Interview with Festival Director Auregan (ANIMATION STUDIO FESTIVAL)

 

Our selection is based on love, emotion, and great talent. The movies we chose to select are creative, sincere and powerful. They drive you somewhere else, or deep inside so you can feel, learn, be surprise, laugh, discover a new perspective.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Auregan: We have exclusive categories such as Best Story and Best Design. This way we want to reward the most sensitive films even if they didn’t have the budget for specific animation, and we also want to pick some of the best animators and animation designers. On a general perspective I have always been in love with animated films and by making these festival I want to select the new generation of talented and passionate filmmakers.

What would you expect to experience if you attend the festival this year (2018)?

We are planning for high quality screening event involving the filmmakers by sharing and showing their craft and amazing expertise.

What are the qualifications for the selected films?

We have eight categories, for short and feature films, for 2D, 3D, traditional, digital animation and even stop motion. Shorts must be less than 30 minutes and features over 40 minutes. For the rest we are expected moving and entertaining and funny films from all over the world !

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

There is some truth in that. Sometimes the bigger festival becomes the more the selection goes to some kind of etablished names, talents and films. It is up to the filmmakers to carrefuly chose the festivals they submit to. At the Animation Studio Festival, we are fully transparent, you can check our website and we answer each and every email. We are looking for the most sincere and involved filmmakers regardless of their status.

What motivates you and your team to do this festival?

We really love animated films. We watch them all the time. We noticed that there is so much more originality in animated films than in other films’ genres. The imagination of the animators and the authors seems unlimited !

How has your FilmFreeway submission process been?

There is a fisrt selection made by our team, then the selection is sent to the jury members who decide who the winners will be for each category. Nowadays the submission process is made really easy thanks to the platforms. We are on FilmFreeway but also on WithoutaBox, Click for Festivals and Festhome. So far the response as been great from the filmmakers !

Where do you see the festival by 2020?

There are so many artists, animators, screenwriters we would love to have as jury members… Also I guess I want the festival to grow but I also want to keep it close to the audience and the submitters.

What film have you seen the most times in your life?

Probably The Lion King. I know all the dialogues and the songs by heart.

In one sentence, what makes a great film?

A great story. Definitively.

How is the film scene in your city?

You know, films are what Los Angeles is about. The city lives with movies, breathes films, everyday. There is a lot of competition but judging by the response we have to the Animation Studio Festival, we already are standing out.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Interview with Co-Founder Karl Rössel (AFRIKA FILM FESTIVAL)

AFRIKA FILM FESTIVAL KÖLN
1992 – 2015: 25 years of Films from Africa in Cologne/Germany

THE FESTIVAL:
FilmInitiativ Köln e.V has been organising the AFRIKA FILM FESTIVAL KÖLN since
1992 in Cologne/Germany. In 25 years more than 750 films from 40 African countries have been shown and the cinema-goers had the opportunity to get to know more than 160 filmmakers.

The AFRIKA FILM FESTIVAL KÖLN presents the most comprehensive range of
contemporary African cinema in Germany. As a result, the festival has grown in
national and international stature during the years.

In preparation for the Cologne festivals FilmInitiativ has regularly attended the panafrican film festival FESPACO in Ouagadougou, the capital of Burkina Faso. FilmInitiativ has also attended African film festivals in Durban, Tunis (Carthage), Rabat and Cairo, as well as those in Milan, Amsterdam, Leuven, Tarifa/Cordoba and Frankfurt a.M. Special programmes featuring films from Africa that are screened at international film festivals, such as Cannes, Berlin, Rotterdam, Venice, Locarno, Toronto and Innsbruck, are also reviewed and evaluated for the Cologne festival.

FilmInitiativ offers information about all films and guests that were presented at the festivals in Cologne via a database in three languages on the website:
http://www.films-from-africa.com

The 15th edition of the festival will be held from September 21 to October 3, 2017. It will mark the 25th anniversary of the festival.

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Matthew Toffolo What is your Film Festival succeeding at doing for filmmakers?

Karl Rössel: The festival provides an opportunity for filmmakers from Africa and from the global African diaspora to present their films to the German audience. We promote those films not only by presenting them at our festival in Cologne, but also by recommanding them to cinemas and festivals in other German cites. We also subtitle some of the festival films as it makes it easier to distribute them in Germany.

For those filmmakers who come to visit the festival we organise meetings with the documentary and feature departments of the WDR. The WDR is Germanys biggest
public TV station and based in Cologne.

What would you expect to experience if you attend the festival this year
(2017)?

Given that we celebrate the 25th anniversary of the AFRIKA FILM FESTIVAL KÖLN,
people attending our festival can not only expect about 80 new films from more than 20 countries in Africa and from the diaspora, but also 30 guests, two exhibitions, four live music acts including an anniversary concert (with the Kasai Allstars from Kinshasa) and a party (with the Steven Ouma Band from Cologne).

What are the qualifications for the selected films?

The films for our festival are selected by the whole festivalteam. If the opinions in our team on certain films are inconsistent we also ask friends from African communities and others for their advise. We always try to present the best films from festivals in Africa, including those winning major awards.

The most important criteria for the selection is, that films should be directed by people from Africa or the African diaspora and not by Europeans or Americans. We deliberately present films from Africa, not about Africa. All genres and styles are welcome as long the content and form of the films are interesting and
inspiring. Given that we see cinema as a form of art we are not interested in
mainstream films, which are just shot for commercial reasons.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

At festivals like the Berlinale (as well as other international A-festivals like Cannes, Venice and Rotterdam for example) films from Africa still are widely ignored. The few exceptions from this rule do not represent the great variety of genres, styles and contents of contemporary filmmaking in Africa. While films from Asia and Latin America are more regulary presented at international festivals, they still seem to be not interested or capable to do comprehensive research on new developments in African cinema.

What motivates you and your team to do this festival?

The association organising the festival, FilmInitiativ Köln e.V., was founded in 1988 when it set itself the objective of “arousing interest in cinematic art by screening films and giving lectures and seminars and also to stimulate and encourage political discussions”. In doing so, “primarily films that are not represented in the listings of commercial cinemas should be given a platform. These could be significant films in cinematic history or culture which document the cinematographic works of non-European filmmakers”. After presenting a first series of films from West Africa in 1992, the whole team of FilmInitiativ in 1993 traveled to Burkina Faso to attend the legendary panafrican film festival FESPACO. Overwhelmed by the amount of fascinating films from African directors, which we discoverd at this festival inOuagadougou, we decided soon after to concentrate on the presentation of films from Africa. By providing opportunities to watch those films and to discuss with African directors at eye level we also try to overcome sterotypes and racist prejudices, which are still widely spread in Germany when it come to Africa and its people.

How has your FilmFreeway submission process been?

We received more than 400 film submission via FilmFreeway. The problem is, that
even if you define certain criteria, many filmmakers submit their films without fulfilling the criteria.

Where do you see the festival by 2020?

We hope that we will be able to present (and finance!) a festival in 2020, which will be as comprehensive, diversified and ambitious as our anniversary festival this year.

What film have you seen the most times in your life?

„Hyènes“ by Djibril Diop Mambety from Senegal, because we have presented this
masterpiece several times in the last 25 year.

In one sentence, what makes a great film?

A great film moves and changes the audience watching it.

How is the film scene in your city?

There are not enough cinemas and screens in Cologne.

Film does not play the role it should. If people in Cologne still get a chance to watch important films from around the world, it is due to the efforts of independent film groups (like FilmInitiativ Köln e.V.) and a few art house cinemas.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Interview with Festival Directors Daniel Foreman & Sharlene Millang (Edmonton Short Film Festival)

 

The Edmonton Short Film Festival (ESFF) is dedicated to the elevation of Alberta Independent film. The ESFF showcases Alberta filmmakers outside of the “normal” festival market and features diverse projects (newly created or “dusted off” favourites) including: trailers, music videos, web series, commercials, short films … as long as it’s less than 15 minutes, we’ll accept it! There are two main screening events: a Red Carpet Gala on October 14 and a Family Fun Film Fest on October 15.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers? ​

Daniel Foreman & Sharlene Millang: We are a jumping point to take emerging Alberta filmmakers and help them progress in their careers. A lot of them have only known YouTube as an audience and never played in a sold out theatre or networked with industry professionals. We give them the opportunity to move forward professionally with a filmmaker skills class (included in each submission), and we offer cash prizes for best of category. We also bring them up on stage to be recognized.

What would you expect to experience if you attend the festival this year
(2017)?​


Saturday night Gala:

As a film lover, you will be greeted by ushers at the door and directed to the ticket table, refreshment bars and to volunteers serving free, fresh, hot popcorn. There is a selection of pre-gala movies playing on the screens in the lobby and many opportunities to network and interact with other filmmakers and film fans. There is a silent auction where you can bid on exciting prizes. If you prefer, you can relax in the theatre and experience the pre-show on the big screen. We encourage our patrons to become engaged by tagging #ESFF2017 and
seeing their posts live on our Twitter wall.​

The first batch of films run for about 45 minutes and the audience will experience documentaries, commercials, comedies, dramas, animations and more. The maximum length of each film is 15 minutes so if someone doesn’t like what they’re seeing, they can just wait a few minutes and they will experience something new​

At the intermission, you will be entertained by live music by Olivia Rose and be fed hot food served by Drift Food Truck, which is all included in your ticket price of under $20. Free popcorn and bars serving local beer (as well as wine and soft drinks) give you get a great chance to meet new people and have fun in our festive atmosphere. Take a moment to have your photo taken on the red carpet!​

The second act has another 45 minutes of film and then the audience votes on the their choice from all the films that have been screened. ​

Sunday afternoon Family Fun Film Fest​

This FREE event includes a variety of activities for younger children including virtual reality demonstrations, facepainting, green screen backgrounds to play against, a GPS scavenger hunt, a photobooth with costumes and more. ​

The movies in the theatre include many excellent student films and family friendly shorts, and will showcase a special presentation by Edmonton born Hollywood actor Josh Emerson.

Filmmakers in attendance will also be recognized.​

What are the qualifications for the selected films?

The only mandatory requirements are Alberta-created, under 15 minutes, screenable content (e.g., no pornography, extreme violence or extreme language). We accept all genres and any date of creation. Our selection process is based on production value, story and performance. Then the program is pulled from the best technical films to create an awesome audience experience.

What motivates you and your team to do this festival? ​


Our biggest motivation is to help emerging Alberta filmmakers move their careers forward. It is a great feeling to have the filmmakers on stage beside us at the end of the evening and celebrating with them in front of a packed house.

How has your FilmFreeway submission process been?​

This was our first year on Film Freeway and it has been fabulous. It’s been a great way to supplement direct submissions on our site and opened a whole new group of Alberta filmmakers who may not otherwise have found our festival.

Where do you see the festival by 2020?

We see it including the western provinces and territories in Canada: BC, Yukon, NWT, Nunavut, Saskatchewan and Manitoba. It will be a week-long festival with speakers from across Canada, industry professionals and agents buying films. The short film section will still be the focus but we will expand to features as well.

What film have you seen the most times in your life? ​

Dan: Ghostbusters. I saw it at least 10 times in the theatre and countless times on video after. I still own and watch the original VHS tape which has held up remarkably well.

Sharlene: Star Trek: The Motion Picture.

In one sentence, what makes a great film? ​

A great film comprises of compelling story and interesting characters all woven together with fantastic visuals and stellar sound.

How is the film scene in your city? ​

Edmonton has a dynamic, vibrant film scene that is very, very indie. We don’t get a lot of big productions here currently but we make up for it with rich grassroots filmmaking. ​

Here’s a tidbit just for your information (not part of our official response):​
The newly-created Edmonton Screen Industries Office includes the full range of
screen-based entertainment, education and training – from mobile, television, Internet streaming and theatrical release inclusive of live action, animation and interactive video games. http://www.edmontonscreenindustries.com/​

With the creation of this new organization Edmonton is poised to become a leader in digital entertainment across Canada, North America and the globe.

Edmonton Short Film Festival.jpg

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Interview with Festival Programmer Ross Williams (KILLER VALLEY HORROR FILM FESTIVAL)

The Killer Valley Horror Film Festival was founded in 2007 by filmmaker Randy Granstrom. For 10 years we’ve been showcasing the best in indie horror and sci-fi.

Interview with Festival Director Jorge Blanco (THE HELL CHESS FILM FESTIVAL)

The Hell Chess Film festival is an event celebrated in Campo de Gibraltar, Spain.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Jorge Blanco: My personal experience as filmmaker in Festivals is negative. The most part of festivals got nothing to do with the filmmakers dreams, but with another interests. The Hell Chess Festival is all about creativity, constant communication with the filmmakers and a beautiful message to the world.

What would you expect to experience if you attend the festival this year (2017)?

This year 2017 we had three venues, two in Madrid (Spain) and another in a big cinema of St Julian’s (Malta). Now, we are opening the submissions to the 2018 edition, probably in January. The new venues are still in searching process.
You will find pureness in terms of faith in creativity and faith in the best of the human spirit.

And probably if you are sensitive enough, a big surprise will change your life vision.

What are the qualifications for the selected films?

When you select a film, even in the most honest way you choose what you like not what is always the best.

You got your own tastes. So the concept of winning means nothing when art itself is not objective.

So, all the non accepted films receive a letter explaining our reasons and our reviews to improve future films. In fact, the winner of our last edition got an incredible story behind. This filmmaker sent us a lot of films which were the most part of them rejected, but she improved the quality of her films until being the winner of the festival (what was a big surprise to her). The criteria of the festival is based in innovation, good taste and ethical values.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

We live in a dark period to cinema. All the commercial films are based on remakes or old ideas but in the worst possible way. So, the lack of an ethical commitment penalizes the original works. So, many good brave films do not get a fair shake, but an unfair treatment. That´s why we invent the Hell Chess Festival, to all filmmakers who are hungry of justice.

What motivates you and your team to do this festival?

I tell you a story, Matthew. A real story. We needed an upper force to decide a prize to our festival. We were confused. It was a difficult decision. And when we chose the most beautiful verdict based in high ideals then something supernatural (or unknown) happened. It´s difficult to explain, so the best thing is watching the final minutes of this video made by our last season winner:https://www.youtube.com/watch?v=pFEFqriK59g . The Hell chess Trophy has been the most important prize of her life, a prize guessed from beyond our reality.

This is our intimate motivation. Because we knew our path.

How has your FilmFreeway submission process been?

Very hard. Filmfreeway is a good tool but I personally hate the “Not Accepted” button. So, in the future I want to change the selection process. Maybe, we´d search for films and ask the directors to be included in the festival, or maybe creating special films only for the Hell Chess Festival. Something unique and compatible with our spirit.

Where do you see the festival by 2020?

I see a bigger one but not a better one. Today´s Hell Chess Festival is heroic and pure. We need go on so. The last thing we want to be is a fake independent festival run by a Hollywood actor who wants all the cinema honey but none of the real independent sourness. If you decided to be a rich slave you cannot pretend to be a free adventurer.

My Festival got only one sponsor: From the ruin to paradise, society.
That´s the secret of being unique.

What film have you seen the most times in your life?

The Sidney Pollack´s romantic comedy Tootsie. Around 50 times, specially when I was a child. I remember our video Beta and I related the coming of home video with this film. Maybe Tootsie is more deeper than it looks, with a bunch of inspired actors and a story of acting, Television, good tips about men and women psychology, and the irony of success and failure in the audiovisual world.

In one sentence, what makes a great film?

When you watch a great film you feel your life becomes important.

How is the film scene in your city?

Very funny. This is a spanish town with no cinemas in the centre (the old cinema disappeared) so you got to drive 7 kilometres to the unique cinema in 1.529 km². The decadence of cinemas is evident. Once upon a time things were different. But the key is not only Internet or tv or videoclubs. The key of this decadence is the decadence of cinema itself. I think in the place I live there was an actor of silent films. Everything is silence and I´m the only who speaks, that´s why I need to make festival far away my place. Sometimes I feel more closed to people like you than from my neighbours. I was 4 years old when I watched my first film Superman (1978) in a cinema room. I still remember my sensations. And not only I want to make movies, but being a saviour. Thanks for the questions.
 

Festival Director BIO: 

I founded a society called “From the ruin to Paradise” in 1998. 
Since that moment nothing is more important to me than this project. 
This society got cinema, educative and spiritual goals. 
The main project of this society is a feature film which is still the biggest, rebel and intelligent project you can imagine. 
In the meanwhile, I directed a 30 minutes film called Hell Chess. A totally innovative 
film in terms of narrative forms and a revision of our values as humans. 
And this film gives the name to our cinema event, The Hell Chess Festival. 
The Festival was a private event 5 years ago (where we played a chess tournament and watched our own movies) but in the Summer of 2016 the Festival began in Centro Cultural Pilar Miró, one of the best theatres in Madrid. We discovered experimental filmmakers like the veteran australian David King, a man of true talent who never won a prize until our event. We do not make any difference between actor/actress all compete in the same category of “Best Acting” like the last season where the actress Lola Manzano won her prize against many men. So our purpose is different indeed.

hellchess.jpg

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
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Interview with Festival Director Kristian Day (Interrobang Film Festival)

Presented as part of the Des Moines Arts Festival, the Interrobang film festival is three day multi-venue event taking place in the Des Moines East Village Neighborhood. The audience – whether cinema enthusiasts or curious newcomers – can experience curated screenings from films around the globe as well as experience hands on workshops, celebrity lectures, and industry parties.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Kristian Day: All of our juried films are free to the public. As a filmmaker myself, I hate the process of submitting to festivals. You spend lots of money submitting your films and then if you are selected, the audience has to pay to see them on top of that. Which doesn’t seem like a big deal, but I want to take the risk out of going to a film festival. If your film festival is not a buyers market, then at the very least you want to help guarantee an audience for the films that have been selected.

What would you expect to experience if you attend the festival this year (2017)?

For the first 9 years, the Interrobang Film Festival took place within the Des Moines Arts Festival. We have grown significantly and this year we have become a stand alone three day / multi venue event.

New additions this year:

Interrobang Film Challenge, a timed film competition similar to the 48hr Film Project that takes place the weekend prior and the films will then screen the weekend of the film festival.

Best of Show Award now includes how filmmakers market the film in our city. As most filmmakers know, once they are selected it is up to them to get people to come see their movie. I want to encourage old fashion showmanship. Fliers, parades, billboards, guerrilla marketing , whatever they need to do to get people in the seats! It is not only a big marketing tool for the festival but its fun for the city to have that experience. I give all the filmmakers every media contact in the city thats in my rolodex but they have to get more creative then just sending out press releases.

More parties. I don’t think young people have the attention span to sit and watch movies for hours like they used to. The Youtube generation likes things short, sweet and always moving. So we have a lot more non-screening events including a “Beers with Iowa Filmmakers” party and a cocktail hour with the Iowa Screenwriters Alliance.

What are the qualifications for the selected films?

I can’t say there is a specific qualification to select a film. There are obvious technical aspects I look for but I am always looking for something unique in each one. Sometimes I might watch it and think “this isn’t for me but I know there are definitely some people who will enjoy this”.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Sure. The bigger festivals are very political and I get that. If they don’t have some celebrity attached or if it hasn’t created some controversial buzz behind it then they are not really interested in it. But good films find their way. That is one thing I have learned over the years. A good will won’t go unnoticed if the creators never give up.

What motivates you and your team to do this festival?

I work in the film industry full time. I commute from Des Moines, Iowa to LA several times a year. I do this festival year after year because some day I hope that I don’t need to commute to LA for work. I want to see the industry move into more third markets (areas that are not LA or New York) and to do that you have to continue to develop that culture.

From an Iowan perspective, Des Moines is the capital city. It deserves to have a great film festival.

How has your FilmFreeway submission process been?

Great. I love FilmFreeway! We used to use Withoutabox but to be honest it was super tedious, clunky, and convoluted. I like being able to watch films within the site and its easy for the judges to do their work within the system.

Where do you see the festival by 2020?

Buyers market is always the goal. But it could also just take its place among the other festivals like 80/35, 515 Alive, and the Des Moines Arts Festival: an annual event that everyone in the region looks forward to attending, Either way I would be very happy. I don’t actually want to run this festival forever, I do it because it needs to be run by someone who doesn’t want to be the center of attention. The filmmakers, the audience, and everyone who makes the festival what it is are the most important aspects. There are some programers who think that they are the heroes and this not the attitude I want to see. Also whenever I see someone post things like “Great things on the horizon” on social media I am immediately turned off.

What film have you seen the most times in your life?

Once Upon A Time In The West. This is the single greatest film ever made.

In one sentence, what makes a great film?

Charles Bronson, Claudia Cardinale, Henry Fonda, and Jason Robards are what make a great film. (See the answer to the previous question)

How is the film scene in your city?

It’s OK. We have several shows that film here but not many folks are properly trained to work on a real set. I am a 1st AD on a lot of projects and every time on Day 1 I run into either a camera operator or a sound mixer who hits record and yells “speeding” before I tell them to roll. I have to stop everything and explain to them that no one touches anything until I say so.

My dream would be that we would have people who could work on shows in bigger positions, not just PAs. That could happen but they just need to work more and have more opportunities to be trained.
 

 
Interrobang Film Festival2.jpg
 

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
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FULL FEEDBACK on all entries. Get your script performed

Interview with Festival Director Albert G. Nigrin (New Jersey International Film Festival)

The Rutgers Film Co-op/New Jersey Media Arts Center proudly announces the 35th Bi-Annual New Jersey Film Festival Fall 2017. The Festival will be held on select evenings between September 15 and October 15, 2017 and will showcase the best in independent film by featuring premiere screenings and special guest appearances by film directors, screenwriters, cast and crew. For more information go to http://www.njfilmfest.com, call (848) 932-8482 or e-mail us at NJMAC@aol.com or NJMAC12@gmail.com!

 

 Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Albert G. Nigrin: Our Festival does a terrific job getting independent filmmakers the media/press attention and audience they deserve. Most filmmakers who are screened go out of their way to praise the great work that we do. And they love seeing their films on our huge screen and on our hi-def projection system.

What would you expect to experience if you attend the festival this year (2017)?

You would see enlightening and inspiring films that you couldn’t see any place else in the state of New Jersey as they are all premieres. You would also get to interact with over 20 visiting filmmakers who come from all over the world to present their films and do Q+As with the audience. 17 films will have their New Jersey or Area Premiere screenings as part of the New Jersey Film Festival Fall 2017. Some of these include: Jeremy Bryant’s very edgy short film Hitchhiking with a .357 Magnum; Minwoo Song’s brilliant experimental film Greeting In The Afternoon; Fred Riedel and Jerry Friends documentary film about the making of Lee Ranaldo’s upcoming release — Hello Hello Hello : Lee Ranaldo : Electric Trim; Leslie Ann Coles’ Melody Makers — a rock-doc that traces the birth of rock n’ roll journalism in the 1960s; Goran Trenchovski’s The Golden Five — an intimate feature film from Macedonia about the bonds of friendship, tested by unacknowledged acts of betrayal; Sara Leavitt’s short documentary Riverkeeper about Captain Bill Sheehan who has dedicated his life to preserving and protecting the New Jersey Meadowlands; Scott Morris’s Saving The Great Swamp: Battle to Defeat the Jetport ­– a documentary about a successful grassroots effort to defeat a plan to build the world’s largest jetport on wetlands in the heart of New Jersey; Chiara Bellini’s Life by the Landfill — an inspiring documentary about a determined group of activists who took on the notoriously mismanaged system of trash collection in Rome, Italy; Jimmy Dinh’s hysterically funny and timely feature You Have A Nice Flight, Nurith Cohn’s amusing short film The Little Dictator; Jordna Horowitz’s surreal feature Painless; Sharon’s Chetrit’s surreal short from Israel Soup; and many others. This fall we will also be re-screening the films that were the Best of our Summer 2017 New Jersey International Film Festival. These include: First Bloom (Best Animation) , Kedi (Honorable Mention), The Ravens (Best Short), Emma (Best Feature), Passaic (Honorable Mention), and Levinsky Park (Best Documentary). There will be Free Food served at the New Jersey Film Festival Fall 2017 except the shows on Thursdays prior to all the screenings courtesy of Jimmy John’s of New Brunswick! Visit our website for more info: http://www.njfilmfest.com

What are the qualifications for the selected films?

All works selected are screened by a panel of judges which included media professionals, journalists, students, and academics. Films are prescreened by 1st round judges and they basically weed the good films from the bad ones. We received over 370s for the current Fall 2017 New Jersey Film Festival and these judges selected about 100 films from these to be viewed by a final jury and they pick the finalists which are being publicly screened at our Festival. 17 finalists were selected for our Festival this Fall. All films viewed by the judges are scored from 1-10 with 10 being the highest. Films that receive 7s and higher for the most part were selected as finalists. Each piece is also scored with respect to the following categories: Originality, Creativity, Production Values, and Performances w/ the grades being Superior/Very Good/Good/Fair/Poor/NA. It is really very professionally run.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

All films are judged equally. Even the ones screened at 8AM get revisited by the jury to make sure they were given a fair shake. Also the fact that we have a two tiered judging process ensures that films are thoroughly examined. We also provide judges comments to any entrant who asks for them. The Festival judging process is, for sure, imprecise and I am certain many good films are not selected but that is the nature of the Festival process.

What motivates you and your team to do this festival?

We do the NJFF to make sure indy films get seen in our state. The New Jersey Film Festival is one of the longest running Film Festivals in New Jersey. It is now in it’s 36th year and I founded it back in 1982. It has grown from a seat of the pants film program to one the state’s largest and most popular Film Festivals.

How has your FilmFreeway submission process been?

Pretty good. It was certainly necessary to give Withouabox some competition. Now there are so many submission platforms to choose from.

Where do you see the festival by 2020?

The New Jersey Film Festival has gone through many different changes for a variety of reasons. It started as a revival program in the 1980s. Then we started doing 1st and 2nd run Art House films in addition to revival screenings due to the fact that our programs were growing and had more income to work, with. In the new millennium the Festival has transformed itself into a Festival which premiers Independent films in New Jersey. I expect the Film Festival to continue what we have been doing the last few years which is to help give a platform in New Jersey for indy films.

What film have you seen the most times in your life?

Stanley Kubrick’s 2001: A Space Odyssey, Maya Deren’s Meshes of the Afternoon and Bunuel/Dali’s Un Chien Andalou.

In one sentence, what makes a great film?

A great film is one that you can watch endlessly and never get tired of it.

How is the film scene in your city?

Vibrant. It was pretty dead when I got to New Brunswick in 1980 but now it is considered the mecca for filmgoers in New Jersey.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Interview with Festival Director Michael McLaughlin (Disappear Here Film Festival)

The Disappear Here Film Festival is a first of its kind in Donegal, Ireland. The inaugural DHFF is a 3 day festival taking place in Ballyliffin, Co Donegal from (Culture Night) Friday 22nd September 2017.  Our versatile programme will include screenings, talks, educational workshops and a host of entertainment events through which we will provide a unique festival experience.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Michael McLaughlin: It is offering them the opportunity to have their work seen by an audience that wouldn’t necessarily get a chance to see it. It also gives them the chance to network and make connections with others working within the industry. Gaining feedback from an impartial audience is something that can be worthwhile, especially for those that are starting out in the industry. To showcase your work on a big screen, in an environment such as a film festival is a an excellent platform for all filmmakers to avail of.

What would you expect to experience if you attend the festival this year (2017)?

The festival is for anyone that loves films, as well as those working or considering working within the industry in the future. We are aiming to offer something for children and adults alike. Disappear Here Film Festival will be another opportunity for the people to get together and celebrate the creative talent on offer through the medium of film. There will be various art installations dotted around the village, allowing people to experience not only film but also, other forms of creative expression.

What are the qualifications for the selected films?

There are no set qualifications and we decided against running with a theme for this inaugural year. What we are after is film making that is engaging, that is entertaining and ultimately that challenges audiences, & makes an audience feel something.

Do you think that some films don’t get a fair shake from film festivals? And if so, why?

Yes, I would probably accept that, but obviously I can’t speak on behalf of other film festivals. Films that are maybe high quality and tick all the boxes in terms of one panel member, might be deemed exceptional while another might deem it average, meaning that some films get dropped and don’t make it to selection. Also programmers have a very specific programme duration for short films, so lots of longer short films cannot get shown. My advice to filmmakers making shorts, is to actually keep them short – below 12mins max.

What motivates you and your team to do this festival?

The film festival came about by a desire to showcase the talents of
independent film making in Ireland and to allow audiences in Donegal
access to films they wouldn’t ordinarily be able to see.

How has your FilmFreeway submission process been?

In a word, incredible. It streamlined the whole application and submission process. It allowed us to make direct contact iwhtdirectors to clarify any information during the submission process. It made the experience more seamless and less stressful.

Where do you see the festival by 2020?

As a major player not just on the national scene here in Ireland, but internationally as well.

What film have you seen the most times in your life?

True Romance! Loved the screenplay by Tarantino and it’s one of Tony Scotts best as far as I’m concerned. Also, like everyone else I fell in love with Alabama, just a little bit!

In one sentence, what makes a great film?

A great film needs to be always entertaining, never ever boring.

How is the film scene in your city?

Getting better all the time! Lots of great filmmakers, crew & locations that have to be seen to be believed! Actually Star Wars- The Last Jedi filmed here last year, so we can’t wait to see our area showcased for an international audience in that film.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Interview with Festival Director Barry J. Gillis (Edmonton Festival of Fear)

This is a great opportunity for Filmmakers World Wide to Submit their Films. Plans are already in the works to expand the Edmonton FESTIVAL OF FEAR for 2018, and beyond.

Interview with Festival Director Terrence Sanders (Platform Film Festival)

Platform Film Festival’s mission is to celebrate the masters of filmmaking and discover the next generation of innovative creatives. Platform is the connective tissue that bonds the wondrous union between art and film. PFF will present an uncensored view of the World through the most important and relevant artists and filmmakers creating 2D and 3D work without fear, monetary incentives or artificial borders. PFF is a creative forum where like minds can have a sense of community being celebrated by the publlc-at-large and their contemporaries.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Terrence Sanders: Platform Film Festival mission is to provide a necessary platform for filmmakers in hopes of creating a greater awareness for important films.

What would you expect to experience if you attend the festival this year (2017)?

TS: Eclectic programming with an artistic bend. Films that entertain and educate. New discoveries that will resonate with the viewer long after they leave the venue.

What are the qualifications for the selected films?

TS: Voice, substance and vision.

Do you think that some films don’t get a fair shake from film festivals? And if so, why?

TS: It’s a power struggle whenever money is part of the equation. Each film submitted is competing for exposure and notoriety. Each jury favors a different trend, celebrity, subject matter or theme on a yearly basis. What’s favorable this year might not be favorable the next. Sometimes the unknown underdog is the winner and most times whether we like it or not it’s the financed studio favorite.

What motivates you and your team to do this festival?

TS: The love of the medium. I owe everything that I am today to the transformative power of cinema. I want to share great films with my audience.

How has your FilmFreeway submission process been?

TS: It’s been great. We were going to partner with Withoutabox but the process was complicated to say the least. Filmfreeway was simple and personable. It was a great fit. I hope to grow with this company and community.

Where do you see the festival by 2020?

TS: Joining the list of respected, important and relevant film festivals in the World.

What film have you seen the most times in your life?

TS: I’m a film freak. I have literally watched 5 movies a day for that last 25 years. I’ve seen everything. A few favorites are; The Life Aquatic with Steve Zissou, The Libertine, A Pure Formality, The Royal Tenenbaums, Blue Caprice, Ballast, O Brother Where Art Thou?, In the Mood For Love, Maderlay, I’ll Sleep When I’m Dead, Gangster No. 1, etc.

In one sentence, what makes a great film?

TS: Three words: writing, cinematography and performance.

How is the film scene in your city?

TS: I live in Los Angeles – what do you think?

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed