“Before I got Gilmore Girls (2000), I was modeling. I went in for a call and was told, “Sweetie, you need to lose two inches off those hips”. I was 14. So I just replied, “I have more jobs than I can do. I’m in high school. I can’t go to all the trouble of losing the two inches, so I’ll pass”. Someone might tell you to lose weight, but you can say no”.
I was at NYU’s Tisch School of the Arts for a year and I loved it. There are a lot of really creative people, there is a constant exchange of an ideas. We talk about what’s been done [in film] and all the rules for filmmaking and then we talk about how to break them.
My film ” BEFORE EVEREST” won best feature film award and got shortlisted for discovery channel as worlds first mountaineering indepth film showing what life is above altitude .wildsound documentary communication was on time and they are doing their best to promote independent cinema and film makers…loved this award from them
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Somebody’s gonna give you some money to perform a job, you do your best to make ’em a good hand…
It’s no mean calling to bring fun into the afternoons of large numbers of people. That too is part of my job, and I’m happy to serve when called on.
My thanks to the Academy for the very finest, greatest award that any actor can ever receive. The only thing a man can say at a time like this is — I am not really bald.
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I’m from East Sheen, I went to public school where I learned Latin at the age of nine, and certain expectations were made of me to go to St. Paul’s, Oxbridge maybe, and all that kind of thing. And I failed systematically to meet the mark – who I am and what I should have been are two very different things.
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If you want a dog, go to your local animal shelter and adopt one. It’s not rocket science, it’s dog science.
It’s hard growing up in Hollywood, you know? I’m not from L.A. originally.
I have to say that one person I learned from the most as an actor in my life is Emmy Rossum. She is so insanely talented in the sense that when watching her work, it just turns into watching her speak – it’s no longer acting; that’s how good she is! She just becomes the person.
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I think my wife has always been aware, whatever country we have been in, of my dramatic leading man status; a little too dramatic she would probably say.
I don’t really have any regrets because if I choose not to do something there is usually a very good reason. Once I’ve made the decision I don’t view it as a missed opportunity, just a different path.
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On the surface, it’s really easy to dismiss certain characters, but sometimes you find that the most interesting parts are disappointingly shallow. It’s your job as an actress to pull that person apart, and work out why they act the way that they do.
I’m starting to shake it off, I am quite self-conscious, and it’s only when I’m playing roles that I can escape that. The older I get, the more people tell me it’s absolutely fine to be the way you are with all your quirks and nuances, and I wish I’d learnt that younger – I would have relaxed a bit more.
My style icons would be people like Brigitte Bardot and old Hollywood actresses who always look so stunning, cool and chic. I like classic and timeless looks.
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[What is the worst thing anyone’s said to you?] “Did we sleep together? Really? Are you quite sure?”
[on working with Meryl Streep on Plenty (1985)and A Cry in the Dark (1988)] By the time we did the second I was very comfortable with her. She scared the shit out of me in the first one. I was too young and too bedazzled by her. I was daunted. And I think on day one we had a sex scene. I wonder how many actors have done sex scenes with Meryl Streep. Probably just a handful.
Close to Home, 32min., USA Directed by Whitney Skauge Through the exploration of their personal and shared experiences, four young advocates imagine a world where access to safe, affordable, and reliable housing is not a privilege but an undeniable human right.
Revenge, 19min., Brazil Directed by Mari Penteado, Eduardo Campos Virginia is a 43-year-old transgender woman who works as a community health agent in Guarulhos, Brazil. The film follows a day in her life, marked by the exhaustion of work, but also by meaningful encounters, dreams, and, above all, the need to live – and resist.