Film Review: ALWAYS AT THE CARLYLE (USA 2018) ***

The iconic Carlyle hotel has been an international destination for a particular jet-set as well as a favorite haunt of the most discernible New Yorkers.

Director:

Matthew Miele

Writer:

Matthew Miele

Documentaries are made for varying reasons. They could be for education, to inform the world of some little known subject, to celebrate a famous person, to whistle blow or to honour a person in a biography.  ALWAYS AT THE CARLYLE, the new documentary written and directed by Matthew Miele celebrates a famous hotel – the famous hotel called the Carlyle.

The iconic Carlyle hotel has been an international destination for a particular jet-set as well as a favourite haunt of the most discernible New Yorkers.  This documentary celebrates glamour – the glamour of the hotel (the cost of a suite could go for as high as $22,000) and the glamour of the guests that have stayed there.  The list of guests includes stars Woody Allen, Wes Anderson, Anthony Bourdain, Naomi Campbell, George Clooney, Sofia Coppola, Alan Cumming and Jon Hamm as well as Presidents and dignitaries like John F. Kennedy and Ted Roosevelt.

The Carlyle Hotel enjoys the reputation popularized by recent movies like the JOHN WICK films and HOTEL ARTEMIS with Jodie Foster.  In these films, a hotel would service any client no matter what background with everyone treated fairly and equally despite any shadiness. At the Carlyle, the management declined to tap the rooms of any suspicious clientele as all hotel guests are treated with respect.  The example given is the request by the government agency to  tap the Iraqi delegation that stayed there during the Gulf War.  No was the answer.

Whatever happens at the Carlyle stays at the Carlyle.  That is the saying and understand of both the staff and guests of the plush expensive hotel.  Even the names of the celebrities are not disclosed by the staff.

Director Mile has assembled a varied cast of interviewees to shed light on the hotel.  Besides the stars mentioned, the hotel staff, many of whom have spent their entire lives working there.  These include Kim of Room Service, Ernesto the doorman, Helal the waiter and several of management from sales to decor designer.

The film reveals the uniqueness of the Carlyle, in the words of both sides, the clientele and staff.  The art decor, the personal friendliness, the class, the care taken and style are a few of the factors.  The staff also speak of their favourite encounters.  George Clooney (who also speaks to the camera in an interview) and John F. Kennedy top the list of the staff’s favourite guests.

What is a hotel without some wicked scandal?  The hotel staff is asked about Marilyn Monroe and Kennedy and about many young and super gorgeous twenty-somethings that enter the hotel doors.  Fortunately, the staff is discreet.

The film’s highlights are the performances that take place at the hotel’s cafe.  A seat is reputed to cost at least $150 with a minimum of a $75 order.  One of the most popular performers is Bobby Short who is shown performing in a brief clip.  His performance and the hotel are also featured in Woody Allen’s film HANNAH AND HER SISTERS.  Woody Allen is also featured playing the clarinet in the cafe.

ALWAYS AT THE CARLYLE is entertaining fluff.  The film celebrates celebrities.

Trailer: https://www.youtube.com/watch?v=chbAw9uNV8U

Film Review: SICARIO: DAY OF THE SOLDADO (USA 2018) ***

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Sicario: Day of the Soldado Poster
The drug war on the U.S.-Mexico border has escalated as the cartels have begun trafficking terrorists across the US border. To fight the war, federal agent Matt Graver re-teams with the mercurial Alejandro.

Director:

Stefano Sollima

 

Italian director Stefano Sollima takes over the director duties from Denis Villeneuve in the SICARIO sequel, both films written by Taylor Sheridan.  The director’s imprint makes a difference with the sequel, a solid one at that playing more like a no-nonsense action suspensor.  In case one is wondering, the film translating to English would read: Hitman: Day of the Soldier.

The film’s trailer shows the film’s key scenes where the task and thus the subject of the film is at hand.  It is an operative that has no rules, and one that is as dirty as it gets.

The film is as current as it gets with Trump wanting to build a wall between the border of the the U.S. and Mexico.  The setting is the U.S. Mexican border where illegal aliens are crossing the river to get into the States.  The drug cartels are, according to the film, smuggling terrorists across the U.S. border.  When the film opens, a terrorist attack has just occurred with innocent Americans killed.  The Americans want revenge and hire CIA agent Matt Graver (Josh Brolin) from the first movie to start a drug war. so that these drug lords will destroy each other.  Graver hires undercover operative Alejandro Gillick (Oscar Winner Benicio Del Toro) to kidnap Isabela Reyes (Isabela Moner), the daughter of a drug lord, in a false flag operation designed to incite war between rival cartels.   The mission goes awry when it is discovered by the Mexican government, prompting Graver to order Reyes’ execution.  When Gillick refuses, he turns rogue to protect her as Graver assembles a new team to hunt them both.  

One of the film’s extended segments shows Isabela in school having a schoolyard fight with another girl who she punches in the face.  At the principal’s office, she challenges the principal to expel her.  Her toughness is clear but after her kidnapping, all she does is scream and get scared.  It is puzzling the reason Isabel is shown to be tough unless it is to show the trauma she is going through while being kidnapped.  The film also omits any scene with her father, Carlos Reyes.

The script by Sheridan opens the film up for many subplots.  One is the young Mexican who is an expert on the area around the border, and who is hired to guide the illegal aliens across the border.  His character is smart, merciless and yet vulnerable with a family he cares for.

Benicio Del Toro and Josh Brolin make the movie.  They play hard-ass characters who are violent, determined and efficient sicario (hit-men) in what they do.  Christine Keener does well as Graver’s boss who is just as brutal in the execution of her duties.  The screen lights up when these characters come head to head in confrontation.

If this SICARIO makes money, the ending prepares the audience for yet another sequel.  There are plenty of potential and opportunities for more action packed stories.  If Brolin, Del Toron and Keener are in for another SICARIO, that would indeed be a good thing.

Trailer: https://www.youtube.com/watch?v=Pymm6cmE9uQ

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Film Review: LEAVE NO TRACE (USA 2018) ***

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Leave No Trace Poster
Trailer

A father and his thirteen year-old daughter are living in an ideal existence in a vast urban park in Portland, Oregon, when a small mistake derails their lives forever.

Director:

Debra Granik

Writers:

Debra Granik (screenplay by), Anne Rosellini (screenplay by) | 1 more credit »

 

LEAVE NO TRACE is another strong female character drawn adventure drama after her successful WINTER’S BONE.  Written and directed by her and based on the book My Abandonment by Peter Rock, the film premiered at the 2018 Sundance Film Festival.[2][3] Bleecker Street will release the film in the United States on June 29, 2018.[4]

The summarized plot tells the story of a father and his thirteen-year-old daughter .  Will (Ben Foster) is an ex-military who has lost his faith in humanity for reasons not disclosed.  When the film opens, he and daughter Tom (Thomasin McKEnzie) live in an isolated existence in a vastly urban park in Portland, Oregon, (the film was shot in Eagle Fern Park in Clackamas County) when a small mistake derails their lives forever.  They are taken in by social services.

The film contains several embedded messages.  The first and foremost is the question on homeschooling.  Will and Tom live an isolated existence at the film’s start, living in conditions unacceptable by normal Americans.  Tom sleeps in close proximity with her dad.  Though this is a no-no, nothing sexual occurs.  To is home schooled.  When interrogated about this, The interrogator admits that Tom is advanced in her schooling though cautioned that she lacks the social aspect of education.  But director Granik eventually pushes Tom towards normal life which she has not experienced.  Tom loves the social and interactive aspect as they are slowly integrated into society.  Until Will escapes with Tom back to square one.  When an Will has an injury, Tom is forced to choose between the two lifestyles.

LEAVE NO TRACE is Granik’s gentler more accessible film.  There is much kindness depicted in this movie than in WINTER’S BONE.  The truck driver and other strangers that encounter Will and Tom are always more than eager to help them.  

Both actors Ben Foster (THE PUNISHER, X-MEN) and Thomasin McKenzie deliver believable an human performances, worthy of any audience’s sympathy.

As far as anticipation goes, one keeps wondering where everything is leading to and how everything will end.  One can predict some friction between father and daughter when she makes her stand on independence. “The same thing that is wrong with you is not wrong with me,” is the all important line Tom confronts Bill with.  And the reply; “I know.”   The film moves on a different tangent when the father is an understanding and caring one.

The film contains a few originally performed songs with original music by Dickon Hinchliffe.  The cinematography of the vegetation and fauna of the national parks is effectively captured by Michael McDonough.

LEAVE NO TRACE is that rare film that proves that confrontation in a story need not always be resolved by shouting, screaming and cheap theatrics.  Here, the confrontation is resolved with reason and understanding.  And the film succeeds as a quiet yet effective drama of human inadequacies that sort themselves out.

Trailer: https://www.youtube.com/watch?v=_07ktacEGo8

 

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Short Film: TWICE UPON A TIME, 14min., Serbia, Animation/Fantasy

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Twice Upon a Time, there was a king with split personality whose one half wants to become a poet and the other a fearless warrior. They share their conscience, but have opposing wishes and desperately want to get rid of each other.

Project Links
  • Project Title (Original Language):
    Bio dvaput jedan kralj
  • Film Type:
    Animation, Short
  • Genres:
    Fantasy, Satire, artistic
  • Runtime:
    14 minutes 10 seconds
  • Completion Date:
    February 10, 2017
  • Production Budget:
    84,000 USD
  • Country of Origin:
    Serbia
  • Country of Filming:
    Canada, Hungary, Serbia
  • Film Language:
    English
  • Shooting Format:
    HD
  • Aspect Ratio:
    1:2.1
  • Film Color:
    Color

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Director BIO: Vojin Vasovic (TWICE UPON A TIME)

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Director Biography – Vojin Vasovic

Vojin vasovic writer and director

Vojin Vasovic is a film and theatre director. He finished his film-directing B.A. program at The Academy of Arts, Belgrade, Serbia, and Master of Arts in experimental theatre at the University of Toronto. He is the recipient of many awards for scene movement, lighting design and direction in theatre. His films (Breathtaking, Back Portrait) were enrolled in many international film festivals for which he won several awards. His previous animated short 5 Minutes Each was selected at more than 100 festivals and won 30 international awards for best animation, direction and original score. He is currently preparing his first animated feature film.

Director Statement

Twice Upon a Time is an animated poem, a fairy tale for all generations about a king with split personality, split time and a split screen. It is a story about dual nature of kings and things and how playing cards came…

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Director BIO: Vojin Vasovic (TWICE UPON A TIME)

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Director Biography – Vojin Vasovic

Vojin vasovic writer and director

Vojin Vasovic is a film and theatre director. He finished his film-directing B.A. program at The Academy of Arts, Belgrade, Serbia, and Master of Arts in experimental theatre at the University of Toronto. He is the recipient of many awards for scene movement, lighting design and direction in theatre. His films (Breathtaking, Back Portrait) were enrolled in many international film festivals for which he won several awards. His previous animated short 5 Minutes Each was selected at more than 100 festivals and won 30 international awards for best animation, direction and original score. He is currently preparing his first animated feature film.

Director Statement

Twice Upon a Time is an animated poem, a fairy tale for all generations about a king with split personality, split time and a split screen. It is a story about dual nature of kings and things and how playing cards came…

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Short Film: STAR RUNNER, 2min., USA, Animation/Experimental

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Ran sheng star runner poster srgb

From the Stone Age to the Information Age, from fire to steel, from the Stonehenge to the International Space Station, what is the motive power behind us? This experimental film illustrates what drove us went through the long road of human history, and the evolution of civilization and technology. It also encourages people to think about the future of our civilization – where are we heading?

  • Film Type:
    Animation, Experimental, Short, Student
  • Genres:
    Fiction, Experimental
  • Runtime:
    2 minutes 15 seconds
  • Completion Date:
    March 15, 2017
  • Production Budget:
    7,500 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Film Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color

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Short Film: STAR RUNNER, 2min., USA, Animation/Experimental

feedbackanimationfestival's avatarFEEDBACK Animation Film & Screenplay Festival

Ran sheng star runner poster srgb

From the Stone Age to the Information Age, from fire to steel, from the Stonehenge to the International Space Station, what is the motive power behind us? This experimental film illustrates what drove us went through the long road of human history, and the evolution of civilization and technology. It also encourages people to think about the future of our civilization – where are we heading?

  • Film Type:
    Animation, Experimental, Short, Student
  • Genres:
    Fiction, Experimental
  • Runtime:
    2 minutes 15 seconds
  • Completion Date:
    March 15, 2017
  • Production Budget:
    7,500 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Film Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color

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Director BIO: Ran Sheng (STAR RUNNER)

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Director Biography – Ran Sheng

Jerry mg 2893 small

Ran Sheng was born and raised in Beijing, China. Before came to Portland in 2015, he had accumulated rich experience in multiple areas, including graphic design, video, animation, and photography. Currently, Sheng majoring in Animated Arts at Pacific Northwest College of Art, where he focuses on stop-motion and hybrid animation, works with both physical and digital puppets, and keep exploring the endless possibilities of animated arts.

Director Statement

The main goal of this film is to raise questions and encourage the audience to think about our unknown future. “What’s out there in the universe? What’s the ultimate goal of human civilization?” or even “Why are we live?” It is also an experiment of using physical textures as a college in digital animation, to create a non-traditional visual style.

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Film Review: DARKEN (Canada 2017) **

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Darken Poster
A nurse finds herself in a dark and mysterious world.

Director:

Audrey Cummings

Writer:

RJ Lackie

The words at the beginning of tho new Telefilm Canada horror film DARKEN tells the audience: DARKEN is the resting sanctuary for all souls – whatever that means.  Darken is set in a bizarre, mysterious, and violent unknown world supposedly set with danger and death around every corner.  

Mother Darken appears to be the God in some alternative universe or different dimension.  Her high priestess, Clarity (Christine Horne) and oddball looking and acting assistant, Martin (Ari Millen) accuse a member of their religious sect of betrayal.  When the betrayer admits her guilt, she is stabbed and pushed out a door out of this universe.

A nurse, Eve (Bea Santos) helps the wounded girl, but ends up entering DARKEN through a one-way door.

Eve finds a violent prison-like world of labyrinthine rooms, interconnected with no apparent rhyme or reason and no way of escape.  If all this sounds weird and unbelievable – it is! As she fights for survival within this brutal place, she finds allies who are rebelling against the rule of a self-appointed religious despot who demands allegiance to the all-powerful god called “Mother Darken.”  Eve and the exiles, as they are called must fight with everything they have if they are to have any hope of surviving the horrors Darken has in store for them.  The exiles are told that they have to keep moving.  But apparently, they are moving nowhere – and getting to nowhere fast.  And again when one exile is wounded, Eve (humorously) says:” We need to move her now.”  

The film plays like a children’s playground game adults that have forgotten to grow up indulge.  The fight scenes are executed for more gore and violence that excitement.  Lots of pain are inflicted on the wounded.

Olunike Adeliyi playing an exile, Kali deserves an acting award for the most over-acting performance in a movie this year.  She demonstrates how to act with her eyeballs, nose, lips and grimaces.   The dialogue is terribly silly: “Mother (Darken) is terribly upset!”  “Whenever I turn my back, they always disobey me.”  “Mother is so angry with us.”  – being a few examples.  The character Clarity is exceptionally good at giving orders and doing nothing.  The exiles use lighters that they somehow have, to light their way in the darkness though none of them smoke.

Prior to the film’s theatrical release, the producers Shaftesbury had released an 11-part digital prequel series, Darken: Before the Dark on YouTube, taking audiences deep inside the fantastic otherworld of DARKEN.  The audience is presented here with multiple points of entry on a range of platforms to build a world around the film. With DARKEN, audiences can watch the digital series, connect and discuss on social, immerse themselves via the VR experience, see the film on the big screen, or pre-order it to re-watch at home

DARKEN went on to win Best Science Fiction Feature at Buffalo Dreams Fantastic Film Festival, Best Fantasy Feature at Motor City Nightmares International Film Festival, and won four awards at Blood In The Snow Festival including Best Director and Best Cinematography.  Whatever all these awards mean, DARKEN is not a very good horror film – overacted, overdone, unbelievable story – a textbook case of maximum effort and minimum results.  But DARKEN is recommended for its unintentional humour!

Trailer: https://www.youtube.com/watch?v=Itt-itaQZi0

 

 

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