TIFF movie review

TIFF 2016 Movie Review: DIVINES (France/Qatar 2016) ****

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

divines_poster.jpgDIVINES (France/Qatar 2016) ****
Directed by Houda Benyamina

Starring: Oulaya Amamra, Déborah Lukumuena, Kevin Mishel

Review by Gilbert Seah

DIVINES is the much acclaimed surprise film at this year’s Cannes and the winner of the grand Camera d’Or Prize, the first to be won by an Arab director.

Houda Benyamina’s debut feature follows the hard lives of two young women who become embroiled in the criminal world of the Parisian neighbourhoods. Teenager Dounia (Oulaya Amamra) dreams of having it all: money, power, and a man. But she is saddled with a drunken and whorish mother.

At school, she freaks out and walks out of her well-intentioned teacher, swearing that she will make more money than her teacher will ever dream of. That she does with her friend, Maimouna (Déborah Lukumuena) by dealing drugs but not without dire consequences.

DIVINES is also a coming-of-age story and a very violent and hard look at the alternatives out there and there are not that many. Benyamina’s no-nonsense film is highly spirited and also full of music and dance with a little lost romance.

Trailer: https://www.youtube.com/watch?v=6_Zp_FM9Yug

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TIFF 2016 Movie Review: L’AVENIR (THINGS TO COME) (France/Germany 2016) ****

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

things_to_come_poster.jpgL’AVENIR (THINGS TO COME) (France/Germany 2016) ****
Directed by Mia Hansen-Løve

Starring: Isabelle Huppert, André Marcon, Roman Kolinka

Review by Gilbert Seah

Director Hansen-Løve’s (LA PERE DE MES ENFANTS, UN AMOUR DE JEUNESSE, EDEN) latest feature is again a film about life and living. Like in the other 3 films mentioned, her protagonist undergoes a major change in life in the midst of the movie.

Nathalie (another excellent performance by Isabelle Huppert) is a dedicated and demanding teacher, wife, and mother whose life is jolted when her husband of many years leaves her for another woman. As her life slowly crumbles (she loses her publications as well), Nathalie slowly adapts using her background in philosophy.

Nathalie is not as assured and confident as she is in the past. Her black, obsess cat, Pandora stands also as a metaphor for her life. But Nathalie, at least finds an unlikely friend in a former student, the radical young communist Fabien (Roman Kolinka).

The film is also beautifully shot in Normandy in a beautiful vacation house where the tides waters of the sea come into the backyard (my personal dream home). The musical score ranging from classical (Schubert) to folk (Woody Guthrie) is marvellous.

There are lots more to relate, reference and to enjoy in Hansen-Løve’s film such as a short clip seen of her husband Olivier Assaya’s film in one scene. As in all of Hansen-Løve’s films, L’AVENIR is an intelligent, handsomely mounted production that is an entertaining and insightful look on life and living.

Trailer: https://www.youtube.com/watch?v=UhErAqJ8HGE

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TIFF 2016 Movie Review: INTERCHANGE (Malaysia/Indonesia 2016) ***

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

interchange_poster.jpgINTERCHANGE (Malaysia/Indonesia 2016) ***
Directed by Dain Iskandar Said

Starring: Prisia Nasution, Iedil Putra, Shaheizy Sam

Review by Gilbert Seah

Writer/director Dain Iskandar Said’s ambitious supernatural crime thriller takes a bit too much than it can chew though it is beautifully shot with a good mix of old-fashioned special effects and magic for good measure.

Shot in both English and Malay with the characters often switching languages within a conversation as is in the case the way Malaysians speak, the film offers a close look at the local customs and folklore as well as the shops and housings in and around Kuala Lumpur, the capital of Malaysia. The supernatural is taken back to Borneo the huge Malaysian island where much is still uninhabited.

The film deals with a forensic photographer Adam (Iedil Putra) who has become a recluse. But another murder with eerie resemblances to that one has just taken place, and Detective Man (Shaheizy Sam) thinks that Adam may unwittingly have access to some answers. Photographs were found at the new crime scene, images in which Adam’s neighbour, Iva (Prisia Nasution), appears — but the pictures seem to have been taken many years before Iva was even born. There is a romance tied in with the rituals.

INTERCHANGE is a bit confusing in the way the story unfolds, and the tie in between bird and longevity is not that credible, but Said tries very hard in his movie and his effort shows.

Trailer: https://www.youtube.com/watch?v=oJ81AnCPqJM

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TIFF 2016 Movie Review: GAZA SURF CLUB (Germany 2016) ***

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

gaza_surf_club_poster.jpgGAZA SURF CLUB (Germany 2016) ***
Directed by Philip Gnadt and Mickey Yamine

Writers: Michael Dupke, Philip Gnadt

Review by Gilbert Seah

The film begins with the map showing the Gaza Strip between Israel and Egypt bordered by the Mediterranean Sea and then goes on to show a beach with waves that is surrounded by dilapidated buildings.

It is clear that the Jewish Arab conflict, a staple in Israeli and Palestinian films is an issue affecting the characters in this documentary as well. The main characters here are the youth who have a passion for the sport of surfing – something that is unimagined for the Arab people.

Two youngsters that the film concentrate on are 23-year old Ibrahim and 15-year old Sabah. Ibrahim dreams of owning his own surfboard shop while Sabah dreams of being able to swim and surf – something girls are not allowed to do, as it is deemed shameful in the culture.

The documentary sails along smoothly revealing the troubles facing the youth in materializing their goals for surfing. The cinematography of the surfing scenes is magnificent.

Trailer: https://www.youtube.com/watch?v=qonly9By1aQ

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TIFF 2016 Movie Review: MOONLIGHT (USA 2016) ***

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

moonlight_poster.jpg
MOONLIGHT (USA 2016) ***
Directed by Barry Jenkins

Starring: Mahershala Ali, Shariff Earp, Duan’Sandy’ Sanderson

Review by Gilbert Seah

MOONLIGHT is Barry Jenkins’ second feature after MEDICINE FOR MELANCHOLY. It is s very strange feature, very originally told (in three parts; each part titled by each of the three names the protagonist is given) of the life of Little or Chiron or Black from childhood to adulthood.

His real name is Chiron, but is called Little in school due to his small stature. Little is ‘adopted’ by a local thug and his girlfriend when he is not living with his drug addicted mother. Bullied and beaten up frequently,

Little cannot take it anymore and is arrested after he finally breaks a chair over his bully right in the middle of a class. He grows up to be a big muscled guy and meets back with his school buddy who gave him the nickname of Black. Kevin and Black had a gay sex encounter which Black can never forget. Jenkins’ film feels like it is all over the place though it is obvious he is leading his audience somewhere.

Though slow moving at times, Jenkins film is never boring and a compelling watch for start to end when the audience finally figures out the purpose of MOONLIGHT.

Trailer: https://www.youtube.com/watch?v=5fYFIj16YC0

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TIFF 2016 Movie Review: LONG EXCUSES (Japan 2016)

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

long_excuses_poster.jpgLONG EXCUSES (Japan 2016) **
Directed by Miwa Nishikawa

Starring: Sôsuke Ikematsu, Masahiro Motoki, Eri Fukatsu

Review by Gilbert Seah

Based on her own novel, Miwa Nishikawa’s (DREAMS FOR SALE) film begins with the death of wife Natsuko (Eri Fukatsu). Husband Sachio Kinugasa (Masahiro Motoki) was having sex with another woman at the same exact time of the wife’s drowning and is therefore consumed with guilt.

THE LONG EXCUSE traces the life of Sachio after the death and how he copes with it. While never being a father, he bonds with the children of Yoichi (Pistol Takehara), whose wife died with Miwa.

Running at over two hours, Nishikawa’s film is a ponderous watch especially watching both Sachio’s and Yoichi’s grief. Except for a few dramatic scenes (the dinner scene when Sachio explains why he does not have children), the film is quite bland. It does to help that Nishikawa’s female characters are all superior to the men.

Sachio is an emotional mess and Yoichi is a rather dumb, uneducated father while Sachio’s wife is patient and understanding and Yoichi’s new girlfriend is thoughtful and smart. Do we really need to spend two hours watching to men grief their wives’ death?

Trailer: https://www.youtube.com/watch?v=1w5oUgQhMag

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TIFF 2016 Movie Review: WE ARE NEVER ALONE (Czech/France 2016) ***1/2

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

we_are_never_alone_poster.jpgWE ARE NEVER ALONE (Czech/France 2016) ***1/2
Directed by Petr Vaclav

Starring: Klaudia Dudová, Zdenek Godla, Miroslav Hanus

Review by Gilbert Seah

Director Vaclav says of his film, “No one is ever alone – we are always connected. We all live with others: some we dominate, some dominate us. The weaker submit to the stronger, the imitators to the originators, lovers to their beloved.

All this is true and revealed in his film WE ARE NEVER ALONE. In a small town in the Czech provinces, there exist these characters: a paranoid prison guard, his hypochondriac neighbour and his wife who holds a shocking secret, their hardened children, a lovesick nightclub manager, and a stripper who is a single mother. Like a domino effect, each person’s actions unknowingly trigger consequences for them all.

The trouble is that these are all very depressing people who are always shouting at each other and condemning themselves. Do we need to watch this? We don’t but Vaclav’s film (which moves from black and white to colour back to black and white for no apparent reason) is somehow quite absorbing and his film turns out quite a surprising watch. This is quite an achievement for the director.

WE ARE NEVER ALONE world premiered at the 2016 Berlinale, where it won the Tagesspiegel Readers’ Jury Award.

Trailer: https://www.youtube.com/watch?v=tqOrol4jYls

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TIFF 2016 Movie Review: THE SALESMAN (Iran/France 2016) ***

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

the_salesman_poster.jpgTHE SALESMAN (Iran/France 2016) ***
Directed by Asghar Farhadi

Starring: Shahab Hosseini, Taraneh Alidoosti, Babak Karimi

Review by Gilbert Seah

Can Asghar Farhadi ever make a bad movie? His first UNE SEPARATION won the Oscar for Best Foreign film and his latest THE SALESMAN won the Best Screenplay and Best Actor prizes at Cannes this year.

The title comes from the Arthur Miller play DEATH OF A SALESMAN that the protagonist, a high-school teacher is putting up. His wife has just been assaulted in the shower by a stranger and the husband wants revenge. Obviously there is a parallel between the characters in the Miller play and the film.

Director Farhadi always injects a dose of suspense in his films, Hitchcock style no matter what the premise of the film is. Like a Hitchcock film, the climax reveals all, and is unexpected. But the prize performance belongs to Babak Karimi who plays the assaulter.

Lots of detective work done by the husband to discover the assaulter which should delight Hitchcock fans. But the film contains a few too many unrelated incidents that could have been left out- like the evacuation of the building at the film’s start.
Trailer: https://www.youtube.com/watch?v=_VcfinMasfw

 

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TIFF 2016 Movie Review: IN THE BLOOD (I BLODET )(Denmark 2016) ***

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

i_blodet_poster.jpgIN THE BLOOD (I BLODET )(Denmark 2016) ***
Directed by Rasmus Heisterberg

Starring: Mads Reuther, Victoria Carmen Sonne, Esben Dalgaard Andersen

Review by Gilbert Seah

Danish writer (THE GIRL WITH THE DRAGON TATTOO, A ROYAL AFFAIR) Rasmus Heisterberg’s directorial debut centres on a brilliant medical student and difficult human being, Simon (Kristoffer Bech). Simon’s goal is working on a study project in the Amazon with his best friend Knud (Elliott Crosset Hove), after passing the exams. Trouble is that Simon is quite unstable emotionally.

While he is straight, he has a strange jealousy of Knud, especially of his girlfriend, Mia (Lea Gregersen). Director Heisterberg captures the campus environment well and injects a superb trance soundtrack that can be heard whenever the boys go partying. And

the boys party hard. The film is unpredictable and though the film is not exceptional, the angst and problems of Simon are deeply felt. The film, a study on the compulsive behaviour of Simon and its consequences succeeds.

Trailer: https://www.youtube.com/watch?v=FEm3uco4K3s

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TIFF 2016 Movie Review: BEAUTIES OF THE NIGHT (BELLAS DE NOCHE) (Mexico 2016)

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Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

beauties_of_the_night_poster.jpg
BEAUTIES OF THE NIGHT (BELLAS DE NOCHE) (Mexico 2016) **
Directed by María José Cuevas

Starring: Rossy Mendoza, Lyn May, Olga Breeskin

Review by Gilbert Seah

Director Cuevas’ documentary on Mexican showgirls (the women who found notoriety by showing a little skin in movies and on TV) follows a few of them, now past their prime, talking about their past glories and present lives. There is nothing special about this documentary in terms of message, research done on the subject or insight on the showbiz industry. It appears that director Cuevas is just as guilty of exploiting these poor girls to make his documentary.

The film is also at most times all over the place. For example, Seux talks about her life crumbling like the 1985 Mexican earthquake, and Cuevas provides a still of the earthquake. There is also a bit about Princess Yemel imprisoned for two years.

She talks about the horrible treatment there – enough to make any decent person feel uneasy. There are a few moments of interest – as the showgirls’ lives are not all dull (with the exception of the born-again Christianity portion) – Cuevas’ documentary is quite ordinary – like his showgirls, all of whom are nothing more than normal people given the chance of the limelight.

Trailer: https://vimeo.com/161997817

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