ENDINGS charts disappointments in relationships from a female point of view. An idealistic woman (Shailene Woodley) attempts to get her life on track financially and romantically, but gets caught in a love triangle with a free-spirited bad boy (Sebastian Stan) and his more stable, scholarly best friend (Jamie Dornan).
With little money, she lives in her sister’s guesthouse, she regularly witnesses her sibling and her brother-in-law fighting, which only exacerbates the once-idealistic Daphne’s growing despair regarding long-term love. One can tell that she is going to pay for playing the two men, which she does. But the way she gets everything back in focus is questionable especially when there are no catalyst put into by the script. Worst is director Doremus’ fondest for closeups with the background often blurry.
The trouble is that most of the film’s images are generally more blurry than usual making the production values look cheap. The film is aimed at demonstrating how one can still come out strong despite total hopelessness all round. Woodley plays the part despite the unconvincing script.