Joko Anwar scored Indonesia’s highest-grossing horror hit ever with “Satan’s Slaves,” a remake-slash-prequel to Sisworo Gautama Putra’s beloved if campy 1980 original. Already another big success at home, his followup “Impetigore” is likewise a rebooting tribute to past celluloid horrors, given the familiar feel to its tale of a prodigal-daughter heroine returning to a native…
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