Interview with Festival Director Gabriel Muelle (Bogotá Music Video Festival)

 

ENG: The purpose of the Bogotá Music Video Festival is to celebrate the art of music videos, the joy of music and the passion for filmmaking. We bring the music video art to different screens around Bogotá and top that with live music, exhibitions and academic and industry events.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Gabriel Muelle: We’re creating a new space for creators and filmmakers to show their work, see what is happening in the city, the country and the rest of the world and to network. In recent years the production of films and videos has increased drastically, but it’s easy to find that your work gets lost on the immensity of the internet and the exhibition circuits. We curate our selection very carefully trying to find what’s good and relevant, besides things like it’s popularity or present reach.

What would you expect to experience if you attend the festival this year (2017)?

Awesome new music from all over the world and from every style, amazing innovative music videos, mind-blowing films, picnics, parties, great bands live and many creative people like filmmakers, musicians, photographers and designers hanging out and having a good time!

What are the qualifications for the selected films?

We like to have a broad and diverse selection, so we can have a big budget production next to a small hand drawn intimate animation. The important thing for us is that every film in the selection tells something to the viewer, connects with spectators in a meaningful way via strong images, breathtaking rhythm, surprising narration or just a good concept and a creative integration with the music.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I do believe some jewels can remain undiscovered for a long time. There’s just so many films being produced and distributed right now that is hard to find the right place for your movie and even for programmers it’s hard to find space in a festival or screening for all the good movies that get submitted.

What motivates you and your team to do this festival?

We really enjoy sharing good work. When we find a movie we like we want everyone else to go see it and enjoy it as much as we do. That and having the opportunity to connect people and generate new creative relationships and possible collaborations is all the incentive we need to do our festival.

How has your FilmFreeway submission process been?

We are very happy with FilmFreeway, it’s a great platform. It gives good exposure to festivals and is very easy an reliable to use both for festivals and filmmakers sending their projects. It makes possible for us to reach people from far away places and cultures, find some common ground and find great work from all over the world for us to share in our festival.

Where do you see the festival by 2020?

Every edition of the festival gives us many opportunities to learn and grow, to find our public and meet new people making exciting work and to create new experiences for everyone involved and find new ways to show good films. So, by 2020, we see the festival as an important meeting point in the creative, film and music ecosystems in our country and the latin-american region where people like to come and participate because they already know is gonna be a good time and it’s going to have a very positive impact on their careers.

What film have you seen the most times in your life?

The music video I’ve seen the most in my life is probably Come to daddy by Aphex Twin, directed by Chris Cunningham. I was obsessed with it growing up and had recorded it in a vhs tape from the tv so I could re-watch it every time I wanted. It opened my mind to new images, new possibilities, new works and sounds.

In one sentence, what makes a great film?

The ability to find a way to move the insides of its audience by any means necessary but in a way that happens to be the only possible way for itself.

How is the film scene in your city?

It’s amazing! We are producing exciting films, we have amazing festivals and a big number of young persistent people doing their best to make movies and show them to every one who wants to see.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Interview with Festival Executive Director Steffanie Finn (WINTER FILM AWARDS INDIE FILM FESTIVAL)

 

New York City’s Winter Film Awards (WFA) is a volunteer-run and operated celebration of the diversity of local and international film-making. Our Mission is to recognize excellence in cinema and to promote learning and artistic expression for people at all stages of their artistic careers with a focus on nurturing emerging filmmakers and helping them gain recognition and contacts to break into this difficult industry. We pride ourselves on our diverse collection of Festival selections, allowing our audience to enjoy films they normally wouldn’t think to seek out.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

George Isaacs: Seeing your film on the big screen with a real audience in New York City beats pretty much everything!

Winter Film Awards is all about showcasing the work of emerging filmmakers. It’s so hard for emerging filmmakers without huge budgets or celebrity contacts to get their work seen! We firmly believe that it is critical to provide an absolutely fair and bias-free selection process, and we require at least four judges to view and score each submission. To ensure a diverse slate of films, we make an enormous effort to seek out filmmakers from around the world and are incredibly proud of the awesome films we screen.

Each year, we award over $100,000 in cash, prizes and distribution opportunities. Since SEO and google presence is critical for a film’s success, each selected film gets a page on our website with links to their social media and we have a team of bloggers who write about most of our films for posting on our website, social media and a press release.

And, we ensure that attending filmmakers are interviewed live on the red carpet and post that to social media.

At Winter Film Awards events, filmmakers see fantastic films in a terrific theater, make life-long connections, get their work seen by NYC distributors, get useful filmmaking tips, experience the wonders of New York City and have a whole lot of fun.

What would you expect to experience if you attend the festival this year (2018)?

In addition to our awesome parties and events, we host a variety of panels to help your career – including sessions on getting financing, producing the best sound on a budget, legal issues for indie film and casting considerations, plus we’ve had New York City and State representatives explaining the permit and tax credit process. For our 2018 Festival, we are excited to team up with EarthAngel to host a session on Green Filmmaking for the indie filmmaker.

We also throw the fanciest Awards Ceremony Gala of any Indie Film Festival in town, complete with live performances at one of the most beautiful venues in New York City.

What are the qualifications for the selected films?

We don’t have specific qualifications other than basic awesomeness – we accept all genres and all lengths. Our screening judges have a wide range of interests and include film industry professionals, film enthusiasts and film students from around the world; each film must be viewed by at least four judges including at least one woman. To keep them from getting burnt out, we have at least 50 judges at any given time and they are assigned just 2-3 hours of viewing per week.

We provide our judges with virtually no information about the submitted film in order to ensure there is no bias in scoring. They score each film on ten technical points (cinematography, acting, directing, etc) and give an overall score. These scores are then averaged together and run through an algorithm to determine a final overall score for each film. We then craft the program based upon score and available screening minutes – we generally accept the top scoring 8-12 films for each category. Basically, if four people with wildly different experiences and tastes love your film, your film is awesome and we want to screen it.

The absolutely most important thing for an indie filmmaker to do in order to qualify for any Film Festival is to make sure the film’s sound is excellent. Terrible sound will tank your chances immediately!

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

There are a lot of film festivals out there, and it is important to do your research before submitting your film. The “big boys”, like Sundance, generally are looking for celebrities and big budgets – emerging filmmakers are unlikely to have any chance there. Don’t overlook smaller festivals!

Be sure to check out the Festival carefully before submitting – if your film doesn’t meet their basic criteria, it will be turned off within a few minutes. And, be sure to submit your final work – Festivals will judge your film based upon what they see, not promises that sound or color will be fixed in some future edit.

Legitimate Film Festivals take submissions judging very very seriously. Make sure the Festival is legitimate — go through their website to see what sorts of films they show and how they showcase them on their site. Make sure they have live screenings in a real cinema, and look for a written policy on how they make their selections. Take a look at films the festival has shown in previous years – if you keep seeing the same names, they are probably mostly showing films by their friends; you want to see a nice variety of countries and directors in there. Don’t only apply to the big boys – your chances of getting in are miniscule. Look for local festivals first – festival organizers love showing
local films so you have a better chance of acceptance.

What motivates you and your team to do this festival?

Hosting a Festival is an enormous amount of work! We do it for love of film and
filmmakers – it is so exciting to meet everyone and we are so proud of the integrity of our organization and our process. We keep in touch with our filmmakers after the festival ends and cheer them on throughout their careers.

How has your FilmFreeway submission process been?

FilmFreeway is fantastic! From an organizer’s perspective, it is so simple to gather, promote and review submissions. Administration of the Festival’s listing is easy and the customer support is really terrific.

Where do you see the festival by 2020?

We continue to grow year over year. Our dream is to become the Tribeca of the little guy. Emerging filmmakers with limited budgets work so hard and deserve to be celebrated.

What film have you seen the most times in your life?

Probably The Rocky Horror Picture Show (I was a weird teenager). Otherwise, the three films I will always watch if they are on TV are: Fight Club, The Breakfast Club and Working Girl. I’ve seen Working Girl at least 100 times and I always cry at the end.

In one sentence, what makes a great film?

A great film needs a special magic combination of story, originality, wit, and production values.

How is the film scene in your city?

New York City’s film scene is crazy! It’s a $9Billion industry here and NYC is a world leader in indie film production. There are tons of film students, alternative screening venues, film festivals and events. It’s all very exciting!

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Interview with Festival Director Jef Gray (The International Peace & Film Festival (IPFF))

 

The International Peace & Film Festival (IPFF) combines the excitement of independent film with the goodwill of cultural exchange. The impact of blending a peace and film festival brings numerous benefits to audiences through the diversity of talent in cinematic art, fashion, performance and diplomatic representation. IPFF is held annually in Orlando, Florida and features screenings of selected films, an expo of local vendors, fashion show of national costumes and awards for top filmmakers.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Jef Gray: We’re very devoted to the filmmaker experience in the festival, we use modern facilities, attract cultural and business crowds and give as much flexibility as possible to filmmakers to accommodate their schedules and travel constraints. We also host a large awards ceremony to recognize the cinematic achievements of both film and content.

What would you expect to experience if you attend the festival this year (2017)?

Our festival occurs in January 2018, and will be in an IMAX level theater, complete with lounge, bar, and enhanced dining menu’s. We are hoping to make it free to the public to draw larger crowds and incorporate vendor booths and a national costume fashion show, Called ‘Izuminka’, during the awards ceremony.

What are the qualifications for the selected films?

We are a peace festival at heart, so films with a base in culture, ecology, quality of life or the human journey are ideal. We only accept digital submissions through FilmFreeway.com as that platform is easier to manage. We have the typical genres of narrative, documentary, shorts, students and video. We’ve had fantastic stories from humor to intense drama screened, but we draw the line on themes that are too political, special interest, or violent.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Absolutely, Yes! The idea of independent film should focus on the undiscovered or up and coming filmmakers, in my opinion. Yet there are studio backed indy films with multi-million dollar budgets competing with entry level filmmakers? That creates a tremendous divide where the beginner cannot get their craft in front of audiences, while a studio ‘uses’ the festivals to build market share. I feel it violates the idea of the beginner artist trying to make his or her mark.

What motivates you and your team to do this festival?

Simply, the love of film and culture. An international film festival is like a crash course in diplomacy, awareness of world issues and amazing talent without borders. Each event creates amazing friendships that last long after the crowds go home.

How has your FilmFreeway submission process been?

Awesome, they make it so easy for us. I looked around when I first began trying to set up the submission platform, and their system is the best.

Where do you see the festival by 2020?

Ideally, running for a week, rather than 3-4 days, more sponsors to support longer knowledge sharing sessions and a venue where international cuisine can be incorporated. I’d also like to add more international performing and visual arts in the program. Definitely have the Festival Channel in full throttle on Roku/Amazon.

What film have you seen the most times in your life?

The Fifth Element, it’s a family favorite that is quoted way too much at home 🙂

In one sentence, what makes a great film?

A great film is a journey that leaves you inspired in such a way that you have a new perspective at the end.

How is the film scene in your city?

Dismal, we are changing that 😉

Links: http://peacefestival.us
Facebook: https://www.facebook.com/internationalpeacefestival/
Video: https://youtu.be/VHgL5De_9Oc

Director Bio:
Jef Gray is the founder and director of the International Peace & Film Festival. Gray is an accomplished publisher, technologist and public speaker with a background in philanthropic work on children’s charities and the Russian Speaking Community in the USA. He holds two associate of science degrees from the Community College of the Air Force and a Bachelor of Science in Liberal Arts from the University of the State of New York.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
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FULL FEEDBACK on all entries. Get your script performed

Interview with Festival Director Hermoine Macura (WORLD OF WOMEN FILM FAIR MIDDLE EAST)

 

The World of Women’s Cinema – WOW Film Fair Middle East is the first women’s short film fair that promotes and awards the talents of women directors, producers, writers, editors and cinematographers in the film industry internationally. It is an event that offers emerging and established filmmakers the opportunity to screen short works giving a thematic perspective of … “seeing the world through the eyes of women”.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Hermoine Macura: We are the first and only women’s film festival across the Middle East’s 22 Arab countries.

We offer a platform to recognize women of excellence in film as well as offer a platform for new and upcoming women film makers as well as men who direct films with a strong female narrative. We source, promote, educate and support women filmmakers in our region most of all.

What would you expect to experience if you attend the festival this year (2018)?

We have 2 full days of screenings, workshops and panel discussions as well as a gala dinner to recognize our winners as well as other leading women in our community. There is something for everyone. We are community event.

What are the qualifications for the selected films?

You can find out more about submissions here:
http://wowmiddleeast.com/submissions

We select the finalists based on a variety of facets including style, script, content and creativity. We also like to support young people with an award especially for up and coming directors.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Yes – it’s tough out there and there are so many entries so sometimes you can be
overlooked. It’s even worse if you’re a woman – just look at the statistics.

What motivates you and your team to do this festival?

As a woman in leadership, I believe it is a divine responsibly to give back and due to my success in the media I felt this was the best way to do so. When I reached the top in my career, I realized there was hardly any women there which is why I felt a deep need to launch our project. Also the greatest breakthroughs in society happen first in media and arts and in the expression of those who dare to dream.

How has your Film Freeway submission process been?

Amazing – as a non-profit project. They make things so much easier and are so
professional.

Where do you see the festival by 2020?

A major part of Expo 2020 – to be held in Dubai. A leading festival globally. A platform for local talent.

What film have you seen the most times in your life?

All the mafia ones – they inspire me and anything Pacino or directed by a woman.

In one sentence, what makes a great film?

The script and story-telling style as well as unique direction etc.

How is the film scene in your city?

It’s developing and growing year on year. It’s really exciting to watch the new
generation open up and express themselves as well as share it with the world! We
have a wonderful ruler here – His Highness, Sheikh Mohammad bin Rashid Al
Maktoum, the Vice President and ruler of Dubai – who is a major supporter of the
youth and women. There has never been a better time than now to be in our part of the Middle East.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Interview with Festival Director Mark Lyminster (RAINBOW UMBRELLA FILM FESTIVAL)

 

Following the success of UNRESTRICTED VIEW FILM FESTIVAL and UNRESTRICTED VIEW HORROR FILM FESTIVAL, we are delighted to announce our first LGBT Film Festival, RAINBOW UMBRELLA, which will take place at THE HEN & CHICKENS THEATRE on 12th – 14th January 2018. The programme will be announced in December 2017 and tickets will go on sale at unrestrictedview.co.uk

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers? 

Mark Lyminster: The Rainbow umbrella film festival is I believe succeeding in giving a voice to independent LGBT film makers, a chance for their work to be seen and aired as well as meeting like minded film makers once the festival is up and running.

What would you expect to experience if you attend the festival this​
year (2017)?


I think you would expect to experience a warm and welcoming environment filled with positive film makers actors crew and audience, the feeling of belonging and a chance to share ideas and experiences of life and of film making.

What are the qualifications for the selected films?

The qualifications for the films are that they are made with a elements of truth, a journey for the characters and stories we can all connect and relate too.


Do you think that some films really don’t get a fair shake from​
film festivals? And if so, why?

Our aim is be open minded and as fair as we can be to give all films a chance to be seen and shared with a wider audience.

There are so many elements that go into making films and I think sometimes films are not given a chance if they are not firing on all cylinders so to speak.


What motivates you and your team to do this festival?

We are motivated by the passion people have to tell stories and to share these experiences, we have a good range of selectors for the festival all of whom bring their own energy and passion to the process.

How has your FilmFreeway submission process been?

The submissions have been very interesting, from the very slick and polished to the more rough and ready,it has been good too see a wide range of topics and from all around the world.


Where do you see the festival by 2020?

 
It would be amazing for the festival to extend to a week, a real celebration of wonderful LGBT film making, a must see event in peoples diaries would be great and playing in a lovely modern cinema complex, maybe even in several cinemas simultaneously.

What film have you seen the most times in your life?

The film I have seen the most times is Clue staring Tim Curry, a fab cast a three different endings to a wonderful colourful and camp who-dun-it


In one sentence, what makes a great film?

  Peoples stories

How is the film scene in your city?

 
We are very very lucky with the film scene here in London,so much going on and catering for everyone.

 

The Rainbow umbrella film festival -1

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
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Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Interview with Festival President Sabine Mondestin (OPEN WORLD TORONTO FILM FESTIVAL)

At OWTFF we welcome filmmakers and artists from all walks of life. We also welcome productions from any countries and years. The Open World Toronto Film Festival is a 3 days Glamorous event with Red Carpets, Winners Award Acceptance Speech, Networking and Masterpiece Screenings.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Sabine Mondestin: Open World Toronto Film Festival(OWTFF) is succeeding at giving exposure to new talent and unknown talent. We give a special attention to every submission. We know how hard it is to create a project that you are proud of so we treat it with respect. We try to share the promotional materials of most of our submissions in our social medias. We watch all submissions with a sense of respect and admiration toward the filmmakers, because we really love what we do. ​

What would you expect to experience if you attend the festival this​
year (2017)?

This year is all about glitz and glamour. We have at least 10 photographers per
night to capture the event. We also will have Rain Cosmetic and Hollywood Eye
Magic to do some makeup touch up before having your pictures on the Red
Carpet…But before everything you will have the chance to discover some amazing
talented filmmakers from Toronto and all over the world.

What are the qualifications for the selected films?

OWTFF provides an equal chance of winning for all entrants, regardless of size
and budget. Entries are judged on quality of craft and creativity. Our main goal
is to help artists gain publicity, media exposure, and momentum, as well as pay
tribute to their ingenuity.

At OWTFF we welcome filmmakers and artists from all walks of life. We also
welcome productions from any countries and years.


Do you think that some films really don’t get a fair shake from​
film festivals? And if so, why?

It really depends on the Festival…I feel that some of them are too focus on who’s in the projects and who did the project. It’s hard for new talents to get
recognition in those conditions. ​

What motivates you and your team to do this festival?

We are film lovers are we really respect and admire new filmmakers. We pride ourselves on being good marketers and good event planners. We knew we will be able to give the exposure the news filmmakers deserve.

How has your FilmFreeway submission process been?

It’s been amazing year we received lots of submissions from all over the world
and the choice was so hard due to the abundance of marvelous projects.​

Where do you see the festival by 2020?

We still going to follow our mission to introduce new talents from Toronto and
from all over the world and we will keep screening films from new talent even if
it’s a student film.

We are working hard to collaborate with new partners to bring the light on some
of the most remarkable talents and yet unknow filmmakers. We also want to
introduce new technology to the OWTFF. ​

What film have you seen the most times in your life?

I personally love films with an underlying message, like Equilibrium from Kurt
Wimmer with Christian Bale, Revolver from Guy Ritchie, The Nines from John
August with Ryan Reynold …But I also love most of the film of Quentin Tarantino
and Ava Duvernay. I think the one I watched most is Equilibrium and V for
Vendetta.​

In one sentence, what makes a great film?

A film needs to make you feel something …If you don’t care about the story or
the characters in my mind it’s not a great film.​

How is the film scene in your city?

Toronto is great! We create some local show that are commercially viable
worldwide, “Orphan Black” for example.

The talents are very diverse and the scene is open minded. It is exhilarating
and inspiring. For sure we always hope for more funding but if you are ready to
work there is help for filmmakers if you are willing to do the work to find it.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Interview with Festival Directors Nick John Whittle & Stuart Wheeldon (9LadiesFilmFestival)

 

9LadiesFilmFestival is a distinguished independent film festival showcasing short films from around the world to an audience of film fans and movie-makers.

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What is your Film Festival succeeding at doing for filmmakers?

9LadiesFilmFestival brings cinematic exposure for independent filmmakers. That’s what filmmaking is essentially about: getting audiences to see your creation. And with exposure comes possibilities. It isn’t just about letting the common man see your film. There are scores of studios out there watching indie films. If they see something that ticks boxes they’ll grab it. Famous case in point: Paranormal Activity.

There are also the laurel stamps for the winners. Films showing laurel stamps in their credits are proven to be the ones most watched. True, it’s not necessarily the mark of an all-round incredible film but it shows it has been scrutinized by professionals and that one element of it (or several) passes muster. It also proves that the filmmakers have a belief in their product and have put in the man hours (and money) to get it through the festival process.

What would you expect to experience if you attend the festival this year (2017)?

Our finalists this year will enjoy a specific location for their live screening, from historical houses to modern cinemas. We’ve worked hard to secure theatres that in some way add a cultural essence to the screenings. This isn’t just town-hall-and-sandwiches stuff; it’s a festival with a difference. Always has been.

9LadiesFilmFestival promotes the work of inventive, original, free-thinking and independent filmmakers; to raise their profile throughout the web and connect them with established industry professionals around the world. One of the ways we do this is by creating and taking care of your online presence; creating a web page for your winning film and promoting it like hellfire across social media platforms.

What are the qualifications for the selected films?

9LadiesFilmFestival accepts short films and documentaries and we take submissions from filmmakers all around the world. We stipulated that the language of the piece has to be in English (or at least subtitled) but we’ve left things very free and easy deliberately. The films are required to be either 9 mins or less or 10-29 minutes long. The whole theme of this year’s festival is “nine” in honour of our parent company’s title.

 Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

We believe every film gets a fair shake. Film festivals are an essential part of the growth of an indie moviemaker. If the festival is managed correctly and in a just and reasonable way everyone has equal chance of becoming a winner. Festivals open gateways to the Bigger Picture, to distribution possibilities…a festival like ours represents equal opportunity for everyone – from beginner to expert.

What motivates you and your team to do this festival?

A passion for making great movies and helping others through the process.

How has your FilmFreeway submission process been?

We have found the FilmFreeway submission process very good, we are already up on the number of entries for the current time of year. With recent tweeks to the way the FilmFreeway program works it is easier to manage the film festival process. And it seems that more and more filmmakers are now using the FilmFreeway Submission process.

Where do you see the festival by 2020?

We’d like to think the festival will have grown to the point where we can award substantial funding and great distribution opportunities to the winners.  There are a huge number of inspiring and culturally stand-out filmmakers out there and we look forward to viewing their work.

 What film have you seen the most times in your life?

Nick: Casino Royale (the good one!)

Stuart. The Red Shoes

In one sentence, what makes a great film?

Basically, a great story. A movie is like a book in some ways with scene cuts instead of page turns…if you’re bored by the plot of a book you won’t turn a page. On the other hand, if you love it, you can’t stop turning pages. A movie is also story – whether you pour millions of dollars into a project or not, if the story doesn’t hit the spot it won’t be successful. Add superb characters to your story and plenty of subtext and you have a winner.

There is a technical consideration as well, something we like to look at in the festival. Sound, direction, visuals, lighting, props are all taken into consideration as technical achievements of a movie. After all, they are important aspects of the art.

 How is the film scene in your city?

We are fortunate that in the Midlands the film scene is thriving, there are a number of very good Independent Cinemas that show films that otherwise wouldn’t get a release, the indie film making scene is also very good, with the likes of cities such as Nottingham, Sheffield and Birmingham all  have a thriving Indie scene.

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Nick John Whittle – Producer. Nick is an award winning writer and producer based in Birmingham. His work includes the award winning film Faith, The Adventures of Joshua (TV mini-series), No Way Back (short/horror) Nick’s cinematic influences include Beckett, Hitchcock, Buñuel, Mamet, Allen, Jarmusch, and Bergman. http://www.imdb.com/name/nm7825353/. nick is the co- director of the 9ladiesfilmfestival.

Stuart Wheeldon. Writer/Director Stuart is an award winning writer and director and founder of Nine Ladies Film. Stuart’s work as included theatrical plays, radio and film shown and featured around the world. His work includes In Limbo, The Telephone, The Collector (Pre-Production)and The Wasteland.  Stuart was also the founder of 9ladiesfilmfestival which in it’s first year attracted over 200 entries from around the world. http://www.imdb.com/name/nm7240661

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Interview with Festival Director Vanna Nauk (Fresno’s State Asian Pacific Film Festival)

The Asian Pacific Islander Programs and Services will be hosting the 1ST EVER Asian Pacific Islander Film Fest at Fresno State! They will be hosting this event along with CineCulture! It’s a two day event beginning on Friday, October 20, 2017 to Saturday, October 21, 2107.

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What is your Film Festival succeeding at doing for filmmakers?

We are providing them a space to display their work in Fresno, which is the fifth largest city in California, so we were definitely due for an Asian Pacific Islander Film Festival of our own.

What would you expect to experience if you attend the festival this year (2017)?

I hope that I see a sense of solidarity amongst the Asian Pacific Islander groups here in the Central Valley, and I hope that this can be an opportunity for others outside of our group to see that Asian Pacific Islanders are actually very talented in film. Overall, I hope to feel a sense of pride amongst my peers.

What are the qualifications for the selected films?

Sense it is an Asian Pacific Islander Film Festival, the films have to have some sort of Asian Pacific Islander element in there or involved in the making.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I do, I think that some ethnic groups are overlooked, which is why we are trying to promote Southeast Asian films as much as possible because their visibility tend to go silent.

What motivates you and your team to do this festival?

You do not see very many Asians on screen, so we decided to create a space for ourselves.

How has your FilmFreeway submission process been?

FilmFreeway has been extremely helpful and the submissions are pouring in quite rapidly.

Where do you see the festival by 2020?

I hope that the festival becomes an annual event that will connect the university with the community. I see a lot of potential in our greater Asian Pacific Islander community here in the Central Valley, and I hope that this Festival will grow into something that they can take pride.

What film have you seen the most times in your life?

Hercules [laugh out loud]
In one sentence, what makes a great film?

The theme/plot!

How is the film scene in your city?

The film scene in our city is most renowned for the Reel Pride Film Festival, which is one of the largest, if not the largest, LGBTQ Film Festival in the west coast. We also have Filmworks and Cineculture, which are great film organization here in Fresno. However, there are definitely room for the film scene to grow here.

 *****

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Interview with Festival Directors Betsy Uhler Colombo & Alexa Roman (LA Dance Film Festival)

The LA Dance Film Festival aims to provide a supportive and enriching environment for both emerging and established dance filmmakers. The festival is open to filmmakers from around the world. LADFF accepts films from a variety of genres as long as dance is the main storytelling component.

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What is your Film Festival succeeding at doing for filmmakers?

Our film festival has been successful at fulfilling our mission, which is twofold: 1) to create opportunities and exposure for dance films from around the world, and 2) to unite the Los Angeles dance and film communities.

 What would you expect to experience if you attend the festival this year (2017)?

Attendees to our festival in January 2018 should expect to see a wide variety of short dance films from around the world. We have some fantastic submissions coming in across all styles and genres of dance, and are looking forward to sharing a selection of them with our local community of dance film lovers.

 What are the qualifications for the selected films?

Qualifying films are under 30 minutes in length, and incorporate dance as a core narrative component. We have two categories: fiction and nonfiction.

 Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

It’s hard for us to speak to other festivals but we take a lot of steps to ensure we are as objective as possible in how we assess films. We have a submissions team comprised of dancers, filmmakers and dance filmmakers. Our team watches every film and scores it against a multi-point rubric. We use the scores to determine the final selections for the festival. Separately, we have both a Jury Award and an Audience Award. Those awards are determined by people who are independent from the festival staff.

What motivates you and your team to do this festival?

We are motivated by our desire to provide opportunities and exposure for dance films from around the world as well as unite the dance and film communities here in Los Angeles. Dance film offers something different than traditional films and it’s not a commonly known genre. We wanted to make Los Angeles a place where dance filmmaking and dance film viewership thrive.

How has your FilmFreeway submission process been?

Great! We love FilmFreeway. We also use WithoutaBox and we offer an extended deadline on WithoutaBox.

Where do you see the festival by 2020?

We’d love to be able to expand to a bigger venue and offer multiple days of programming so we can reach a wider audience and offer screening opportunities to a greater number films.

 What film have you seen the most times in your life?

Beverly Hills Cop. Maybe Beverly Hills Cop III.

If we’re talking dance films, I’ve seen Confrontation (dir. Shannon Janet Smith and Steven Butler) the most as it has played at three festivals I’ve attended, was part of a StandardVision Showcase and we screened it at our festival. Thomas Freundlich’s film Cold Storageis a close second. [Alexa]

 In one sentence, what makes a great film?

A great dance film uses the art of dance to tell a compelling story in a unique and entertaining way. It leaves the audience asking questions, entertaining new thoughts or discovering untapped emotions.

  How is the film scene in your city?

Los Angeles is the film capitol of the world, so… pretty good!

 

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 *****

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Interview with Festival Director Georges Chamchoum (Asian World Film Festival)

The Asian World Film Festival (AWFF) brings the best of a broad selection of Asian World cinema to Los Angeles in order to draw greater recognition to the region’s wealth of filmmakers, strengthening ties between the Asian and Hollywood film industries. Uniting through cross-cultural collaboration, our festival champions films from  over 50 countries across Asia spanning from Turkey to Japan and Russia to India. All films that participate in the Festival will have a unique chance to be guided through the challenging awards season, showcasing their foreign films to the Academy, the Hollywood Foreign Press Association and all Guilds for enhanced exposure, media attention and awards consideration.*

The Social Links are:

https://twitter.com/asianworldff

https://www.facebook.com/AsianWorldFilmFest

https://www.instagram.com/asianworldff/

http://www.asianworldfilmfest.org/

 
  • What is your Film Festival succeeding at doing for filmmakers?

We pride ourselves on being at the service of the film and the filmmakers. We feel that we are their gateway to the Oscars and Golden Globes during the award season. We give them PR opportunities, which saves the filmmakers a lot of money during their marketing period.

  • What would you expect to experience if you attend the festival this year (2017)?

We like to think of the Asian World Film Festival as being the window to dreams. Besides screening the Oscar and Golden Globes submitted movies, we also have a Signature Screening Series. 

Our opening night film is Ayla: The Daughter of War, which is Turkeys official Oscar entry.

We screen movies from unchartered territories, little known countries like the Republic of Sakha, Buryatia, and this year a movie called Salt from North Korea.

This is the first time Salt is being screened in the U.S.  The film is directed by the controversial South Korean filmmaker Sheen Sang-ok during his period of filmmaking in North Korea, so we are excited to have it in our schedule.

We also screen Asian American movies. This year we have the 25th anniversary screening of The Joy Luck Club, which was a ground-breaking movie. Several of the cast members will be in attendance for the Q & A.  Our closing night film is George Takei’s Allegiance. We will be honoring George with our Lifetime Achievement Award.

  • What are the qualifications for the selected films?

First and foremost, any movie submitted to the Oscars and Golden Globes for Foreign Language selection from Asian Countries is automatically selected. Then we choose films from countries that often get overlooked but we feel would be interesting to an audience.

  • Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

It’s a matter of perspective and taste, which of course depends upon the individual.  Each movie is perceived in differently.  The Jury sees a film in a certain way, probably different from how the press sees it, and the audience tastes differs most of the time from the Jury or the Press. So, it boils down to one thing: not everyone sees a movie with same outlook.

  • What motivates you and your team to do this festival?

The love and passion for the Asian Cinema.  When we say Asia, we mean from the Eastern shores of the Mediterranean to Japan, from Russia by way of Turkey to India and China. Fifty plus strong countries with a wealth of talent.

We want the Asian Cinema to find its rightful place in Hollywood, a place in the sun. After seventy-one years and only six Oscars, that’s what motivates us.

  • How has your FilmFreeway submission process been?

We do not have a submission process. After the Oscar and Golden Globe submissions, we have a selection team throughout Asia that makes recommendations, based upon our criteria. Our Los Angeles programming team makes the final selections.

  • Where do you see the festival by 2020?

On the level of the Cannes, Venice and Berlin Film Festivals. We aspire to being a major festival, that will keep the spirit of the art of cinema and not focus on the business side.  It’s the films and filmmakers who are our key focus.

What film have you seen the most times in your life?

Andrei Tarkovski’s ANDREI RUBLEV; Francis Ford Coppola’s THE GODFATHER TRILOGY; Clint Eastwood’s THE OUTLAW JOSEY WALES and Sergio Leone’s ONCE UPON A TIME IN AMERICA.

In one sentence, what makes a great film?

The Screenplay. The Screenplay. The Screenplay!

How is the film scene in your city?

How can you describe the film scene in the cinema capital of the world, and for that matter Culver City, the heart of screenland and home of the Asian World Film Festival.

In Los Angeles, Hollywood, Culver City we breath cinema, we eat cinema, we dream cinema – we are surrounded by everything that suggests cinema!

Look left, right, front and center and you see films that defines my City: Sunset Boulevard, Rebel Without a Cause, Chinatown, They Shoot Horses Don’t They, Alice’s Restaurant, The Day of the Locust, LA Story, The Player, Boyz ‘n the Hood, La La Land and I could go on….

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GEORGES N. CHAMCHOUM, EXECUTIVE & PROGRAM DIRECTOR

Georges Chamchoum is an Emmy and multiple award-winning Film Director and Producer, born in Niger West Africa of Lebanese origin. He was educated in France, Germany and Wales and entered the film industry in 1968 after graduating from the Conservatoire du Cinema Francais in Paris.

Georges has directed and produced over 35 features in Europe, Africa, the Middle East, Canada and the USA, with many screened at various International Film Festivals and Universities.

He has also organized numerous film festivals since 1982, most notably as Jury Delegate for the Festival du Film Fantastique et de Science Fiction de Paris (France) and as the Executive and Program Director of the Monaco Charity Film Festival.

Georges is currently the International Director of the Yakutsk International Film Festival (Yakutia, Sakha Republic) and International Relations Executive for Notre Dame University International Film Festival (Lebanon). In addition, he is Co-founder of Film Festivals Cinergy, a union of film festivals around the world to promote and champion talent in filmmaking.

Georges has lived in Los Angeles for the past 28 years. Most recently, in 2017, he was named one of the 100 most influential Lebanese in the world and has been   honored in a special commemorative publication to mark the occasion.

 

 *****

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed