Advertisements

Film Review: THE KID WHO WOULD BE KING (USA/UK 2019) ****

The Kid Who Would Be King Poster
Trailer

A band of kids embark on an epic quest to thwart a medieval menace.

Director:

Joe Cornish

Writer:

Joe Cornish

The film title THE KID WHO WOULD BE KING is likely used due to familiarity with the medieval hit, John Huston’s 1975 Rudyard Kipling adaptation of THE MAN WHO WOULD BE KING.   Don’t let either the title or the fact that this is a family film discourage you from seeing this picture.  Despite the film’s limitations of targeting a family audience, there is plenty to enjoy for adults. Also ignore the silly ad” “Kids Rule” that would turn off adults. 

The story follows Alex Elliot (Louis Ashbourne Serkis, son of Andy) a young boy who is picked on at school and does not appear to be very special at all.  However, that soon changes when he finds and pulls King Arthur’s famous sword Excalibur in the neighbourhood construction site.  He discovers that he is destined to form a new round table for an upcoming battle with the medieval villain Morgana (Rebecca Ferguson), who summons evil forces to rule the world, after being banished by King Arthur.  All this information is revealed at the film’s prologue – animation style.  The wizard Merlin (Angus Imrie) assists Alex in his quest. He is depicted as a young incarnation of Merlin in the film but capable of transforming to his old self (Sir Patrick Stewart).

If Morgana’s evil forces, creatures made up dark black with infra-red eyes look familiar, these creatures bear an uncanny resemblance to the invading aliens in ATTACK ON THE BLOCK, a small first feature that was a hit.  And with solid reason.  KID is directed by that film’s same director Joe Cornish who has the talent of bringing his films filled with spirit, humour and imagination.

Performances are surprisingly spectacular.  Deserving of mention is relative newcomer Angus Imrie who plays the young Merlin, who suddenly appears as a new student to help Alex in his quest to save the world.  Also delivering a heartwarming and sometimes gut-wrenching performance is Denise Gough, an Olivier Award (British Theatre) winner who plays Alex’s mum.

The location where the fights and setting take place is stunningly captured on film by cinematographer Bill Pope.  The film is shot in the Cornwall area, south coast of England.  The film can also be considered to be a super action hero film, with Alex as the young schoolboy King Arthur type hero saving the world.  The film also has plenty of special effects to go with it – so action fans will be delighted.  The special effects is dished out small doses at a time with nothing much at the first half of the film but then coming out strong at the end creating a solid climax for the film.

Cornish’s clever script contains plenty of messages as if to mock films with messages.  These come on strong even at the beginning of the film.   “Telling the truth and doing the right thing.”  “The world doe not change – you do!”  “You do not need what you already have!”  “Use your enemies as your allies.”

THE KID WHO WOULD BE KING is an often imaginative super hero adventure cleverly blending medieval times with the modern with lots of good messages from the director Joe Cornish who the TFCA (Toronto Film Critics Association) awarded the Best First Feature way back when for his equally impressive 2011 ATTACK ON THE BLOCK.  This film rules!

Trailer: https://www.youtube.com/watch?v=cJlxP5P9v9c

Advertisements

Film Review: THE SNOWMAN (USA 2017) **

Submit your Screenplay to the Festival TODAY

The Snowman Poster
Trailer

Detective Harry Hole investigates the disappearance of a woman whose pink scarf is found wrapped around an ominous-looking snowman.

Director:

Tomas Alfredson

Writers:

Peter Straughan (screenplay by), Hossein Amini (screenplay by)

 

Submit your Screenplay to the Festival TODAY

Film Review: LIFE (USA 2017) ***1/2

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

life.jpgDirector: Daniel Espinosa
Writers: Rhett Reese, Paul Wernick
Stars: Jake Gyllenhaal, Rebecca Ferguson, Ryan Reynolds

Review by Gilbert Seah

LIFE is a new science fiction horror film directed by Daniel Espinosa, written by Rhett Reese and Paul Wernick (who both penned DEADPOOL and ZOMBIELAND) and starring two of Hollywood’s hottest stars Jake Gyllenhaal as Dr. David Jordan and Ryan Reynolds as Rory Adams. The two are part of a six-member eclectic crew of the International Space Station that uncovers what initially seems to be the first evidence of life on Mars.

LIFE is the scariest horror film so far this year. Espinosa and his writing crew know how to shock people with genuine scares, not using silly tactics like false alarms and the volume of the sound suddenly for no reason going three times as loud. The film is set in space. Space is an unknown entity to human beings. Anything can happen in space. The sight of space with little light and vast endless openness is in itself the scariest notion ever.

The film begins with voiceover and scenes describing an international space station. The film is totally successful in grabbing and maintaining the audience’s attention. Everyone has to listen and pay full attention – or some important fact will be missed. The first thrill of the film involves the capture of a space probe returning from Mars with a sample inside. This task is obviously successful (so no spoiler alert here). The crew is tasked with studying the sample, which may be the first proof of extraterrestrial life. However, the study eventually backfires as the organism displays incredible strength and gains intelligence. The creature becoming extremely hostile and killing them all one by one. Ariyon Bakare’s Hugh Derry is the first casualty in a segment where his pain is matched only by his screaming. Trapped aboard the ISS with the rapidly-growing organism humorously nicknamed Calvin, the crew must find out how to kill it before it manages to escape and destroy Earth.

There are two things going for this horror film – unpredictability and suspense build-up. Director Espinosa builds his film slowly but effectively to a horrifying climax. He knows how to create real terror. The segments in which the victim are attacked by the creature are almost impossible to watch, with the creature’s tentacles entering the mouths of its victims. These start occurring after the first half of the fpm right up to the very end. A little spoiler alert here – anyone of the crew could be done away with. Don’t be fooled by the star billing.

At times, the film feels like other space horror films like John Carpenter’s THE THING or Ridley Scott’s ALIEN films. But LIFE tries and succeeds to be different. For one the ending is totally unpredictable. But one has to probably discuss what actually happened as an explanation is not crystal clear and could be open to different interpretations.

Ridley Scott’s new ALIEN reboot (ALIEN: COVENANT) arrives in a few months.

How it will compare to Calvin is the anticipatory question.

Trailer: https://www.youtube.com/watch?v=LeLsJfGmY_Y

_________

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Happy Birthday: Rebecca Ferguson

rebeccafergusonRebecca Ferguson

Born: October 19, 1983 in Sweden

[on when she heard about the job in Mission: Impossible – Rogue Nation (2015)] I was on a camel! In the desert. In Ouarzazat [Morocco]. Filming The Red Tent (2014) for Lifetime. I had just popped over to London to meet Tom Cruise to see if the chemistry worked and 12 hours later I’m back on the camel, wrapping up production and I got a phone call. They say: ‘You’ve got the next lead!’ So I’ll be back in Ouarzazat but on a motorbike! And there I was a month later.

[on what inspired her to become an actress] I wasn’t brought up in the acting world-my father is a lawyer. But as a teenager, I had the opportunity to audition for this television series: a daytime soap opera. And I got the lead part. I had just finished ninth grade in school, so I skipped what we called gymnasium and started working instead. And realized that this is a life I can see myself living.
TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed
Advertisements