Film Review: THE BLUE BUTTERFLY (China, Animation)

 A simple and beautiful fable wrapped up in gorgeous watercolor animation THE BLUE BUTTERFLY tells us a story of a elderly man traveling the world along, carrying jars of trapped butterflies on his back.

Throughout his often futile attempts to capture butterflies on his travels, he reminiscences of his greatly cherished- and then lost- beloved. Butterflies being a thing of beauty they shared between them, capturing them after her death seems to be the best way to keep her memory alive. That is, at least until he realizes the bittersweet wisdom of life- that if you love something, you must let it go.

While THE BLUE BUTTERFLY is simple enough and beautiful enough for even the youngest viewers to enjoy, it holds a profoundly deeper meaning that can be grasped by all ages. The start of something new will always begin at the ending of something else. A beautiful, transcendent and gorgeous piece- with a something for everyone.

 

 

Short Film played at the ANIMATION FEEDBACK Film Festival in December 2017

Review by Kierston Drier

THE BLUE BUTTERFLY, 5min., China, Animation 
Directed by Mei LiTo collect butterflies from the memory of his marriage, an old man travels around the world, then he relives the moment with his wife while capturing the butterflies.

CLICK HERE – and see full info and more pics of the film!

Film Review: CONDITIONER (Animation, USA)

 A darkly humorous and offbeat comedy animation, CONDITIONER is a piece that tells us that growing up isn’t all it’s cracked up to be.

Our hero, a middle-aged actor whose only slightly given up on life, recounts his childhood failure to find Bigfoot and his current issue going for a conditioner commercial although he is bald. What makes this five minute experimental short special though, is the fantastical, interpretive and almost psychogenic artistic take on the animation.

Our hero may seem disenchanted with life, but the artwork is equal parts color and whimsy. The contrast of these moving pieces brings a bright, unique edge to this piece- and makes it entertaining and worthwhile to see.

 

 

Short Film played at the ANIMATION FEEDBACK Film Festival in December 2017

Review by Kierston Drier

CONDITIONER, 5min., USA, Animation/Experimental
Directed by Shane BeamAn audition for a conditioner commercial becomes an otherworldly psychogenic experience.

CLICK HERE – and see full info and more pics of the film!

Film Review: A FOREST (Argentina)

 This experimental piece follows one man’s journey through the trauma of his world, his actions, his memory and his own mind. Following him through his world of memories and present day experiences revolving around an old and run down house, there is an unknowable quality to A FOREST. It is never truly clear what painful past event our hero is running from, trying to deal with, or launching towards. We get the beautiful, tragic picture of a jigsaw puzzle missing several key pieces. The glory of this type of film, is that is gives the audience ample ability to fill those pieces in with their own imaginations.

There is a soft, almost smoky sort of cinematic quality to piece- as though our hero must work through the literal smoking ashes of his past. It is never totally clear what he is moving through, but there are enough engaging, scintillating clues throughout the piece that it lends itself well to after-cinema conversation.

If you have a pension for beautiful, poetic films that ask you to do some heavy lifting, you’ll love A FOREST. It has no easy answers and offers no cut-and-dry explanations- but the answers are there- lurking somewhere in our hero if we can only recognize the clues.

 

 

Short Film played at the EXPERIMENTAL FEEDBACK Film Festival in December 2017

Review by Kierston Drier

A FOREST, 11min., Argentina, Experimental 
Directed by Adriano CurciThe past and the present are intertwined in an old abandoned house in the middle of a forest. Into the trees, Martin walks. A tragedy. Into the trees, into the trees. Based on the song “A Forest” by The Cure.

CLICK HERE – and see full info and more pics of the film!

Film Review: IN SEARCH OF REVERENCE (UK)

  A controversial, but stunningly beautiful film. IN SEARCH OF REVERENCE chronicles a handful of young adventure-hungry men on their backpacking trip in the UK. Set against the glorious mountainous vistas and boasting spectacular cinematography and editing, IN SEARCH OF REVERENCE is a jaw-droppingly gorgeous film to watch.

The level of professionalism and work put into this film is clear by examining the fantastic amount of detail and composition in both the editing and footage. No element was spared in the creation of a beautiful and cinematic story. Perhaps the one controversial area is the shooting of an animal for sustenance by the group. The issue is not the hunting itself, but the specific type of fallen animal- a mother with adolescent offspring. While the content may be hard to watch for some viewers, the theme of this film seems to be getting back to a sense of nature by going back to basics- including hunting for one’s’ own food.

A film worth talking about, and starting a conversation about, IN SEARCH OF REVERENCE is a strong and visually breathtaking piece. It reminds us that we are often guilty of the greatest folly of man- walking upon the Earth as though we own it.

 

Short Film played at the EXPERIMENTAL FEEDBACK Film Festival in December 2017

Review by Kierston Drier

IN SEARCH OF REVERENCE, 12min., UK, Experimental
Directed by Darryl PaceAn ambition to realize the uncomfortable truth that there has to be a greater connection to this world and life than how most people live it. Under the material, fast paced world urban based world, we had lost our connection with the land. This was a quest to re-discover that

CLICK HERE – and see full info and more pics of the film!

Music Video Review: KILLING US SOFTLY (Australia)

A wide reaching music video filled to bursting with social commentary and vivid visual metaphor, KILLING US SOFTLY holds nothing back with it’s musical up-front approach to world issues.

From racism, to health care, from corporate greed to social injustice, KILLING US SOFTLY throws an unapologetic light on the areas of our world many of us wish didn’t exist. Colorful and bright with rapid-fire editing creates the illusion of walking through a socially conscious funhouse of a societal extremes.

Although at times the content may see jarring, KILLING US SOFTLY makes its’ point with rhythm, style and a musical accessibility that makes it a worthwhile investment for both music and cinema. A funky framework for many first world criticisms, but a film both enjoyable and meaningful, nonetheless.

 

Short Film played at the EXPERIMENTAL FEEDBACK Film Festival in December 2017

Review by Kierston Drier

KILLING US SOFTLY, 5min., Australia, Music Video
Directed by Emilie BoyardA mirror held up to humanity – it points out our ugliest, greediest and most idiotic ways. It is a chant, a protest rally, a wake up call to the people, and a reminder that we still have the power to take back what they are taking from us

CLICK HERE – and see full info and more pics of the film!

Film Review: YOU (Portugal)

 An experimental with gripping intensity and breathtaking visuals, YOU, directed by Hugo Pinto, is a compelling emotional piece about a tumultuous and passionate love story. Told from the male’s perspective, two lovers meet in a find love, while battling within themselves and the worlds around them.

Told with no character dialogue, but exceptional interpretive dance, our heroes move through, (often literally) gravity defying feats of life. Together they unravel the intense highs and lows of love. We follow our male protagonist as he rides a metaphorical emotional roller coaster, yet displays it literally through his dance with his partner.

Excellent camera work accompanies this intense story and the rapid fire editing and creative use of day and night as well as lightness and darkness mean that YOU is an excellent well composed film. It sweeps the audience up with it- for a few magical minutes, you are not watching a film- you are watching passion.

 

Short Film played at the EXPERIMENTAL FEEDBACK Film Festival in December 2017

Review by Kierston Drier

YOU, 10min., Portugal, Experimental
Directed by Hugo PintoY0U is a love story, that happens in a moment in wich the last thing you want to do is to fall in love, but falling in love is probally the only way you have to go on with your live.

CLICK HERE – and see full info and more pics of the film!

Music Video Review: ORACLE, USA

 Bright, vivid and surprisingly sensual, ORACLE Directed by Jessica Baston is a sharpe and creative music video. A woman slowly paints herself in textured gold paint throughout the song.

Boasting sharp camera work and playing with use of light and focus, ORACLE is a spellbinding work of visual fluidity. Not to go unrecognized is the subtle (and not so subtle) metaphors running through the work, calling to mind ancient myths and legends of Greek and Roman times, such as Midas or the Oracle of Delphi.

A highly polished performance with stunning execution of form for the genre, ORACLE is a spectacle that will delight the senses.

 

Short Film played at the EXPERIMENTAL FEEDBACK Film Festival in December 2017

Review by Kierston Drier

ORACLE, 3min., USA, Music Video
Directed by Jessica BatsonAn art collaboration between a film collective and band. A beautiful short, visually stimulating and emotionally conflicting. A woman being consumed by gold.

CLICK HERE – and see full info and more pics of the film!

Film Review: THE COMMUTER (USA 2017) ****

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The Commuter Poster
Trailer

A businessman is caught up in a criminal conspiracy during his daily commute home.

Writers:

Byron Willinger (story by), Philip de Blasi (story by) | 3 more credits »

 

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Film Review: THE FINAL YEAR (USA 2017) ***

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The Final Year Poster
Trailer

THE FINAL YEAR is a unique insiders’ account of President Barack Obama’s foreign policy team during their last year in office. Featuring unprecedented access inside the White House and …See full summary »

Director:

Greg Barker

 

As the film title implies, Greg Barker’s documentary is an eye-opening unprecedented look during the final year (actually 30 days of the final year) of US foreign policy by following key members of outgoing US President Barack Obama’s administration.

If all this sounds too political, the film is.  The question then is whether it is necessary to watch a film on American policy.  American policy as a stand-alone entity might not have any interest to non-Americans or even Americans.  But the U.S. being the most influential country in the world therefore would have a policy that would have ramifications all over the world.  So, unless one wants to live like a man in a cave and not wish to know what is going outside, this film will not affect you.  It is also good to see the real goings-on in the Obama Administration besides just hearing the points of view of the news.

It is one year before Trump came into the U.S. Presidency.  During 2016, filmmaker Greg Barker (SERGIO, MANHUNT: THE STORY OF THE HUNT FOR BIN LADEN) gained access to key members of outgoing US President Barack Obama’s administration — Secretary of State John Kerry, Ambassador to the United Nations Samantha Power, confidant and speech writer Ben Rhodes, and others — for an unprecedented look at the shaping of US foreign policy.  While TV shows from The West Wing to Madam Secretary have invented dramas from this milieu, this documentary captures the real players so much in the moment.

The film begins inside the home of Power.  The audience sees that these high profile state politicians are also ordinary people with kids and a family life.

The globe-spanning journey involves stops on multiple continents.  Rhodes, who is described as sharing a “mind meld” with Obama, joins the President on historic visits to Ho Chi Minh City, Hiroshima, and Havana.  Power seeks to put ordinary people at the heart of foreign policy in Nigeria and Cameroon.  Kerry negotiates at the UN for a Syrian ceasefire and bears witness to global warming in Greenland.  Every move they make stirs reactions from media, Congress, and the public.

Inevitable comparisons will made with the current Trump Administration.  (The film ends with the unexpected Trump win as the new U.S. President.) Clearly, there are noticeable differences.  One can likely see that there is more planning and cooperation with Obama.  Also Obama is one to give good speeches.  One in the film where he speaks to foreign young audience, Obama talks of stories that need be told and in this case, for America the importance of the Declaration of Independence in which all peoples are treated equal.  This is to contrast to President Trump, who never gives a proper speech and talks in short phrases like: “No!”; “Wrong!” etc.

There are many best segments captured live on camera like President Obama’s Hiroshima and Power’s immigration speeches.  But most important of all, the film reveals the true nature of the Presidential Aides, many of whom are inspirational in their duties.

I would like to see the equivalent of this film with the Trump Administration.  That would be an eye-opener.  But it would be highly unlikely seeing already that Trump already dislikes the media.  Trump has already opted out of the climate change accord and the Iran Treaty, two policies Obama and his Administration have worked so hard to achieve.

Trailer: https://www.youtube.com/watch?v=l5tKa22hZGc

 

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Film Review: SPETTACOLO (USA 2017)

Spettacolo Poster
Trailer

Once upon a time there was a tiny hill town in Tuscany that found a remarkable way to confront their issues – they turned their lives into a play. “Spettacolo” is a portrait of this 50-…See full summary »

The title of the film SPETTACOLO is the Italian for the word spectacle which refers to a performance or a play.

The documentary is about a small town by the hills called Monticchiello in Tuscany, Italy with inhabitants of 130, according to the film.  The inhabitants practice a unique form of theatre called “autodrama”.  By turning their lives into a play, they confront their issues of their past 50 years of existence.  Their piazza becomes their stage and villagers from 6 to 90 play a part – the role of themselves.  Every issue the town has faced in its history – their near annihilation by Nazis, the disappearance of their farming heritage, the commercialization of their land – every major event has been dramatized and debated by the villagers in the centre of town. The film tells the story of Teatro Povero (“Poor Theatre”), interweaving episodes from its past with footage from the present as the villagers turn a series of devastating blows – financial ruin, rising fascism, a dwindling future generation – into a play about the end of their world.  The audience sees the townsfolk planning their play, debating issues as well as what to present at the performance.  News of the play has also spread over the years so that Italians from all over is it Monticchiello to experience the play.

It all got started with the most crucial event in history of the town.  It was when the Nazis wanted to kill all the inhabitants for supporting the rebels also known as partisans.  But one woman pleaded to the German officer in charge that they were all innocent and never participated or collaborated with the partisans – which was a lie.  And the townsfolk were spared.  

One can hardly tell, to the filmmakers’ credit that SPETTACOLO is an American and not an Italian production.  The film is shot largely in Italian, set in Tuscany and filmed between 2012 and 2016, using a Sony EX-1 camera and a portable Zoom audio recorder.  The film crew also lived in Monticchiello, the small town in Tuscany for six months in 2012 to make the film.  Not only that but they involved the town in their editorial process, showing several rough cuts of the film to the townspeople for feedback.  The result is a very authentic and believable film in which the audience is completely immersed in the 130 population number of the town.

The film also tackles the universal problem of old versus the new, small versus big and tradition (50 years of it) versus the modern.  Here, there is the compromise that benefits everyone.

The filmmakers sacrifices the town’s charm in place of problems and key issues resulting in a film more relevant than just entertaining.

The film’s climax hinges on whether the play will be staged despite all the problems.  The actors are ill-disciplined, there are arguments and financial backers have opted out.  Still, despite the doc’s good intentions and the filmmakers’ diligence, it is really difficult to get drawn into SPETTACOLO.

Trailer: https://www.youtube.com/watch?v=l7oITFo7rHg