One of the year’s most anticipated films, Quentin Tarantino’s 9th and latest film, ONCE UPON A TIME IN … HOLLYWOOD follows the misadventures of has-been star Rick Danton and his stunt double and best friend Cliff Booth set in 1969 Hollywood. The action takes place in three separate days on February the 8th and 9th and August the 8th, the night of the Charles Manson murders.
To reveal more of the plot would spoil ones entertainment of the film.
Tarantino is so much loved by cineastes that he can get away with murder. ONCE UPON A TIME also contains minor racist humour, regarding Mexicans, Germans and Indians. “Don’t cry in front of the Mexicans” “Fresh sauerkraut” “The only good Indian is a dead Indian” are three such lines uttered in the film.
There are just so many impressive plusses in the film. Foremost are the performances from the two leads, Leonardo DiCaprio as the has-been Hollywood star Rick Danton and Brad Pitt as his stunt double Cliff Booth. DiCaprio exhibits the paranoia and childishness of a spoilt star while in perfect contrast Pitt plays the super-cool macho stuntman that supports Dalton but at the same time needs him for employment – a excellent irony of a relationship. Apparently Tarantino noticed the relationship between an actor and his stunt double and their support for each other and based his script from that keen observation. To make matters more interesting, their relationship unfolds in the background of the infamous Charles Manson murders which included the death of Roman Polanski’s wife, Sharon Tate. Or so it seems. Tarantino has played with History as in his best film INGLOURIOUS BASTERDS and he does the same (not to be detailed in this review as to reveal a spoiler) in this film.
The film contains lots of references to the late 60’s films (as the film is set in 1969) that those growing up during those times will find particularly nostalgic. Seen in posters in the film or heard announced on the radio are films like Jack Smight’s 1969 THE ILLUSTRATED MAN, Gordon Douglas’ Tony Rome 1968 LADY IN CEMENT, Richard Wilson’s 1968 3 IN THE ATTIC, Mike Sarne’s 1968 JOANNA, Phil Karlson’s Matt Helm flick the 1968 THE WRECKING CREW and Alexander Mackendrick’s 1967 DON’T MAKE WAVES the latter two films also starring Sharon Tate. These are not classics but the typical type of films common that help mold many a cineaste, me included. It is puzzling why Tarantino did not include the Roman Polanski’s 1967 film THE FEARLESS VAMPIRE KILLERS in the list. Fans are also in for a treat with a scene in THE WRECKING CREW where Sharon Tate takes down Nancy Kwan. If these films are not enough, Tarantino also creates fake films starring Rick Dalton and other stars at the time like Telly Savalas and Ann-Margaret.
Cliff Booth gets fired from a job on a Hollywood set. Tarantino shows the incident that led to the firing in the film’s best and funniest scene where Cliff Booth kicks Bice Lee’s (an excellent Mike Moh) ass in a fight on the set of THE GREEN HORNET.
This film, Tarantino’s 9th and reportedly his lasting clearly displays the director’s indulgence in his passion for film within a certain period. There is nothing wrong with this. Though a little overlong, there are details that can be observed (especially in the background) and tons of references. No Tarantino film has failed to surprise and this film is no exception. And with so much detail, ONCE UPON A TIME IN … HOLLYWOOD which premiered in Cannes to a 15-minute standing ovation deserves to be see a second time.