Directed by Theodore Melfi
Writers: Allison Schroeder (screenplay), Theodore Melfi (screenplay)
Stars: Taraji P. Henson, Octavia Spencer, Janelle Monáe, Kirsten Dunst, Kevin Costner, Jim Parsons
Review by Gilbert Seah
HIDDEN FIGURES is given a limited theatre release at Christmas to qualify for the Oscar nominations. Obviously, 20th Century Fox hopes the film will strike it big at the Academy Awards.
Movies cover the hot topic of racial tensions in a number of ways. There is the angry rile up the emotions LOVING, THE BIRTH OF A NATION or the quieter FENCES(also opening during Christmas) where racial problem are irked out by hard-working law abiding citizens in the long run. In HIDDEN FIGURES, racial tension is covered in a whole different light – in a feel good crowd pleasing movie.
As the film proudly annoys at the start with the titles on screen “Based on true events”, HIDDEN FIGURES tells the true, little-known story of three brilliant African-American women who worked at NASA in the 1950s and ’60s and played a major role in sending astronaut John Glenn into orbit. Dorothy Vaughn (Octavia Spencer), Mary Jackson (Janelle Monáe), and Katherine Johnson (Taraji P. Henson) worked as engineers and “human computers” to push the limits of mathematics — as well as the limits of race and gender in the scientific community. Expect a little bit of romance and a look at the racial tensions of the Civil Rights era in this drama that promises to provide some great, real-life role models for girls and people of colour in STEM fields.
There are a lot of silliness in HIDDEN FIGURES. The most obvious of which is the dialogue penned for astronaut John Glenn (he passed away this month) who is the first American shot into Earth’s orbit. When told of the entry velocity of the spaceship into Earth’s gravitational pull, he remarks: “That’s one hell of a speeding ticket.” When informed where the craft will land, he says: “I always wanted to swim in the Bahamas.” If these were actual words Glen spoke, he must have been quite a clownish goon. The lyrics of the films’ songs (apaprently penned by artists like Pharrell Williams) like: “No more running…” and “Look what you done to me…” which underline the events happening in the film are not only unnecessary but yes, silly to the point of laughter.
Performance-wsie, the three female leads can do o harm. It is also refreshing (and funny) to see supporting actor Jim Parsons (from TV’s THE BIG BANG THOERY) in a thoroughly straight role as an antagonist or the only female in his department. Kevin Costner as the boss adds a certain dignity, welcome in the film.
HIDDEN FIGURES could have turned up a really excellent film instead of this mediocrity written down for audiences to feel good during the Christmas season. It is a question that the director and scriptwriter not having enough faith on the source material that it would work on its own without pumping in additional over-sweeteners.
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