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Director: Joseph Cedar
Writer: Joseph Cedar
Stars: Richard Gere, Lior Ashkenazi, Michael Sheen
Review by Gilbert Seah
Not to be confused with the other film NORMAN made in 2010, this new NORMAN comes with a long subtext in the title that essentially tells everyone what the film is about.
Written and directed by Joseph Cedar, NORMAN (film’s original title was OPPENHEIMER STRATEGIES) tells the moderate rise and tragic fall of the said man. The film is well shot and directed as a combination of set pieces are performed almost meticulously by veteran actor Richard Gere. At the age of 67, Gere could be almost be doing old fart movies like GOING IN STYLE. (Michael Caine, Morgan Freeman and Alan Arkin share the average age of 80), Here in NORMAN, Gere is in top form, articulating his character who still has the ability to charm and ‘cheat’ investors of their hard earned savings.
Cedar’s film begins with two dramatic set pieces that show Norman hard at work. In the first, he is unsuccessful while he succeeds in the second. In the first segment, he stalks a high-profile businessman interrupting his private life, while he is jogging in the morning to pitch his deal. In the second, he successfully courts a young politician, Nicha Eshel (Lior Ashkenazi) after paying for his shoes at a shoe store. (French actor Isaac Bankole is immediately recognizable as the shoe salesman who flatters Eshel.) Three years pass and Eshel becomes Prime Minister of Israel. Eshel’s name is used to no end by Norman in all his present and future schemes.
At the film’s start in one of Eshel’s speech, he says: “I do not look at the way things are and ask: Why? I look at the way things should be and ask, why not?” The same idea can be used to critique NORMAN. The film is fine but the question that should be asked is what the film should have been with the question why not.
For one, nothing is mentioned of Norman’s background. Norman is shown the way he is – no girlfriend, minimal family and a loner at heart and in life. It is hard to identify with a person like Norman and especially as he is a trickster at heart. Norman has few redeeming qualities. There is no suspense in the way he could have got caught which could have added some needed suspense into an otherwise monotonous film.
Gere is good and the film contains an impressive cast of actors that include French Bankole and Charlotte Gainsbourg and others like Hank Azaria (always appearing in con films), Michael Sheen, Dan Stevens and Steve Buschemi. One could say that Gere is too good looking an actor to play a shady character like Norman. But one could argue too that as Gere said, when he was here for the film at TIFF that it shows that there is a Norman in each one of us.
The film is shot partly in Hebrew and English in New York City where the story is set. NORMAN is not bad but could be better. And why not?
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