Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.
Director:
Writers:
Stars:
Matt Damon, Christoph Waltz, Hong Chau
DOWNSIZING, a film combining several genres offers the solution to the world’s problem of overpopulation.
If people can be reduced in size to a thousandth of their original, many of the world problems could be solved. People will only eat, use and dispose much, much less product. When science finally achieved the success of downsizing, many colonies were begun.
So, Matt Damon and wife opt to be reduced and live in their new reduced size colony for monetary benefit. Things never go as expected, as in a similar film long time back in Michael Crichton’s sci-fi WESTWORLD.
DOWNSIZING contains a script written by Payne and Jim Taylor that is occasionally brilliant with lots of attention to details. The film does not go into thriller territory but into more ambitious aims. Payne’s social satire does not fully work and ends up too ambitious for its own good.
Still, the film is engaging from start to finish to a large part to Damon’s performance with help from a host of impressive stars (Kristen Wiig, Christoph Waltz, Hong Chau, Laura Dern, Jason Sudeikis, Alec Baldwin, and Neil Patrick Harris). Better a film that with high aims that falters that a minimalist film with no faults.
The special effects and cinematography are also amazing. Shot in Toronto and around the fiords of Norway.
TIFF 2017 Movie Review: PLONGER (France 2017) ***
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.
Director:
Writers:
Christophe Deslandes (screenplay), Julien Lambroschini(screenplay)
Stars:
Gilles Lellouche, María Valverde, Ibrahim Ahmed
PLONGER refers to scuba diving, the sport featured in the film and in the relationship between Paz (María Valverde) is a Spanish photographer seeking adventure and César (Gilles Lellouche), a French war correspondent, but he is now looking for a quieter life.
The two are very different people. They fall in love. Wen Paz is pregnant, their reactions are different. PLONGER looks at birth from a whole different perspective as well as the relationship of the couple.
Though the film centres on Paz, the story is related from the man Cesar’s point of view, which is interesting as this is a female director’s film. Pensive and full of insight despite, PLONGER is well worth a look.
The film is an adaptation of Christophe Ono-dit Biot’s novel of the same name. The film also contains stunning underwater photography.
Trailer: (unavailable at time of writing)
TIFF 2017 Movie Review: LES GARDIENNES (THE GUARDIANS) (France/Switzerland 2017) ****
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.
Director:
Writers:
Stars:
Nathalie Baye, Iris Bry, Laura Smet
LES GUARDIENNES (THE GUARDIANS) is director Xavier Beauvois’ (LE PETIT LIEUTENANT) handsomely mounted period piece of World War II told during the period of 4 years from 1916, the start to end.
It is a story that needs to be told – of what effects the war as well as modernization had on a typical farm family in France.
The women of the Pardier farm, under the deft hand of the family’s matriarch (Nathalie Baye in arguably her best role), must grapple with the workload while the men, including two sons, are off at the front. Her husband, daughter and , grand-daughter remain with her. She seeks the aid of an outsider, a strong 25-year old orphan, Francine (Laura Smet) who turns out to be an excellent worker.
When Francine and on of the sons fall in love, the trouble starts. Beauvois’ film is almost perfect in he creation of the war atmosphere and of rural France. The harvesting and planting seasons are beautifully captured on film.
The film also does not gear towards the typical Hollywood ending but a realistic credible one instead.
Trailer: (unavailable)
TIFF 2017 Movie Review: NUMERO UNE (NUMBER ONE) (France 2017) ***
Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.
In this whip-smart drama about corporate sexism, top French star Emmanuelle Devos plays a high-ranking female executive who is forced to consider her options and marshal her forces when she realizes that the glass ceiling is fast approaching.
Director:
Writers:
Raphaëlle Bacqué (collaboration), Marion Doussot
Tonie Marshall’s corporate drama NUMERO UNE has high hopes for women, the director herself being one of the top French directors today. The story charts the climb to first place of a female business executive, Emmanuelle (Emmanuelle Devos) to head a top CAC 40 (French Stock Market) company.
She is very good at her current job, as seen in many sequences, even speaking and singing Chinese songs with Chinese executives in her environmental friendly wind turbine company. She is wooed by a feminist group to head Athena, though this comes at a cost of her husband (John Lynch) losing his job and other nasties.
The film itself has high hopes but gets bogged down by having one too many subplots which include, Emmanuelle’s sick father (veteran actor Sami Frey), her marriage problems, blackmail and other assortment of problems.
Still Devos (READ MY LIPS, KINGS AND QUEENS, UN PROPHET), as always is a pleasure to watch, and so is the film, despite its flaws.
Festival Reviews 