TIFF 2017 Movie Review: JOURNEY’S END (UK 2017) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Journey's End Poster RC Sherriff’s Journey’s End is the seminal British play about WW1. Set in a dugout in Aisne in 1918, it is the story of a group of British officers, led by the mentally disintegrating young officer Stanhope, variously awaiting their fate.

Director:

Saul Dibb

Writers:

Simon Reade (screenplay), R.C. Sherriff

Stars:

Sam ClaflinPaul BettanyAsa Butterfield

JOURNEY’S END about soldiers (Officers and enlisted men) during an offensive in the trenches during the First World War is a story that is already too familiar to us.

Still, it is a story that needs repeating, to remind the world of the futility of war and that orders coming down from the top brass would ultimately be executed often to the death by the men of lower ranks, who has loved ones and families back home.

JOURNEY’S END is based on the 1928 play and filmed two years later by James Whale which starred Sir Lawrence Olivier as Cpt. Stanhope now played brilliantly convincingly by Sam Catlin.

Things get real only when the audience can put a face to the goings-on. The face in this case belongs to green 2LT Laleigh (Asa Butterfeld) who wishes to join the battalion of his old school mate Cpt Stanhope who used to be his house monitor and good friend of him and his sister.

The narrow trenches emphasizes the claustrophobia of the location complete with mud rats though only one is shown) and worms oozing out from the mud during a meal. To Dibb’s and the production designer’s credit, the film never feels like a play.

The message is clear that that human beings are the ones fighting the war, and there are casualties on both sides as the end credits remind both sides of the millions that have dies in WWI.

JOURNEY_S ENd

TIFF 2017 Movie Review: STRONGER (USA 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Stronger Poster
Trailer

Stronger is the inspiring real life story of Jeff Bauman, an ordinary man who captured the hearts of his city and the world to become a symbol of hope following the infamous 2013 Boston Marathon bombing.

Writers:

John Pollono (screenplay), Jeff Bauman (based on the book “Stronger” by)

Stars:

Jake GyllenhaalTatiana MaslanyMiranda Richardson

STRONGER looks at the Boston marathon from the point of view of a victim. And a really bad victim at that – one that has lost both his legs in the middle of the bomb explosion.

To the film’s credit, the film is an adaptation of the memoir by Jeff Bauman, recounting his struggles to adjust after losing his legs in the Boston Marathon bombing. So, it is a true story, rather than one base on true events. But unfortunately the film wallows in self pity.

The film tells the true story of tragedy and rebirth. Runner Erin Hurley (Tatiana Maslany) was still a mile away from the finish line when the bombs went off. Her boyfriend, Jeff Bauman (Jake Gyllenhaal), however, was right there. He is rushed into surgery, but his legs must be amputated. The bombing’s immediate aftermath provides Jeff with an unexpected sense of purpose as he had seen one of the terrorists responsible for the blasts.

Jake Gyllenhaal, Tatiana Malsany and Miranda Richardson (as Jeff;s mother) deliver excellent performances despite the film’s flaws. If the film turned out better, they night have been up for acting Oscars. One can only wish the film would have been a better one instead of one wallowing is self pity.

Trailer: https://www.youtube.com/watch?v=I6MN0QfQx7I
 

stronger

 

TIFF 2017 Movie Review: THE CHILDREN ACT (UK 2017) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

The Children Act Poster
As her marriage to Jack (Stanley Tucci) founders, eminent High Court judge Fiona Maye (Emma Thompson) has a life-changing decision to make at work – should she force a teenage boy, Adam (… See full summary »

Director:

Richard Eyre

Writer:

Ian McEwan

Stars:

Fionn WhiteheadEmma ThompsonStanley Tucci

THE CHILDREN ACT, based on the Booker prize winning novel by Ian McEwan and adapted by him, is a part courtroom drama part marriage crisis involving a London high court Judge, a super-efficient no-nonsense Fiona Maye (Twice Oscar Winner Emma Thompson).

As her marriage founders, she is taking on the ruling of a case involving a Jehovah Witness boy, Adam Henry (Fionn Whitehead). He is in hospital, and in need of a blood transfusion, which he refuses on religious grounds. His parents (Ben Chaplin and Eileen Walsh) feel the same.

Her ruling of the case will not be revealed in this review (for the sake of spoiling a key plot point) but it is safe to say that Maye makes an exception to the rule by making a personal visit to the hospital to speak to Adam before ruling on the case. THE CHILDREN ACT questions the audience’s stand on the morality issue, but not so much as the drama of the film.

The film also ends, quite brilliantly with an open instead of a closed ending as in the book Regardless, THE CHILDREN ACT is a meticulously crafted film, extreme well acted and written.

Trailer: (unavailable at time of writing)

 

THE CHILDREN ACT.jpg

TIFF 2017 Movie Review: THE RITUAL (UK 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

The Ritual Poster

Trailer

A group of college friends reunite for a trip to the forest, but encounter a menacing presence in the woods that’s stalking them.

Director:

David Bruckner

Writers:

Joe BartonAdam Nevill (novel)

Stars:

Rafe SpallRobert James-CollierArsher Ali |

THE RITUAL is supposed to be a psychological thriller. Brucker who directed the film from a script co-written by him and by Joe Barton based on the novel by Adam Nevill knows how to bring on the scares and audience anticipation.

It all begins with a group of friends planning a holiday as a reunion get-together. Hence no wives or girlfriend and no romantic distractions. Lots of male talk, and fortunately no sexist jokes are included. Vegas? They eventually settle on hiking in the North of Sweden. Why? It is hard to rationalize what men do.

THE RITUAL actually works quite well during the first half. Director Bruckner puts good use of the forest to invoke the biggest scares. It is the fear of the unknown that terrifies. And there are a lot of unknowns in the film. It is only when the film starts explaining why each incident has occurred that the film begins getting into trouble.

Lots of gore, coming when least expected, good genuine scares (what THE BLAIR WITCH PROJECT could have been), good monster special effects and excellent use of location (the Swede woods). Forget about the logic of the plot and Midnight madness fans should be satisfied!

But I would doubt if the fairer sex would like this film.

Trailer: https://www.youtube.com/watch?v=3G3N0-6-YpA

TIFF 2017 Movie Review: THE SWAN (SVANURRIN) (ICELAND 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Svanurinn Poster
A nine-year-old girl is sent to a country farm in Iceland to serve her probation for shoplifting. The girl finds a kind of freedom by submitting to the inevitable restraints and suffering of remote rural life.

Director:

Asa Hjorleifsdottir (as Ása Helga Hjörleifsdótirr)

Writers:

Guðbergur Bergsson (novel), Asa Hjorleifsdottir (as Ása Helga Hjörleifsdótirr)

Stars:

Ingvar Eggert SigurðssonThor Kristjansson,Katla M. Þorgeirsdóttir

Poor nine-year old Sól (Grima Valsdóttir). She is not having it too good. Sol is sent to live with her aunt in rural Iceland as a punishment for shoplifting and her parents are splitting.

She does not like it at the farm, as in her own words, the place is old and smells weird. Adapted from Guðbergur Bergsson’s celebrated novel, Ása Helga Hjörleifsdóttir’s film is told from Sol’s point of view.

She is also told by the aunt’s daughter, Asta that there is a swan by the lake in the mountains that will lead people to drown. She also meets a local farmhand.

THE SWAN is a coming-of-age stry of Sol who discovers the more complicated life of adults. A slow moving film that allows the audience to feel with young Sol and to experience the slow but no less dramatic lifestyle at the farm.

THE SWAN is a portion of Sol’s coming-of-age, reflected in the maturity of Iceland.

Trailer: https://www.youtube.com/watch?v=uL3FzFMbdE8
 

TIFF 2017 Movie Review: MOTORRAD (Brazil 2017) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2017. Go to TIFF 2017 Movie Reviews and read reviews of films showing at the festival.

Motorrad Poster
A wild and weird allegorical thriller. A gang of young dirt bikers on a ride across an isolated region of Brazil find themselves being hunted by a machetes.

Stars:

Carla SallePablo SanábioGuilherme Prates

MOTORRAD begins with Hugo (Guilherme Prates) breaking into a junkyard to steal a bike motor. The old man in charge of the yard catches him but Hugo is saved by a beautiful girl from being shot.

The film changes course with Hugo going on a ride across an isolated region of Brazil with his brother’s bike friends. Hugo meets the girl who takes them on an isolated path. The film changes course once ore at the film’s half hour mark turning it into a chainsaw massacre like film when they find themselves being hunted by a machete-wielding band of motorcyclists intent on killing them all.

Though the film sounds silly, it is well shot, especially the underwater sequence with excellent sound and stereo effects.

Director Amorim does well in combing fun and terror in this otherwise weird and enjoyable romp of male chauvinism.

Trailer: https://www.youtube.com/watch?v=atOaoJtNfyY

Kickstarter Interview: Dominic Crisp (ESCORT Short Film)

Make a donation on the short film here: https://www.kickstarter.com/projects/1326489395/escort-short-film
escort_short_film

Interview by Kierston Drier

  1. Tell me a little about yourself, your background and your work as a filmmaker/creator.

I grew up rurally in Oxfordshire, middle of nowhere with not too much going on. So a lot of time when I was young was about making up stories with friends that we’d play out in the fields, all very picturesque.

At 19 I got in to the Oxford School of Drama, where I trained as an actor for the next four years. During the final year and a half at drama school I started to write for both film and stage, and this summer, having just graduated, I am now able to start producing my own work. This is essentially the first film project that I’m heading, so I’m kind of floundering in the deep end. But that’s good, I’m learning a lot, I believe in this story, and it’s all about taking risks.

  1. Let’s talk about your project! What is your Short about?

SO! This short is taken from a wider feature script that I’m developing, which is about the relationship struck up between a male escort and his female employer. The short charts the developments of their first date, from awkward beginnings to surprising ends

  1. Tell me about the origins of your project?What was it born out of? What inspired you to create it?

So I’d just started my final year at The Oxford School of Drama and I’d moved home for the final two terms, commuting in to the school. I was eating with my mum and dad and we were talking about how I was going to earn money living in London and one of us joked that I could become an escort, that there’d be a fair whack to make out of that. That basically sparked the whole concept, and things moved from there. I now live in London, I’ll let you decide whether you think I followed through on the job idea.

  1. What about your upcoming film really excites you?

When I first started telling people about the idea they kept asking me ‘Oh, have you seen pretty woman?’. I guess what I think is exciting about this film is that it reverses the roles in that film, its not stereotypical. Here we’ve got the female character in complete control and I think that makes for something a little different. I’m really not trying to be a martyr or anything by championing the fact I’m writing a strong female character, that should be the norm. But I do think there’s something really exciting when you put Jo (lead female character) in the drivers seat, where the outcome of a lot of the story is in her hands. I don’t know if I’ve seen that before in this context.

  1. You are running a Kickstarter right now, correct?What are the basic details?

All or nothing. So if I don’t raise the full amount, I get Nada. So a bit stressful. There’s four days left on the campaign so it’s really getting to crunch time.

  1. What will the funds you raise go towards?

All the funds raised will go in to production costs. It will cover travel and food for all cast and crew, enable me to buy some lighting equipment (I’m going for the visuals of Mulholland and the story power of Blue Valentine). It will also pay for a Colourist, who will really make the picture come alive visually in post-production. It will also mean I can get a sound designer on board to compose a score.

  1. What are some of the rewards you can get through funding it? 

There are four different awards

£10  gets you first online viewing of the finished article

£20 gets you a digital copy of the finalized short script

£50 gets you a canvas print of the Escort artwork that heads the Kickstarter page

£200 Just like in the short it gets you a dinner date (within the UK) with me, whether that’s a reward or not you can decide. I’ll be a paying for this one though.

  1. Tell me why you think everyone needs to check out your film?

Because if they don’t they’d regret it for the rest of their life!!!! Ha, no. I think it will tell a really engaging story, that should also look exceptional, and if that’s your cup of tea, get on board.

  1. Tell me some inside scoops- have any wonderful anecdotes come out of your short so far? Fun facts? Fun stories?

If running a Kickstarter has taught me one thing, it’s how to sell yourself to other people. So I guess for this film, that’s pretty apt.

  1. What is one thing you want to aspiring filmmakers everywhere to know?

I guess without trying too sound preachy (as I’m very much an aspiring filmmaker as well) I’d say that you’ve got to believe your own story. It may still fall flat on its face but at least then you know that what you’re doing is honest.

  1. If I wanted to go check out your Kickstarter right now, where would I go?

 

Make a donation on this short film here: https://www.kickstarter.com/projects/1326489395/escort-short-film

Movie Review: DISNEY CARTOON CAMERA (USA, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

A fascinating look at the history of cartoon cinema, from the early 20th century to present, Disney Cartoon Camera breaks down the cartoons through the technical lenses- literally and metaphorically.

 

Following respected and often renown Disney animators, archivists and technicians, this 30 minute short doc takes us step by step through the detailed and highly nuanced breakdown of creating lush and realistic art. From Snow White to Chicken Little we see the elaborate and innovative technology that makes it all possible. Bright, colorful, nostalgic and beyond fascinating, there is something for everyone in this cartoon-classic doc.

 

Disney Cartoon Camera takes on a far more educational tone that a more story-driven or character-driven doc, but it is nevertheless engaging and captivating. For the movie buff, the young-at-heart or even the cartoon geek, this is a film to watch, savor, learn and enjoy.

DISNEY CARTOON CAMERA, 23min, USA, Documentary
Directed by David BosserDisney Cartoon Camera, hosted by acclaimed historian Leonard Maltin, tracks the history of animation cinematography – from the origins of crude “down shooters” to the first multi-plane camera fashioned out of old car parts, to the latest digital camera capture systems – through the eyes of the camera operators and technicians.

CLICK HERE – and see full info and more pics of the film!

Movie Review: MY NAME IS JOAN (USA, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

My Name is Joan, packs an exceptional emotional punch. Poignant, compassionate and full of intrigue, it follows a story that is nothing short of scandalous, involving the mother-and-baby homes of the 1920-1980’s in Ireland. We follow Susan Drew, born Joan Fagan to an unwed mother in Dublin and adopted under mysterious circumstance, as she recounts her story of discovering her past. As Susan revels her own history- and that of her mother who lost her daughter in a mother-and-baby home to an overseas adoption, we also uncover the history of illicit adoptions performed through the Catholic church in a time when unwed mothers faced extreme persecution.

 

Untold numbers of women gave birth out of wedlock after the second world war. While the Irish government looked away, those women were sent to Church-run mother-and-baby homes, where they were promised totally anonymity and safety to deliver their babies. What they were not told was that they would be subjected to difficult conditions, poor treatment, neglect and that their children could be taken from them and adopted out- with very little they could do about it.

 

Susan would have been one more unnamed child lost in a sea of murky documentation. That is, if it hadn’t been for one nun who saved and scanned the paperwork of every child she saw under her care- Susan being one of them.

 

My Name Is Joan is an incredible documentary. Susan’s journey being the primary tale, the story still branches out, spider-web like, into the larger scandal. With jaw-dropping statistics and frightening conclusions to be drawn from them, it is incredible that such an event can take place, seemingly under the nose of a country. My Name Is Joan is one woman’s story of finding her past, and changing her future. It is also a story of a nation whose women and children were under siege. A gripping, emotionally ambitious and incredibly moving film.

 

MY NAME IS JOAN, 30min, USA, Documentary
Directed by Margaret Costa

Tells the story of Susan Drew, a woman who was born Joan Fagan to an unwed mother in the St. Patrick Mother and Baby Home in Dublin, Ireland in 1949. While the documentary chronicles Susan’s journey to find her true identity, it also highlights the illegal exporting of children by the Catholic Church to families in other countries for profit while the Irish Government looked the other way.

CLICK HERE – and see full info and more pics of the film!

Movie Review: THE MARCH SWEATER – PART 1: THE CARETAKERS (Canada, LGBT, Documentary)

Played at the August 2017 DOCUMENTARY Short Film Festival

by Kierston Drier

This special part 1 of March Sweater, follows two seniors, Peter and Vincent, who shared their lives together as a married couple, and become caregivers to Peter’s 95-year-old mother. A fascinating peer into at a community from an often-overlooked angle, Peter and Vincent talk about their lives together and the various lessons they learn through loving each other.

 

From their meeting, to their courtship and through to their marriage of cohabitation, they address the major areas of their world- compromise and sacrifice, but also the love that makes it so very worth it. “I don’t want to think about life without Vincent,” a notable line from Peter that seems to distill the depth of their feelings. For anyone who has ever loved another person, they are, as a couple,  instantly relatable.
This film sparkles. Peter and Vincent are easy to love. Peter’s laugh is infectious and warm and Vincent’s’ kindness and compassion are clear in every word. The March Sweater, PART 1 is a testament to true love ability to transcend any obstacle, culture, society, age. They are proof for any skeptic- love always wins.

THE MARCH SWEATER – PART 1: THE CARETAKERS, 8min, Canada, LGBT, Documentary
Directed by Cory AshworthLGBTQ2+ seniors speaking of life, love and the wisdom that comes with growing older.

CLICK HERE – and see full info and more pics of the film!