Short Film Movie Review

Film Review: STUTTER (USA) Drama/Family

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Played at the December 2016 Best of Family/Animation FEEDBACK Film Festival.

MOVIE POSTERSTUTTER, 13min., USA, Family/Drama
Directed by Ivo Huahua

A strong-willed widower with a heavy stutter is determined to win the respect of his son by speaking to the boy’s class on Career Day.

REVIEW by Kierston Drier: 

Directed by Ivo Huahua, Stutter is a powerful poignant piece with much to unpack. In the wake of his wife’s’ death, our Hero, a master gardener with a severe stutter, must try to reconnect with his teenage son who shares the difficulty. Determined to come to his sons’ parent career night, we see our hero go to lengths to work on his diction. It is with a tangible feeling of relief we see him succeed. And yet, victory in front of his son’s class proves much harder. And confronting the children who bully his son for his speech, (and their parents) proves equally challenging.

 

Ultimately, what sets this movie apart is its’ stunning ability to show love, compassion and pride through the lenses that is the tense and often turbulent relationship between a father and his teenage son. It holds a huge emotional weight for such a small piece. It expertly and subtly weaves grief, embarrassment, resolution, pride and triumph into a 13 minute piece and leaves you feeling as though you have carried a weight that has been lifted off you.

 

In this way, we must nodd to Huahua, for the excellent job that has been done in Stutter. For a movie where the characters struggle to be heard, it has so very much to say.

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Film Review: WHAT’S WEARING MUMMY (UK) Family/Comedy

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Played at the December 2016 Best of Family/Animation FEEDBACK Film Festival.

MOVIE POSTERWHAT’S WEARING MUMMY, 15min, UK, Family/Comedy
Directed by Oliver McMillan

What’s Wearing Mummy? tells the story of two little sisters, Sofia and Matti, who believe their mother has been taking over by aliens due to her suspicious behaviour, and will do anything in their power to get mummy back.

REVIEW by Kierston Drier: 

Whats Wearing Mummy,  directed by Oliver McMillian, is a step back into a time when our lives were alight with the wonder and magic of youth. Enter the imaginative world of two young sisters, Mattie and Sofia, their sense of adventure being nurtured by their stay-at-home-dad. This film, which has a well balanced mixture of comedy and suspense, takes the audience through a supernatural mystery as seen through the eyes of childhood.

 

After witnessing the disgruntled scene of their mother coming home late from work to find them not ready for bed, and their father feeding their appetite for spooky science fiction, Sofia and Mattie agree that something must be up with mom. They sneak through the bathroom, where they discover strange things- like their mothers recently discarded face mask- and jump to the conclusion that she is definitely being possessed by some sort of evil alien.

 

They attempt to catch their mother off guard and get the alien out of her, scenes that are often cushioned in the background by their perpetually high-stress mother taking out her frustration on her husband. When Sofia and Mattie enlist their father to help them catch their mother and get the alien out of her, he agrees to help, with surprising results.

 

This is one of those magical films that comes together through the strong moral core- that compassion and thoughtfulness can diffuse anger, and that childhood is not something that can only be enjoyed while a person is young. Whats Wearing Mummy invites and reminds us to enjoy childhood all over again, as both a viewer and a participant, whether through a movie or by actually interacting in the lives of young people.

 

A charming family story with a happy ending, this delightful film has a nice twist. Our heros, Sofia and Mattie aren’t totally wrong that something is up with their mom. Her recent behaviour might actually be related to a new development in all their lives. But what is it you ask? This reviewer can’t possibly spoil the surprise. You’ll have to watch and see.

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Film Review: THE GRAVEYARD SHIFT (USA) Animation/Comedy

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Played at the December 2016 Best of Family/Animation FEEDBACK Film Festival.

MOVIE POSTERTHE GRAVEYARD SHIFT, 2min, USA, Animation/Comedy
Directed by Lara Arikan

It’s long past midnight when the tired and jumpy waitress decides to go and investigate the ominous noise she hears right outside the roadside coffee shop she’s working at.

REVIEW by Kierston Drier: 

Coming to us from Laura Arikan, Graveyard shift is a quick comic splash of fun, sprinkled with some horror. Sweet and largely silent, Graveyard Shift is a great example of the trite cinematic rule of “Show, don’t tell!”. A young girl, bored and alone at the night shift at her truckstop cafe is terrified to find her small coffee shop filled with Zombies. But no, they don’t want her brains. They want coffee.

 

It is not totally clear if coffee magically cures the zombie truckers, or if it is a metaphor for the long and solitary transport job putting its’ patrons into sluggish grey stupors, but it is likely the latter. No worries though, because this quick two minute animation delivers enjoyment whichever way you interpret it! A delightful cinematic romp into imagination, now comes with a caffeinated kick.

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Film Review: BIRTH WEAVING LIFE (Japan) Animation/Documentary

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Played at the December 2016 Best of Family/Animation FEEDBACK Film Festival.

MOVIE POSTERBIRTH WEAVING LIFE, 6min., Japan, Animation/Documentary
Directed by Arisa Wakami

This is a documentary animation on the very beginning and the mystery of life, told from the point of view of a mother.

REVIEW by Kierston Drier: 

Welcome to the incredibly personal stories of three women as they recount the birth of their children. Each tale exquisitely told from a unique voice and animated differently, Birth-Weaving Life will make you laugh and hit you right in the “feels” with it’s honest emotional portrayal of new parenthood being a time of panic, pain and fear, but also utter joy.  

 

Each story is set against simple artistry that nevertheless creates effective storytelling, masking the intimacy of childbirth with the colorful visual metaphor. Waves and Rollercoasters are used to describe something that is hard to imagine if one has not been there.

 

These film is a collaboration piece, making it a rich tapestry of human experience. Most beautifully, perhaps, is the tender honest and authenticity that can be felt through the subtitles and transcends the different language it is spoken in. This film recounts an essential human experience that speaks across any social barrier.  

 

Birth- Weaving Life is a beautiful and poignant look at child rearing from inside the mind of the mother- the fear, the worry, the pain and the incredible, unmatchable happiness that accompanies the creation of life.

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Film Review: MAN’S BEST FRIEND (UK) Family

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Played at the December 2016 Best of Family/Animation FEEDBACK Film Festival.

MOVIE POSTERMAN’S BEST FRIEND, 7min. UK, Family/Animation
Directed by Rob Sprackling

10 year old Zach loves his football – and his football loves him back. They enjoy playing in the garden, going to the park and spending time together, just like a boy with a faithful dog. But when his ball gets lost, Zach must team up with his neglected Mum, to find his best friend. In doing so, Zach and his Mum re-find each other.

REVIEW by Kierston Drier: 

Man’s Best Friend, written and produced by Rob Sprackling, is a classic story of companionship with an unusual twist. Hovering somewhere between My Dog Skip and Toy Story, Man’s Best Friend takes a look at the relationship children develop with the objects in their life that carry significant weight. In this case, a soccer ball.

Our young hero has a steadfast and deep connect with his soccer ball, which has been cleverly anthropomorphized with the simple addition of an animated smile. A clear metaphor for a boy with a pet, the two characters are inseparable and find deep joy in each other’s company. But while out one night the ball is kicked into neighbors yard by bullies, and our hero cannot find their friend. He and his mother attempt to locate the ball, and even consider getting a new one, but no dice- this ball cannot be replaced.

Beside the clever metaphor for the ball being a pet, what makes this film unique is its’ utter simplicity. The film has no dialogue and functions with only one beautiful piano song throughout. The acting, directing and cinematography are all to be commended. The animation is simple but incredibly effective and the whole movie is wrapped up in a family-friendly feel-good bow. Yet there is also deeper meaning lurking in this piece. On the surface it is a boy and his friend, but it is also a story about a boy and himself. It is a story about what happens when we lose a part of ourselves. Unlike a dog, that is dependant on their owner, this boy has lost the passion of his life- his ability to play soccer via the ball. And unlike a dog, which may need to be returned by another person, this ball returns to his master all by itself. Or, rather, our Hero reconnects with his passion, on his own terms. A simply story with some profound undertones, Man’s Best Friend it a true delight.

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Film Review: PROVERBIAL LUCK (Austria) Comedy

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Played at the November 2016 Best of Under 5 Minute FEEDBACK Film Festival.

MOVIE POSTERPROVERBIAL LUCK, 5min, Austria, Romance/Comedy
Directed by Dave Lojek

Idioms garnish our language, but are often hard to translate. This comedy helps to illustrate them and tells the story of two neighbours, who become enamoured. The “foam-beater” (boaster) Hanspeter throws an eye after an addleheaded Annemarie, but she just “shows him the bird” (indicates that he is chuckoo). So he has to “jump over his shadow” (take the plunge) and get a foot in her door. Amusement for all proverb fans who love to make whoopee, gaze into the pale blue yonder, or get to the point.

REVIEW by Kierston Drier: 

This five minute Austrian comedy has a bright, light, whimsical feel,  much like the well-loved French film Amelie. Full of colour, innocence and delight, PROVERBIAL LUCK tells an offbeat love story littered with the follies of language.

 

Taking a literal spin on pun, idioms and other figures-of-speech, the audience gets the feeling that our unlikely lovers are trapped in a world they never made- one where our casual turns of phrase have literal meanings.

 

Had this film not has superb subtitling (Hats off to the human being who expertly translated comparable figures of speech for the English-speaking audience) this film could have been much more confusing- although no less enjoyable.

 

PROVERBIAL LUCK is a wacky little gem of a comedy, that has mastery at making us laugh at the unfortunate characters while also laughing at ourselves.

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Film Review: MIDNIGHT WALK (Australia) Thriller

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Played at the November 2016 Best of Under 5 Minute FEEDBACK Film Festival.

MIDNIGHT WALK, 4min., Australia, Thriller
Directed by Mathilde Nocquet

Midnight, hidden by sunglasses and a badass vinyl disguise, a mysterious brunette is looking for her victim. Plunged into darkness, a car park is the stage of her next murder.

REVIEW by Kierston Drier: 

A highly stylized, hyper-glam look at fashion at any cost, MIDNIGHT WALK is genre-splicing experiments in theatrics. Part comedy, part thriller, part How-To video, our hero, the gorgeous, fashion savvy Midnight, armored in outfit that could be found on any high-end sensationalized fashion-art show prowls and underground garage, following an unsuspecting victim.

 

Despite large look-at-me visuals, this film has a simple and unstated backdrop, no doubt to accentuate the dramatic and fantastical heroine.

 

MIDNIGHT WALK has some exceptional scenographic and visual design. It’s genre is completely unto itself, being an exceptionally unique piece with a utterly intoxicating and original voice, it straddles several cinematic areas.

 

The twist at the end- the goal our murderous fashionesta has for stalking her victim is worth every minute of this bright escape-ist cinematic romp.

 

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Film Review: DEADLY VIEW (Ireland) Mystery Thriller

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Played at the November 2016 Best of Under 5 Minute FEEDBACK Film Festival.

MOVIE POSTERDEADLY VIEW, 3min., Ireland, Thriller/Mystery
Directed by Malcolm Willis

Just before dawn, a dark suspicious man drives to a desolate location where he carries a large black bag containing an unknown object, together with a spade, from the boot.

REVIEW by Kierston Drier: 

DEADLY VIEW will trap you instantly with its’ dark, ominous pathetic fallacy. Set against ominous clouds, a mysterious brooding hero drives high up into a secluded mountain. Once at the top of a high peak he pulls something large and bulky out of his trunk- something covered in a thick black garbage bag. Worried? Me too. The beautiful Irish landscape, from which our film comes from, carries some specific weight in this piece, as our hero takes out tools and begins to dig, clank and hack his way in the earth.

 

So the surprise at the end of this punchy three minute piece is truly delightful, when the man finishes his work and takes a seat in the mountain top at his new, recently installed swivel chair. He spins on the mountains, utterly free, with the joy of a child at Christmas. The world he belongs to instantly brightens.

 

A special nod must be made to the beauty of the landscape and to the well chosen actor who can play both dark and sinister, and joyfully child-like. Also the smooth execution of a the classic bait-and-switch which issues delight from any audience. This lovely, humor-fixed short definitely speaks to anyone familiar with the Irish landscape- certainly a view to die for.

 

 

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Film Review: HORSE PARADE (Puerto Rico)

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Played at the November 2016 Best of Under 5 Minute FEEDBACK Film Festival.

MOVIE POSTERHORSE PARADE, 1min., Puerto Rico, Romance/Experimental
Directed by Otavio Pacheco

In a chess game the black horse and the white queen fall in love, and then the white horse starts a dispute for her love.

REVIEW by Kierston Drier: 

HORSE PARADE is a delightful stop-action experimental romance with a twist. It shows a chessboard where the White Queen and Black Horse have fallen in love in a sort of musical, a-typical dance.

 

Full of rich symbology, HORSE PARADE shows two characters that throw aside the rules of regulations of their universe and step beyond the bounds of their reality, to join each other in dance. Their dance soon entrances the other chess pieces, who cease their game to stand on the sides of the board to watch them. Shades and piece mingle, lines are crossed and sides are discredited, all for the sake of the dance between the Horse and the Queen.

 

This could be a piece about love without boundaries, as the Queen and Horse have a variety of obstacles- they are from opposing sides, they are of different values (Queen being greater than Horse in value), they have different roles within the society which is their world. This story, totally wordlessly and with only music and motion, shows how love can end the fighting. A beautiful metaphor for anyone watching.

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Film Review: NO WOMAN (Afghanistan) Experimental/Drama

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Played at the November 2016 Best of Short Documentary FEEDBACK Film Festival.

MOVIE POSTERNO WOMAN, 3min., Afghanistan, Experimental/Drama
Directed by Yama Rauf

There is a world beyond our world, when it comes to a decision, there is always a big NO to WOMEN. in this case majority suffers from it but only few women take the risk and fights for it.

REVIEW by Kierston Drier: 

Simple, short and thought provoking, NO WOMAN comes to us from Afghanistan, as a dramatic and experimental piece with no easy answers. A study in the power of symbology, NO WOMAN shows a small girl walking forward in the desert as a masked gunman stands near. A shot is fired and the mask is pulled away but what lies beneath it, and to some extent the fate of the girl are unknown and left up to interpretation.

 

Beyond its thought-provoking imagery and genre-defying, NO WOMAN has the unique power of being able to represent many things to many different people. It is equally valid to interpret this film as a story of a Afghan girl made victim by a masked adult, as it is to interpret as a philosophical stance of women’s’ rights’ on a global level. The final image shows our heroine walking onward away from the masked obstacle- whether it is her in real life, a dream, or as a spirit, we do not ever explicitly know.

 

In a time where human rights’ and world issues are ever on our doorstep, where global and political are thrust into public focus, NO WOMAN stands as a subtle but powerful visual story. It could be about generations clashing, differences in religion, cultures or politics colliding, hopefulness and fear standing at odds, or gender issues in a powerful face-off. All are equally possible, and all equally effective- take a look to decide for yourself.

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