TIFF 2016 Movie Review: AFTER THE STORM (Japan 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

after_the_storm_poster.jpg
AFTER THE STORM (Japan 2016) ***
Directed by Hirokazu Kore-eda

Starring: Hiroshi Abe, Yôko Maki, Taiyô Yoshizawa

Review by Gilbert Seah

AFTER THE STORM is Kore-da at his mildest ilmmaking. Don’t expect the drama of LIKE FATHER, LIKE SON or the imagination of AFTER LIFE his two best films. Yet AFTER THE STORM is not without its pleasures.

On the surface it is a simple film, a kind look at a loser. Ryota (Hiroshi Abe) is a failed writer, a third-rate detective, and a hardened gambler. As the film’s title seems to suggest, the salient moments of his life have already passed before the beginning of the story.

He won an important literary award when he was young, but his promising career vanished into thin air. Now, his father has died and his wife has left him. He adores his young son, but seems resigned to his position on the sidelines of the boy’s life.

One night, when a typhoon strikes, the broken family is forced to spend the night together at Ryota’s mother’s home. The ensuing interaction that is both bittersweet and tender forms the film’s highlight. “I never want to grow up to be like you.”, the son says. “I will always love them. They are my family.”

The father says at one point. Great performances here not only from Abe but from Kirin Kiki as Ryota’s mother, who is so funny she steals every scene she is in.

Trailer: https://www.youtube.com/watch?v=DwJcIoFuhto

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TIFF 2016 Movie Review: Tereddut (Clair-obscur) (2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

clair_obscur_poster.jpgCLAIR-OBSCUR (Turkey/Germany/Poland/France 2016) **
Directed by Yesim Ustaoglu

Starring: Mehmet Kurtulus, Metin Akdülger, Okan Yalabik

Review by Gilbert Seah

A female director’s film about two females. So expect a lot of feminine perspective to be presented in the story told. Turk director Yesim Ustaoglu offers a parallel study of two women — a psychiatrist with a long-time live-in partner and a wife in a conservative, nearly tyrannical household — in this study of the possibilities and limitations that exist for women in Turkey today.

A third through the film, their paths cross as the psychiatrist treats the other after a catastrophe.

Ustaoglu’s film clearly intends to show women’s hardships in terms of two different imprisonments of the two women. She succeeds in her tale of Elmas, the young abused new wife, but fails in the second tale of the psychiatrist.

The psychiatrist comes along as too smart and her arguments against her husband does not really feel genuine, as her husband could also feel himself used by her, as she did have an affair before the quarrel.

A mixed bag of emotions in this film, though the visuals are arresting.

Trailer: https://www.youtube.com/watch?v=GEpIzcHVPfo

 

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TIFF 2016 Movie Review: PLANETARIUM (France/Belgium 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

planetarium_poster.jpgPLANETARIUM (France/Belgium 2016) **
Directed by Rebecca Zlotowski

Starring: Natalie Portman, Lily-Rose Depp, Emmanuel Salinger

Review by Gilbert Seah

PLANETARIUM is beautifully shot period piece on the lives of two sisters who care too much for each other.

The setting is Paris in the 1930s, where two sisters, American spiritualists Laura (Natalie Portman) and Kate Barlow (Lily-Rose Depp), are winding up a world tour. Seemingly adept at communicating with the dead, the women are somewhat less experienced with the business of the living.

Nevertheless, their astonishing exhibit of apparently supernatural powers piques the interest of powerful French film producer André Korben (Emmanuel Salinger), who retains their strange talents for his wildly ambitious new film project. Laura and Kate are soon swept up in a scheme that, fusing art and the occult, portends a dark shadow soon to be cast over all of Europe.

The film is better than it sounds.

Portman inhabits her role similar to the one she did in her directorial debut A TALE OF LOVE AND DARKNESS. But director Zlotoskski’s film feels very detached and one can hardly feel sympathetic for the sisters or even for the film producer. All pretty things aside, the film is quite the bore.

Trailer: https://www.youtube.com/watch?v=yV3k-L10A2M

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TIFF 2016 Movie Review: CARRIE PILBY (USA 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

carrie_pilby_poster.jpgCARRIE PILBY (USA 2016) ***
Directed by Susan Johnson

Starring: Bel Powley, Nathan Lane, Gabriel Byrne

Review by Gilbert Seah

Being too smart might be detrimental to ones life. Based on Caren Lissner’s best-selling 2003 novel, CARRIE PILBY is a story of a awkward teen who graduated Harvard at the age of 19 and lives in a small NYC apartment paid for by her London-based father (Gabriel Byrne).

Carrie (Bel Powley) has no job, no purpose and no friends because she actively dislikes just about everyone (rating them “morally and intellectually unacceptable”) as only a teenager can.

Her one regular contact is her dad’s therapist friend, Dr. Petrov (Nathan Lane in rare role of an unfaithful straight man), who after a fruitless series of weekly visits finally sets Carrie some homework: a five-point plan to get her life together. As they say, nothing goes as planned. The plan results in her life turned more upside down. Johnson’s film takes half the film to get its footing.

The first half is really annoying with Carrie spurting out too much clever dialogue and the script getting too smug for tis own good. It treats its audience as simple folk that need a twist in every segment or needing a punch line after a dialogue.

The film gets more tolerable in the second half even turning to winning when Carrie finally gives up on the plan.

Part coming-of-age, part father/daughter relationship and part romance, CARRIE PILBY is a chick flick that finally rises, like is character at the end.

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TIFF 2016 Movie Review: BOYS IN THE TREES (Australia 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

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BOYS IN THE TREES (Australia 2016) **
Directed by Nicholas Verso

Starring: Toby Wallace, Gulliver McGrath, Mitzi Ruhlmann

Review by Gilbert Seah

BOYS UNDER TREES contains an exciting premise – a coming-of-age story with gay overtones set in a small Australian town where the protagonist seeks to leave for the big city. The action takes place during Halloween where goals and Aborigine black magic exists.

The story unfolds over the course of an afternoon and deep into Halloween night, what occurs are also on the border separating the comforts of daytime and the eeriness of twilight. Some of the suburban territories they stumble into seem to contain a parallel realm of supernatural forebodings.

But the parallel universe theme does not really work and serve to confuse than to fascinate. Verso’s film is also so slow moving that one feels that it should have ended long before its short running time. The film also puzzles with a lot of questions like:

Is the snow in one scene real and if false who is supplying it and why is it toxic? Why is the girl in a different place for no reason?
Why is the Aborigine in the white suit appearing for no reason?

Trailer: https://www.youtube.com/watch?v=Gfx7L-pXCUg

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TIFF 2016 Movie Review: AQUARIUS (Brazil/France 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

aquarius_posterAQUARIUS (Brazil/France 2016) ****
Directed by Kleber Mendonça Filho

Starring: Sonia Braga, Maeve Jinkings, Julia Bernat

Review by Gilbert Seah

Filho’s AQUARIUS is again set in Recife, the seaside neighbourhood that he made famous in his last film NEIGHBOURING SOUNDS.

Though that one was mainly set at night, AQUARIUS is mainly shot in bright sunlight for most of the scenes. AQUARIUS focuses on an individual: Clara (ex-Brazilian sex symbol, who still maintains her looks, Sônia Braga), a retired music critic and the sole tenant of an older apartment block being bought up by ruthless condo developers.

After surviving a bout of cancer and the loss of her beloved husband, Clara is hardly about to let herself be bullied by the “generous” offers or insidious charms of Diego (Humberto Carrão), the American-educated scion of a powerful local real-estate firm. Diego tries everything in his power to force Clara out of her home, including (hilariously, but not for Clara) hosting a noisy orgy in the suite above Clara’s — one that leaves a putrid mess in its wake. The second half of the film is how Clara fights back. Filho builds up the suspense right up to the climatic confrontation.

The film also reveals the class system, prejudices and culture of the Brazilian society.

Clip: https://www.youtube.com/watch?v=-bBcLImYBgQ

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TIFF 2016 Movie Review: WEIRDOS (Canada 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

weirdos_poster.jpgWEIRDOS (Canada 2015) ***
Directed by Bruce McDonald

Starring: Dylan Authors, Rhys Bevan-John, Francine Deschepper

Review by Gilbert Seah

Bruce McDonald (HARD CORE LOGO, THE TRACEY SEGMENTS) turns down the angst a little with his latest film penned by playwright and fellow filmmaker Daniel McIvor. The setting is the town of Antigonish in Nova Scotia on the 4th of July of 1976, the American Bicentennial. Music-loving 15-year-old Kit (Dylan Authors) spends his time either alone in his room listening to Elton John albums, or hanging out with his platonic girlfriend, Alice (Julia Sarah Stone).

Like Kit, Alice feels out of place, and her divorced parents have too many issues of their own to offer much comfort. The film pays tribute (or copies, depending on how one wants at look at it) from films like Woody Allen’s PLAY IT AGAIN SAM and John Schlesinger’s MIDNIGHT COWBOY. Andy Warhol appears at various points in the film, unseen by anyone except Kit giving silly advice to Kit which Kit never takes anyway.

This ploy by McIvor is remotely funny, but serves no purpose but provide a little humour. The beginning of the film feels like MIDNIGHT COWBOY together with the falsetto part of the song resembling “Everybody’s Talkin’ of me” by John Nilsson.

Throughout the entire film, one has the feeling McDonald thinks he is pretty cool and that his film is pretty cool stuff. It is a good thing he is a confident director, as his watchable film is inventive in certain places.

But the film is too weird, pretty much like its characters and all over the place.

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TIFF 2016 Movie Review: LE CIEL FLAMAND (FLEMISH HEAVEN) (Belgium 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

le_ciel_flamand_posterLE CIEL FLAMAND (FLEMISH HEAVEN) (Belgium 2016) **
Directed by Peter Monsaert

Starring: Sara Vertongen, Wim Willaert, Esra Vandenbussche

Review by Gilbert Seah

Twin stories are told in writer/director Monsaert’s second feature set around the events at a local brothel called LE CIEL FLAMAND. One is the rearing of little Sylvie, the 6-year old daughter of the owner Monique who works there together with her own mother.

The brothel has been passed down through generations though it is falling apart, business-wise. Monique is shown as both a smart businesswoman and mother. She keeps the sex acts from Sylvie.

The film’s most amusing segment has Sylvie questioning her mother where babies come from. But when Sylvie appears to be sexually assaulted, things become extremely tense. Uncle Dirk is suspect but it is he who eventually finds the culprit.

All the events are set, ironically at Christmas time, when the joy of Christmas carols is in the air. The performances are excellent, especially those of real mother and daughter Sara Vertongen and Esra Vandenbussche. But the film’s trouble is director Monsaert trying to polish his film with metaphors and ends up becoming confusing and annoying.

An example is the puzzling last scene when Uncle Dirk uses a rope, initially thought for the making of a noose, that turns out to be the two parts of a swing he is making.

Trailer: https://www.youtube.com/watch?v=C5FM0pOaSF4

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TIFF 2016 Movie Review: ARRIVAL (USA 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

arrival_poster.jpgARRIVAL (USA 2016) ****
Directed by Denis Villeneuve

Starring: Amy Adams, Jeremy Renner, Forest Whitaker

Review by Gilbert Seah

Finally arrives a sci-fi futuristic alien film without the blow ups, collapsing buildings and end of the world scenario. Well, all of the above might still happen but it is up to theoretical physicist, Ian Donnelly (Jeremy Renner) and linguistics expert, Dr. Louise Banks (Amy Adams0 to find out the purpose of the landings.

The landings occur at 12 different locations around the globe and there is a reason for that. Director Villeneuve (PRISONERS, ENEMY) builds up the suspense carefully aided by Jóhann Jóhannsson’s captivating score, unique set design by Patrice Vermette and cinematography by Bradford Young. But it is surprising that the best part of the film is the simple shot segment of Dr. Louise’s explanation of what it means to communicate the question: “What is the purpose of your visit?” to the visitors.

Every word and even the question mark and the pronoun you (singular or collective?) might have different meanings. The non-linearity of time is also a neat concept that is also examined.

The title ARRIVAL in the film, could also refer to two things – the arrival of the visitors or the birth of Dr. Louise’s baby.

ARRIVAL is a fascinating film on all counts.

Trailer: https://www.youtube.com/watch?v=tFMo3UJ4B4g

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TIFF 2016 Movie Review: SNOWDEN (USA/Germany 2015) ***1/2

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SNOWDEN (USA/Germany 2015) ***1/2
Directed by Oliver Stone

Starring: Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo

Review by Gilbert Seah

Renegade filmmaker Oliver Stone knows how to get the blood of an audience flowing. He demonstrated this ability in the Oscar Winning PLATOON, political JFK and the controversial NATURAL BORN KILLERS. One can expect the same from his new film about whistleblower, Edward SNOWDEN (Joseph Gordon-Levitt).

The ads for the film goes… Patriot, dissident, or traitor? But director Stone portrays him as none of the three. At the film’s start, there is a scene that shows Snowden saying that he believes that America is the best country in the world. As the film goes along, he ends up wrestling with his conscience on what is right thing to do. In Stone’s film, the right thing to do is to expose NSA (National Security of America) for violating the rights of not only the Americans but of the citizens of every other country in the world by lying to their Governments. Yes, the NSA can track every single person in the world – the only lame excuse given is the need for prevention of terrorism. To those who actually believe Snowden to be a traitor, Stone’s film will either infuriate you or convert you. Stone lays out the facts, but in a prejudiced way, just as in PLATOON.

But Stone makes Snowden’s story more human by concentrating on his human side – and his love with his wife (Shailene Woodley). The most emotionally charged scenes are the fights he has with his wife. Stone also invokes the audience’s sympathy by showing Snowden’s illness – his proneness to epilepsy.

But the film’s most effective scene is the climax. If Stone knows how to manipulate the audience, this scene shows it. After Snowden’s live speech on the Internet, the live audience gives him a standing ovation. At the same time the image of actor Gordon-Levitt metamorphosizes into the face of the actual Edward Snowden.

The story of SNOWDEN is old news by now and unless one has not been reading he news, one knows that Snowden is presently living in Russia, not coming back to the U.S. as he believes, which is true, that he would not be given a free trail. This is how the film ends, so as to be accurate.

This is not the first film made about Snowden. Documentary filmmaker Laura Poitras made CITIZEN FOUR as she was called by Snowden himself when he was blowing the whistle. Poitras is portrayed by Melissa Leo in this film. CITIZENFOUR lays the facts out straight. The titles at the start of SNOWDEN declares that the film is a dramatization of true events. And that the film is, entertaining as it might be.

Trailer: https://www.youtube.com/watch?v=QlSAiI3xMh4

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