Indians are stubborn to have a boy. They abort the girls. Changing the natural order results in unbalances in the human ecology of things. There are insufficient girls to be married off and many males end up singles, unable to find a wife. Brides are often sold to willing males.
The insightful doc THE DAUGHTER TREE, filmed in India is an entertaining and absorbing examination of the problem. This is a totally new Canadian documentary written, produced and directed by Rama Rau, an epic documentary film, six years in the making, about the disappearance of women in India resulting in all-male populations in some villages. If there is a feminist themed movie, this is the one as it deals with the subject from the roots.
Females are just as important if not more important than their male counterparts. The film explores the aftermath of a cultural preference for baby boys sweeping through interior India, through the eyes of a fearless Warrior midwife called Neelam who counsels and advocates for baby girls, while a lone man in the Village of Men – so called because no girl has been born here the past three decades – goes on a quest to find a wife.
The film is also beautifully shot by D.P. Nagaraj Diwakar. India never looks so stunning, especially not in a documentary.