TIFF 2017 Movie Review: THE RITUAL (UK 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

The Ritual Poster

Trailer

A group of college friends reunite for a trip to the forest, but encounter a menacing presence in the woods that’s stalking them.

Director:

David Bruckner

Writers:

Joe BartonAdam Nevill (novel)

Stars:

Rafe SpallRobert James-CollierArsher Ali |

THE RITUAL is supposed to be a psychological thriller. Brucker who directed the film from a script co-written by him and by Joe Barton based on the novel by Adam Nevill knows how to bring on the scares and audience anticipation.

It all begins with a group of friends planning a holiday as a reunion get-together. Hence no wives or girlfriend and no romantic distractions. Lots of male talk, and fortunately no sexist jokes are included. Vegas? They eventually settle on hiking in the North of Sweden. Why? It is hard to rationalize what men do.

THE RITUAL actually works quite well during the first half. Director Bruckner puts good use of the forest to invoke the biggest scares. It is the fear of the unknown that terrifies. And there are a lot of unknowns in the film. It is only when the film starts explaining why each incident has occurred that the film begins getting into trouble.

Lots of gore, coming when least expected, good genuine scares (what THE BLAIR WITCH PROJECT could have been), good monster special effects and excellent use of location (the Swede woods). Forget about the logic of the plot and Midnight madness fans should be satisfied!

But I would doubt if the fairer sex would like this film.

Trailer: https://www.youtube.com/watch?v=3G3N0-6-YpA

TIFF 2017 Movie Review: THE SWAN (SVANURRIN) (ICELAND 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Svanurinn Poster
A nine-year-old girl is sent to a country farm in Iceland to serve her probation for shoplifting. The girl finds a kind of freedom by submitting to the inevitable restraints and suffering of remote rural life.

Director:

Asa Hjorleifsdottir (as Ása Helga Hjörleifsdótirr)

Writers:

Guðbergur Bergsson (novel), Asa Hjorleifsdottir (as Ása Helga Hjörleifsdótirr)

Stars:

Ingvar Eggert SigurðssonThor Kristjansson,Katla M. Þorgeirsdóttir

Poor nine-year old Sól (Grima Valsdóttir). She is not having it too good. Sol is sent to live with her aunt in rural Iceland as a punishment for shoplifting and her parents are splitting.

She does not like it at the farm, as in her own words, the place is old and smells weird. Adapted from Guðbergur Bergsson’s celebrated novel, Ása Helga Hjörleifsdóttir’s film is told from Sol’s point of view.

She is also told by the aunt’s daughter, Asta that there is a swan by the lake in the mountains that will lead people to drown. She also meets a local farmhand.

THE SWAN is a coming-of-age stry of Sol who discovers the more complicated life of adults. A slow moving film that allows the audience to feel with young Sol and to experience the slow but no less dramatic lifestyle at the farm.

THE SWAN is a portion of Sol’s coming-of-age, reflected in the maturity of Iceland.

Trailer: https://www.youtube.com/watch?v=uL3FzFMbdE8
 

TIFF 2017 Movie Review: MEDITATION PARK (Canada 2017) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Meditation Park Poster

Director:

Mina Shum

Writer:

Mina Shum

Stars:

Sandra OhLiane BalabanTzi Ma

Mina Shum directs an all-star cast — including Cheng Pei Pei, Sandra Oh, Tzi Ma, and Don McKellar — in her latest feature, about a devoted wife and mother (Pei Pei) who is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

by Gilbert Seah

Hong Kong martial-arts superstar Cheng Pei Pei, now in her ageing years stars as Maria, a devoted wife and mother who is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

She discovers that her supposedly devout husband, Bing (Tzi Ma) is not the perfect husband she thought him to be. They are visited by their daughter (Sandra Oh) who wishes her mother attend the brother’s wedding.

The brother has been disowned by Bing. Maria starts tailing her husband to find out more of his affair. At the same time, Maria opens up her life and finds companionship through her assortment of friends as well as though a neighbour (Don McKellar).

She finds that life has more to offer than just tending to her husband, and to one who has been unfaithful at that. There are some magnificent performances on display here, Cheng Pei Pei’s being the most obvious.

Sandra Oh, who has been in Shun’s films in the past is always good and a pleasure to watch. Shun does not compromise her film for the typical Hollywood ending.

EDITATION PARK should be seen for it being Shun’s best work and for Cheng Pei Pei’s controlled yet powerful performance.

Trailer: https://www.youtube. com/watch?v=tMo7DdGdaq8

MEDITATION PARK 1

 

TIFF 2017 Movie Review: BATTLE OF THE SEXES (USA)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Battle of the Sexes Poster
Trailer

2:23 | Trailer
2 VIDEOS | 37 IMAGES

The true story of the 1973 tennis match between World number one Billie Jean King and ex-champ and serial hustler Bobby Riggs.

Writer:

Simon Beaufoy

Stars:

Emma StoneSteve CarellElisabeth Shue |

by Gilbert Seah

BATTLE OF THE SEXES begins with Billie Jean King (Emma Stone) just winning the women’s singles tennis championship making her number one female player in the world.

King is outraged with the inequality of pay by the National Tennis League, especially with Jack, the chairman (Bill Pullman), who is shown to be the real villain of the story. Bobby Riggs (Steve Carell), arranges the battle of the sexes match, using his loud mouth and publicity to earn himself some cash to aid his failing marriage. To King, winning this match is more symbolic.

It is a milestone for women’s rights for equal pay, a point that is mentioned at the film’s end credits but not made clear throughout the film. The lazy script by Simon Beaufoy (SLUMDOG MILLIONAIRE) never bothers with important details of the story.

The film overdramatizes to the point of laughter. One scene has Billie’s lover in her hair salon shop hearing the news of Billie, realizing that she is needed and dramatically drops everything to leave the salon. The wardrobe of the 70’s has never looked so awful in any other film.The script contains lots of inane dialogue and unfunny jokes.

One line has Larry asking his wife if she was getting a blow dry, with full sexual innuendo. The film sheds no real light on the female rights movement, except what we already know.

Trailer: https://www.youtube.com/watch?v=o5ykcuAS1F4

BATTLE OF THE SEXES

TIFF 2017 Movie Review: A WORTHY COMPANION (Canada 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

A Worthy Companion Poster
Plagued by the abuse of her past and the turmoil of failed intimate encounters, Laura struggles to find a lover and a sense of normalcy. Her beacon of hope comes in sixteen year-old Eva, a …See full summary »

Stars:

Evan Rachel WoodJulia Sarah StoneDenis O’Hare

Montreal-based fine arts photographers Carlos and Jason Sanchez’s debut feature is a hard psychological thriller which centres on a 30-year-old woman (Evan Rachel Wood) embarking on an intimate yet ultimately manipulative relationship with a 16-year-old runaway (Julia Sarah Stone).

But the woman, Laura begins getting really obsessive and prevents Eva from leaving the house. The relationship turns out to be something like the Stockholm Syndrome. Apparently, though no details are given, Laura has had the same type of ‘stalking’ problems before, as her dad, who employs her mentions in the film.

The film is both disturbing and engaging though one can hardly look forward to a satisfactory or happy ending. Both actresses Wood and Stone bring compassion to their roles and show their need for normalcy.

Unfortunately, as can be seen in the film, this normalcy is not easily to come about and the state of affairs come about from their own personal behavioural flaws.

The film suffers from an open ended ending, which for a film like this, one expects some satisfactory closure.

Trailer: https://www.youtube.com/watch?v=pI1bAF6tOdE

TIFF 2017 Movie Review: EUTHANIZER (Finland 2017) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

tiff.jpgThe carefully balanced (albeit deranged) life of a freelance, black-market pet euthanizer begins to come apart at the seams in this loopy exploitation-movie throwback from Finland, which evokes the brazen psychological insights and aesthetic brio of such grungy genre classics as Monte Hellman’s Cockfighter and Larry Cohen’s God Told Me To.

Director: Teemu Nikki
Writer: Teemu Nikki
Stars: Alina Tomnikov, Santtu Karvonen, Jari Virman

Review by Gilbert Seah

The EUTHANIZER is Veijo, (Matti Onnismaa), an older man with glasses always smoking a pipe who runs a black-market operation euthanizing people’s ailing pets.

The people who go to Veijo either cannot afford having their pet put down by the local vet or have no guts to perform the killing themselves. Each commission also comes with a brutal lecture, as Veijo spills over with Old Testament–style indignation about what shoddy and appalling people his patrons are and how their pets have been mistreated.

Veijo is in reality an animal lover. When his father is hospitalized, he meets the young nurse caring for him. They begin a strange affair, a bit too uncomfortable, I bet to many an audience’s liking.

He also encounters a seedy garage mechanic, Petri (who’s mixed up with a vicious gang of neo-Nazis) who call themselves ‘Soldiers of Finland’ which provide most of the film’s suspense and thrills.

Veijp’s insight and theory of life is intriguing and serves to propel the difficult to fathom plot. But the film works, as director Nikki has the audience constantly rooting for Veijo in this black comedy of manners.

Trailer: https://www.youtube.com/watch?v=bUr9XQxc2gU

Film Review: HUNTING PIGNUT (Canada 2016)

Hunting Pignut Poster

Bernice, a 15 year old misfit runs away from her rural Newfoundland community in search of Pignut, a tormented and violent gutter punk, after he steals her father’s ashes right out of his urn.

Director:

Martine Blue

Writer:

Martine Blue

Stars:

Taylor HicksonJoel Thomas HynesBridget Wareham

HUNTING PIGNUT can be considered a true female project (from Newfoundland, Canada) with a female writer and director Martine Blue and two strong female protagonists. It is also Blue’s first feature and an autobiographical one at that. It is therefore not surprising that the film won Best First Feature at the Arizona International Film Festival and Best Canadian Feature at the Female Eye Film Festival.

The story centres on 15-year-old Bernice Kilfoy (rising star Taylor Hickson, fresh from her debut DEADPOOL). She hates her life in tiny, isolated Black Gut, Newfoundland. She believes that she will never live down a traumatic childhood that left her body and psyche deeply scarred. Bean (Amelia Manuel), her mother, tries to be a friend but is too busy struggling to get ahead. Self-centred, lonely, starved for attention and shunned by her peers, Bernice, who is bullied and constantly being beaten up, makes up stories about hanging out with her dad, of whom she hasn’t seen in 10 years. Her dejected spirit takes a strange turn when her dad dies of a heroin overdose and Pignut (Joel Thomas Hynes), a nihilistic gutter punk, shows up for his wake.

The death and funeral service occurs at the start of the film. The service is crashed by Pignuts punk friends who are thrown out of the funeral hall. It is discovered that they have stolen the father’s ashes.

Bernice stumbles upon Pignut’s writing journal and becomes obsessed with discovering more about her father, his mysterious facial tattoo, his best friend Pignut and their clan of nomadic gutter punks. Bernice embarks on an odyssey to hunt down her father’s ashes and to discover her place in his heart and in the world.

The best thing of the film is the depiction of the punk gutter scene. Director Blue drew on her previous experiences when she herself was in this scene. These people, squatted, panhandled and ate food from garbage dumpsters.

Bernice is shown in the film as a rebel who dives into the group, which initially rejects her due to her age.

The trouble with the film is that the story is not credible and filled with too may coincidences. The mother, Bean is genuinely trying to make an effort to connect with her daughter and it is hard to believe that Bernice still shuns her. When Bean travels to the city to find Bernice, she finds her out of the blue in a building doing drugs. The chances of this happening is close to negligible. In another scene after Bernice is beaten up by a punk ember, the cops happen to be right there.

At least Hickson and Manuel deliver winning performances as daughter and mother. Comedienne Mary Walsh, who happens to be appearing in anything Newfoundland has a cameo in the film.

Despite the film’s well intentions, like attempting to show love within the punk group, the film fails from its careless writing. The film benefits from a strong female presence but HUNTING PIGNUT deserves much better.

Trailer: https://www.youtube.com/watch?v=XKSGAmuBTN8

TIFF 2017 Movie Review: THE CRESCENT (Canada 2017) **1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

THE CRESCENT.jpgAfter an unexpected death in the family, a mother and son struggle to find spiritual healing at a beachfront summer home.

Director: Seth A. Smith
Writer: Darcy Spidle (screenwriter)
Stars: Britt Loder, Danika Vandersteen, Amy Trefry

Review by Gilbert Seah

This horror film from Nova Scotia, Canada has an excellent though slow beginning. Weird colourful patterns are formed and changed, which seems to flow naturally.

The film, after the opening credits and patterns turns to a funeral service where the preacher talks about suffering and pain before coming to a final rest.

The film then focuses on the single mother (Danika Vandersteen) and young son (Woodrow Graves), and advised by her mother than in order to survive: “You have to keep a level head.” Smith plays around with sounds effectively as he uses different sizes images to frame his film.

The frame sizes change when showing an image as seen from a window or from Beth’s paintings. Smith also uses tilted and upside down images, the latter as seen from the reflection of the sea water at low tide as Beth and Lowen walk along the beach.

The intermittent blaring sound is used at many points in the film. Smith’s film might be a bit too slow paced for a Midnight Madness selection. Normal horror fans will also not be too happy at this too arty piece of work that looks too smug for its own good.

Trailer: https://www.youtube.com/watch?v=Bji7jatpHqA

Film Review: TULIP FEVER (UK 2016) **

tulip fever.jpgAn artist falls for a young married woman while he’s commissioned to paint her portrait during the Tulip mania of 17th century Amsterdam.

Director: Justin Chadwick
Writers: Deborah Moggach (screenplay), Tom Stoppard (screenplay)
Stars: Alicia Vikander, Dane DeHaan, Jack O’Connell

Review by Gilbert Seah

The press is having a field day with the news of the new film TULIP FEVER based on a scandalous affair set in 17th Century Amsterdam. When the film critics were asked to sign an embargo for their reviews to appear no earlier that 1 pm of Friday, the film’s opening day, something must be afloat. The film was expiated to be awful. In addition, rumours were going around that TULIP EVER had been siting on the shelves for 3 years.

To be fair to the film, the film was in production in 2014 and the film was scheduled for a 2016 release. So, the film was on the shelf for a year and not 3. As for the embargo, the studios have their reasons. The film is not that bad, though it is not that good either. Despite the film’s flaws, it is quite watchable and pleasant viewing.

For one, the film has an impressive cast that includes Oscar Winner Judi Dench, hardly recognizable in cloister apparel. She is the Abbess who specializes in growing tulips. The film also stars rising start Alicia Vikander, Dane DeHaan, Jack O’Connell and Christoph Waltz. This is Waltz in his strangest role not as an antagonizer but as a victim of various plots. DeHaan, who has become quite the household name now with this third big expensive flop in a row after A CURE FOR WELLNESS (in turn quite a good film despite flopping at the box-office) and the same could be said for VALERIAN.

The film is told from the point of view and voiceover of a maid, Maria (Holly Grainger). She works hard for her mistress Sophia (Vikander) who was bought from the orphanage for a wealthy Cornelis (Waltz) who is desperate to have a son. Maria has an affair with a fishmonger (O’Connell) who delvers fish to the household. Sophia has an affair with a painter, Van Loos (DeHaan) behind Cornelis’ back. When Maria becomes pregnant ,s he blackmails her mistress as she knows of Sophia’s affair with Van Loos. Sophia decides to have Maria’s baby as her own to fool her husband. Complications arise in this complicated tale of deceit, with tulip truing brought into the picture.

It is are to market a film in which those who plot and have various affairs flourish and the poor faithful and believing husband doesn’t. He ends up, forgiving his transgressors and even grating them his residence.

The film is set in Holland, in the 17th century when tulips were the talk of the town. Business people were trading on tulips, very similar to the stock market at present. As expected, while many may make their fortunes, oner less fortunate ones stand to lose everything.

TULIP FEVER benefits from an interesting though hardly credible story. The period setting in Amsterdam helps too, despite the film shot totally in English with largely English and European actors. TULIP FEVER ends up an interesting failure. It costs only $25 million to make, so it might just make a little profit.

Trailer: https://www.youtube.com/watch?v=5RpGTBnf158

TIFF 2017 Movie Review: APOSTASY (UK 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

 APOSTASY.jpgA faithful Jehovah’s Witness is forced to shun her own sister because of a religious transgression. As the separation draws out, she starts to question the meaning of God’s love.

Director: Dan Kokotajlo
Writer: Dan Kokotajlo
Stars: Siobhan Finneran, Robert Emms, Sacha Parkinson

Review Gilbert Seah

APOSTASY is a term for the formal abandonment of ones faith, regardless of what the faith might be. In this minimalist family drama set in Manchester, England, the faith of a family is put to the test. The family concerned is the mother, Ivanna (Sobhan Finneran) and her two daughters, 20-year old Louisa (Sacha Parkinson) and 18-year-old Alex (Molly Wright).

They are Jehovah Witnesses, who are rigorously devoted to their religion. They also take their religious mission door to door amongst a large Pakistani community in Oldham of Greater Manchester.

Alex has already received a blood transfusion at an early age, dictated by the hospital to save her life but a definite no-no in the belief of the faith. When Louisa gets impregnated by a non-believer, she is dis-fellowshipped by the Elders of the church. Not only that, but her mother and sister are disassociated and not allowed to see her.

All three main actresses are nothing short of superb. Director Kikotajlo is fond of using close ups to show the emotions of his characters’ faces. APOSTASY is a small budget film that dramatically achieves its aim of revealing the truth and hardships of a religious belief.

Trailer: (non available at time of writing)

APOSTASY1.jpg