Film Review: THE KID WHO WOULD BE KING (USA/UK 2019) ****

The Kid Who Would Be King Poster

A band of kids embark on an epic quest to thwart a medieval menace.


Joe Cornish


Joe Cornish

The film title THE KID WHO WOULD BE KING is likely used due to familiarity with the medieval hit, John Huston’s 1975 Rudyard Kipling adaptation of THE MAN WHO WOULD BE KING.   Don’t let either the title or the fact that this is a family film discourage you from seeing this picture.  Despite the film’s limitations of targeting a family audience, there is plenty to enjoy for adults. Also ignore the silly ad” “Kids Rule” that would turn off adults. 

The story follows Alex Elliot (Louis Ashbourne Serkis, son of Andy) a young boy who is picked on at school and does not appear to be very special at all.  However, that soon changes when he finds and pulls King Arthur’s famous sword Excalibur in the neighbourhood construction site.  He discovers that he is destined to form a new round table for an upcoming battle with the medieval villain Morgana (Rebecca Ferguson), who summons evil forces to rule the world, after being banished by King Arthur.  All this information is revealed at the film’s prologue – animation style.  The wizard Merlin (Angus Imrie) assists Alex in his quest. He is depicted as a young incarnation of Merlin in the film but capable of transforming to his old self (Sir Patrick Stewart).

If Morgana’s evil forces, creatures made up dark black with infra-red eyes look familiar, these creatures bear an uncanny resemblance to the invading aliens in ATTACK ON THE BLOCK, a small first feature that was a hit.  And with solid reason.  KID is directed by that film’s same director Joe Cornish who has the talent of bringing his films filled with spirit, humour and imagination.

Performances are surprisingly spectacular.  Deserving of mention is relative newcomer Angus Imrie who plays the young Merlin, who suddenly appears as a new student to help Alex in his quest to save the world.  Also delivering a heartwarming and sometimes gut-wrenching performance is Denise Gough, an Olivier Award (British Theatre) winner who plays Alex’s mum.

The location where the fights and setting take place is stunningly captured on film by cinematographer Bill Pope.  The film is shot in the Cornwall area, south coast of England.  The film can also be considered to be a super action hero film, with Alex as the young schoolboy King Arthur type hero saving the world.  The film also has plenty of special effects to go with it – so action fans will be delighted.  The special effects is dished out small doses at a time with nothing much at the first half of the film but then coming out strong at the end creating a solid climax for the film.

Cornish’s clever script contains plenty of messages as if to mock films with messages.  These come on strong even at the beginning of the film.   “Telling the truth and doing the right thing.”  “The world doe not change – you do!”  “You do not need what you already have!”  “Use your enemies as your allies.”

THE KID WHO WOULD BE KING is an often imaginative super hero adventure cleverly blending medieval times with the modern with lots of good messages from the director Joe Cornish who the TFCA (Toronto Film Critics Association) awarded the Best First Feature way back when for his equally impressive 2011 ATTACK ON THE BLOCK.  This film rules!


Film Review: LOGAN (USA 2017) ***

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logan.jpgDirector: James Mangold
Writers: Michael Green (screenplay), Scott Frank (screenplay)
Stars: Hugh Jackman, Patrick Stewart, Dafne Keen

Review by Gilbert Seah

For those unfamiliar with the Marvel comic universe – LOGAN is the name of the Wolverine mutant in the X-MEN series. He has been played by actor Hugh Jackson in the past as well as in this latest edition, which is supposed to be his last. To put everyone in line with the Wolverine Universe, LOGAN is intended to be the tenth installment in the X-Men film series, as well as the third and final Wolverine solo film following X-Men Origins: Wolverine (2009) and The Wolverine (2013).

Director James Mangold has made a slew of movies, but I fir
st noticed his film COP LAND which dealt with an ageing sheriff played by Sylvester Stallone, forced out of his complacency to do what is right. The premise of LOGAN is quite the same. Wolverine (Jackman) just wants to be left alone – drinking and driving his car for hire, until he encounters mutants running away from a government control experiment gone haywire.

The setting of the story is the near future with Wolverine. dealing with his age and ailment. His abilities are not what they once were”. So, a weary Logan cares for an ailing Professor X aka Charles Xavier (Patrick Stewart) with an albino mutant called Caliban (Steven Mercahnt) in a hideout on the Mexican border. (Caliban is named after Prospero’s slave, the ugly monster of the island he is shipwrecked in, in Shakespeare’s THE TEMPEST). His attempts to hide from the world and his legacy, however, are up-ended when a young mutant, Laura (Dane Keen) arrives, being pursued by dark force. The first fight arrives a late 45 minutes into the film.

As in the Marvel action films, the fight scenes have to be awesome. The ones here meet the standard, being violent enough with head rolling off and sharp blade slicing up bodies. The editing is quick, but the scenes held long enough for the audience to figure out what is happening.

The script, partly written by Mangold together with Scott Frank and Michael Green, shows occasional bouts of brilliance. At one point in the film, Logan discovers X-MEN comic books in Aurora’s bag. Reading them, he finds that the Eden place that they are going to is described in the comic book as well as certain past events. The film here takes an eerie look, with a chilly feel similar to what could be felt in David Lynch’s MULHOLLAND DRIVE. The story also pays a clever nod to the classic western SHANE that appears on the television. Logan, Charles and Laura on their journey to find Eden, encounter a family, just as the stranger SHANE does in the film, and their encounter affects the destiny of the family who like the movie SHANE, is being hustled out of the land by mercenary gunmen. The script does not shy away from senseless killings, which is a good thing. A lot of innocent people die in this movie.

LOGAN costs a whopping 127 million to make. It is a handsomely mounted production with impressive special effects and great fight choreography. It should make is money back based on the fact that the film is quite good. Only thing is that much publicity is required to let the world be aware that this is actually another X-MEN movie despite the words “X-MEN” missing from the innocently chosen title.



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Happy Birthday: Patrick Stewart

patrickstewart.jpgHappy Birthday actor Patrick Stewart

Born: July 13, 1940 in Mirfield, Yorkshire, England, UK

Married to: Sunny Ozell (7 September 2013 – present)
Wendy Neuss (25 August 2000 – 2003) (divorced)
Sheila Falconer (3 March 1966 – 1990) (divorced) (2 children)

He was awarded the Laurence Olivier Theatre Award in 1994 (1993 season) for Best Entertainment Award for his adaptation and staged performance of Charles Dickens’ “A Christmas Carol” at the Old Vic.


dir. Kelly Asbury
James McAvoy
Emily Blunt
dir. Martin Rosen
John Hurt
Christopher Benjamin
dir. Singer
Hugh Jackman
Patrick Stewart
dir. Alastair Fothergill
Mark Linfield
X-Men 2
dir. Singer
Famke Jenson
Halle Berry
dir. Mark Dindal
Zach Braff
Steve Zahn
dir. John Moore
Bruce Willis
Jai Courtney
x-menX-Men 3
dir. by Brett Ratner
Ian McKellen
dir. Bryan Singer
Patrick Stewart
Ian McKellen
dir. Will Finn
Dan St. Pierre