1997 Movie Review: COP LAND, 1997

COP LAND,  MOVIE POSTERCOP LAND, 1997
Movie Reviews

Directed by: James Mangold

Cast: Sylvester Stallone, Harvey Keitel, Ray Liotta, Rober De Niro, Peter Berg, Janeane Garofalo, Robert Patrick, Michael Rapaport
Review by Jarred Thomas

SYNOPSIS:

The sheriff of a suburban New Jersey community populated by New York City policeman slowly discovers the town is a front for mob connections and corruption.

 

REVIEW:

Writer/director James Mangold creates a film that examines the underbelly of corruption among New York City cops who reside in New Jersey, bending the rules to fit their needs while hiding a dark secret about a recent murder. Sylvester Stallone plays the morally straight New Jersey cop who suffered an ear injury that has relegated him to only work small time crimes. He has become something of joke among most of the residents, in particular NY cops led by Harvey Keitel who reside in the community.

Stallone’s understated performance plays against type and he does a wonderful job in his role. Stallone gained weight for the role and it adds to the character as he appears slow and out of shape. He looks like a real person and not some caricature. It’s a quiet performance unlike his previous films and one that gained Stallone critical praise from critics and peers.

Freddy Heflin (Stallone) is the sheriff of a fictional town called Garrison in New Jersey. When he was a teenager he jumped into the river to save a girl who plunged in from the bridge. In doing so, he damaged his ear making him unable to become an officer on the streets. Now, he’s relegated to perform small deeds such as preserving the peace, scolding rowdy children and check parking. His authority is limited, if he has any at all.

Cop Land is a look at big city corruption in a small town. Harvey Keitel as Ray Donlan does a nice job in his role playing a corrupt officer who acts with more authority in town then he really has, but when he speaks, people listen out of fear. Donlan has ties with the mob which have allowed him to have certain cops placed in his town, giving the name “Cop Land.” Many of the houses in town were bought through dirty money and the depravity doesn’t end there.

Ray’s nephew, Murray (Rapaport), a young cop, unintentionally kills to two black teens after his car side swipes them. Out of fear of racial incident, Ray tries to fake Murray’s suicide. However, when Moe Tilden (De Niro), an Internal Affairs investigator comes investigating, he smells a cover up. Not willing to get caught, Ray tries to have Murray killed, but the job doesn’t go as planned leading Murray to seek the help of Freddy. Can Freddy stand up against the corruption in town or is he simply out of his league?

Robert De Niro and Harvey Keitel both provide a well needed boost of energy in this film because although Stallone does a solid job as the slow witted sheriff, there’s really not much to speak of with the other actors. Liotta plays a good/bad cop whose conscience is starting to get the best of him and his loyalties come into question. But it feels clichéd like most of the other characters who hit only one note.

Cop Land has its strong moments, most coming from the three actors De Niro, Keitel and Stallone, but it’s not entirely enough. Towards the middle of the movie, it meanders a bit like Freddy does, maybe even more. Perhaps Stallone being out of his action element too draws attention to itself, and when he finally picks up a weapon the action scene is far too predictable to be even remotely believable. There’s just not enough to recommend this film despite the standout performance of Stallone.

 

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Film Review: LOGAN (USA 2017) ***

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logan.jpgDirector: James Mangold
Writers: Michael Green (screenplay), Scott Frank (screenplay)
Stars: Hugh Jackman, Patrick Stewart, Dafne Keen

Review by Gilbert Seah

 
For those unfamiliar with the Marvel comic universe – LOGAN is the name of the Wolverine mutant in the X-MEN series. He has been played by actor Hugh Jackson in the past as well as in this latest edition, which is supposed to be his last. To put everyone in line with the Wolverine Universe, LOGAN is intended to be the tenth installment in the X-Men film series, as well as the third and final Wolverine solo film following X-Men Origins: Wolverine (2009) and The Wolverine (2013).

Director James Mangold has made a slew of movies, but I fir
st noticed his film COP LAND which dealt with an ageing sheriff played by Sylvester Stallone, forced out of his complacency to do what is right. The premise of LOGAN is quite the same. Wolverine (Jackman) just wants to be left alone – drinking and driving his car for hire, until he encounters mutants running away from a government control experiment gone haywire.

The setting of the story is the near future with Wolverine. dealing with his age and ailment. His abilities are not what they once were”. So, a weary Logan cares for an ailing Professor X aka Charles Xavier (Patrick Stewart) with an albino mutant called Caliban (Steven Mercahnt) in a hideout on the Mexican border. (Caliban is named after Prospero’s slave, the ugly monster of the island he is shipwrecked in, in Shakespeare’s THE TEMPEST). His attempts to hide from the world and his legacy, however, are up-ended when a young mutant, Laura (Dane Keen) arrives, being pursued by dark force. The first fight arrives a late 45 minutes into the film.

As in the Marvel action films, the fight scenes have to be awesome. The ones here meet the standard, being violent enough with head rolling off and sharp blade slicing up bodies. The editing is quick, but the scenes held long enough for the audience to figure out what is happening.

The script, partly written by Mangold together with Scott Frank and Michael Green, shows occasional bouts of brilliance. At one point in the film, Logan discovers X-MEN comic books in Aurora’s bag. Reading them, he finds that the Eden place that they are going to is described in the comic book as well as certain past events. The film here takes an eerie look, with a chilly feel similar to what could be felt in David Lynch’s MULHOLLAND DRIVE. The story also pays a clever nod to the classic western SHANE that appears on the television. Logan, Charles and Laura on their journey to find Eden, encounter a family, just as the stranger SHANE does in the film, and their encounter affects the destiny of the family who like the movie SHANE, is being hustled out of the land by mercenary gunmen. The script does not shy away from senseless killings, which is a good thing. A lot of innocent people die in this movie.

LOGAN costs a whopping 127 million to make. It is a handsomely mounted production with impressive special effects and great fight choreography. It should make is money back based on the fact that the film is quite good. Only thing is that much publicity is required to let the world be aware that this is actually another X-MEN movie despite the words “X-MEN” missing from the innocently chosen title.

Trailer: https://www.youtube.com/watch?v=Div0iP65aZo

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