Interview with Kami Asgar, Oscar Nominated Sound Editor

matthewtoffolo's avatarMatthew Toffolo's Summary

A sound editor is a creative professional responsible for selecting and assembling sound recordings in preparation for the final sound mixing or mastering of a motion picture.

I was fortunate enough to sit down with the brilliant Sound Designer Kami Asgar. He has been the Supervising Sound Editor on over 100 films including, “Ride Along 1 and 2”, “Sisters”, “Pitch Perfect 1 and 2”, “The Muppets”, “Country Strong”, “Secretariat”, “Obsessed”, “Passion of the Christ” and “Apocalypto” which earned him an Oscar nomination.

kami_asgarMatthew Toffolo: In a typical studio film, how many post-production sound crew members are there? Do you usually work with the same team?

Kami Asgar: As far as the first part, that really depends on the budget the schedule and type of project. Typically you have Supervising Sound Editor/s, ADR supervisor, Dialog editor/s, Sound FX editor/s, Assistant/s, Foley artists, Foley mixer, ADR Mixer/s and Re-Recording mixers. The number…

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Interview with Sound Effects Editor Matt Snedecor (Revolutionary Road, The Jinx)

matthewtoffolo's avatarMatthew Toffolo's Summary

Starting off as an Engineer in the music industry, Matt Snedecor worked with Beyonce, Kelly Clarkson, Faith Hill, and Luther Vandross, to name a few. Since 2005, he’s one of the top  movie sound effects designers working today. It was an honor to chat with Matt about his job and career.

Matthew Toffolo: What is the main job being a sound effects editor?

Matt Snedecor: Effects editors are responsible for building the entire sonic environment for a film, everything from backgrounds to the sync effects we see on screen. The majority (90% and up) of the sounds heard in film are added by editors. But it’s more than just see car, hear car. We also need to come up with sounds that identify with characters or moods or that tell stories without the audience having to see something on screen to know what’s happening. There’s also sound design moments we…

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Interview with Emmy Winning Sound Designer Andy Kennedy (Band of Brothers, Generation Kill)

matthewtoffolo's avatarMatthew Toffolo's Summary

Andy Kennedy is easily one of the most skilled Sound Designers working today. He has worked on many landmark productions besides his two Emmy winning shows for Best Sound in “Band of Brothers” and “Generation Kill”. He has worked on “Game of Thrones”, “Batman Begins”, the recent “War & Peace” series, 5 of the “Harry Potter” films, and “The Imitation Game” to name a few.

Go to his website: www.resonancesoundesign.com

It was a pleasure to chat with Andy about the art of Sound Design in film and his career.

Matthew Toffolo: You’ve worked on over 90 productions in the sound department in the last 35 years. Is there a job you’ve done that you’re most proud of?

Andy Kennedy: Some of the early projects – It was a time of mixed technology and a challenge creatively. ‘The Secret Adventures of Tom Thumb’ was made in Bristol by animators who worked with…

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Interview with Music Editor/Composer John M. Davis (Pride and Prejudice and Zombies)

matthewtoffolo's avatarMatthew Toffolo's Summary

The music editor is a type of sound editor in film responsible for compiling, editing, and syncing music during the production of a soundtrack. Among the music editor’s roles is creating a “temp track”, which is a “mock-up” of the film’s soundtrack using pre-existing elements to use for editing, audience previews, and other purposes while the film’s commissioned score is being composed.

John M. Davis is one of the most talented people I have had the pleasure to interview. Just go to this website http://www.johnmdavis.com and explore his world of music.

Matthew Toffolo: I love the photo of you on your website. It describes who you are in one picture. Composing attire. The dog you obviously love. Cup of coffee. Piano. A rocking chair for thinking. Art Work. And a relaxed but determined look on your face. As they say, a picture says a 1000 words, or in your case a 1,000,000 words! 

John…

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Interview with Composer/Vocalist Dominic Lewis (Money Monster, Batman v Superman)

matthewtoffolo's avatarMatthew Toffolo's Summary

Dominic Lewis is a pure talent in the industry. He is a master vocalist, and composer of the new film “Money Monster”, directed by Jodie Foster and starring George Clooney & Julia Roberts. I had the privilege to interview him and talk about his career and the art of music in film.

dominic_lewis_3.jpgInterview with Dominic Lewis:

Matthew Toffolo: You were credited at “Featured Vocalist” on Batman v Superman: Dawn of Justice. What did you do on that assignment for the film?

Dominic Lewis: A lot of vocals!!! Hans had created this incredible texture of a very distressed voice (in harmony sliding up to a single pitch and sliding back down to the chord) It was a long process and I couldn’t talk for a week after.

MT: How many instruments do you play? Do you have a favorite? And/or an instrument you’re most skilled at?

DL: I play a few…

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Interview with Composer David Buckley (The Good Wife, The Town)

matthewtoffolo's avatarMatthew Toffolo's Summary

What a joy it was to chat with the extremely talented composer David Buckley. You can hear his music every Sunday on the hit TV series “The Good Wife”. He was also the composer on the upcoming film “The Nice Guys”, directed by Shane Black.

To learn more about David, you can go to his website: http://davidbuckleymusic.net/

davidbuckley_good_wifeMatthew Toffolo: The action/comedy “Grimsby” is out in theaters. What can we expect to see? How was your working experience composing music on that film?

David Buckley: Well, the truth is now out! It’s a total flop. Shame really, as a lot of people spent a lot of time working on the film. Maybe the problem was that too much time was spent on it and it started to lose focus. I’ve always been a fan of Sacha’s work. I can see it’s harder for him to make movies like Borat and Ali…

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Interview with Composer/Musician Michael Abels (GET OUT)

matthewtoffolo's avatarMatthew Toffolo's Summary

michaelabels.jpgMichael Abels is an African-American composer known for his orchestra works Global Warming, Delights & Dances, and Urban Legend, and choral pieces such as Be The Change and Limitless. “GET OUT” was his first foray as a composer in the film industry, and it definitely won’t be his last. It was great interviewing this extremely talented musician.

Matthew Toffolo: Where were you born and raised? Was music something you always wanted to do as your career?

Michael Abels: I was born in Phoenix AZ, although I lived on a farm outside Aberdeen, SD with my grandparents from infancy through age 6. My earliest memories are of music — seriously, I can remember my grandmother’s recording of Edvard Grieg’s In The Hall Of The Mountain King terrifying me in the crib. Ironically, that’s now my job.

MT: How did you get the job composing the film “Get Out”?

MA: Writer/director Jordan…

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1997 Movie Review: SCREAM 2, 1997 (dir. Wes Craven)

 

AWAY WE GO MOVIE POSTER
SCREAM 2, 1997
Movie Reviews

Directed by Wes Craven
Starring: Neve Campbell, David Arquette, Courteney Cox, Jada Pinkett Smith, Omar Epps, Liev Schreiber, Sarah Michelle Gellar, Jamie Kennedy, Jerry O’Connell, Laurie Metcalf
Review by Matthew Toffolo

SYNOPSIS:

It has been two years since the tragic events at Woodsboro. Sidney Prescott and Randy Meeks are trying to get on with their lives, and are currently both students at Windsor College. Cotton Weary is out of prison, and is trying to cash in on his unfortunate incarceration. Gale Weathers has written a bestseller, “The Woodsboro Murders,” which has been turned into the film, “Stab,” starring Tori Spelling as Sidney. As the film’s play date approaches, the cycle of death begins anew. Dewey Riley immediately flies out of Woodsboro to try to protect Sidney, his “surrogate sister.” But in this sequel to the 1996 horror film, the number of suspects only goes down as the body count slowly goes up!

 

REVIEW:

TRIVIA: Scream 2 actually beat Titanic at the weekend box office when it opened in December 1997. Titanic then went on to go #1 at the box office everyday for straight 5 months and eventually became the biggest grossing film of all-time. But, Scream 2 can say that it topped it when it went head to head.

Going back and watching this Scream sequel really got me very nostalgic. I remember sitting in the theater with my friends and really giving live play by play commentary of the film while it was happening. This is just one of those films. Of course now I hate it when others do this at it happened to me during a screening of My Bloody Valentine as people were talking so much, I couldn’t pay attention to the movie. But when you’re in your early 20s, you tend to be a little selfish. So I apologize to all the people who were sitting around us during the screening. We were jerks.

Scream 2 is one of those films that is probably more suited for a home viewing than watching it in the theater. It’s a campy film and you really can’t take it all that seriously. That said, the storytelling and characters are done well so you are definitely into the ‘what’s going to happen next’ feeling. You are definitely emotionally involved while you also get many of the wink-wink jokes during the climatic moments. The original Superman films are like this too. One moment of action leads to another moment campy comedy. Someone getting killed leads to people sitting around and chatting about horror films and their cliches. This is a film that is many things to many people. It’s a horror, a thriller, a crime movie, a mystery and most definitely a comedy. A hard thing to pull off but director Wes Craven really found the original tone that was in the script and put it on screen. Him and writer Kevin Williamson created a new movie recipe and they succeeded all the way to the bank.

When watching this film I was also surprised of all the actors who are household names or actors I respect that I completely forgot was in the film. Jada Pinkett Smith and Omar Epps play the two characters that ‘open’ the film like Drew Barrymore did in the first film. They play up how Horror films are a white man’s genre and you never see black people in the movie. As soon as you see then on screen, you know they are doomed. Craven and Williamson were pointing out to the world that they are not prejustice and even blacks can get killed in the movies. And they aren’t the killers.

Heather Graham, Luke Wilson and Tori Spelling play the ‘movie’ versions of the characters in Scream. A great campy plot as we jump into a film within a film. Luke Wilson especially was hilarious to see as at the time he was just an actor starting out and had only one credit on his resume.

Sarah Michelle Gellar, who was just getting going in her Buffy TV show, appears as well in a great ‘stab’ scene. So does pre-Dawson Creek’s Joshua Jackson who was also just starting out in the biz. Portia de Rossi and Rebecca Gayheart play the sexy sorority sisters. Jerry O’Connell plays Sidney’s boyfriend (who has an extremely awkward Top Gunish music scene in the school cafeteria) who could be the killer. And Liev Schreiber, who really only had a cameo role in the first Scream film, plays the obnoxious but charming Cotton Weary. You can tell in this role that Schreiber had something unique as he could change from sexy to scary in one emotional beat. And was an actor who definitely had a big future ahead of him.

And then there’s Timothy Olyphant. An actor I had no idea was in the film. I loved Olyphant in his role in the HBO series Deadwood. When he’s not donning a mustache, he’s a very creepy looking character. And because of that he sort of tips the hat of the film’s conclusion. Or perhaps not because he seems to be the obvious killer.

Of course this again is Sidney’s (Neve Campbell), Dewey’s (David Arquette) and Gale’s (Courteney Cox) film. Sidney is you classic main character. Strong, determined, vulnerable and haunted by past events. Arquette and Cox have fantastic on-screen chemistry (and off-screen too as they are married) and seeing that in the first film, the creators I’m sure made sure they had a lot of screen time together in the 2nd film. They are almost like a comedy team with a little romance mixed in. The geek and the princess.

Courteney Cox’s roles in these films should be pointed out as she is remarkable. If her performance doesn’t work, then the film doesn’t. We have to view Gale as a bitch with an agenda but also like her a great deal too. Her character too in Scream 2 also has the biggest emotional arcs happening. She’s the one who’s changing the most from the beginning to end.

Campbell’s role could be categorized as almost boring as it’s hard to find a storyline for her that wasn’t done in the first film. She delivers an almost thankless performance because she has after all the only ‘non sexy’ role in the film. She’s sexy but the role she plays is the role of the straightman. She must act in a thriller genre to keep the overall tone of the movie intact while all the other roles get to play it up and be campy. Sidney is the straw the stirs the drink of the movie and these type of roles can get forgotten. But if you don’t have it played well, then you don’t have a film.

Scream 2 also plays up on the sequel film. It asks the question of what sequel was better than the original in movie history. And ‘wink-wink’, is Scream 2 better than the original? Not really but it’s not bad.

SCREAM 2, 1997

1997 Movie Review: RETROACTIVE, 1997 (James Belushi)

  MOVIERETROACTIVE 
Movie Reviews

Director: Louis Morneau

Starring: James Belushi, Kylie Travis, Shannon Whirry, Frank Whaley, M. Emmet Walsh, Shermon Howard
SYNOPSIS:

A hostage negotiator makes several jumps back in time to save a woman from her brutal husband.

REVIEW:

‘Retroactive’ is one of those big studio films that went straight to video, but you wouldn’t understand why if I just gave you the plot, because it’s a damn good plot, unfortunately almost everything else lets this one down.

Karen (Kylie Travis) is stranded in the middle of the desert, her car has broken down and she ends up catching a lift with a strange weirdo guy (James Belushi) and his obviously suffering girlfriend. Even though fate gives her several opportunities to get away from this couple, who are obviously involved in some kind of illegal dodgy activities, she sticks with them until the jerk guy, Frank, shoots up a gas station.

Karen escapes and finds herself in a secret lab in the middle of the desert where experiments in time travel are being conducted. She is thrown back in time to when she was stranded. She tries to prevent the murders however each time she travels back she seems to make things worse.

It’s kind of like an action movie style version of ‘Groundhog Day’, just without the humour or good acting. Having said that though there are some good things about this film; as I said above the plot sounds interesting and probably would have been if it wasn’t for the acting. It would be interesting to see someone remake this film to see if they could make it work.

Another plus is that the time travel is pretty well thought out, considering the continuity errors which seem to occur throughout the film, it’s clear that the script writers were more vigilant than the director or continuity person, if there was one. It’s such a simple idea for a plot but it is the kind of plot that can end up being very complex to write, film and edit. So I give the film makers an ‘A’ for effort.

I have nothing against James Belushi or Kylie Travis, but I’m not really fans of either one of them. But both have acted in film and television before and after this film and quite obviously with a bit of success. But in this film it was as if they were just going through the motions.

With minimal effects and not a lot of different scene locations there isn’t that much a part from the plot to keep your attention. Which isn’t a bad thing but there are also too many points where you feel like the plot is being lost by the actors and so we as the audience get lost.

Someone should really remake this film, it needs it more than any other film. Although as I stated above it is such a simple plot and not that original so I look forward to the day when someone remakes this film accidentally. Then I will be able to say; ‘for once, this is better than the original.’

RETROACTIVE, 1997

1997 Movie Review: PRIVATE PARTS, 1997 (Howard Stern)

PRIVATE PARTS,  MOVIE POSTERPRIVATE PARTS, 1997
Movie Reviews

Directed by Betty Thomas

Cast: Howard Stern, Robin Quivers, Mary McCormack, Fred Norris, Paul Giamatti, Jackie Martling, Carol Alt, Allison Janney
Review by Jarred Thomas

SYNOPSIS:

The film tells the story of Howard Stern, the popular radio personality whose candor and crude humor revolutionized radio.

 REVIEW: 

One of the most controversial disc jockeys of all time, Howard Stern revolutionized radio for the masses and created a radio show that all other personalities try to emulate but fail in their attempts. The film is based on the popular book of the same name and chronicles the career of Howard from his childhood to high school and college to his early days in radio eventually leading to his radical career in broadcasting.

Love him or hate, Howard Stern is truly an entertainer and Private Parts shows not only his eccentric persona but also the struggles and challenges he faced from all angles. Whether it was local bullies or vindictive program directors, every obstacle was essential in developing the personality that would later become an iconic radio star.

Howard Stern plays, who else, but Howard Stern and while that may seem like an easy task considering he’s only playing himself, it’s not. He has to be able to convey his emotions and dramatic moment convincingly, no matter if he’s retelling an experience he went through. It still requires that he present a believable moment and this requires good acting, which he does.

Betty Thomas does an excellent job balancing the crude humor with the more heavy scenes. The supporting cast does a fine job as well. Paul Giamatti is great as spiteful program director, Lenny, or “pig vomit” as Howard refers to him. Together their scenes are absolute gold as both Howard and Paul play off each other perfectly.

There’s a memorable scene in which Paul addresses Howard and his gang (Robin and Fred) about the seven dirty words they are not allowed to say. This of course only entices Howard, who later develops a segment in which he says those exact words but in the context of a game show so as to make it seem innocent and appropriate for radio listeners.

Those who are familiar with the Howard Stern show can expect the typical naked sexy women and certain bits that are popular on his radio program. But there is also a heart to the film that provides warm moments between Howard and his wife Alison, played by the talented Mary McCormack. There’s one intense scene in particular that felt completely real as the two argue about a bit Howard did on the radio about a recent miscarriage the two suffered.

Howard has always made it clear that nothing in his life is private and he can at anytime use parts of his life to entertain his audience. The issue of the miscarriage is one of them. It’s interesting to see behind the scenes and the method to his madness.

With a strong supporting cast topped off with standout performances from both Howard Stern and Paul Giamatti, Private Parts is one of the funniest films filled with an abundance of pure entertainment. Even if you’re not a fan of the popular radio personality, I can assure you that this move will have you laughing and sympathizing with the famous disc jockey. By the end, you’ll have a better understanding of who Howard Stern is as a personality, but more importantly as a person.

 

 

MCDPRPA EC013
PRIVATE PARTS, Fred Norris, Howard Stern, 1997, (c) Paramount