TIFF 2016 Movie Review: WEIRDOS (Canada 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

weirdos_poster.jpgWEIRDOS (Canada 2015) ***
Directed by Bruce McDonald

Starring: Dylan Authors, Rhys Bevan-John, Francine Deschepper

Review by Gilbert Seah

Bruce McDonald (HARD CORE LOGO, THE TRACEY SEGMENTS) turns down the angst a little with his latest film penned by playwright and fellow filmmaker Daniel McIvor. The setting is the town of Antigonish in Nova Scotia on the 4th of July of 1976, the American Bicentennial. Music-loving 15-year-old Kit (Dylan Authors) spends his time either alone in his room listening to Elton John albums, or hanging out with his platonic girlfriend, Alice (Julia Sarah Stone).

Like Kit, Alice feels out of place, and her divorced parents have too many issues of their own to offer much comfort. The film pays tribute (or copies, depending on how one wants at look at it) from films like Woody Allen’s PLAY IT AGAIN SAM and John Schlesinger’s MIDNIGHT COWBOY. Andy Warhol appears at various points in the film, unseen by anyone except Kit giving silly advice to Kit which Kit never takes anyway.

This ploy by McIvor is remotely funny, but serves no purpose but provide a little humour. The beginning of the film feels like MIDNIGHT COWBOY together with the falsetto part of the song resembling “Everybody’s Talkin’ of me” by John Nilsson.

Throughout the entire film, one has the feeling McDonald thinks he is pretty cool and that his film is pretty cool stuff. It is a good thing he is a confident director, as his watchable film is inventive in certain places.

But the film is too weird, pretty much like its characters and all over the place.

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TIFF 2016 Movie Review: LE CIEL FLAMAND (FLEMISH HEAVEN) (Belgium 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

le_ciel_flamand_posterLE CIEL FLAMAND (FLEMISH HEAVEN) (Belgium 2016) **
Directed by Peter Monsaert

Starring: Sara Vertongen, Wim Willaert, Esra Vandenbussche

Review by Gilbert Seah

Twin stories are told in writer/director Monsaert’s second feature set around the events at a local brothel called LE CIEL FLAMAND. One is the rearing of little Sylvie, the 6-year old daughter of the owner Monique who works there together with her own mother.

The brothel has been passed down through generations though it is falling apart, business-wise. Monique is shown as both a smart businesswoman and mother. She keeps the sex acts from Sylvie.

The film’s most amusing segment has Sylvie questioning her mother where babies come from. But when Sylvie appears to be sexually assaulted, things become extremely tense. Uncle Dirk is suspect but it is he who eventually finds the culprit.

All the events are set, ironically at Christmas time, when the joy of Christmas carols is in the air. The performances are excellent, especially those of real mother and daughter Sara Vertongen and Esra Vandenbussche. But the film’s trouble is director Monsaert trying to polish his film with metaphors and ends up becoming confusing and annoying.

An example is the puzzling last scene when Uncle Dirk uses a rope, initially thought for the making of a noose, that turns out to be the two parts of a swing he is making.

Trailer: https://www.youtube.com/watch?v=C5FM0pOaSF4

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TIFF 2016 Movie Review: ARRIVAL (USA 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

arrival_poster.jpgARRIVAL (USA 2016) ****
Directed by Denis Villeneuve

Starring: Amy Adams, Jeremy Renner, Forest Whitaker

Review by Gilbert Seah

Finally arrives a sci-fi futuristic alien film without the blow ups, collapsing buildings and end of the world scenario. Well, all of the above might still happen but it is up to theoretical physicist, Ian Donnelly (Jeremy Renner) and linguistics expert, Dr. Louise Banks (Amy Adams0 to find out the purpose of the landings.

The landings occur at 12 different locations around the globe and there is a reason for that. Director Villeneuve (PRISONERS, ENEMY) builds up the suspense carefully aided by Jóhann Jóhannsson’s captivating score, unique set design by Patrice Vermette and cinematography by Bradford Young. But it is surprising that the best part of the film is the simple shot segment of Dr. Louise’s explanation of what it means to communicate the question: “What is the purpose of your visit?” to the visitors.

Every word and even the question mark and the pronoun you (singular or collective?) might have different meanings. The non-linearity of time is also a neat concept that is also examined.

The title ARRIVAL in the film, could also refer to two things – the arrival of the visitors or the birth of Dr. Louise’s baby.

ARRIVAL is a fascinating film on all counts.

Trailer: https://www.youtube.com/watch?v=tFMo3UJ4B4g

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TIFF 2016 Movie Review: SNOWDEN (USA/Germany 2015) ***1/2

snowden_poster.jpg
SNOWDEN (USA/Germany 2015) ***1/2
Directed by Oliver Stone

Starring: Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo

Review by Gilbert Seah

Renegade filmmaker Oliver Stone knows how to get the blood of an audience flowing. He demonstrated this ability in the Oscar Winning PLATOON, political JFK and the controversial NATURAL BORN KILLERS. One can expect the same from his new film about whistleblower, Edward SNOWDEN (Joseph Gordon-Levitt).

The ads for the film goes… Patriot, dissident, or traitor? But director Stone portrays him as none of the three. At the film’s start, there is a scene that shows Snowden saying that he believes that America is the best country in the world. As the film goes along, he ends up wrestling with his conscience on what is right thing to do. In Stone’s film, the right thing to do is to expose NSA (National Security of America) for violating the rights of not only the Americans but of the citizens of every other country in the world by lying to their Governments. Yes, the NSA can track every single person in the world – the only lame excuse given is the need for prevention of terrorism. To those who actually believe Snowden to be a traitor, Stone’s film will either infuriate you or convert you. Stone lays out the facts, but in a prejudiced way, just as in PLATOON.

But Stone makes Snowden’s story more human by concentrating on his human side – and his love with his wife (Shailene Woodley). The most emotionally charged scenes are the fights he has with his wife. Stone also invokes the audience’s sympathy by showing Snowden’s illness – his proneness to epilepsy.

But the film’s most effective scene is the climax. If Stone knows how to manipulate the audience, this scene shows it. After Snowden’s live speech on the Internet, the live audience gives him a standing ovation. At the same time the image of actor Gordon-Levitt metamorphosizes into the face of the actual Edward Snowden.

The story of SNOWDEN is old news by now and unless one has not been reading he news, one knows that Snowden is presently living in Russia, not coming back to the U.S. as he believes, which is true, that he would not be given a free trail. This is how the film ends, so as to be accurate.

This is not the first film made about Snowden. Documentary filmmaker Laura Poitras made CITIZEN FOUR as she was called by Snowden himself when he was blowing the whistle. Poitras is portrayed by Melissa Leo in this film. CITIZENFOUR lays the facts out straight. The titles at the start of SNOWDEN declares that the film is a dramatization of true events. And that the film is, entertaining as it might be.

Trailer: https://www.youtube.com/watch?v=QlSAiI3xMh4

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TIFF 2016 Movie Review: WITHOUT NAME (Ireland 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

without_name_poster.jpgWITHOUT NAME (Ireland 2016) ***
Directed by Lorcan Finnegan

Starring: Alan McKenna, Niamh Algar, James Browne

Review by Gilbert Seah

Low budget and rather slow moving suspense thriller by first time director Lorcan Finnegan is a moody atmospheric piece set in a dense forest where some secret lies. A land surveyor, Eric (Alan McKenna) is in the throes of a midlife crisis.

His marriage is fractured and his son barely acknowledges him, so he’s more than willing to get away from his family when a mysterious client sends him on a prolonged survey excursion in a dense forest.

By the time his research assistant, Olivia (Niamh Algar), arrives at the remote cottage where he is staying, Eric has become disturbed and beguiled by the woodlands that surround him.

Barely glimpsed silhouettes haunt him among the trees, but he is never able to catch up with them. Trouble really starts when Eric takes too many mushrooms and hallucinates, unable to differentiate reality and fantasy.

The film takes a while to get its footing, with a lot of false scares. The climax also requires the audience to put two and two together. But Finnegan’s no-nonsense film succeeds as a creepy piece about creepy people.

Trailer: https://www.youtube.com/watch?v=cd4K6qICqC8

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TIFF 2016 Movie Review: UNA (UK 2016) ***|

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

una_poster.jpgUNA (UK 2016) ***|
Directed by Benedict Andrews

Starring: Riz Ahmed, Rooney Mara, Ben Mendelsohn

Review by Gilbert Seah

Though UNA is based on the David Harrower play and directed by stage director Benedict Andrews, the film does not feel like a play. But it does remind one of the plot of Mamet’s OLEANA, a two handler where a student accuses her professor of sexual assault.

In UNA, Rooney Mara plays Una, and Ben Mendelsohn is Ray, the neighbour who sexually assaulted her when she was 13.

A decade later, Una tracks Ray, now married with a pre-teen daughter, down in search of answers — but she doesn’t find the ones she’s searching for. The reason given is that she has fallen in love with her assailant.

The film is a bit slow moving with a lot of brooding by the players. The film also does not provide all the answers leaving the audience to fill in the blanks, which I assume is the purpose of the film.

Not entirely satisfying as a psychological thriller or mystery thriller but performances are super including Riz Ahmed’s in the support in role of Scott. Ray’s employee caught up in the drama.

Trailer: http://www.movie-trailer.co.uk/trailers/2016/una/

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TIFF 2016 Movie Review: SEARCHERS (Canada 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

searchers_poster.jpgSEARCHERS (Canada 2016) ***
Directed by Zacharias Kunuk

Starring: Benjamin Kunuk, Karen Ivalu, Jonah Qunaq

Review by Gilbert Seah

Director Kunuk (Atanarjuat: The Fast Runner) returns with this Arctic epic inspired by the classic John Ford western, THE SEARCHERS. though it feels at times like an Inuit version of TAKEN.

An Inuit woman is kidnapped by her own people. A family is torn apart in the vast spaces of the cold barren landscape of the Arctic, when marauding men desperate for conquest break into an igloo with intent to kidnap.

When the husband returns to find his home ransacked, he vows revenge TAKEN style. The husband (with his son) track the kidnappers and finally rescue the wife and daughter. There is not an intricate plot with a twist but it is an absorbing film nonetheless. On wonders how they got the camera and other equipment up there in the cold.

True Canadian filmmaking by the First Nations. The audience gets a dose of Inuit culture as a bonus.

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TIFF 2016 Movie Review: WULU (France/Senegal 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

wulu_poster.jpg WULU (France/Senegal 2016) ***
Directed by Daouda Coulibaly

Starring: Quim Gutiérrez, Dembele Habib, Ndiaye Ismaël

Review by Gilbert Seah

Malian director Daouda Coulibaly’s debut is a no-nonsense tense crime drama/political thriller that traces the rise and fall of a low-level transit worker turned drug trafficker.

When the film opens, the audience sees Ladji (Ibrahim Koma) advising his apprentice on how to load a bus with customers – to maximize fare. The ambitious Ladji forces himse on his boss who smuggles drugs. Ladji succeeds but more money means more responsibilities and more debt.

Director Coulibaly ties in the political unrest ion the story as well as Ladji’s rites-of-passage. The trial of the film WULU is the dog’s rite, one part of 5 rites, that the audience is to figure out what it is about.

Coulibaly’s film is absorbing but it occasionally attempts to achieve much more than it can chew. Coulibaly always has the audience rooting for handsome Ladji, whether he is doing right or wrong.

The audience will be able to experience drug trafficking in the environment of West African poverty.

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TIFF 2016 Movie Review: MASCOTS (USA 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

mascots_posterMASCOTS (USA 2016) **
Directed by Christopher Guest

Starring: Parker Posey, Jennifer Coolidge, Christopher Guest

Review by Gilbert Seah

MASCOTS is an original Netflix movie, which is a warning. For those who have seen Guest’s previous ensemble comedies like WAITING FOR GUFFMAN and BEST IN SHOW, MASCOTS provides much more of the same but not really dished out any better.

With this latest film, the director and his extended family of gifted collaborators usher us into the milieu of professional mascots, those energetic individuals who bravely don ridiculous oversized costumes to excite sports fans and cheer on their team with slapstick antics.

Chronicling the competition for the World Mascot Association’s Gold Fluffy Award, MASCOTS is an inspired showcase for the comic antics of Guest and company.

Not much effort is put into assembling a strong narrative. The performances appear just lumped together, some funny (Sid the Hedgehog) and some not so funny (Alvin the Armadillo).

The film looks like an extended version of a MASCOTS variation of the TV show “America’s got Talent”, only funnier and with a little less talent. But there should be enough laugh-out loud moments for Christopher Guest fans.

Trailer: https://www.youtube.com/watch?v=swTWozTxQ-E

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TIFF 2016 Movie Review: LA LA LAND (USA 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

la_la_land_poster.jpgLA LA LAND (USA 2016) ****
Directed by Damien Chazelle

Starring: Ryan Gosling, Emma Stone, Amiée Conn, J.K. Simmons

Review by Gilbert Seah

LA LA LAND marks the return of the Hollywood musical but done here with a fresh take. The film tells of the conflict between following ones dreams against sacrificing them up for love.

This is what a couple Ryan Gosling, a budding jazz musician and rising play actress Emma Stone face. The film begins with an impressive set up of an extended song and dance number that takes place on a busy highway in Hollywood where the drivers exit their cars to do their thing.

The film offers two alternative endings but the one to be followed is the most likely but not the most obvious one.

The songs especially “City of Stars” are catchy and this song should have one humming in the aisles. Gosling and Stone make a lovely couple.

A few cliched parts like the meeting of the couple (chance argument on the highway and in coffee shop before chance meeting again) mar an almost perfectly executed romantic musical.

Trailer: https://www.youtube.com/watch?v=je0aAf2f8XQ

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