Played at the HORROR FEEDBACK Film Festival in October 2017 to rave reviews.
Review by Kierston Drier
We have all feared monsters in our closets as children. But what if the monster does not live in your closet- but outside your door, forever waiting to get in. SPEECHLESS tells the story of a young boy writing notes and passing them under the doorway from his room to the hallway- and getting answered back my a monster clawing to get in. Yet when the door finally opens, it is his mother who opens the door and refuses to believe his tales. Not only that but she chides him for his inability to grow up and stop being afraid of fairytales. Monsters, it seems, come in all sorts of shapes and sizes.
SPEECHLESS has two areas of interest- one is its effective use of sound. From the scratching of the crayon on the paper, our hero uses to communicate- to the lack of noise he makes when he finally confronts the monster- the sound is a spine-tingling presence in the work. The other area of note is the subversion of the classic trope of the monster being in the child’s’ closet. Instead, this monster roams free outside the child’s’ bedroom- conceivably in the hall. Instead of the monster being trapped in the closet- the child is trapped in their bedroom. The inversion of the classic trope creates a new sense of panic for our hero, who has literally no way to escape his fate.
SPEECHLESS is a simple but incredibly effective horror film- for it generates fear on multiple levels- fear of the unknown, fear of the known, fear of not being believed- fear of sound and fear of silence. A chilling and thrilling short indeed.
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