Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca
A francophone cop and an anglophone RCMP officer reunite to investigate a large car theft ring led by an Italian mobster.
Director: Alain Desrochers
Writer: Patrick Huard
Stars: Colm Feore, Lucie Laurier, Sarah-Jeanne Labrosse
Review by Gilbert Seah
It is a wonder the reason it took a full 10 years before the highly box-office successful ($12 million) and quite funny sequel to the 2006 BON COP BAD COP to emerge.
The title, a French take on the GOOD COP BAD COP cop genre mentality, again features David Bouchard (Patrick Huard), the rule-bending, francophone detective for the Sûreté du Québec and Martin Ward (Colm Feore), the by-the-book anglophone Ontario Provincial Police detective. The bilingual detectives must once again resolve their professional and cultural differences as well as their bigotry and prejudices to solve a case. When the film opens, Dave is undercover on a car heist job when Martin and his men break into the garage. Following the events of the first film, Martin Ward (Feore) and David Bouchard (Huard) have remained friends but have gradually grown apart as their lives and careers have taken them in different directions; Ward is now a senior officer with the Royal Canadian Mounted Police. In the present day, they are reunited to investigate a car theft ring which turns out to be a front for a much bigger terrorist plot.
Quebecois actor Patric Huard seems to have taken more than he can chew. In the sequel he is producer, writer and main actor. The first was written by Huard and 3 other writers, and this one he tackles the whole task alone. While the script contains a few genuine brilliant bits, especially concerning Canada’s American neighbours, but the script is far from funny and dips into too much sentiment. If Martin is not working hard enough and suffering from a degenerative motor-malfunctioning disease (the Lou Gehrig disease), Dave is faced with a neglected wife. And if that is not enough, Dave’s son has gone bad and almost gets himself killed. The script also contains a few discontinuity problems. At the start, during the illegal vehicle takedown, Martin is heard telling his men over the wire that Dave, while taking him hostage is undercover. Why then in the next scene, does Martin insist on Dave beating him up to convince his men of his escape? The car chase at the film’s start also has continuity problems. (The same background of the Toronto highway and viaduct is shown twice at different parts of the chase.)
BON COP BAD COP 2 is the kind of film that will make the big bucks in French Canada. Huard also brings in the national game of hockey for additional boost. But English Canada will likely stay away from this film, and even more so for the southern neighbours, the Americans, especially when they are insulted this much in the film.
The film is shot in both French and English. Feore proves himself to be quite the bi-lingual actor, cursing all the time in French like a true natural. Feore and Huard make a good team in the film.
Number 2 is not as funny as the first (which I recall was very entertaining), and not even as exciting.
Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html
Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca
Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com