Interview with Sound Editor Piero Mura (The Accountant, 500 Days of Summer)

matthewtoffolo's avatarMatthew Toffolo's Summary

piero_mura.jpgPiero Mura has worked in the sound department on over 100 films in the last 25+ years. His list of credits include Ben Hur, Fast & Furious 6, Skyfall, Warrior, War of the Worlds, and Training Day to name a few. It was an honor talking to him about his career and sound in general.

Matthew Toffolo: How would you describe what a Sound Effect Editor does in one sentence?

Piero Mura: A Sound Effects Editor directs the attention of the audience to what he/she believes is important in terms of story and entertainment.

MT: You were the Sound Designer on the the remake of Ben-Hur. A film that did not do well box office-wise. You work on months on a film that I’m sure you’re proud of and then it quickly goes away after it opens. How does that feel?

PM: Ben Hur 2016 did not go away after…

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Interview with Editor Tod Modisett (Crazy Ex-Girlfriend, The Bachelor)

matthewtoffolo's avatarMatthew Toffolo's Summary

crazy ex girlfriend.jpgIt was a privilege to chat with the talented editor Tod Modisett on the art of editing.

Matthew Toffolo: You have edited many television shows. Do you have a favorite experience?

Tod Modisett: The best experience is when you understand the show you’re working on. You get the director or the producer, and he or she gets you. Then interesting things can happen pretty quickly. Some editors can talk articulately when they’re working. I usually can’t.

Sometimes I mumble. It’s great when a director can hear me mumble something and he or she knows what I’m saying. It reminds me of how some dentists can understand you even when you have all kinds of crap in your mouth. Jeff Schaffer, the creator of “The League,” was like that. Once I mumbled something as I hit command-Z to put the edit back to what it was before I started messing with…

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Winning FEMALE 1st Scene of GOD’S WORK IS NEVER DONE, by Tara C Hall

femalefilmfestival's avatarFEEDBACK Female Film Festival

 
Genre: Thriller, Horror, Crime

A serial killer roams from small town to small town, preying on abusive, sadistic men who won’t be missed when they die both mysteriously and violently.

CAST LIST:

Narrator: Sean Ballantyne
Rick Ford: Neil Bennett
Bartender: Rais Moui
The Woman: Connie Wang

Get to know the winning writer:

What is your screenplay about?

An unknown woman who appears to be the victim of domestic violence, turns out to be a psychopathic killer preying on sadistic, abusive men.

What genres does your screenplay fall under?

Thiller, horror, drama.

Why should this screenplay be made into a movie?

I think that there is a demand among female audiences for darker stories. There has been a rise in true crime, largely because of that female audience. Even though this is a fictional story, so much of the ideas came from the stories of real serial killers and their…

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FEEDBACK FEMALE FILM FESTIVAL -Thursday August 24, 2017

femalefilmfestival's avatarFEEDBACK Female Film Festival

The FEEDBACK Monthly Film Festival is back for 2017.. Our home is The Carlton Cinemas, located in the heart of downtown Toronto at 20 Carlton Street. The event runs from 7pm to 9:10pm.

Continuing to showcase the best of short films from around the world, while maintaining our audience feedback format moderated by Kierston Drier and Amanda Lomonaco. Showcasing a festival twice a month in 2017!

Tickets for 2017 are PAY WHAT YOU LIKE. Purchase your tickets online via Paypal or Credit Card. Tickets are first come first serve.

All proceeds to this month’s festival will be donated to festival cinema costs (suggestion $8 and up), which helps the monthly event:


OR, if you like to obtain seats in advance and pick them up on the day of the event (come for FREE, or make a donation), please email us atfestivalevent@wildsoundfestival.com and we’ll…

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July 2017 Female Directed & Written Stories, Screenplays, and Short Films

June 2017 Female Directed & Written Stories, Screenplays, and Short Films

May 2017 Female Directed & Written Stories, Screenplays, and Short Films

1987 Movie Review: BAD TASTE, 1987

BAD TASTE  MOVIE POSTERBAD TASTE, 1987
Movie Reviews

Directed by Peter Jackson

Cast: Terry Potter, Pete O’Herne, Craig Smith, Mike Minett, Doug Wren
Review by James Mansell

SYNOPSIS:

When an army of aliens arrive on a small New Zealand town and attempt to turn the entire population into the key ingredient for their intergalactic fast-food chain, a small group of men from the Astro-Investigation and Defense Service are sent to investigate. What ensues is a dangerous rescue mission, a full on assault on the alien’s head-quarters and a whole series of precarious situations.

REVIEW:

When you hear the name Peter Jackson, one film, or three perhaps will spring to mind. The highest box-office grossing trilogy in the history of cinema, most number of Academy Awards won, equalled only by Ben-Hur and Titanic, and a faithful and unique adaptation rarely seen on the screen. Peter Jackson propelled himself into legendary director status with his version of J.R.R. Tolkien’s ‘the Lord of the Rings’ trilogy, wowing cinema and fantasy goers alike for three Christmas’s in a row. A feat unimaginable until the New Zealander decided to tackle it.

But aside from his epic fantasy tale, you may also know him from his re-working of his childhood favourite ‘King Kong’, his Kate Winslet period piece ‘Heavenly Creatures’, his gore-drenched masterpiece ‘Braindead’ or even his story of depravity, debauchery and puppets in ‘Meet the Feebles’. But before all this, before any priests kicked ass for the lord, before any puppets played Russian roulette in Vietnam, a group of aliens landed on a small New Zealand town in what can only be described as timeless low-budget horror that Sam Raimi would be proud of.

When a distress call comes through from a small New Zealand town, ‘the boys’ are sent to the location to investigate the disturbance. Enter a gloriously graphic opening scene of an exploding head to the manic laughter of one of Peter Jackson’s two characters, Derek. Within 10 minutes, we’ve had a healthy dose of black humour, pseudo mysterious music and brains sprayed across the ground. The film is set up perfectly, aliens have landed, and Derek and his team are there to save the world from the extra-terrestrials wrong doing.

Things don’t begin to do totally as planned, as Derek, who has captured one of the aliens (interestingly enough, also played by Jackson) begins to torture it for information, the ‘inter-galactic wanker’ as Derek describes it. As its screams of pain emanate across the town, Derek is surrounded by them, resulting in dire consequences. Jackson’s directing comes through in waves in this scene, his timing is impeccable, and the effects (shooting through an alien’s stomach) are so inventive it only but makes you grin with excitement. How they shot a scene teetering on the edge of a cliff is beyond me, and a fight between two Peter Jackson’s is nothing short of breath-taking.

After a local town collector is kidnapped by the aliens, and there heinous scheme is revealed to ‘the boys’, an all out assault on the aliens ensues. Once the headquarters have been located, and a repulsive tasting session of sorts occurs for the one of the boys, Derek returns and an action-packed and blood-soaked gun fight follows that Sam Peckinpah would be proud of. Jackson’s home made prosthetics come to force during the finale of the film, as the aliens break out of their human bodies, and into their own form.

For cult, low-budget horror that has its tongue firmly in its cheek, this is one of the best ever made. And the climax is so hilarious and memorable; it makes you want to watch more of Peter Jackson before the world became aware of him. It is a pure and unadulterated rollercoaster through a young filmmaker’s love of horror, shot over 4 years and totally improvised; it is an achievement in low-budget filmmaking.

Bad Taste is an onslaught of do-it-yourself prosthetics made with enough ingenuity and precision to make it all work. Yes this is low-budget horror, and yes you can see the joins, but this is why we love it. This is low-budget greatness at its most simplistic and basic, but with a balls out attitude and no holds barred what more could you ask for?

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BAD TASTE

1987 Movie Review: BABETTES FEAST, 1987

BABETTES FEAST
Classic Movie Review
Directed by Gabriel Axel
Starring Stéphane Audran, Birgitte Federspiel
Review by Cheryl Farr

SYNOPSIS:

Two spinster sisters who have chosen the austere life of service to others, cautiously take in Babette as a favor to be their servant. She gladly accepts the terms of no pay, only a place to stay and food to sustain her, for the opportunity to stay far from her previous home in Paris. The sisters teach her to prepare cod soaked in milk and stale bread, which Babette finds disgusting, but never complains. Over time, Babette learns the language of her Danish hosts, and learns to bargain with the locals for food. She helps the sisters serve the small sect of elderly worshippers year after year, until one day, she receives news that she has won the lottery in Paris. With a fortune of 10,000 francs, she can leave the cold, desolate village, but Babette is selfless in her love for the religious sect members. Instead of leaving for the comforts of civilization, she chooses to use her money to prepare a feast for her friends

REVIEW:

Babettes Feast has been compared to an early version of Out of Africa, and is noted for it’s Christian themes. Beautifully executed, the storyline and cinematography combine to provide an emotional experience. It begins with Babette’s arrival to the simple home of two devoted sisters who care for their late father’s small flock of rigid worshippers. The colors are dreary, blue, and cold. One can almost feel the desolation of the small fishing village on the coast of Denmark. The wind blows, the windows barely hold back the cold and wind, the dark homes lit by candlelight. The villagers hold their capes and wraps close against the icy weather.

Colors brighten a bit when flashbacks from the sisters’ earlier lives break through. In their earlier days, they were both beautiful and desired by worthy men, however, they choose to stay true to their father’s pastoral work, and never marry. These flashbacks are warm and in stark contrast to the kind of life they now live.

With selfless obedience, Babette faithfully serves the sisters. Behind her eyes, we can see there is an unspoken story, and the mystery of it is intriguing. Some 14 years after arriving at the quaint village, Babette gets a piece of mail from Paris. Each year, her friend has renewed lottery numbers in her behalf, and she has now won 10,000 francs. At this point, we fully expect Babette to take her winnings and leave this forsaken place and go back to warmth and civilization. However, she does something very unexpected. She asks the sisters if she can prepare a meal for them and 10 others. The sisters agree, but soon begin to worry if this will violate their strict code of humble austerity, of complete control over the senses. Now, the audience sees Babette receiving shipments of exotic food, wine, and place settings—and we see the conflict building. How can opulence meet the austere?

Finally, the night of the feast begins. Babette recruits a young man to help her in the small, inadequate kitchen. The colors are now warm and inviting, the food looks delicious. With tremendous skill, she puts together a fine 6-course feast. The wines and food sit on the table surrounded by shocked, confused guests. They decide to eat it, but not enjoy it. However, as the courses are served, they can’t help but be affected by it. For years, they had begun to settle into pettiness and bickering, not finding joy in life. But as the meal progresses, the stiff layers of bitterness melt away one by one.

One guest remembers that he ate a similar meal in Paris many years before. It doesn’t take long for them to realize Babette owned a restaurant in Paris before escaping the political turmoil. Not only is she a cook, but she has spent every bit of her winnings to treat her friends to the meal of a lifetime. With 12 guests, Babette serves each with love and gives all that she has to them. The guests realize how she has given up her training and hidden her talent all these years to conform to their way of life. The irony cannot be denied.

Last thoughts: This film was awarded Best Foreign Film in 1987. Based on a story in the collection by Isak Dinesen, it was adapted beautifully to capture the deep emotions of a time gone by. I don’t watch many foreign films, but this one is completely memorable. Shot with an artist’s eye, and kept simple, it takes us to a secret world that tickles the senses like the feast itself.

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BABETTES FEAST

Interview with Festival Director Stephanie Dadet (OUR CITY FILM PROJECT)

Our City Film Project is a film collective showcasing the work of filmmakers from different cities to a global audience. It is a community celebrating storytelling and passion.  The project aims to promote filmmaking and redefine production practices. As filmmakers, the stories we tell are influenced by our background, experience, and perception but shaped by our community – Our City. OCFP will focus on a chosen theme for a year which determines the accepted entries. The festival is a not-for-profit initiative of Big Bad Wolf Pictures, a film production company from Cape Town, South Africa.

WEBSITE: www.ourcityfilmproject.com

Social Media: Facebook – www.facebook.com/ourcityfilms

 
Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Stephanie Dadet: Our City film project in its mission aims to provide a platform to celebrate the people and stories that shape us. Our focus is not just on the films but also to shine the spotlight to the filmmakers to have brought these stories to our screen. As we grow, we aim to bring filmmakers together to create projects as part of the collective.

What would you expect to experience if you attend the festival this year (2017)?

Two days with a great line up of some of the best LGBT short films produced within the past 24 months hosted by the prestigious Ster Kinekor Cinema Nouveau and a space to network with filmmakers, catch up with friends and of course, good wine.

What are the qualifications for the selected films?

As required by 2017 theme of the festival, all entries must be LGBT short films produced between 2016 -2017. We are focused on the quality of the narrative. We are looking for filmmakers who not only understand storytelling but know how to genuinely tell their stories and create value. Our focus, however, is not just about the film itself but also on the filmmaker.

Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

The obvious reason is the number of submissions a festival. There are a lot of films made and submitted but limited selections. This is why it is important to create projects like this to provide more platforms. It is very important to get your film out there, to share your story and meet other people with shared visions. There is a film festival out there waiting to share your story, don’t give up – look out for them and keep submitting!

What motivates you and your team to do this festival?

That will be the personal commitment to contribute to the growth our film industry and celebrate the filmmakers who are having the effort to show the world what they have to offer and to encourage collaboration on productions between filmmakers especially as we plan for our second year.

How has your FilmFreeway submission process been?

Good. We have received over 1600 submissions from FilmFreeway and it has been an efficient platform all round.

Where do you see the festival by 2020?

We aim to be hosting screenings in at least 10 cities around the world bringing together people to celebrate the stories and filmmakers from their cities and also the collaborative projects put together by filmmakers from different cities working together, learning, sharing and also inspiring. It is called Our City Film project for that reason.

What film have you seen the most times in your life?

That will be the Pixar animated feature UP. It is a brilliant film that gives me Goosebumps – touching, exciting and entertaining. It is a special film.

In one sentence, what makes a great film?

A great script matched with a talented film director.

How is the film scene in your city?

The Film Scene in my City – Cape Town is good and continuously growing. It is one of the most beautiful cities in the world and hosts quite a number of local and international film shoots. The city has a growing pool of talented filmmakers ready to leave a mark in the industry both local and in the international scene.

 

our city1.jpg

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FILM FESTIVAL DIRECTOR BIO:

Stephanie Dadet is a film producer and screenwriter. In 2012 she obtained a BSc (Honours) degree in Business Administration and in 2015 moved to Cape Town, South Africa to study for a BA (Honours) in Motion Picture Production attained from AFDA Film School which she was awarded Best Producer and Best Film. She has industry experience working across Nigeria and South Africa in film and television. She is currently completing her MFA degree. She is also the co-director of Big Bad Wolf Pictures founded in December 2016.

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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