film festival review

Interview with Executive Director Nina Streich (Global Peace Film Festival)

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Since its inception in 2003, the GPFF has shown over 500 films from around the world. The critically acclaimed programming has included Academy Award winning, nominated and short-listed films. In his blog, former Orlando Sentinel film critic Roger Moore called the GPFF “…one of the best festivals in this part of the country” and said, “Global Peace has the best documentaries of any festival.” GPFF’s leadership believes that to further its mission, success should not simply be measured by attendance numbers but by the engagement the films inspire from the audience – at the festival and beyond.

Interview with Nina Streich

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Nina Streich: The Global Peace Film Festival (GPFF) is about actively engaging audiences to do something about the issues in the films they see. Watch Films, Get Involved, Change Things is our tagline and we seek films, mainly documentary but narratives too, that have been produced to have an impact on the issues they address. Filmmakers find enthusiastic audiences and meet leaders of organizations that are working on the issues the their films address. In the past few years, we have begun to offer other services for filmmakers beyond the festival including impact consulting and fiscal sponsorship.

MT: What would you expect to experience if you attend the festival this year (2016)?

NS: Most films are followed by discussions with filmmakers and also representatives from local organizations that work on the issue(s) raised in the films. The Q&As are often longer than those at most film festivals. Filmmakers find the audiences engaged and interested in their films as well as the issues they raise. Festival staff and volunteers work to make the GPFF a warm and welcoming experience for filmmakers and audiences alike.

MT: What are the qualifications for the selected films?

NS: We program features and shorts – documentary, narrative and animation. The majority of the program is non-fiction but we always want to include fiction work. We have always programmed films that are “mediums” – between 40 and 65 minutes. Our approach to the definition of “peace” is very broad and includes everything from conflict resolution, social inequality (class, race, gender, age, mobility, etc.), environment/environmental justice, LGBT rights, fair trade and new business models, human trafficking, sports and recreation, comedy/satire. We look for films that inspire and educate. We also include an online selection of films, mainly shorts, in addition to the main program, during the week of the festival.

MT: What motivates you and your team to do this festival?

NS: We are motivated to present a great program that addresses the many aspects of peace and produce an event that is a catalyst for community engagement.

MT: How has the festival changed since its inception?

NS: The festival has grown in both size and impact. 2016 will be our 14th festival. We recognized the changing model of film festivals and decided early on to steer the festival in a direction that served the community in a deeper way, beyond bringing a crowd to a downtown venue for a passive viewing experience. We sought to develop relationships with the filmmaking community that focused on the “why” motivating filmmakers. This involved moving to pull other partners into the festival to build a new structure that would serve as a networking hub. This includes schools, libraries and universities to add depth, variety and timeliness to their community offerings. We reached out to community groups to bring the same benefits of our programming to help educate, energize and increase their member base. Our programming has always been centered on active engagement with our audience.

MT: Where do you see the festival by 2020?

NS: As the festival has evolved, we have begun to offer services to filmmakers (whether their work has been in the festival or not) including impact consulting and fiscal sponsorship.

MT: What film have you seen the most times in your life?

NS: I’m always looking for and want to see new films so I can’t think of what I’ve seen the most times! Rather than the films that I’ve seen the most times, I think more about the films that have influenced me the most. It’s a long list…

MT: In one sentence, what makes a great film?

NS: A great story.

MT: How is the film scene in your city?

NS: I live in New York and the festival is in Central Florida. New York, of course has an incredible film scene. Central Florida doesn’t have anywhere near the size of the film scene as New York, but it is just as engaged, passionate and exciting.

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Nina Streich has an extensive background in both the film/TV/media industries and in the political arena. She held senior management positions in other film festivals prior to creating the Global Peace Film Festival in 2003 including Festival Manager of the Newport International Film Festival and Development Director of the Nantucket Film Festival. She began her career as a film editor, cutting trailers and marketing material for over 50 major studio and independent features, including The Elephant Man, Raiders of the Lost Ark and Scandal. In politics, she has worked for many candidates, from local to presidential campaigns. She was a coordinator of the Inauguration of Mayor David N. Dinkins in New York City in 1990 and was appointed Deputy Film Commissioner for the NYC Mayor’s Office of Film, Theatre & Broadcasting. After leaving the Mayor’s Office, she was the Deputy Executive Director of the NYC Host Committee for the 1994 Grammy Host Committee. An accomplished events producer, she has organized film premiers, music festivals, conferences, parades, street fairs and press conferences. She has produced several documentaries on subjects she is passionate about.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Korina Mavrikidou (Athens Animation Festival)

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The 11th ATHENS ANIMFEST starts on Thursday, 7th of April and runs until Wednesday, 13th of April, 2016, at the Greek Film Archive. Screenings will also be held in Romantso (11-13 April, 2016) and the Cine Club Vrilissia (9-10 April, 2016). This year preselection juries have selected a large number of animated movies submitted from all over the world, confirming Athens as part of the high quality animation festival association. The program includes competition sections for experimental, student and short animated movies, a tribute and some events.

Interview with Korina Mavrikidou:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Korina Mavrikidou : Athens Animfest is a festival dedicated to animation films. Both artists and students of animation are given the opportunity to create their films and cinephiles are able to enjoy them. This interactive relationship has a remarkable effect on the evolution of animation, in general. Also, it contributes to reveal talented filmmakers that people may not be aware of. The last two years, Athens Animfest attracts artists from all around the world who meet each other in Athens. We are convinced that, beyond the promotion of animation, our festival cultivates relationships between artists and cinephiles.

MT: What would you expect to experience if you attend the festival this year (2016)?

KM: Cinephiles have the opportunity to enjoy screenings of inspirational films created by notable filmmakers and a 7-day program full of parallel special events about the art of animation all over the world.

MT: What are the qualifications for the selected films?

KM: The selected films should be inspirational and should be distinguished for conceptual, technical and aesthetic excellence.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

KM: The evaluation process is really very difficult. Most of the films submitted for the festival are technically robust, due to technological developments and their themes are imaginative as well. Nevertheless, a great film will stand out among the rest and will get what it deserves.

MT: What motivates you and your team to do this festival?

KM: Apart from our passion for the animated films, which is for granted, we have supported this effort so much, because through this, new talents are emerging which are so necessary in our country.

MT: How has the festival changed since its inception?

KM: Some things have remained unchanged, such as our passion for this project, but some things have changed radically. Now we get submissions from more countries and we have regular fans that attend Athens Animfest every year. We become famous through social networks and the world seems to embrace this festival.

MT: Where do you see the festival by 2020?

KM: Hmm, I wish I am running it until then …! Also, I hope to have gained a good reputation and attract even more participants.

MT: In one sentence, what makes a great film?

KM: A great film should have a great story to reveal, including new or unique ideas. Also, sound, acting, filming and editing are important elements for a good result. In a few words, the film should have the whole package to be considered as great.

MT: How is the film scene in your city?

KM: One is for sure: There is much to be done. You see, there are efforts which are remarkable, but they do not have adequate support from the state and thus they collapse. Nevertheless, we remain optimistic and supporting our efforts and the efforts of other festivals that take place in Athens, we are looking forward to a better tomorrow.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with Executive Director Stefanie Malone (National Film Festival for Talented Youth)

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NFFTY is the world’s largest and most influential film festival for emerging directors. In 2015, we screened 248 amazing films from the best filmmakers 24 and younger representing 30 states and 25 countries, with over 12,000 in attendance. We provide a first-class festival experience that includes four days of film screenings, parties, networking events and panels. In 2014, MovieMaker Magazine rated NFFTY as one of the top 50 festivals worth the entry fee.

NFFTY 2016 will be held in April 28 – May 1 in Seattle, WA.

http://www.nffty.org/

Interview with Stefanie Malone:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Stefanie Malone: NFFTY is the world’s largest and most influential film festival for emerging directors. We showcase the best new best new filmmaking talent age 24 and under. NFFTY occurs each spring in Seattle, Washington and includes over 200 film screenings from talented filmmakers and media artists from around the world. Workshops, panel discussions featuring industry professionals, and contests provide educational and networking opportunities for attendees. Filmmakers submit feature-length and short films in narrative, documentary, animation, music video, experimental, and action sport categories. It has been compared to Sundance and Cannes for young filmmakers, and we take that reputation seriously.

Many festivals tend to overlook the potential of a young filmmaker simply because of their age. NFFTY stands apart from those festivals by recognizing the creative talent these individuals really do have and providing them with a one-of-a-kind, first-class festival experience that they won’t get anywhere else. Not only do they get to screen their films to sold-out audiences of hundreds, they get to network with other young people just like them as well as top industry professionals that could help them jumpstart their careers.

I think Kevin Klauber (NFFTY filmmaker and editor of Oscar-winning documentary 20 Feet from Stardom) put it perfectly when he said, “NFFTY is overwhelmingly positive. NFFTY is a perfect test ground for what it’s like to be a filmmaker in today’s world. It’s the most positive festival I’ve ever been to in terms of encouraging creative work.”

MT: What would you expect to experience if you attend the festival this year (2016)?

SM: For starters, you’ll have a chance to see creative endeavors by the next generation of filmmakers. NFFTY is the opportunity to see the next Martin Scorsese or the next Kathryn Bigelow. At NFFTY 2016, we will feature 227 films from filmmakers in 24 countries and 33 US states. We have a variety of genres and some of the most gripping short documentaries in the world.

Opening Night is our biggest affair, kicking off at the world-renowned Cinerama with a red carpet and five short films from NFFTY filmmakers. We then host a Gala presented by Volvo Car USA at the Columbia Tower, the tallest building in Washington state, where the celebration continues.

Some of the highlights of NFFTY 2016 include an incredible selection of documentaries that explore human race, culture and relationship in a screening called “The Human Race” and a closing night screening that (in honor of our tenth festival) explores the power of story through diverse stories called “Around the World in Ten Films”.

Additionally, we have panel discussions like “Get Real: Filmmaking in VR” and a masterclass by Oscar-nominated director Christian Christiansen on navigating the world of independent filmmaking.

MT: What are the qualifications for the selected films?

SM: This year we received over 1,000 submissions from around the world, and I can say that there were many wonderful films that we had to pass over this year. We have an amazing Selection Committee that screens all of the films and provides feedback. Those films then go on to the Programming Committee who reviews comments and films and works from there.

I would say that the biggest factor in getting selected is story. We place higher value on this than on the production quality. With the advancement in accessibility to technology and camera, many people are making films. But what is the story? Where do you take the audience?

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

SM: I know that we would love to show more films at our festival, and based on the quality of the work that was submitted we had to turn away some really good films this year. We simply have limitations in terms of time and space. This year we had to pass on a lot of quality work and, honestly, it hurts to send those rejection emails. It’s a competitive landscape out there and we do our best to represent great films from around the world.

MT: What motivates you and your team to do this festival?

SM: This is a unique festival that treats these young, creative filmmakers like the VIPs that they are. There is something remarkable about being around young, creative spirits. NFFTY’s filmmakers are supportive, collaborative, and give me hope for the future of film and storytelling. I feel lucky to be surrounded by them, which leaves me feeling refreshed and energized with a renewed spirit of creativity.

MT: How has the festival changed since its inception?

SM: NFFTY grew from a one-day festival in 2007 founded by three teenagers that were hoping to connect young media artists. Today it stands as the world’s largest film festival for young filmmakers (24 and under) that spans four days and has supported over 2,000 filmmakers in its ten years.

Over the years, we have embarked on initiatives to support particular needs in the film community. In 2014, NFFTY created its Young Women in Film initiative, a year-round effort to support young female filmmakers around the world. NFFTY also launched an in-house production company known as NFFTY Creative with the mission of connecting sponsors and brands with the festival’s most promising alumni to work on original branded content projects. The first major project, A Supporting Role, a short documentary earns multiple accolades including ADDY Awards and a Telly Award. These projects and initiatives have allowed the festival to grow a year-round presence with a focus on supporting our young filmmakers.

MT: Where do you see the festival by 2020?

SM: I hope it continues to grow through year round programming, partnerships and a larger global footprint. I would love to see it build upon its educational offerings and unique ways that we can continue to bridge opportunities for filmmakers as they make the leap to the professional world.

MT: What film have you seen the most times in your life?

SM: It would probably be a tie between Annie Hall or Duck Soup. Comedy is good for the soul and I can’t think of anyone funnier than Woody Allen or the Marx Brothers.

MT: In one sentence, what makes a great film?

SM: I think a good film ultimately wrestles with the dilemma: what makes a good life? It can be through the tenderness of a man’s final moments as he grasps onto the cherished memory of Rosebud or through Rick bidding farewell to Ilsa.

This doesn’t mean that every film has to be so grand as Citizen Kane or Casablanca, but that we can experience and share in the human condition and plight — even for a moment — in a film.

MT: How is the film scene in your city?

SM: The film scene in Seattle is growing. We are fortunate to have a strong contingent of talented female filmmakers that rivals the traditional landscape. We are home to two very talented independent directors – Lynn Shelton (Laggies, Your Sister’s Sister, Humpday) and Megan Griffiths (Lucky Them, Eden) and their excellent producers Mel Eslyn and Lacey Leavitt. There is a strong documentary scene in the town as well. There is a host of organizations like NFFTY, Northwest Film Forum, SIFF, Grand Illusion and Three Dollar Bill Cinema that continue to create a thoughtful community for filmmakers and support independent film.

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Mark Starks (Superhero Short Film Fest)

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Come celebrate the 1st Annual Superhero Short Film Fest at the Grace A. Dow Memorial Library Auditorium in Midland, MI on Monday April 18, 2016! Superhero Short Film Fest features a Live Screening of the Top 10 Films, followed by a Costume/Cosplay Contest!

https://filmfreeway.com/festival/SuperheroShortFilmFest

Interview with Mark Starks:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Mark Starks: Our value – and purpose – is to curate, provide imprimatur and thus help shape the culture of the local community by exhibiting quality films from independent filmmakers.

MT: What would you expect to experience if you attend the festival this year (2016)?

MS: Highlights of the festival include a special screening of the teaser trailer MALELOVENT, the first US 2-D, hand-drawn animated horror movie, starring Morena Baccarin, William Shatner, Ray Wise, Bill Moseley and Dani Lennon, and LIBERATOR – an award-winning 18-minute short starring Lou Ferrigno as a disgraced, washed-up ex-superhero trying to get his life back on the rails. The film also stars Peta Wilson, Michael Dorn and Ed Asner. We’ll also be screening the first episode of WACKY WALLY’S VINTAGE TOYS!, featuring Wally Wingert, a voice actor and pal-of-mine from Hollywood. Wally was the announcer for the last four years of The Tonight Show with Jay Leno. The Top 10 selected films embrace a diversity of genres, including comedy, drama, action, and fantasy. We conclude with an open costume/cosplay contest.

MT: What are the qualifications for the selected films?

MS: Strong writing is essential, along with acting, directing, editing and sound. Many of the selected films have outstanding special effects. For low-budget films, they really push the envelope. Then there is the obvious element of hero(es) with a problem or goal to give the story drive. Lastly, the audience must believe what each is fighting about.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

MS: I think a lot of great films are overlooked at festivals, due in part to the volume of submissions. But thankfully, with the advent of digital media and the democratization of filmmaking, there are new avenues for the filmmaker to explore, including speciality theaters, VOD, or simply via social media. A film may be may not get a fair shake on the festival route but become the next viral sensation!

MT: What motivates you and your team to do this festival?

MS: We are excited to offer a de facto four-wall release for filmmakers through festival-run programs and partnerships above and beyond the event itself. We’re motivated by the terrific support of fans, sponsors and the community.

MT: How has the festival changed since its inception?

MS: The festival has obviously grown tremendously since its inception. There are currently more than 3000 active film festivals worldwide. …and there are many more categories, including experimental, independent and animation. I participated in my first film festival in 1978, in middle school, where I screened my Super-8 animated films. It’s great to see more diversity and support than ever for the independent filmmaker.

MT: Where do you see the festival by 2020?

MS: I see more festivals on more screens, along with sponsors and community partners, and continued growth in overall attendance. Look for a record number of guests participating in all of the events the film festival has to offer.

In regards to our festival, we plan to include more activities, including signings and panel discussions. Recently, I was a panelist at Stan Lee’s Comikaze Expo in Los Angeles. We screened a segment of my motion comic book series, MARTIAN. I was truly impressed by the size and scope of the event.

MT: What film have you seen the most times in your life?

MS: Actually, it is the 1966 feature, BATMAN, with Adam West and Burt Ward. As a child, I never missed an episode of the television series. I didn’t see the first run of the film in theaters, but was thrilled to see it for the first time as The ABC Sunday Night Movie. I remember scanning TV Guide back then to see when it would air again. So, as a child, I racked up a lot of viewings of BATMAN – maybe too many. I enjoy seeing the surviving cast members at autograph shows, and even wrote a biography on Johnny Green and the Greenmen, one of the BATMAN guest-stars.

My favorite Hollywood actor is Paul Ganus, a classmate from Midland. It’s a Michigan thing – like Kate Upton and the (Detroit) Tigers.

MT: In one sentence, what makes a great film?

MS: A great story, with engaging characters that you can relate to and root for.

MT: How is the film scene in your city?

MS: Thriving! The MATRIX: MIDLAND Festival at Midland Center for the Arts (one of our sponsors) showcases films, and the Chippewa Nature Center is proud to host one of the stops on the Banff Mountain Film Festival World Tour.

Mark Starks, Festival Director, is an award-winning writer, author and independent film producer. He is a graduate of Central Michigan University (BAA – Journalism/Broadcasting & Cinematic Arts).

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.

Interview with Executive Director Joseph Shahadi (The Art of Brooklyn Film Festival)

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The Art of Brooklyn is a nonprofit, founded in 2011 that celebrates, nurtures and supports Brooklyn’s independent film scene– a local scene with global influence. We produce an annual film festival, curate our own VOD streaming channel and create original, branded media about Brooklyn art and culture.

The 6th Annual AoBFF runs June 8-12, 2016 at multiple venues across the Borough.

www.aobff.org
www.brooklynondemand.com

Interview with Joseph Shahadi:Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Joseph Shahadi: The Art of Brooklyn Film Festival (http://www.theartofbrooklyn.org/art-of-brooklyn-film-festival.html) is the only international independent film festival in the world dedicated to the vibrant Brooklyn indie film scene. We screen films and entertain audiences across the entire borough, including neighborhoods traditionally underserved by cultural events. And we are committed to inclusion among filmmakers, film genres, and audiences. The Brooklyn scene is overflowing with talent, in every neighborhood and community. But since Manhattan-adjacent north Brooklyn neighborhoods are often seen as the focus for art and culture, the bulk of Kings County is excluded. AoBFF has successfully expanded the notion of “Brooklyn” to include the entire borough again.

We’ve also developed our own streaming channel, called Brooklyn On Demand (http://www.brooklynondemand.com/) — the only video-on-demand platform for Brooklyn-centric titles. By creating our own channel we’re making Brooklyn’s indie film scene accessible to audiences internationally, and affirming the borough’s importance as a center for independent film and media. Technical.ly recognized us with a 2016 Brooklyn Innovation Award for Brooklyn On Demand.

We are a 21st century film festival; we’ve maximized our value to filmmakers and audiences by expanding the idea of what a film festival can — and should— do.

MT: What would you expect to experience if you attend the festival this year (2016)? 

JS: Well I can’t tell you about the films yet because our submissions are still open and we watch everything that comes in until midnight of the last day, which is April 22nd this year. (Yes, we’ve programmed films that were submitted to us at the last minute. More than once.) But one thing we do know is that the films will reflect the diversity of Brooklyn’s independent film scene, both in the borough and around the world. In addition to our “main campus” in Downtown Brooklyn, which is easily accessible from all over the borough and Manhattan, we have screenings set for neighborhoods throughout Brooklyn— Sunset Park, Fort Greene, and Bay Ridge.

This year we’ll have more panel discussions than ever, drawn from current events. One of these is about women in film in front of and behind the camera, co-produced with New York Women in Film and Television. And our Guest Festival Director for 2016, award-winning film maker Eric Trenkamp will host an intensive mini-seminar on micro-budget filmmaking alongside representatives of the city and state film offices.

We also throw a pretty great party to kick off the festival every year with amazing food and an open bar.

artofbrooklyn
MT: What are the qualifications for the selected films? 

JS: We are the only festival in the world that exclusively features films created and catalyzed within Brooklyn’s independent film scene, which has members living and working independently in multiple countries. So in order to qualify for the Art of Brooklyn Film Festival filmmakers have to make a case for how they participate in Brooklyn’s indie film scene either in the borough itself or around the world.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why? 

JS: Festivals often overlook films that don’t fit neatly into genre categories because they aren’t sure how to program them. That can have a chilling effect on experimentation in independent filmmaking as that kind of limitation is internalized. We want to support the next generation of filmmakers in pushing the boundaries of visual storytelling so we introduced a category for experimental films called Film As Art, and we give our Vanguard Award for excellence in this category. Frankly, we’ve been surprised at how popular those screenings are. I once sat next to a pair of very old ladies and I gently inquired if they were at the right screening. They informed me that they’d made certain to attend Film As Art, then they watched intently, asked great questions at the talk back and gave me a piece of hard candy on their way out, like a boss. It goes to show that you can’t make assumptions based on an idea of the popular taste: audiences are smarter and cooler than that. At least in Brooklyn.

MT: What motivates you and your team to do this festival? 

JS: We were inspired to found the Art of Brooklyn Film Festival in 2011 when we realized that— even though Brooklyn is the site of the first great cultural renaissance of the 21st century— the borough didn’t have a large scale, international, film festival devoted to it’s own scene. We have worked to establish ourselves as a real resource for filmmakers and audiences throughout the borough. We were (and are) motivated to produce an inclusive, international independent film event where everyone feels welcome. As far as we’re concerned there are no “wrong” neighborhoods. In 2012 (the last year see were able to keep careful track) we had guests from every single zip code in Brooklyn.

MT: How has the festival changed since its inception? 

JS: We are bigger. Since our start in 2011 we’ve grown every year— with new screening locations, more entries, and a growing network of filmmakers and audience who follow us on social media and look forward to our next festival. We’re now a part of Brooklyn’s cultural landscape.

And of course creating and launching Brooklyn On Demand has been a huge part of our growth as we head into our sixth year. Now we are able to participate in the evolving distribution model that streaming media provides. In October 2015 we launched BKOD as a Roku channel alongside Netflix, Hulu Plus and Amazon Prime and it has over 100K views and 7000+ subscribers to date. We recently expanded our slate of offerings to include original series as well as films. Soon we’ll start producing our own original content.

MT: Where do you see the festival by 2020? 

JS: The director Eliot Lester (Nightingale, Blitz), who has been a judge with us for years, called us “Brooklyn’s Tribeca.” That’s as good a description of our goals as any: We want to be Brooklyn’s flagship indie film event and continue to create platforms for the best of the borough’s independent media makers.

MT: What film have you seen the most times in your life? 

JS: I watch a lot of films for work and pleasure but I always return to movies I loved as a kid. I’ve probably seen David Lynch’s Dune (1984) 75 times. The sleeper must awaken.

MT: In one sentence, what makes a great film?

JS: I think what writer Terence Des Pres says about fiction works for all kinds of films too: 1) Vigorous engagement with life, 2) imaginative force to subvert and remake the world, and 3) the sense to keep them “locked in stubborn love with each other.”

MT: How is the film scene in your city?

JS: It’s amazing. Brooklyn has become an international center for independent film and media makers. We are proud to be their film festival.

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brooklyn.jpg

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Travis Gonzalez (Yale Student Film Festival)

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The Yale Student Film Festival (YSFF) is an emerging student-run short film festival, providing the opportunity for university-level filmmakers, both foreign and domestic, to exhibit their work. It will be held on Yale University’s campus April 18th – 23rd.2016.

Interview with Travis Gonzalez:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Travis Gonzalez: I think the Yale Student Film Festival succeeds at providing a large platform for filmmakers who may not attend a university known for it’s film production students. At Yale, it’s currently the most visible exhibition of our small community of filmmakers, whose work generally will only be seen by a handful of close friends and family (unless they choose to apply to other festivals). YSFF offer visibility where there previously was very little. By opening up the submission process to university-level filmmakers internationally, we are hoping to connect Yalie artists with the larger network of students out there creating work, many on their own or for the first time. The festival is an initiative born out of the Yale Film Alliance, a new umbrella organization fostering growth in the film community through events and coordination with Bulldog Productions (est. 2003, Film Production) and The Yale Film Society (est. 1950s-1960s, Film Appreciation)

MT: What would you expect to experience if you attend the festival this year (2016)?

The 2016 iteration of YSFF, it’s second year, will be a week-long showcase, beginning with screenings and workshops led by Yale Alumni in the entertainment industry. This will culminate in our two-day student screening block, where approximately twenty-five short films will screen across five different blocks (Super Shorts, Narrative Shorts, Documentary Shorts, Experimental Shorts, and The 2016 Yale Senior Thesis Films). Every screening will be followed by a Q+A. The student screenings will be followed by an awards dinner for all invited filmmakers. The festival is designed to be a learning and networking environment, where filmmakers from different universities will be able to connect and exchange ideas, while those rooted in the industry provide guidance and relevant feedback.

MT: What are the qualifications for the selected films?

All selected films must have come from a filmmaker currently enrolled in University. The films must be work that demonstrates movement towards professional filmmaking, but not quite at that level. Basically, we are looking for first-timers or those taking their first steps towards becoming professionals. YSFF is a short film festival, so we have a cap of forty-five minutes for a film, although generally it is more likely for a twenty-five minute film to be programmed into the screenings over one of double that length. Beyond those restrictions, the festival is open to submissions from students at an international level.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Traditionally, Film Festivals can be seen as cultural gatherings that benefit the image of the city or host organization providing support for the event. Because of that, I think many festivals want to select films that are flashy and add to the spectacle of having a multi-day screening event. Films that are more understated, challenging, and out-there have a harder time of being accepted because they run the risk of taking us out of the spectacle. At Yale, however, there is a stronger emphasis on the filmmaker as part of the process, and bringing films to campus that do more to engage with an audience on a more thoughtful level. For us, it’s not a matter of what project will get the most “oohs” and “ahhs,” but whether or not you leave the theatre still thinking about and engaging with the work.

MT: What motivates you and your team to do this festival?

As a filmmaker myself in a school not traditionally known for film production (we have a great Film Studies Program, however), it’s very easy to feel isolated from the arts community. Theatre has very old roots at Yale, and film, by comparison, is very young. My team and I are motivated by a desire to bring our fellow artists into the spotlight and to showcase the work they are making early in their careers. By doing so, this will ultimately foster a stronger network of alumni and current students in the film industry, and bring further resources to filmmakers trying to turn their ideas into reality. This festival will be our roots.

MT: How has the festival changed since its inception?

Last year, the inaugural festival was only a weekend-long and was restricted to Yale affiliated filmmakers across the undergraduate, graduate, and alumni networks. We still screened twenty films, and the result further fortified our community, but it was much more insular than this year’s festival.

MT: Where do you see the festival by 2020?

I definitely see this festival being brought into a larger network of student film festivals, especially within the Ivy League. I definitely predict larger blocks of student screenings, and hopefully expanding our submissions categories to include screenplays and other aspects of filmmaking. Right now the festival is focusing on celebrating the technical craft of filmmaking, but I feel like it will soon expand to cover acting and writing as well.

MT: What film have you seen the most times in your life?

Little Miss Sunshine. It was the first film that I connected to on a deep personal level, and I never saw film the same way after seeing it. And so I watch it any chance I get.

MT: In one sentence, what makes a great film?

A great film is one that can transport you to another world, another time, another way of thinking, but by the end of its runtime, still hit close to home.

MT: How is the film scene in your city?

New Haven has an enclave of artists in general that are sometimes over-shadowed by the Yale Community. There is a festival Arts and Ideas in the summer, and an emerging New Haven Documentary Film Festival that will also be going up around the same time. So, like Yale, I think the New Haven film scene is growing, and finding out what niche of film is the most prevalent.

http://yalefilmalliance.wix.com/yalestudentfilmfest
https://www.facebook.com/yalestudentfilmfestival/?fref=ts

PHOTO: Travis chats with fellow colleagues at the 2015 Film Festival:

yale_people.jpg

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Interviewee TRAVIS GONZALEZ is a senior in Film & Media Studies at Yale University and a filmmaker from Staten Island, New York. He was the president of Bulldog Productions, Yale’s only student-run film production company, and is the film festival director for the Yale Film Alliance. Travis has worked as a writer, producer, and director on various student films, and has worked as a freelance filmmaker for several clients, including: The Yale Admissions Office, The Association of Yale Alumni, Paprika!, Sugar Hill Culture Club, Those People, First Things Foundation, City Atlas: New Haven. He is currently in post-production for Over Dinner, a twenty-minute dramedy about an eccentric grandmother, a single mother/daughter, and her son/grandson that he wrote and directed.

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with Executive Director Mingu Kim (Toronto Smartphone Film Festival)

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The Toronto Smartphone Film Festival was created with the goal to encourage aspiring filmmakers to share their stories through film, without having to equip themselves with expensive video equipment, training or field experience. As the largest smartphone film festival in Canada, TSFF provides aspiring filmmakers, from all backgrounds, with an international platform to showcase their work and talent.

Interview with Mingu Kim

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Mingu Kim: TSFF provides a unique platform for new, emerging and established filmmakers to showcase their films, not just locally but internationally. It’s another way for filmmakers to express their thoughts and ideas without spending thousands of dollars.

MT: What would you expect to experience if you attend the festival this year (2016)?

MK: This year we are celebrating our 5th anniversary and after several trial and errors, we have stronger award categories for filmmakers and more quality films for people to enjoy than ever. We are also partnered with 2 other organizations, Raindance Canada and Autism in Mind. Raindance Canada is working with us to educate people on smartphone filmmaking and as well as getting local filmmakers to try something different from the norm. Then we have Autism in Mind (AIM) this year to help promote the awareness of autism through film with a separate award category.

MT: What are the qualifications for the selected films?

MK: Our regulations are very simple. All films must be 10 mins or less where all scenes must be shot on either smartphones or tablets. We also receive a lot of international submissions so English subtitles are required if the main language used are not in English.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

MK: I think every film festival has its own colour and designated audience members to a certain degree, which can affect film selections. Therefore, filmmakers should also do a thorough research on various film festivals around the world to find a festival that best targets the type of films they produce. But then, it doesn’t hurt providing more room and leniency for new and emerging filmmakers, which would bring a broader spectrum of creativity and messages shared.

MT: What motivates you and your team to do this festival?

MK: I believe our motivation comes from doing what we enjoy. Many of us are independent filmmakers and we are constantly thinking from the filmmakers’ point-of-view to make TSFF a more inclusive festival. Every year has been a challenge but we feel rewarded knowing that filmmakers enjoy watching their films on big screen and viewers enjoy the difference of our festival compared to others.

MT: How has the festival changed since its inception?

MK: Well, to make the long story short, we began the festival within the Korean-Canadian community in Toronto 5 years ago under a different name. It started as a marketing strategy for my TV program on OMNI (Korean language programming). However, I saw the potential growth of the festival which needed to include anyone and everyone, so we changed our name into TSFF the 3rd year and became more global than what I had expected.

MT: Where do you see the festival by 2020?

MK: I am hoping for TSFF to become one of representing smartphone festivals in the world. We want to grow with the development of new technology so that our films are not only creative but also innovative.

MT: What film have you seen the most times in your life?

MK: It’s a touch question to answer because there are so many films. I love watching films in general, but I always tend to come back to Terminator 2.

MT: In one sentence, what makes a great film?

MK: A great film comes from one’s perseverance, dedication and believing in oneself.

MT: How is the film scene in your city?

MK: I think Toronto is one of the best cities representing the film scene. We are so spoiled with hundreds of film festivals that can be enjoyed throughout the year. There’s a film festival for everyone in Toronto!
torontosmartphone

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Shari Carlson (Best Actors Film Festival)

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Held in the San Francisco, California Union Square District. A tribute to the performers and directors of your film. Best Actors Film Festival is created to entice film makers to reward the performers in their film in a way that truly acknowledges their work.

Interview with Festival Director Shari Carlson:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Shari Carlson: The Best Actors Film Festival, established in 2010, rewards Actors in Independent Films. Every filmmaker works hard at casting their project, directing the actors, and relies on the actor to portray their vision to the audience. An Actors’ performance determines the effect your film will have on an audience and how well it will be received. With hard working, talented performers your film is successful. Rewarding the Talent s an overlooked experience in the Film Festival circuit. Film festivals traditionally reward the film and its crew, and the director. By acknowledging the contribution that the Actors make we are insuring great quality filmmaking continues to excel.

MT: What would you expect to experience if you attend the festival this year (2016)?

SC: A heartwarming experience seeing new and seasoned Actors accepting awards for their work. We have become known as the festival that really knows the Actors and Filmmakers personally. A win here means you really did your job, and did it well.

MT: What are the qualifications for the selected films?

SC: Great acting!. Your film goes through several stages of screenings by judges and must rise to the level of excellence in the craft of acting. You must have a believable presence onscreen and create a believable relationship in your scenes.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

SC: My goal is to insure that every film that is submitted to our Festival is watched in its entirety. No exceptions. That is our commitment. That way we are sure we are awarding fairly and without prejudice.

MT: What motivates you and your team to do this festival?

SC: The Best Actors Film Festival was created to acknowledge Actors. As an Actor and a Filmmaker myself, I understand how difficult it is to be acknowledged for really great work.

We are motivated by the talent we see around us.

MT: How has the festival changed since its inception?

SC: Mostly the poster has changed. We have Cityscape Artist Veerakeat do our posters now and we are so proud of them. We are also better at giving the awards. Last year we periscoped our ceremony and plan to do the same this year. We are also going to hold a screening in LA, in addition to SF.

MT: Where do you see the festival by 2020?

SC: Bigger, better screening rooms, better appetizers.

Jeff Carlson is the Director of the Festival, and Larry Mahaffey is our Advisor. We have a staff that screens films and volunteers who help us put on our Festival.

MT: What film have you seen the most times in your life?

SC: The Girl In The Cafe. As a filmmaker, I would love to create something that excellent. Shari Carlson, Film Festival Creative Director.

MT: In one sentence, what makes a great film?

SC: A great story, script, and Actors who can create relationship.

MT: How is the film scene in your city?

SC: San Francisco seems to be the Independent Film Capital in the US. This city loves independent Films.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Jacques Paisner (Santa Fe Independent Film Festival)

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The Santa Fe Independent Film Festival was named Moviemaker Magazine’s “50 Festivals Worth the Entry Fee in 2014 & 2015”. Santa Fe Independent Film Festival is invested in Santa Fe as a destination for film. Bringing cutting edge programming, the latest independent films and directors, Native cinema, New Mexico and Student films, and masters discussions with visiting artists and professionals in their field, all in the setting of downtown Santa Fe.

Interview with Festival Director Jacques Paisner:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers? 

Jacques Paisner: While exposing their pictures to a discriminating and unique audience here in Santa Fe, filmmakers also get accommodations, chances to interact with celebrity guests, and peerless artists, plus access to all films and events at the festival, and place in a highly selective program amongst the best international and independent films of the year each season.

 
Matthew: What would you expect to experience if you attend the festival this year (2016)? 

Jacques: You can expect exciting world cinema, top independent films, flawless projection in a little city with some of the best theaters in the world. You can attend epic parties, and rub elbows with people like Shirley Maclaine , And George RR Martin, and even the legendary Gena Rowlands. 
 
Matthew: What are the qualifications for the selected films? 

Jacques: We’re really looking for films that tell a unique story, a film that invites you into a world all its own, captivating films from all over the world that push the boundaries of the imagination, that are on the cutting edge of what a film is or what a narrative is or what a documentary is, films that reinvent the genre, or more importantly allow an artistic medium to come face to face with itself.
 
Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Jacques: There are some very good films every year, and there are many not very good films every year, and the same goes for festivals. There are some really good ones that put a lot of time and attention and professional efforts into their programs, and there are some really bad ones too.

 
Matthew: What motivates you and your team to do this festival? 

Jacques: Well I guess the first motivation is that it’s our job, but beyond that I think there’s a real sense of responsibility and purpose and decency that runs throughout the organization, with this greater common goal of Santa Fe as this Mecca for independent films and filmmakers. Our office is above the Jean Cocteau theater and George RR Martin is her landlord, and we have coffee and pizza, young interns, and really spend a lot of time talking about movies,  so it’s fun work and I think there’s also a sense that what we’re doing is dynamic and important and cutting edge, and also sort of sticking it to the Man in a creative way.

 
Matthew: How has the festival changed since its inception? 

Jacques: The festival started as a fringe fest in a community center, now the biggest festival film festival for hundreds of miles in every direction, with five theaters, over 10,000 attendees anuli annually, and called “a young Sundance” by IndieWire, The festival has grown into a top art event in Santa Fe.

 
Matthew: Where do you see the festival by 2020? 

Jacques: We would like to expand the attendance to about 50,000 people, with about 30,000 of those traveling here from out of town. We want Santa Fe to be a top destination for films and filmmakers and to host more and more screenings and more special events each season.

 
Matthew: What film have you seen the most times in your life? 

Jacques:I don’t think I’ve seen it the most times but I know I have seen “My Life as a Dog” many times.

 
Matthew: In one sentence, what makes a great film? 

Jacques: Orsen Welles said “A film is never really good unless the camera is an eye in the head of a poet” however, I think a film, or any piece of art, really succeeds or fails based upon the standards that it creates for itself.

 
Matthew: How is the film scene in your city?

Jacques: We are now one of the top movie theater cities on the planet with Violet Crown, the historic Lensic Performing Arts Center, George R.R. Martin’s Jean Cocteau Cinema, the Center for Contemporary Arts programmed by “Sembene” director Jason Silverman, and The Screen at the Santa Fe University Film School chaired by Chris Eyre. 
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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Johan Matton (Nordic International Film Festival)

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Nordic International Film Festival (NIFF) is based in New York City at the renowned Scandinavia House on Park Avenue also known as the Nordic Center. NIFF celebrates Nordic and International films and they strive to showcase new and upcoming independent films as well as honour exceptional work from already established filmmakers. They screen the nominated films in the official selection at a grand theatre inside the Nordic Center for press, distribution, filmmakers and general admitted audience.

http://www.nordicfilmfest.org/

Interview with Festival Director Johan Matton:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Johan Matton: Filmmakers that come to NIFF have the opportunity to view and gain inspiration from new Nordic and international independent films. From our 22 screenings last year, 7 of them were world premiers, 13 had their North American premier and 16 of them had a representation present for post screening Q and A’s. NIFF is more than just a screening opportunity at a great venue in New York City. We encourage filmmakers in our program to make the trip to festival for their screening as we want do everything we can to help their film go farther than the screen. Besides providing them with the opportunity to engage with audience after their screening we also arrange a live streamed interview with each of them at the festival so they can get the word out there about their film. After our first year, we connected filmmakers in our Official Selection with American distribution companies and future screening opportunities and we will continue to do the same as NIFF grows. A film festival programmer recommending a film to a distributor or sales agent, carries more weight because the acquisition team there knows that we have viewed hundreds of films that year and sent them only these few selected films for them to review.

For NIFF 2016, we will also have panels from the Swedish Film Commission this year, enlightening people on how to facilitate and shoot independent films in Scandinavia. For our winners this year, we are acquiring extraordinary prizes with a possible opportunity to be able to travel to Scandinavia.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Johan: Expect to see premiere short and feature films and outstanding Nordic and International feature films that have not yet been released. Expect a warm welcome from our NIFF team and a fantastic opportunity to connect with other filmmakers and key industry people. We are thrilled to announce the addition of our panels where industry professionals will speak about films, distribution and how to film in Scandinavia.

Matthew: What are the qualifications for the selected films?

Johan: This year we are inspired by female filmmakers and films with Nordic themes. If a film has not yet been screened or released outside the festival circuit and it holds the standard and quality and audience appeal that we are looking for then we will put it in our official selection.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why? 

Johan: Yes, NIFF focuses a lot on giving the filmmakers and their films as much recognition and press as possible. We work with the filmmakers, we do not just screen the film. This was one of the primary reasons we created NIFF, not just to create a Nordic hub in New York but also because we are filmmakers ourselves and have experienced poorly run festivals that charge a high submission fee only to screen our short film in a basement of a bar and while charging $20 entrance fee to see our film. We have also seen films get lost at large festivals. We are committed to every submission and every film is seen from beginning to end, with the majority of films seen by at least two programmers. Many film festivals don’t even review every submission, let alone watch them without fast forwarding. NIFF gives every film a chance for an honest review.

Matthew: What motivates you and your team to do this festival?

Johan: We wanted to do something new by connecting US filmmakers with Nordic Filmmakers with the hopes for them to inspire each other. We wanted to create a festival that give more to the filmmakers with our distribution connections and access to such a great venue as Scandinavia House. We then brainstormed with friends from Tribeca Film Festival and 30 under 30 and friends who worked with IFP and NYFF to create a positive and effective team. In return it is truly inspirational for us to see so much great film.

Matthew: How has the festival changed since its inception?

Johan: 2016 our 2nd year we are expanding to 3 evenings instead of 2 days. We are adding professional industry panels and seminars at the festival. We are expanding our team and crew to give a more sufficient service towards the attendees and the filmmakers.

Matthew: Where do you see the festival by 2020?

Johan: I see us being a main portal and hub for Nordic Films in the US. I see NIFF being the to go to festival for World Premiers of Nordic Feature and Short films as well as some International world premiers. I see us have the option to expand the venue to more screenings and invitations to even more established filmmakers and directors giving panel speeches. I see our Jury being the top in the industry. I see us be able to fly in filmmakers from all Nordic countries to attend.

Matthew: What film have you seen the most times in your life?

Johan: I’m an independent art house film lover and in my adult life as a screenwriter and also indie film producer have probably re-watched Blue Valentine by Derek Cianfrance more than 5 times.

Matthew: In one sentence, what makes a great film?

Johan: A film that leaves you with a feeling or adds to conversation after you walk out from the cinema. (This usually happens when a good director has focused on the mood or tone of a film, you don’t know why you feel so much but you do).

Matthew: How is the film scene in your city? 

Johan: ​We couldn’t be luckier to be based in New York City with such a thriving independent and art house film community!

 

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Johan Matton – FESTIVAL DIRECTOR / FOUNDER / PRESIDENT

Multi award winning actor, screenwriter and producer and a graduated from 3 major theatre schools; the renowned Circle in the Square Theatre School on Broadway, New York Film Academy and Calle Flygare’s Theatre School of Sweden. Johan’s productions and films has been screened at more than 40 top festivals in the world. From award winning short films to critically acclaimed indie films in Sweden, Asia and the US. John has produced two feature films and a feature documentary. Johan is the founder and president of the indie production company Changing Film and have both produced and distributed feature films and handled two very successful festival runs where his films have won Best Pictures at several festivals. Johan’s hope to utilize his great network and connections in the industry to help the filmmakers in the official selection at NIFF to be introduced to distribution companies and press all over the world.

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.