter Sheila Warren (MOVING ON)

Interview with Screenwriter Sheila Warren (MOVING ON)

Interview with Screenwriter Frank Baruch (WHERE KOMAINU CRY)

Interview with Screenwriter Frank Baruch (WHERE KOMAINU CRY)

Interview with Screenwriter Richard Geiwitz (WIGGLE ROOM)

Interview with Screenwriter Richard Geiwitz (WIGGLE ROOM)

Interview with Screenwriter Iannis Aliferis (Samantha Rutledge PI, A Killer Case)

Interview with Screenwriter Iannis Aliferis (Samantha Rutledge PI, A Killer Case)

Interview with Screenwriter Ricardo Fleshman (KILLING MOSES)

Interview with Screenwriter Ricardo Fleshman (KILLING MOSES)

Interview with Screenwriter Hank Biro (SPACE FISH)

Interview with Screenwriter Hank Biro (SPACE FISH)

Interview with Screenwriter Toni Nagy (The Masses)

Interview with Screenwriter Toni Nagy (The Masses)

Interview with Winning Screenwriter Agnese Pagliarani (TO HELL AND BACK)

Interview with Winning Screenwriter Agnese Pagliarani (TO HELL AND BACK)

Interview with Screenplay Writer Adam Lapallo (WOLFPACK FENCERS)

Interview with Screenplay Writer Adam Lapallo (WOLFPACK FENCERS)

Interview with Screenplay Writer Terry Connell (PLANS FOR THE HOLIDAYS)

Interview with Screenplay Writer Terry Connell (PLANS FOR THE HOLIDAYS)

Interview with Screenplay Writer Todd Bird (LITTLE EARTHQUAKES)

Interview with Screenplay Writer Todd Bird (LITTLE EARTHQUAKES)

Interview with Screenplay Writers Charzette Torrence & Danielle Johnson (JILLIAN’S PEAK)

Interview with Screenplay Writers Charzette Torrence & Danielle Johnson (JILLIAN’S PEAK)

Interview with Winning Screenwriter Waide Riddle (Dear Tom Hardy: I love you)

Interview with Winning Screenwriter Waide Riddle (Dear Tom Hardy: I love you)

Interview with Winning Screenwriters Nicholas Downs, Susan Mac Nicol (SIGHT UNSEEN)

Interview with Winning Screenwriters Nicholas Downs, Susan Mac Nicol (SIGHT UNSEEN)

Interview with Winning Screenwriter Dallas Rico (MARRED)

Interview with Winning Screenwriter Dallas Rico (MARRED)

Interview with Winning Screenwriter S.W. Andersen (SOMEWHERE BETWEEN LOVE AND JUSTICE)

Interview with Winning Screenwriter S.W. Andersen (SOMEWHERE BETWEEN LOVE AND JUSTICE)

Interview with Winning Screenwriter Robert David Simpson (THE HUNT FOR CHUCK BERRY)

Interview with Winning Screenwriter Robert David Simpson (THE HUNT FOR CHUCK BERRY)

Interview with Winning Screenwriter Fritz Mueller (ANAHNA)

Interview with Winning Screenwriter Fritz Mueller (ANAHNA)

Interview with Winning Screenwriter Christianne Charles (CAKE)

Interview with Winning Screenwriter Christianne Charles (CAKE)

Interview with Winning Screenwriter Leah Pollack (MARKED)

Interview with Winning Screenwriter Leah Pollack (MARKED)

Interview with Winning Screenwriter Andrew Ward (BROWN DOG)

Interview with Winning Screenwriter Andrew Ward (BROWN DOG)

Interview with Winning Screenwriter Michael Zielinski (CHRISTMAS PAST AND PRESENT)

Interview with Winning Screenwriter Michael Zielinski (CHRISTMAS PAST AND PRESENT)

Interview with Winning Screenwriter Julian Blondell (Xightfall)

Interview with Winning Screenwriter Julian Blondell (Xightfall)

Interview with Winning Screenwriter Nate Yacos (Tugnutt: A Love Supreme)

Interview with Winning Screenwriter Nate Yacos (Tugnutt: A Love Supreme)

Interview with Winning Screenwriter Cicely Wynne (REMEMBER KENT STATE)

Interview with Winning Screenwriter Cicely Wynne (REMEMBER KENT STATE)

Interview with Winning Screenwriter Mirka Kettunen (MAJOR TOM AND THE ALIEN GIRL)

Interview with Winning Screenwriter Mirka Kettunen (MAJOR TOM AND THE ALIEN GIRL)

Interview with Winning Screenwriter Rodrigo Juatco (HERO OF HEROES)

Interview with Winning Screenwriter Rodrigo Juatco (HERO OF HEROES)