2019 TIFF Movie Review: BLOOD QUANTUM (Canada 2019)

Blood Quantum Poster
The dead are coming back to life outside the isolated Mi’gMaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.

Director:

Jeff Barnaby

Writer:

Jeff Barnaby

The term BLOOD QUANTUM comes from a blood measurement system that is used to determine an individual’s indigenous status.  It is always someone or other against the indigenous people.  This time around in Jeff Barnaby’s BLOOD QUANTUM, it is the plague, particularly the white man who have contacted the plague who are invading the Indian Reservation. 

  Director Barnaby attempts some cultural and social critique.  Should the Indians offer refuge to the white men who have stolen their lands?  But the film deteriorates into the typical zombie movie (full of cliches) with limbs flying, bodies gutted with blood flowing everywhere. 

 The males get to fight the zombies with swords and assorted weaponry while the women stand around, scream or deliver babies.  I expected more from the Indigenous zombie more that was chosen to open TIFF’s Midnight Madness Program, but no such luck.

 

2019 TIFF Movie Review: 1982 (USA/Lebanon/Norway/Qatar 2019)

1982 Poster
During the 1982 invasion of Lebanon at a private school on the outskirts of Beirut, 11-year-old Wissam tries to tell a classmate about his crush on her, while his teachers on different …See full summary »

Director:

Oualid Mouaness

This war drama is set during the Israeli 1982 invasion of Lebanon at a private school on the outskirts of Beirut.  The protagonist is 11-year-old Wissam (bright eyed Mohamad Dalli) who  tells a classmate about his crush on a girl, while his teachers — on different sides of the political divide — try to mask their fears, in this poignant debut feature from Oualid Mouaness.  

The film will attract audiences for its main actress Nadine Labaki (she directed CAPERNAUM) who plays a schoolteacher Yesmine.  Mouaness occasionally captures the urgency of the evacuation of the school children, some fearing that their parents will not pick them up while others are just glad school might be closed for the next few days.  

Mouaness  provides little insight on the events nor on the history of the war.  Nothing transpired on screen is unexpected in a situation like this resulting in a  mediocre and often boring film.

2019 TIFF Movie Review: ZOMBI CHILD (France 2019) ***

Zombi Child Poster
Trailer

Haiti, 1962. A man is brought back from the dead to work in the hell of sugar cane plantations. 55 years later, a Haitian teenager tells her friends her family secret – not suspecting that …See full summary »

Director:

Bertrand Bonello

Writer:

Bertrand Bonello (screenplay)

Accomplished film shot and set in Haiti based on local voodoo practices and folklore.  It is the 1960s Haiti as well as a boarding school in France where a schoolgirl, Fanny (Louise Labeque) dabbles in voodoo to settle her problems.  

The film begins with what is supposedly based on the real-life story of a Haitian who suddenly collapses on the street and turns into zombie when buried.  He is dug up and forced to work in a sugar cane plantation.  There is a preachy and lengthy segment at the start regarding colonialism and cultural mis-appropriation.

 It is a slow burn but director Bonello (born in Nice who also directed SAINT LAURENT) captures the atmosphere and superstition of the locals.  A sort of coming-of-age story mixed with a little horror and suspense that occasionally works.  A minot hit when the film premiered in Cannes this year.

Trailer: https://www.dailymotion.com/video/x7gnky2

2019 TIFF Movie Review: ATLANTIQUE (ATLANTICS) (France/Senegal/Belgium 2019) ***

Atlantics Poster
Trailer

In a popular suburb of Dakar, workers on the construction site of a futuristic tower, without pay for months, decide to leave the country by the ocean for a better future. Among them is Suleiman, the lover of Ada, promised to another.

Director:

Mati Diop

Writers:

Mati Diop (screenplay by), Olivier Demangel (screenplay by)

Fleeing across the sea from Africa as refugees to Spain.  Things are hard for the young as director Diop tackles current problems like unemployment, abuse of local workers (unpaid wages by the exploiting rich) and arranged marriages.  The protagonist is a young girl who is in love with a local but forced to marry a rich man she does not love.  

Trouble is that the one she loves takes off in a raft for Spain leaving her to her own devices.  Director Diop paints a bleak bleak future for everyone.  The addition of the supernatural – the dead of the exploited workers that return from their graves does not really work into the story.  

Neither does the sick cop who threatens the young bride for burning her groom’s bed on the wedding night.  But the film came away wit a Grand Prix Winner at Cannes.

Clip: https://www.youtube.com/watch?v=SZuaXBQqFC4

2019 TIFF Movie Review: LES MISERABLES (France 2019) ***** Top 10

Les Misérables Poster
Trailer

Television adaptation of Victor Hugo’s classic novel, which follows Jean Valjean as he evades capture by the unyielding Inspector Javert. Set against a backdrop of post-Napoleonic France as unrest begins to grip the city of Paris once more.

A most arousing contemporary film set in today’s troubled world with a bonus message to boot.  What begins with the celebration of France’s World Cup eventually turns sour with the theft of a lion cub (that is the cutest and the real LION KING) from an East European circus by an African kid.  

Three Paris cops, a black, a white racist and a rookie attempt to calm the racial tensions in the Muslim neighbourhood where the thief resides.

  When the kid is flashed shot in the face, a riot on police brutality erupts.  Director Ly exhibits brilliant writing (he co-wrote the script) and excellent camera word while steering superlative performances from all his actors.  His totally gripping film will undoubtedly keep one on the edge of one seat right to be very end where surprises and twists in the plot abound. 

A truly remarkable feat in definitely my personal favourite film of the festival.  And wait for the Victor Hugo quote from LES MISERABLES at the film’s end to conclude the events.

Trailer: https://www.youtube.com/watch?v=z5u-HKciyhM

Film Review: IT CHAPTER 2 (USA 2019) ***

It Chapter Two Poster
Trailer

Twenty-seven years after their first encounter with the terrifying Pennywise, the Losers Club have grown up and moved away, until a devastating phone call brings them back.

Director:

Andy Muschietti

Writers:

Gary Dauberman (screenplay by), Stephen King (based on the novel by)

It takes close to 3 hours for 7 adult-children to take down the killer clown Pennywise.  

If you can stomach that together with more gore, loud noise and other excessiveness, then IT CHAPTER 2 might be a treat.  Director Andy Muschietti who helmed the first IT returns tothe director’s chair providing more of the formula that works in the original movie.  

(Reviewer’s note: I sat next to a lady that kept texting throughout the film, which was so annoying that I had to say something.  Worse of all, she was a Warner Bros. publicity employee, which made matters worse.  This is something that is way beyond my understanding why she, of all people would be doing the no-no! This might be a reason I had little tolerance for annoyance in the film).

The film opens with the 8 original children played by Jaeden Martell, Sophia Lillis, Finn Wolfhard, Chosen Jacobs, Jeremy Ray Taylor, Jack Dylan Grazer, and Wyatt Oleff as the younger Losers reprising their roles.  They had left the town of Derry after destroying the evil of Pennyswise but they swear to come back to the town if the evil re-appears.

The evil re-appears.  This is right after a brutal gay bashing (one of the victims is played by Quebec gay director Xavier Dolan).  This segment is the most horrific of all the horror segments put together and makes a  good clear the message regarding the gay cause.  But the segment is unclear as to the story’s significance.  Did the deed bring back the evil or the evil bring about the bashing?

The film moves forward to the year 2016, 27 years after the events depicted in the first film.  Pennywise the Dancing Clown (Bill Skarsgard) returns to create havoc in the town.  The film traces each of the children (now grown ups), leaving their current place of dwelling to return to their childhood town to take down Pennywise.  Each grown up still behave like children.  They hilariously meet at a Chinese restaurant where their fortune cookies turn into little monstrous creatures.  The adults are portrayed by a competent cast comprising James McAvoy, Jessica Chastain, Bill Hader, Isaiah Mustafa, Jay Ryan, James Ransone, and Andy Bean.

At its worst, the script by Gary Dauberman contains inane dialogue which makes no sense like: “We are what we forget…”.  with lots of opportunities for car crashes and puke jokes (the Bill Hader character pukes no less than three times in the film).  The film has impressive horror set-pieces such as: the creatures from the fortune cookies; the attacking spider with the human head;  the monster corpse having from the railings and more but often than not, these are not really connected to the story.  If one is a huge fan of horror or if one consumes a bit of weed before or during the show, it does not matter and the film should be a delicious delight.

IT CHAPTER 2 is the only new big Hollywood film opening these few weeks usually a slow time while the Toronto International Film takes place.  With little competition and a huge fan base, IT CHAPTER 2 should scare up a hefty sum at the box-office.

Trailer: https://www.youtube.com/watch?v=xhJ5P7Up3jA

2019 TIFF Film Review: THE MONEYCHANGER

The Moneychanger Poster
Trailer

THE MONEYCHANGER, based on the novel of the same name by Juan Enrique Gruber begins with a scene of Jesus in Biblical times overturning the tables of the moneychangers at the market place with the voiceover underscoring the evil of men be derived from the deed of moneychangers.  

The film setting is 1970s Uruguay (beautifully shot) centred on Humberto Brause (Daniel Hendler), who furiously throws himself into the buying and selling of currency, a rapacious endeavour supported by his father-in-law, a veteran in the business of capital flight.  He learns and become expert at this business, controlling everything except his unflappable, tough-as-nails wife, Gudrun (Dolores Fonzi). 

 Trouble arrives when he launders the largest sum of money he has ever seen.  Director Veiroj tells his tale in a deadpan style emphasizing each incident with increasing oddness.   At the end of it all, Brause questions his wife if she loves him when she offers a reply that is equally deadpan.  An intriguing and gripping tale.

Trailer: https://www.youtube.com/watch?v=pN0uTlynHYI

2019 TIFF Film Review: 37 SECONDS (USA/Japan 2019)

37 Seconds Poster
Trailer

Yuma is a young Japanese woman who suffers from cerebral palsy. Torn between her obligations towards her family and her dream to become a manga artist, she struggles to lead a self-determined life.

Director:

Hikari

Writer:

Hikari

37 SECONDS without breathing at birth has caused the now 23 year old Yuma (Mei Kayama) to have developed cerebral palsy.  Now, the physically restricted 23-year-old, wheelchair bound Yuma is over-pampered by her mother (Misuzu Kanno) while working drawing manga for Sayaka (Minori Hagiwara), who passes Yuma’s work as her own. 

 Director Hikaru traces the steps taken by Yuma, with the help of an assortment of friends in the sex industry, gain her independence from her mother and work while discovering sex and other pleasures (like getting pissed).  Yuma also discovers through her uncle that she has a missing twin sister teaching in Thailand.  

Director Hikaru’s film on harsh reality is given the fantasy treatment while blending manga and pop which just does not work.  The audience is to believe that this wheelchair bound girl can fly to Thailand on a whim to meet up with her twin sister with her Japanese friend who suddenly is able to speak Thai.

Trailer: https://www.youtube.com/watch?v=-jyOHL_zgu4

2019 TIFF Film Review: INCITEMENT (Israel 2019) ***1/2

Incitement Poster
Details the year leading to the assassination of Israel’s Prime Minister, Yitzhak Rabin (1922-1995), from the point of view of the assassin.

Director:

Yaron Zilberman

INCITEMENT is a rigorous psychological thriller by American-Israeli director Yaron Zilberman that leads up to the 1995 assassination of Israeli Prime Minister Yitzhak Rabin through the worldview of his assassin, Yigal Amir (Yehuda Nahari Halevi).  Yigal is an ultranationalist, right-wing Zionist who opposed the leader’s signing of the Oslo Accords.  Zilberman includes lots of newsreel footage to add authenticity to the story.   

Rabin’s murder is held to be a definitive — and infamous — moment in the struggling peace process with Palestinians and also in Israel’s charged history.   The film is entitled INCITEMENT because the film concentrates on Yigal’s motivations (arising from family, friends and protestors) that led to Rabin’s death.  Unlike other films about assassins like THE DAY OF THE JACKAL, INCITEMENT is based on true facts. 

 Director Zilberman has crafted a truly disturbing and chilling period piece while emphasizing the fact that there is no easy solution to the Israel/Palestinian conflict.

Trailer: https://www.filmaffinity.com/es/evideos.php?movie_id=543486

Film Review: BRITTANY RUNS A MARATHON (USA 2019) ***

Brittany Runs a Marathon Poster
Trailer

A woman living in New York takes control of her life- one block at a time.

The easy going sounding title captures the easy going spirit of the new inspirational comedy BRITTANY RUNS A MARATHON where he protagonist Brittany does run a marathon.

The film has a cliched plot – a sort of romantic comedy type in which through an overweight is shown that beauty is not alway on the outside and that she can win romance while getting the message across.  The plot comes complete with the typical best gay friend.  The good thing about it is that director Colazzo still manages to steer his movie out of these cliched traps into something unexpected while still squeezing some surprise while at it.  This is what make BRITTANY RUNS A MARATHON stand out and end up so entertaining.

The story concerns Brittany Forgler (Jamie Bell), a hilarious, friendly, hot mess of a New Yorker who always knows how to have a good time,.  A 27, her late-night adventures and early-morning walks-of-shame are starting to catch up to her. When she stops by a Yelp-recommended doctor’s office in an attempt to score some Adderall (the film contains drug use), she finds herself slapped with a prescription she never wanted.  Forced to face reality for the first time in a long time, Brittany laces up her Converse and runs one sweaty block. The next day, she runs two. Soon she runs a mile. Brittany finally has direction–but is she on the right path?

The film would not work if it had not been for its lead actress Jamie Bell who plays Brittany.  Besides charmin her audience, she is totally believable in her role.  The actress reportedly lost 40 pounds as the film progressed and it shows on screen.  She manages to hook up with two extremely hot guys as well, particularly her short-term one that she dumps out of insecurity.  

The film also demonstrates the work both physically and emotionally that goes into the preparation of running a marathon.  And running well as well as completing the marathon are two different things.  Brittany is shown almost to give it up as she endures physical deterioration due to exhaustion. 

The film also pokes fun at social mores of the city be it NYC or any other city.   When told of the fees of joining a gym, she correctly states that one can run outside for free instead of paying to run inside on a track.  She finally joins a gym in the end, though, which is what most city dwellers do after running outside for a time – myself included.

As Brittany’s physical appearance changes, so does the emotional.  The script shows two emotional outbursts – one good one bad.  The bad one has her lash out at an overweight friend at a party to the shock of all those around her.  She is totally wrong but the script lets her go off easy.  The other has her, deservedly telling off her Asian roommate, for treating her as a convenient fat best friend.

For those unconfident of their body weight, BRITTANY RUNS A MARATHON offers a reality check as well a the necessary dose of inspiration that goes with it.  Having a few laughs while watching the film is an additional bonus.

Trailer: https://www.youtube.com/watch?v=Ks_HSj1UqKI