Interview with Festival Director Shari Carlson (Best Actors Film Festival)

Held in the San Francisco, California Union Square District. A tribute to the performers and directors of your film. Best Actors Film Festival is created to entice film makers to reward the performers in their film in a way that truly acknowledges their work.

Interview with Festival Director Shari Carlson:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Shari Carlson: The Best Actors Film Festival, established in 2010, rewards Actors in Independent Films. Every filmmaker works hard at casting their project, directing the actors, and relies on the actor to portray their vision to the audience. An Actors’ performance determines the effect your film will have on an audience and how well it will be received. With hard working, talented performers your film is successful. Rewarding the Talent s an overlooked experience in the Film Festival circuit. Film festivals traditionally reward the film and its crew, and the director. By acknowledging the contribution that the Actors make we are insuring great quality filmmaking continues to excel.

MT: What would you expect to experience if you attend the festival this year (2016)?

SC: A heartwarming experience seeing new and seasoned Actors accepting awards for their work. We have become known as the festival that really knows the Actors and Filmmakers personally. A win here means you really did your job, and did it well.

MT: What are the qualifications for the selected films?

SC: Great acting!. Your film goes through several stages of screenings by judges and must rise to the level of excellence in the craft of acting. You must have a believable presence onscreen and create a believable relationship in your scenes.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

SC: My goal is to insure that every film that is submitted to our Festival is watched in its entirety. No exceptions. That is our commitment. That way we are sure we are awarding fairly and without prejudice.

MT: What motivates you and your team to do this festival?

SC: The Best Actors Film Festival was created to acknowledge Actors. As an Actor and a Filmmaker myself, I understand how difficult it is to be acknowledged for really great work.

We are motivated by the talent we see around us.

MT: How has the festival changed since its inception?

SC: Mostly the poster has changed. We have Cityscape Artist Veerakeat do our posters now and we are so proud of them. We are also better at giving the awards. Last year we periscoped our ceremony and plan to do the same this year. We are also going to hold a screening in LA, in addition to SF.

MT: Where do you see the festival by 2020?

SC: Bigger, better screening rooms, better appetizers.

Jeff Carlson is the Director of the Festival, and Larry Mahaffey is our Advisor. We have a staff that screens films and volunteers who help us put on our Festival.

MT: What film have you seen the most times in your life?

SC: The Girl In The Cafe. As a filmmaker, I would love to create something that excellent. Shari Carlson, Film Festival Creative Director.

MT: In one sentence, what makes a great film?

SC: A great story, script, and Actors who can create relationship.

MT: How is the film scene in your city?

SC: San Francisco seems to be the Independent Film Capital in the US. This city loves independent Films.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Kimberly Bush (DC Shorts Film Festival)

Voted “Coolest Film Festival” by MovieMaker Magazine, DC Shorts Film Festival and Screenplay Competition is one of the largest short film events on the East Coast.  Last year, they screened 135 films from 25 countries in 18 unique showcases over 11 days to audiences of more than 9,000 people.

 Kimberley Bush Photo.jpgInterview with Executive Director Kimberly Bush

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Kimberly Bush: DC Shorts Film Festival provides a robust venue for short film filmmakers to present their films. We are successful at being a 11 day full/well rounded experience for filmmakers. Filmmakers are able to not only screen their films but we invite them to the festival to spend authentic time with the audience in Q&A/panel discussions. The filmmakers can enhance their craft in our filmmaker workshops/classes as well as celebrate their presence at the festival at one of our celebrations including our Filmmaker Awards Brunch.

MT: What would you expect to experience if you attend the festival this year (2016)?

KB: As an attendee you can expect to see poignant, riveting, multicultural, diverse and groundbreaking films in every genre from all over the globe. There are many opportunities for attendees to share dialogue with filmmakers in our Q&A/panel discussions/roundtables or at one of our celebrations. We also offer free workshops/classes for attendees interested filmmaking as well as free film showcases for youth and free lunch time film screenings. During the last weekend of our film festival, attendees can experience our Screenplay Competition. During this event, attendees will hear a table reading of approximately 6 different screenplays that have been previously selected by a juried panel. After the table readings they will be able to vote for the best screenplay. That screenwriter will be awarded a cash prize and their completed film will gain entry into the following year’s film festival. The Film Festival is truly 11 days of nonstop engaging fun and film.

MT: What are the qualifications for the selected films?

KB: Our main judging criterion is story. We screen all genres and styles of film. All films are 30 seconds to 20 minutes in length. We look for interesting and original stories with developed and well-written characters.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

KB: I do think that there is a film festival/film competition for every kind/genre of film. It’s up the filmmakers to find the best festival for their film. However, we appreciate the difficulty of rejection, and so have created a “second chance opportunity” program within DC Shorts. DC Shorts’ Take 2 screens films that didn’t quite make the cut for the festival selection, allowing the audience to choose 2 films to make it back into the festival. This takes place over two days in May.

MT: What motivates you and your team to do this festival?

KB: Every year we receive feedback during the film festival (as well as months after) stating how much of a life-changing event it was for the filmmakers. They enjoyed all the opportunities to commune with the attendees and other filmmakers as well as the educational programming we provide. They felt well taken care of in regard to the housing/hotel accommodations we organize for them as well as the city tours and our Feed A Filmmaker program. What gives us the energy and motivation to create DC Shorts Film Festival year after year is knowing that our year round efforts make such a huge, positive impact on our filmmakers and the community. We do believe that film changes lives and we are charged with responsibility to provide the space that can bring film to the eyes and ears of the community.

MT: How has the festival changed since its inception?

KB: The Festival has grown exponentially! In 2003 we were a 3 day film festival screening in only one location. We now have a screenplay competition with a cash prize award. We have had screenings in up to 5 different locations. During the film festival, we offer patrons who may not be able to attend the festival in person, our Online Film Festival where they can view 90% of the films that are actually in the festival. We host epic celebrations as well as free children’s film showcases in libraries throughout Washington DC as well as free filmmaker workshops and beginner/master classes.

MT: Where do you see the festival by 2020?

KB: I am relatively new to DC Shorts…I came aboard as the Executive Director in 2015. 2016 has brought more exciting changes to my staff. I have hired an amazing programming team. Joe Bilancio, our Director of Programming and Derek Horne, our Programming Lead, both with extraordinary track records/experience and insatiable passion for film. With this new team we will begin planning for DC Shorts’ future which may include new and exciting partnerships and collaborations that will provide even bigger and better opportunities for filmmakers.

MT: What film have you seen the most times in your life?

KB: That is an impossible question to answer…so suffice it to say that I have watched repeatedly –not in any particular order—any Steven Soderburgh, Lisa Cholodenko, Spike Lee, Stanly Kubrick, Pedro Almodovar, Alfred Hitchcock, Coen Brothers, Wes Anderson, Todd Haynes, or Quentin Tarantino film. #GloriousFilmMakers!

MT: In one sentence, what makes a great film?

KB: If a film has the ability to REALLY make you think, feel, laugh, contemplate your own thoughts/way of being/existence or just create some level of change…however microscopic…I think that is what makes a great film.

MT: How is the film scene in your city?

Washington DC probably hosts the largest variety of film festivals/film screenings in the country….culturally…politically…socially. Old movie house are being salvaged. New movie houses are being constructed. Film Festivals that were defunct are being resurrected. The DC film office has been making strides over the years. The film scene is vibrant, growing and ever present. There are over 100+ film festivals in the Washington DC Metropolitan Area with stellar and diverse film screenings/events year round.

PHOTO: DC Shorts Screening in 2015. Photo courtesy of DC Shorts:

dcshortscrow
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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.

Movie Review: HIP HOP-OPERATION. Directed by Bryn Evans

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

hip-hop-operation.jpgHIP HOP-OPERATION (New Zealand 2014) ***
Directed by Bryn Evans

Review by Gilbet Seah

The feel-good crowd pleasing documentary from New Zealand is so-called HP HOP-OPERATION because the film’s subject, a troupe that competes in a hip hop dance championship in Las Vegas is made up of seniors, the oldest of whom is 93, many too who have undergone a hip operation.

The dance troupe is the brainchild of flash mob choreographer Billie Jordan. She ably manages the group. Credit goes to her for everything from her planning, choreography, cheerfulness right down to her financial management and chaperoning of the seniors down to Las Vegas. Her motivation occurred during her experience of an earthquake while in Christchurch. She chose to cherish life. Jordan and the seniors are from an island in New Zealand called Waiheke Island. The film includes some footage from the film that shows the island and its surrounding and like everything in New Zealand – the scenes are stunning and pretty.

HIP HOP-OPERATION is an ok documentary that is clearly running out of material within the first 30 minutes. Director Evans fills in the gap be selecting a few of the participants and have them talk about their younger days. One assumes that he has chosen carefully the half dozen or so from the 80.

The film includes limited footage of other hip hop artists performing in Las Vegas. The reason is obvious. They will overshadow Hip Hop-operation. The seniors are not that good – they are so-so but if one factors the age into the equation, the group is phenomenal. The best thing abut the performance is the support of the spectators. The camera spends an equal amount of time on the reaction of the spectators, especially the astonished look on the faces when they experience aged seniors on stage doing hip hop. Hip Hop-operation rocks – that is the unanimous reaction of the spectators.

Does Evans film also rock? Not really. As mentioned, the material is limited and there is little research that needs to be done of the subject. It is a simple film simply executed. But no critic, myself include wants to be a sourpuss in taking down a film which has so much heart. And this fluff does have more than its share of delightful, feel good moments.

The participants also give themselves hip hop names. The participants or the cast includes the following with their age in brackets:
Kara “Bang Bang” Nelson (94, with cane)
Maynie “Quicksilver” Thompson (95)
Terri “2-cents” Wool-Moore Goodwin (94)
Eileen “Diva mystic” Evans (84)
Rosemary “Missy Ro-Yo” McKenzie (74)
Billie ‘Billie J Buzz” Jordan (44)

The film is also supported by local New Zealand hip hop artists such as Dziah and Krash who also entered in the Las Vegas championships .

The film has understandably won many audience popularity awards in the festivals that it has been showcased. The film also won the Best New Zealand documentary Award.

 

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

People react to announcement of Indiana Jones 5

The announcement of the new Indiana Jones movie coming to a theater near you in 2019, with Steven Spielberg back directing, and Harrison Ford back as the lead, sent shock waves on Twitter.

Here are the top tweet reactions:

Interview with Set Decorator Ute Bergk (The Dark Knight, Enemy at the Gates)

matthewtoffolo's avatarMatthew Toffolo's Summary

Ute Bergk answered the set of questions I emailed her on the airplane on her way to Budapest, Hungary to complete the television mini-series “Emerald City”. Based on the “Wizard of Oz” universe, Ute promises that the series is “going to be something else” and that director Tarsem Singh is a delight. Two months in Hungary and they are wrapped.

She was happy to answer these questions on the plane and send them my way. In fact, I might have this interview posted before she lands.

ute_bergkMatthew Toffolo: You were the Set Decorator on the action/comedy “Grimsby”, which is currently at a cinema near you. How was your working experience on that film?

Ute Bergk: Yes ‘Grimsby’ came out a few weeks ago. I have been working with Sasha BC before- we build the stage for ‘FunkyZeit’ in Berlin for him /for the movie ‘Bruno’. It’s was just an introduction…

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March 2016 TV Festival Testimonials

tvfestival's avatarTV Screenplay Festival. Submit Today.

Read TV Festival review. Various comments and opinions from writers who submitted to the festival in March 2016.

FULL FEEDBACK on all submissions. Winners get their screenplay performed by professional actors.

Submit your TV Pilot or Spec Screenplay today: http://tvfestival.org

This is most excellent. I loved the thorough feedback, and some of the fixes or easy and some require a little more thinking but regardless, I’m glad to be getting your feedback.
– David Baugnon, (The Messiah Project)

Thank you for your encouraging words and for this great chance you are giving me. If I had to rate your feedback, I would give it 110 over 100 !! In fact, it is thanks to your previous feedback that I was able to improve this piece: even when they are harsh, your comments are always constructive, thorough and motivating.
– Maroun Rached, (Elan Vital)

I really appreciate the detailed feedback, it…

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New Comedy Festival Testimonials

comedyfestival's avatarComedy FESTIVAL

March 2016 testimonials from recent writers/filmmakers who participated at the Comedy Festival.

Terrific reading of my screenplay. Please thank the actors for me! The initial feedback was encouraging and it also appropriately threw light on some needs of the script.
– Robert Tolz (Screenplay, Renassance Man)

Absolutely outstanding notes and I can’t thank you enough. Obviously Charlie Kaufman are difficult waters to sail but I am determined to rock on. The first thing I throw out of the boat is He Who Appears To Be He. But a girl can dream can’t she? Count on one thing you will be receiving my rewrite with a boatload of gratitude.
– Kelly Karam (Screenplay, Ole: Rising Above Mith)

Thank you for the feedback! I appreciate it and will work to improve it.
– Evan Schullery (Screenplay, Due South)

Thank you so much for including my spec script in your festival. The feedback…

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National Napping Day #nationalnappingday

National Napping Day is Today. Here’s the best of posts on Twitter:

Interview with Makeup Artist Luigi Rocchetti (Gangs of New York, The Devil’s Advocate)

matthewtoffolo's avatarMatthew Toffolo's Summary

Based in Italy, Luigi Rocchetti has worked with some of the greatest filmmakers of our time as the lead Makeup artist. He currently just wrapped the remake production of Ben-Hur. It was such a pleasure speaking with him about the art of makeup in film.

Matthew Toffolo: You have been a makeup artist and designer on over 70 productions in the last 35 years. Is there a film/TV show or two that you’re most proud of?

Luigi Rochetti: I have to say, “Dolores Claiborne”, directed by Taylor Hackford. At that time there was no Silicon prosthetics to use for aging actors and in that project I had three major actors to make twenty years older. We used stipple aging, with highligths and shadows. I have to give big thanks to the collaboration of the actors, director and director of photography. I think the results were really good and I’m very…

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