Film Review: MARY QUEEN OF SCOTS (USA/UK 2018) ***1/2

Mary Queen of Scots Poster

Mary Stuart’s attempt to overthrow her cousin Elizabeth I, Queen of England, finds her condemned to years of imprisonment before facing execution.


Josie Rourke


Beau Willimon (screenplay by), John Guy (based on the book “Queen of Scots: The True Life of Mary Stuart” by)

MARY QUEEN OF SCOTS is yet another historical drama made on Queen Mary this time around, updated with strong feminine content and with more openness regarding sexual orientation.  The film is directed by Josie Rourke and adapted by Beau Willimon based on John Guy’s biography My Heart Is My Own: The Life of Mary Queen of Scots.

The centre of the story is the 1569 conflict between their two countries and the two queens Mary (Saorise Ronan) and Elizabeth of England (Margot Robbie).

Both ladies Ronan and Robbie deliver outstanding Oscar worthy performances that keep the film an intense drama.  Ronan has matured from playing teen characters as in ATONEMENT,  LADY BIRD, BROOKLYN and HANNAH.  Her Irish accent still comes across in her dialogue causing a slight distraction.  Their confrontation scene is the highlight of the movie, though it was believed the two never met in person.  The excuse: “No one must know that we have met together,” as on queen says in confidence to another.

The film updates the feminist movement with Mary insisting that no male shall tell her or Elizabeth what to do.  Mary is always shown in control, especially over her often drunken husband, Lord Darnley (Jack Lowden).  The film also shows Mary not only a strong individual and queen but a determined and always correct one in her decisions.  It helps that the film is directed by a woman.

Though the film contains a few battle scenes, this is not an action picture.  In fact, it is a strong female film, but one of those rare films that can also be enjoyed by both sexes.  In one moving scene a humble male subject confesses that he would gladly lay down his life for his queen.  Mary replies that in heaven, all will be equal.  Action is substituted by high royal drama, as the too queens plan the future of their Kingdoms.  Queen Elizabeth is unable to bear children.  If Queen Mary bears a male boy, after married to an English protestant, her son will rule that will unite both Scotland and England.  But Mary is quick to point out that when they are both dead, it does not matter who rules.

The film is a handsome period piece that comes complete with stunning Scots landscape (cinematography by John Mathieson) and top royal costumes (especially the wardrobe of the two queens).  Elizabeth looks sufficiently nasty with her red hair as did Glenda Jackson when she played that part in the 70’s.

A brief history lesson at the end of the film explains a few facts that puts this story into historical perspective.  It is mentioned that Elizabeth was the daughter of King Henry VIII and Anne Boleyn (as popularized by Charles Jarrott’s film ANNE OF THE THOUSAND DAYS) who was beheaded for not bearing the King a male child.  The film also goes on to reveal that Richard, the son of Mary eventually ruled England and Scotland while Queen Elizabeth continued her rue for 14 years.

Christmas season often seems a better quality of films, and MARY QUEEN OF SCOTS, that has so far garnered positive reviews, marks a solid royal drama that I have not enjoyed since Anthony Harvey’s THE LION IN WINTER (the counterpart male royal drama).

It should be noted the film’s inaccuracies that will mislead audiences.  Historians insist that the two queens never met, were never cordial as friends and Mary never had a Scots but a French accent.


Film Review: TOMMY’S HONOUR (UK 2016) ***

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tommys_honour.jpgIn every generation, a torch passes from father to son. And that timeless dynamic is the beating heart of Tommy’s Honour – an intimate, powerfully moving tale of the real-life founders of the modern game of golf.

Director: Jason Connery
Writers: Pamela Marin, Kevin Cook
Stars: Ophelia Lovibond, Sam Neill, Jack Lowden

Review by Gilbert Seah
Where did golf originate? Not too many people know that the game originated from Scotland. TOMMY’S HONOUR celebrates both Scotland and golf, a film that is an eye-opener on golf as seen from the eyes of Tommy, a champion golfer with the humble beginnings of a
greens-keeper’s son/caddy.

TOMMY’S HONOUR is a 2016 historical drama, a proudly Scottish film depicting the lives and careers of, and the complex relationship between, the pioneering Scottish golfing champions Old Tom Morris and his son Young Tom Morris. The screenplay, written by Pamela Marin and Kevin Cook, is based on Cook’s 2007 book, Tommy’s Honour: The Story of Old Tom Morris and Young Tom Morris, Golf’s Founding Father and Son It is a well known book in golfing circles as it won the Herbert Warren Wind Book Award as the best golf book of 2007’ It was also one of the five books that Sports Illustrated selected as the “Books of the Year” in 2007. One can expect high hope for the film adaptation.

The period piece is set in St Andrews, Scotland in 1866. Tommy Morris (Jack Lowden) is presented as an avid golfer like his legendary and pioneering father, Tom Morris (veteran actor/director Peter Mullan). “Old Tom” is greens-keeper for The Royal and Ancient Golf Club of St Andrews, as well as the town’s club- and ball-maker. He is the two-time winner of the first major golf tournament, The Open Championship, which he founded in 1860. He also established golf’s standard of 18 holes per round. But Tommy is beginning to chafe at his father’s dictates, especially in the rapidly changing world they live in.

Father and son repeatedly clash over the unwritten rules of social class, and this culminates when Tommy marries his sweetheart Meg (Ophelia Lovibond), a woman of lower standing with a shameful secret in her past. But there is more in the story with a big father and son relationship makeup.

The film includes a few competitive golf tournaments. But TOMMY’S HONOUR is not specifically a sports film. It also serves as a biography of the Morris’s. The golf tournaments are well shot to capture the excitement of the game. The beauty of the Scottish landscape is also celebrated.

With Pamela Marin co-writing the script, the film contains a strong feminine perspective, despite golf being mostly a male sport. Meg who is shunned by the church for having a bastard child in the past is offered a second chance for happiness in the film. One of the film’s highlights is the mother/wife confrontation. Tommy’s resistance to the class structure is rendered more sympathetic with his true love for Meg.
The film has a good pace that builds dramatically towards its climax.

What initially seems like a commercial light comedy finally ends up tackling a few solid social issues.

The film ended up opening the 2016 Edinburgh International Film Festival on 15 June 2016 as well as winning Best Feature Film at the 2016 British Academy Scotland Awards.

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