Movie Review: LOREN THE ROBOT BUTLER: TEACH ME HOW TO DOUGIE! (2016)

festival posterLOREN THE ROBOT BUTLER: TEACH ME HOW TO DOUGIE!

Seen at the July 2016 Under 5min. FEEDBACK Film Festival in Toronto.

Directed by Paul McGinnis

Loren, a proper British robot and formally the head butler for a very wealthy family, has been replaced with a Roomba and stored in the basement. Now the kids program him to teach them stuff.

Movie Review by Kierston Drier

Light, bright and whimsical, Loren The Robot Butler, written, directed and creatively lead by  Paul McGinnis, entices the inner child of us all. The film’s premise is established in just a few quick moments, and with the help of a charming opening tune, explaining that an outdated robotic butler sits unused in a family’s basement, and spends his retired life teaching children. Perpetually upbeat and sporting the quintessential British Accent, our friendly butler protagonist speaks directly to the audience as though they are the very children of the household where he is kept. At the children’s request, he takes on the mission to teach them how to “Dougie”, from the well known 80’s rapper Doug E. Fresh.

The humor comes easily on several level- most liminally, from the contrast of a British robot butler, attempting to recreate hip-hop music. The upper-crust British sound and robotic movement parodying the relaxed sway of the music beat and hip-hop/rap dialect. Further, there is humor in the form of breaking of the fourth wall with the audience, and from the shock that our robot friend not only executes the dance- but does so exceptionally well!

This piece is a delightful romp through the whimsical world of song and dance as seen through the eyes of a child, but there is a level deeper. It does speak to the element of old technology trying to keep up with the new, modern and current.

The most astonishing, staggering and interesting part of Loren The Robot Butler, however, is not it’s comedy or its use of social commentary. It is it’s artistry. At first glance, this piece could be mistaken as a completely CGI 3D animation. In reality, the entire piece is performed by three puppeteers, manning the upper bottle and each leg independently. The amazing truth is, this exceptionally complicated dance move is performed in perfect execution by highly trained professionals  (Lead by McGinnis) manning one doll behind a green screen, resulting in seamless and flawless dance that passes as computer generated. This is a feat of puppeteer mastery and specialized skill rarely seen in Cinema since Dark Crystal, (Let’s not talk about Team America) and at the very least should be applauded.

Whether Lorne The Robot Butler  is a proof of concept for a delightful children’s TV show, or a demo reel for some exceptional puppeteers, it is regardless a lovely, light comedy sure to entertain.

Watch the Audience FEEDBACK Video of the short film:

Deadline Aug. 25th – FIRST SCENE SCREENPLAY CONTEST

WILDsound Festival's avatarWILDsound Festival

Deadline August 25th. Submit and get your first 10 pages performed!

Watch over 60 1st Scene Screenplay Festival Winners:

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants.

Are you just starting off your screenplay and want immediate feedback on your first scenes/first moments of your script?

Send your first scene (or first moments – 10pg. limit) and get feedback. Winners (at least 40 a year) get their first scene read at the MONTHLY WILDsound Screenplay Festival (see video on right for example of what you’ll get when you win).

Great way to promote your script!

Submissions take 3-5 weeks for evaluation. Looking for screenplays


Why this is the #1 Screenplay Festival and Contest in the World today!

– 0ffers screenwriters at all levels the fantastic opportunity to hear their scripts read aloud using TOP PROFESSIONAL ACTORS and showcased online for 1000s to…

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Deadline Aug. 25th – ACTION/ADVENTURE Screenplay Festival (Save $15)

WILDsound Festival's avatarWILDsound Festival

A FilmFreeway preferred festival:

ACTION/ADVENTURE Screenplay Festival (Feature, Short, TV Pilot)

(Scroll down and watch winning performance videos)

Get your screenplay performed by professional actors at the Action/Adventure Festival.

The Fastest Growing ACTION/ADVENTURE Festival and Contest in the World today!

– 0ffers screenwriters at all levels the fantastic opportunity to hear their stories read aloud using TOP PROFESSIONAL ACTORS (see below for recent performance readings).

– No matter what happens, you will receive full feedback on your work by our established committee. No other place in the world will you get coverage for the price you pay.

– Even if you’re just looking for feedback of your work, this is the festival for you.

– It’s there for all to see. The proof is in the viewership. These videos garner 1000s of views online. Some of the screenplay readings are more popular than actual studio films made!

– We specialize in…

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Deadline Aug. 25th – Action/Adventure Novel Festival

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Garner FULL FEEDBACK on your action/adventure novel by our committee of industry professionals. Get a transcript of your novel performed by professional actors at the Action/Adventure Festival.

Next Deadline August 25th

Action/Adventure Novel Readings in 2015:
10 – Novels/Stories Performed (winner every month)

WATCH Winning Action/Adventure Story Readings:

The #1 Action/Adventure Festival and Contest in the World today!

– Offers novelists and storytellers at all levels the fantastic opportunity to hear their stories read aloud using TOP PROFESSIONAL ACTORS (see below for recent performance readings).

– One of the best places in the world for the writers to add sales to their self-published novel and/or obtain and agent.

– No matter what happens, you will receive full feedback on your work by our established committee. No other place in the world will you get coverage for the price you pay.

– Even if you’re just looking for feedback of your work, this is…

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Deadline Aug. 25th – Animation Screenplay Festival

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Festival Deal – SAVE $10 off the regular submission.

Due Date August 25th:

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants. Get your entire script performed at the writing festival. SUBMIT your FEATURE, TV or SHORT SCREENPLAY.

Submissions take 3-5 weeks for evaluation. Looking for screenplays from all over the world.

Watch Recent Screenplay Winners (at least 1 winner every month)

The RULES are simple:

1. Write a script that is made for animation. Edit the heck out of it. We accept features and shorts of any genre.

2. Email your script to animation@feedbackanimationfestival.com in .pdf, .doc, .wpd, .rtf, or .fdr format.

In the body in the email please add your:

– FULL NAME

– CITY AND COUNTRY

– TITLE OF SCRIPT

– TYPE OF SCRIPT (feature, TV, short)

– (optional) and a 1-2 line synopsis of your screenplay.

OR if you…

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Deadline Aug. 25th – Comedy Screenplay Festival (Save $15)

WILDsound Festival's avatarWILDsound Festival

A FilmFreeway preferred festival:

COMEDY Writings and Films showcased in 2015:
28 – Screenplays Performed
8 – Novels/Stories Performed
22 – Films Showcased at Festival
(Scroll down and watch winning performance videos)

Get your script and story performed by professional actors at the Comedy Festival. Get your Short Film showcased at the FEEDBACK Film Festival and get a audience video.

The #1 Comedy Festival and Contest in the World today!

– 0ffers screenwriters, novelists and storytellers at all levels the fantastic opportunity to hear their stories read aloud using TOP PROFESSIONAL ACTORS (see below for recent performance readings).

– Offers filmmakers to get their works showcased at the FEEDBACK Film Festival. Then the filmmaker will receive and audience reaction video on their film (see below for recent film festival videos)

– One of the best places in the world for the writers to sell their script and/or obtain and agent.

– No matter…

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Deadline Aug. 25th – Comedy 1pg. Screenplay or Short Story Contest

WILDsound Festival's avatarWILDsound Festival

Submit a screenplay or short story that is only 1 page long and have it performed at the Writing Festival by professional actors. Also garner FULL FEEDBACK on your work.

(NOTE: The screenplay submission must be properly formatted. The short story submission is a maximum of 400 words.)

Deadline Aug. 25th. Submit for only $10. Most of the stories will be accepted and performed. If there is a beginning/middle/end, and the grammar is sound, we will perform it.

A great way to get your words out there, obtain the Agent you’re looking for or just get your story seen by more people. If you win, your story will be seen by 100,000s of people when it’s read online using a top professional actor. It’s a rush you’ll never experience in your life seeing it come to life that way.

The RULES are simple:

1. Write a story that is 1pg…

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Tips on Negotiating when setting up a project

matthewtoffolo's avatarMatthew Toffolo's Summary

NEGOTIATING
FILMMAKING NOTES

How to Negotiate – Every aspect of producing involves negotiating, in one form or another. You always need to go in with the attitude that people already want to work with you.

12 MAJOR POINTS TO REMEMBER IN NEGOTIATIONS

1. PLAN WITH YOUR LIMITATIONS IN MIND

Know you limitations. In poker they call it knowing your hand and understanding what you really have. Be ready to respond to the unexpected reaction.

2. ESTABLISH RAPPORT

Have a relationship with the person you’re negotiating with. Know what they like and dislike. Find that common bond. There’s always one. Relationships are established by conversations and talking about things outside the project.

3. PITCH THE ELEMENTS

Paint a visual picture – describe the elements.Who is directing? Who wrote the screenplay? What’s the story? What’s the story behind the story? Why is the film getting made? Where will it be shot? What…

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Tips to write the best LOGLINES and SYNOPSIS for your story/screenplay

matthewtoffolo's avatarMatthew Toffolo's Summary

LOGLINES AND SYNOPSIS
FILMMAKING NOTES

The art of conveying both your story’s concept and theme, and tell the full arc of the story.

LOGLINES

Here is a template LOGLINE you can use – just fill in the blanks:

(TITLE) is a (GENRE) about a (DESCRIPTION OF HERO), who after (INCITING EVENT), wants to (OUTER GOAL) by (PLAN OF ACTION). This becomes increasingly difficult because (OBSTACLES AND COMPLICATIONS)

OR

(TITLE) is a (GENRE) about a (DESCRIPTION OF HERO) who must (OUTER GOAL) or else (DIRE THINGS WILL HAPPEN)

To pitch your screenplay effectively, you need to have a compelling and clear LOGLINE and SYNOPSIS. In order to write one, you must have a clear understanding of your script.

When writing your logline, try to answer these questions:

1) What is my concept? My main conflict and story?

2) What is my theme? What am I trying to say with this script?

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Interview with Festival Director Moosa Saleem (Access Code Short Film Festival)

access-code.jpgAfter amazing 8 editions, we are here again. It’s a festival where 200 movies are played, more than any of the festival in the world. Almost every film that enters the festival will be screened at the festival, no matter how many days the festival runs.

Interview with Festival Director Moosa Saleem:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Moosa Saleem: Access Code Short Film Festival has been very supportive to student and young filmmakers across the world.

MT: What would you expect to experience if you attend the festival this year (2016)?

MS: Very high quality shorts and indies. We also selected a lot of music videos by unknown bands.

MT: What are the qualifications for the selected films?

MS: We always prefer sound over images. An indie filmmaker spends a lot on camera, costumes and other props and hardly gives sound any importance. They forget that a film is 50% sound. A bad quality sound can ruin the whole film even if the visuals are amazing, but even if the video is bad or shaky, a good quality sound can cover up for it.

MT: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

MS: I explained it in the above question. A lot of indie filmmakers neglect a good quality sound setup. It’s not that expensive, to be honest. Most films get rejected by a lot of film festivals because of bad sound. Also, it’s impossible to screen every film out of the amount of entries we get after each passing edition.

MT: What motivates you and your team to do this festival?

MS: We love films, be it narrative, documentary, animation. It saddens me to see some amazing filmmakers going unnoticed in this competitive world. We are creating a platform for filmmakers who stayed restricted to YouTube and Vimeo to showcase their talent to the world. We even try to get them a TV distribution deal

MT: How has the festival changed since its inception?

MS: We started as a film festival for animation shorts and music videos. Now, we have amazing submissions from documentaries to webisodes.

MT: Where do you see the festival by 2020?

MS: We are planning to take this festival to other parts of the country by 2020.

MT: What film have you seen the most times in your life?

MS: The Intouchables from France and 3 Idiots from India.

MT: In one sentence, what makes a great film?

MS: A good screenplay, with some good acting talent.

MT: How is the film scene in your city?

MS: I am originally from Jammu and Kashmir and it’s a conflict zone and there is no such thing as film scene here but a lot of Bollywood films are shot here every year, including some of the Hollywood movies like The Fall and Hector And The Search Of Happiness, to name among the few. Three amazing movies came out of Kashmir few years back, Valley of Saints (it won the Sundance in 2012), Haider and Harud. ;

****

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go to http://www.wildsound.ca for more information and to submit your work to the festival.