EMA and her husband have just ‘returned’ their adopted son after he, (the adopted son) set fire to to his aunt’s face and the house. They apparently regret the decision and go to great lengths to find the boy again. At the same time, their marriage is on the rocks. They are both in the dance scene, the husband a choreographer and she in his troupe, so there is plenty of dance choreography. EMA is a total mess and so is Larain’s film.
The film makes little sense though it looks great courtesy of his D.P. Larrain includes scenes of orgy when Ema begins indulging with multiple sex partners including her lawyer. Larrain directed the Oscar nominated JACKIE. That film has a perfect segment when the camera roams the White House with the song Camelot playing in the background.
There is a similar segment in EMA with a catchy song played as the camera roams around. But the film still ends up a boring and pretentious artistic waste of time.