Movie Review: THE MISSION, 1986

Tribute review for Jeremy Irons who was born today. One of his best films.

THE MISSION MOVIE POSTER
THE MISSION, 1986
Movie Reviews

Directed by Roland Joffe
Starring: Robert DeNiro and Jeremy Irons
Review by Jeremy Richards

In 18th century South America Jesuit Father Gabriel (Irons) has come to set up a mission for the Native Guarani Indians. However, other more unscrupulous men like Rodrigo Mendoza (De Niro) are reaping the rewards of the slave trade. Enter Altamirano (Ray McAnally) a man who must decide whether the Jesuit missions will be left in safety or shut down for good. The final decision will pit men against each other as they hold steadfast for their beliefs and the rights of the Guarani.SYNOPSIS:

Review

The Mission is an immense film. It comes from director Roland Joffe who strived to elaborate on the viewer’s experience. The Mission has a documentary feel in its vast ambition of recapturing the lives of the Guarani Indians and Spanish settlers in 18th century South America.

In an inspired move Joffe decided to cast actual South American native peoples in a bid to bring more realism to the story. And as art mirrors reality, this film too had oppressed Native Americans playing the role of their oppressed forefathers adding to the films timeless appeal.

The 1980s ushered in a time when films seemed to have the most realistic quality. In the past film technology and special effects were probably considered too cheesy, and nowadays technology interferes so much that the viewer knows the film isn’t real. But films like The Mission hold a physical quality which allows you to feel as if you are a present in the action.

To help lose yourself within the film Joffe hired Robert De Niro and Jeremy Irons at the height of their careers to bring their commanding presence forward. But more impressive than the Hollywood stars are their actual feats on camera. We tend to forget that what we see in a movie has to be filmed in real life. This means setting up a camera, setting up lights, and having extras act in the background. All this prep makes filming a scene in an empty street difficult, so to watch Robert De Niro carrying a heavy bundle through the Amazon makes you appreciate the film that much more.

The Guarani natives were unfamiliar with modern technology and in fact didn’t even understand cameras. Obviously they never had any modern acting training like Robert De Niro, but this also means their reactions would be true to themselves. The Mission is the kind of film you have to watch twice. Once to see the story unfold and twice to see the scope what you have just watched.

The subject matter is filmed delicately by Joffe to convey the scope and grandeur of what is being shot. The film takes you through dirty Spanish streets, beautiful Jesuit Missions, and into the luscious heart of the Amazon jungle. The sets and lighting further add texture and beauty to the scenes.

The films score also deserves mentioning as it has been listed by the AFI as the 23rd greatest score ever. And it is quite a good score with deep drenching emotion. It would almost be too sappy if it weren’t for the gravity of the films subject.

In the end one of the best points about this film is that it has a great subjective feel. You are not going to see a film about villains chasing jewels, there is no big heist, and not a single mythical creature. You are going to watch peoples emotions unravel as they travel through harrowing events.

TV CONTESTSUBMIT your TV PILOT or TV SPEC Script
Voted #1 TV Contest in North America.
FILM CONTESTSUBMIT your SHORT Film
Get it showcased at the FEEDBACK Festival
writing CONTEST1st CHAPTER or FULL NOVEL CONTEST
Get full feedback! Winners get their novel made into a video!
SCREENPLAY CONTESTSUBMIT your FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

TIFF 2016 Movie Review: CARRIE PILBY (USA 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

carrie_pilby_poster.jpgCARRIE PILBY (USA 2016) ***
Directed by Susan Johnson

Starring: Bel Powley, Nathan Lane, Gabriel Byrne

Review by Gilbert Seah

Being too smart might be detrimental to ones life. Based on Caren Lissner’s best-selling 2003 novel, CARRIE PILBY is a story of a awkward teen who graduated Harvard at the age of 19 and lives in a small NYC apartment paid for by her London-based father (Gabriel Byrne).

Carrie (Bel Powley) has no job, no purpose and no friends because she actively dislikes just about everyone (rating them “morally and intellectually unacceptable”) as only a teenager can.

Her one regular contact is her dad’s therapist friend, Dr. Petrov (Nathan Lane in rare role of an unfaithful straight man), who after a fruitless series of weekly visits finally sets Carrie some homework: a five-point plan to get her life together. As they say, nothing goes as planned. The plan results in her life turned more upside down. Johnson’s film takes half the film to get its footing.

The first half is really annoying with Carrie spurting out too much clever dialogue and the script getting too smug for tis own good. It treats its audience as simple folk that need a twist in every segment or needing a punch line after a dialogue.

The film gets more tolerable in the second half even turning to winning when Carrie finally gives up on the plan.

Part coming-of-age, part father/daughter relationship and part romance, CARRIE PILBY is a chick flick that finally rises, like is character at the end.

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

TIFF 2016 Movie Review: AQUARIUS (Brazil/France 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

aquarius_posterAQUARIUS (Brazil/France 2016) ****
Directed by Kleber Mendonça Filho

Starring: Sonia Braga, Maeve Jinkings, Julia Bernat

Review by Gilbert Seah

Filho’s AQUARIUS is again set in Recife, the seaside neighbourhood that he made famous in his last film NEIGHBOURING SOUNDS.

Though that one was mainly set at night, AQUARIUS is mainly shot in bright sunlight for most of the scenes. AQUARIUS focuses on an individual: Clara (ex-Brazilian sex symbol, who still maintains her looks, Sônia Braga), a retired music critic and the sole tenant of an older apartment block being bought up by ruthless condo developers.

After surviving a bout of cancer and the loss of her beloved husband, Clara is hardly about to let herself be bullied by the “generous” offers or insidious charms of Diego (Humberto Carrão), the American-educated scion of a powerful local real-estate firm. Diego tries everything in his power to force Clara out of her home, including (hilariously, but not for Clara) hosting a noisy orgy in the suite above Clara’s — one that leaves a putrid mess in its wake. The second half of the film is how Clara fights back. Filho builds up the suspense right up to the climatic confrontation.

The film also reveals the class system, prejudices and culture of the Brazilian society.

Clip: https://www.youtube.com/watch?v=-bBcLImYBgQ

ubmissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

TIFF 2016 Movie Review: ARRIVAL (USA 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

arrival_poster.jpgARRIVAL (USA 2016) ****
Directed by Denis Villeneuve

Starring: Amy Adams, Jeremy Renner, Forest Whitaker

Review by Gilbert Seah

Finally arrives a sci-fi futuristic alien film without the blow ups, collapsing buildings and end of the world scenario. Well, all of the above might still happen but it is up to theoretical physicist, Ian Donnelly (Jeremy Renner) and linguistics expert, Dr. Louise Banks (Amy Adams0 to find out the purpose of the landings.

The landings occur at 12 different locations around the globe and there is a reason for that. Director Villeneuve (PRISONERS, ENEMY) builds up the suspense carefully aided by Jóhann Jóhannsson’s captivating score, unique set design by Patrice Vermette and cinematography by Bradford Young. But it is surprising that the best part of the film is the simple shot segment of Dr. Louise’s explanation of what it means to communicate the question: “What is the purpose of your visit?” to the visitors.

Every word and even the question mark and the pronoun you (singular or collective?) might have different meanings. The non-linearity of time is also a neat concept that is also examined.

The title ARRIVAL in the film, could also refer to two things – the arrival of the visitors or the birth of Dr. Louise’s baby.

ARRIVAL is a fascinating film on all counts.

Trailer: https://www.youtube.com/watch?v=tFMo3UJ4B4g

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

Movie Review: TIME SMASH (2016)

  MOVIE POSTERTIME SMASH, 2min., USA, Animation/Sci-Fi
Directed by Benjamin Reicher

A time traveler goes back 2 weeks to stop himself from going to Cynthia’s new years party. Unfortunately, he brings his cat along and forgets to let him back into the machine when he returns to the present. The cat grabs onto the machine last second, becomes radioactive, and ends up in ancient Egypt. What the time traveler finds when he returns to the present is pretty messed up….

Seen at the August 2016 ANIMATION FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Time Smash by USA director Benjamin Reicher, is frankly, hilarious. This is due to simple cinematic mathematics. The plot is clear, simple and concise, the visuals are strong and punchy, the story is strong and the punchline is fantastic.

The result is quick, effective comedy.

Our story opens on a young man bent on time traveling into the past by two weeks to tell his past self to avoid going to a party. Yet on his way back he has an unexpected guest in his travel machine his pet cat.

The cat stumbles out of the craft halfway through the journey getting hurled somewhere into the depths of space and time. When our hero returns to the present the future has been utterly altered.

It’s “an Oldie but a Goodie” plot line that nevertheless relies on a killer pay off to make the story really sing. And Oh Boy, does Time Smash deliver. The only line in the entire film, is well worth the wait.

Watch the Audience FEEDBACK Video of the short film:

Movie Review: 1916 (2016)

  MOVIE POSTER1916, 4min, UK, Animation/Drama
Directed by Oscar Lewis

An old man remembers the last time he saw his father, walking with him to the train station in rural England. This short film was made to mark the centenary of men with families being conscripted to the army in 1916 during WW1.

Seen at the August 2016 ANIMATION FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Oscar Lewis, director of UK film 1 916 has chosen a story that is poetic and heartbreaking and it is visually interesting. The story appears to be the retold memory of that last time a boy sees his father.

The writing is poetic, thoughtful, abstract and heart wrenching as it slowly dawns on the viewer that the charcoal flip book style drawings we are seeing, are the worn and smudged memories of these final moments the child can recall with his father.

This piece is compelling, although slow moving. It is not a laugh a minute, raucous comedy, nor a bright whimsical romp through imagination.

It is a farewell letter from a son to his father, arriving a lifetime later. We know the narrator recognizes now what he did not recognize then that this one moment as his father walks him towards a the train that will carry the father off to war will be their final moments together.

Despite this mournful undertone the piece is not outrightly sad. It is reflective, pensive, and thought provoking.

Perhaps it is meant to remind us that memories can fade, like sketches in a book, and only with careful keeping, can we recall them and keep them close to us.

Watch the Audience FEEDBACK Video of the short film:

Movie Review: BOTTOMLESS (2016)

  MOVIE POSTERBOTTOMLESS, 2min, USA, Animation/Biography
Directed by Veronique Vanblaere

A Belgian woman seeks citizenship in the United States, and finds that her experiences are bottomless.

Seen at the August 2016 SCI-FI/FANTASY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

This comical inversion on the classic fish out of water story is brought to us by Veronique Vanderlaere of the USA. An unapologetic and endearing story of immigration and assimilation, this piece will appeal to anyone who has ever felt the “otherness” of living what they know and becoming engulfed in someplace new.

Bottomless is refreshing! The artistic tastes are unique, the story is charming and most engaging perhaps is that the central story revolves around a tiny detail the nature of North American drinking glasses. It is not always the obvious change in scenery that gives a traveler culture shock it is the small things that remind us how far from home we are.

But our Heroine embraces her new home, and not only accepts the changes but loves them. A delightful story with some upbeat humor that will make you smile and long for an extra large soft drink.

Watch the Audience FEEDBACK Video of the short film:

Movie Review: SPARROW DUET (2016)

  MOVIE POSTERSPARROW DUET, 4min, USA, Animation/Experimental
Directed by Steve Socki

Animated abstract shapes and gestures dance together playfully with bird-like motion. The original music score was composed and performed by Gary Chang .

Seen at the August 2016 SCI-FI/FANTASY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

This disarmingly simple and yet stunningly beautiful avantgarde
film comes to us from the USA by director Steve Stock. It tells no clear story, has no clear characters, makes no clear message and yet its’ composition is so well put together, and it’s facets so richly tuned that it cannot help but engage and delight its’ viewers.

Set against a black void, whimsical bright geometric colors move, flow, and intertwine themselves in an unearthly dance to music. The concept seems very simple but is also incredibly hard to execute well.

Sparrow Duet however, creates something wonderful in its’ style, as its’ lack of form creates endless abilities for interpretation. Instead of the director pressing their story onto the viewer, the viewer projects their version of the story onto what they are experiencing. The result? A film of cinematic pleasure that can be exactly what you want it to be. Are these colors the personification of humans? Of emotions? Of animals? Of life itself?

The viewer gets’ to choose.

Watch the Audience FEEDBACK Video of the short film:

Movie Review: AWESOME BEETLES COLORS

  MOVIE POSTERAWESOME BEETLE’S COLORS, 3min, Latvia, Animation/Musical
Directed by Indra Sproge

“Awesome Beetle’s Colors” is a 2:57 minutes long, fun and educative plasticine animation.

Seen at the August 2016 SCI-FI/FANTASY FEEDBACK Film Festival in Toronto.

Movie Review by Kierston Drier

Hailing from Latvia, and directed by Indra Sproge, Awesome Beetles Colors has a musical, colorful, educational tone. Highly reminiscent of the famous Sesame Street in its whimsy, this short film brings the alphabet to life with bright, highly stylized interactive words.

The brightness of the piece is dazzling to the senses and brimming with the type of creative imagination that appeals to viewers of all ages. It is instantly enjoyable by younger members of an average audience although it may leave adult viewers scratching their heads.

At first glance, it is not clear that the musical film is about the alphabet; until the end, when all the musical words are strung together with their corresponding letters.

Magically, the discovery that the wild colorful animated adventure is really teaching us our ABC’s is no less enjoyable, whether we are 8 months old, or 80.

Watch the Audience FEEDBACK Video of the short film:

TIFF 2016 Movie Review: SNOWDEN (USA/Germany 2015) ***1/2

snowden_poster.jpg
SNOWDEN (USA/Germany 2015) ***1/2
Directed by Oliver Stone

Starring: Joseph Gordon-Levitt, Shailene Woodley, Melissa Leo

Review by Gilbert Seah

Renegade filmmaker Oliver Stone knows how to get the blood of an audience flowing. He demonstrated this ability in the Oscar Winning PLATOON, political JFK and the controversial NATURAL BORN KILLERS. One can expect the same from his new film about whistleblower, Edward SNOWDEN (Joseph Gordon-Levitt).

The ads for the film goes… Patriot, dissident, or traitor? But director Stone portrays him as none of the three. At the film’s start, there is a scene that shows Snowden saying that he believes that America is the best country in the world. As the film goes along, he ends up wrestling with his conscience on what is right thing to do. In Stone’s film, the right thing to do is to expose NSA (National Security of America) for violating the rights of not only the Americans but of the citizens of every other country in the world by lying to their Governments. Yes, the NSA can track every single person in the world – the only lame excuse given is the need for prevention of terrorism. To those who actually believe Snowden to be a traitor, Stone’s film will either infuriate you or convert you. Stone lays out the facts, but in a prejudiced way, just as in PLATOON.

But Stone makes Snowden’s story more human by concentrating on his human side – and his love with his wife (Shailene Woodley). The most emotionally charged scenes are the fights he has with his wife. Stone also invokes the audience’s sympathy by showing Snowden’s illness – his proneness to epilepsy.

But the film’s most effective scene is the climax. If Stone knows how to manipulate the audience, this scene shows it. After Snowden’s live speech on the Internet, the live audience gives him a standing ovation. At the same time the image of actor Gordon-Levitt metamorphosizes into the face of the actual Edward Snowden.

The story of SNOWDEN is old news by now and unless one has not been reading he news, one knows that Snowden is presently living in Russia, not coming back to the U.S. as he believes, which is true, that he would not be given a free trail. This is how the film ends, so as to be accurate.

This is not the first film made about Snowden. Documentary filmmaker Laura Poitras made CITIZEN FOUR as she was called by Snowden himself when he was blowing the whistle. Poitras is portrayed by Melissa Leo in this film. CITIZENFOUR lays the facts out straight. The titles at the start of SNOWDEN declares that the film is a dramatization of true events. And that the film is, entertaining as it might be.

Trailer: https://www.youtube.com/watch?v=QlSAiI3xMh4

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com