Film Review: COUNTING FOR THUNDER (USA 2015) ***

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

counting_for_thunder.jpgAn actor unlucky in work, money and love goes back home to the deep south to help out during a family crisis and is inspired to find his true voice as his mother is finally finding hers.

Director: Phillip Irwin Cooper
Writer: Phillip Irwin Cooper
Stars: Phillip Irwin Cooper, Mariette Hartley, John Heard

Review by Gilbert Seah

 It should be noted that this autobiographical film started out as a one-man play where Phillip Irwin Cooper played no less than 30 different odd characters. But Cooper has taken his play out in the open quite well, as it is difficult to guess that the film originated that way. Cooper does the writing, directing and lead role in the film.

Phillip Stalworth (Cooper) is an actor unlucky in work, money and love. He goes back home from California to the deep south, Alabama to help out during a family crisis. His mother, Tina (Mariette Hartley) has been diagnosed with cancer. He is more attached to her than to his father, Garrett (John Heard) who in turn is closer to his sister (Alison Elliot). So why is this film advertised (billed) as a LGBT film? Phillip is bi, who has made out with both sexes. While back in Alabama, he has a fling with an old school-mate, Joe Tishman (Peter Stebbings). There is no nudity or skin in this film.

The film benefits from two veteran actors, Hartley and Heard. Stebbings is sexy enough or at least plays sexy quite well. Cooper, however, is fond of making awkward faces whenever conversation is made. There is one scene with a key dialogue that goes against Cooper’s face making. Mother says the wise words that in a photo, the snapshot taken of there person is one that is frozen and that person will be remembered forever with that pose. This means Cooper will be remembered forever in his film as the man who makes awkward faces.

On the more serious side, COUNTING FOR THUNDER is an honest and earnest film from the heart of Cooper. There is the pain and tenderness of the lead charter that emancipates from the screen. The audience can tell that Coper is playing a real character. Cooper does not go for cheap laughs such as joking about people of the deep south.

The film contains a few really odd yet funny scenes. One wonders if they turned out this way by accident or were they carefully planned. One is the meeting outside the house where

Joe Tischman gives Phillip some collard greens from his garden telling him that he looks frazzled and the greens with olive oil and sea salt will brighten any day. While the two talk, their body language turns weirder, as if they were two roosters fluttering their feathers to see who is the more attractive.

At one point in the film, Thomas asks his mother while high on hashish, “Have you ever felt at any time that nothing in your life has every went the way that it should?” And they burst out laughing. It is an excellent scene showing that Cooper is able to laugh at his own material. But the film is more touching than funny. The film’s confrontation scene between Phillip and his father, however feels a bit forced.

COUNTING FOR THUNDER works better as a family drama than as a south middle age coming out story. The film will be released in the U.S. and Canada via Wolfe Video on May 2 on DVD & VOD and across all digital platforms including iTunes, Vimeo On Demand, and WolfeOnDemand.com and many major retailers.

Trailer: https://vimeo.com/202288712 

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Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

In Living Colour: American Broadcast News on Film

aworldoffilm's avatarA World of Film

I recently wrote an essay regarding political representations of TV news in film by comparing Network (1976) with Christine (2016). The essay focuses on the political ideology of TV news, attempting to work out what value such media holds in communatating truths to mass audiences, while asking if this is even possible when situated within a deep and embeded ideological structure. 

Take a look at my essay thesis below, and, if interested, click the link at the bottom of this page to read the entire piece.   

Keep engaged in film viewing, theory, and criticism. Cinema is one of the most important arts of expression we have at our disposal… in times such as the modern age, never forget that!

Thesis:

In this essay, I shall examine the political critiques of Network and Christine, focusing on the aesthetic qualities and thematic content of each. The films map an important shift…

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Film Review: BORN IN CHINA (USA/China 2016) ***

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

born_in_china.jpgDirector: Chuan Lu
Writers: David Fowler, Brian Leith
Stars: John Krasinski, Xun Zhou

Review by Gilbert Seah
 
The poster might be misleading that the new Disneynature film BORN IN CHINA is about pandas alone. The documentary is concentrated on 5 animals, all BORN IN CHINA, more precisely in the northern and central mountainous colder parts of China where there are no signs of civilization. It is a beautiful and rugged country. The 5 animals selected for show are cranes, the snow leopard, the golden snubbed nose monkeys, the antelope and of course the panda. The segments are intercut among each other.

Be forewarned, the pandas are the least interesting of the animals featured. Pandas are cute and endangered, and their cute antics are captured. Mother Ya Ya is training her daughter Mei Mei to climb trees. Once Mei Mei is able to climb a tree, she is able to escape from prey and become independent. Every time, the film returns to the panda, Mei Mei is falling down , rolling down a slope after which Ya Ya is hugging Mei Mei. It is actually quite boring stuff if you subtract their cuteness.

The film aims at cuteness for each animal. Narrated by John Krasinski in the English version, he mimics animal sounds and tries to act cute. If one likes that sort of thing, then fine, but it undermines the seriousness of these animals in the wilderness. These animals have to survive, escape prey, feed their young, mate and carry on the living process.

It comes as no surprise then that the most interesting episodes are the ones with the snow leopards. Mother (named Dawa – why must these animals be given ridiculers cutesy Chinese names?) must defend her territory and feed her cubs Her territory is threatened when another female snow leopard arrives with her three offspring. Dawa and her cubs are forced into hiding. Wen Dawa preys upon a yak calf, she almost gets food. The film is most interesting at this point as the audience cannot decide to root for Dawa or for the poor yak calf being caught and about to be rescued by her mother. One has to recall that Disney did kill off poor Bambi’s mother in BAMBI.

The cranes are given a token segment while the female antelopes are shown migrating to give birth and returning with their young. The golden snub nose monkeys are shown from the point of view of Tao Tao, an adolescent who cannot decide to hang around his family or other rebellious youngsters, nicknamed in the film as ‘the lost boys’. Of course, Tao Tao learns the importance of family at the end, After all Disneynature is aimed at a family audience.
The end credits showing the cameramen and director at work prove more interesting than the movie. As one man at the camera says, the weather changes dramatically. One moment is can be hailing and the next sunshine. The majesty of Central and Western China is also captured on film. The landscape steals the show from the animal antics.

The film shies away from any violence, typical for Disneynature films. There is nothing as disturbing here as say in one other Disneynature film, where hundreds of baby turtles trying to crawl to the sea after hatching, are devoured by preying birds. Nature is cruel and survival is tough. These elements are overlooked in this film and mostly substituted by play and silly cuteness except for only one instance.

Trailer: https://www.youtube.com/watch?v=VP0Vl6Qzb8M
 

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Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Hot Docs 2017 Review: ASK THE SEXPERT (USA 2017) ***

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

ask_the_sexpert.jpgA longtime sex advice columnist gains popularity against the backdrop of a ban on comprehensive sex-education in schools in several Indian states.

Director: Vaishali Sinha

Review by Gilbert Seah

 The sexpert of the film is the columnist a 91-year old retired gynaecologist, Dr. Watsa of the Mumbai Times who has a column for years running that answers questions about sex.

Despite sex being a taboo topic in that country, the column’s brand of non-moralistic advice and humor has emboldened many to write in with their questions, the vast majority of whom seek basic information. Director Sinha follows the doctor often at work, as he sees patients or while he sitting by his computer dishing out often comical advice.

The film diverges to sex education in India and how Indians should be taught sex. There will be objections – those for the sex education curriculum and for Dr. Watsa’s column. It is not surprising that the angry people are always women. Sinha keeps her film light and flavourful.

While entertaining, ASK THE SEXPERT opens eyes on sex education in the huge continent of India.

Trailer: https://youtu.be/1yRR1_VU1cQ 

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Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Film Review: DIRTY POOL, Canada, Animation

Played at the March 2017 ANIMATION Film Festival

  MOVIE POSTERDIRTY POOL, 1min, Canada, Animation
Directed by Brent Forrest

This film is a quick ode to the pool hall where we drunken animators used to spend our evenings.

Review by Kierston Drier:

Full of round, polished, pleasing visuals, this is a story about Balls! Ehhem, pool balls. Pool balls and etiquette. Coming to us from Canada and directed by Brent Forrest, DIRTY POOL is a two minute glance at what can go wrong when you try to play pool with your buddy at the bar.

The story is cute, clear and comical- our heroes go out to play some pool and it all goes frighteningly wrong. But where DIRTY POOL makes it mark is in its visuals. Shiny, bright, visually engaging and with a strong attention to detail, this is a film that will make you want to stop blinking.

If you have ever taken a childlike delight in staring at a old time gumball machine full to bursting with glistening multi colored gumballs, then you have the visual equivalent of watching this film.

Tantalizingly rich, this is a film you can simply watch and enjoy. No need to dissect any deeper philosophical meaning- just watch a great film with great picture, about some hapless dudes making enemies on the wrong side of a pool table.

Sit back and enjoy Dirty Pool, it’s a delight to see.

AUDIENCE FEEDBACK VIDEO. Moderated by Matthew Toffolo:

Film Review: SNOOT IN THE CITY, Australia, Animation

Played at the March 2017 ANIMATION Film Festival

  MOVIE POSTERSNOOT IN THE CITY, 1min, Australia, Animation
Directed by Stephanie Davidson

On the rooftops above a cold, ironclad city, Snoot lives in a nice, warm home. When an intruder invades, his territorial instincts kick in and it’s up to him to protect his home, even if it means going face to face with a giant house-crushing robot.

Review by Kierston Drier:

This one minute comic animation from Australia, directed by Stephanie Davidson, is a simple film that delivers the whole package- a good story, a charming character, a great twist- in less than 60 seconds.

Snoot, our adorable mouse-y creature, just wants a quiet night roasting their bone at home next to their warm furnace. Snoot won’t get it though. A huge monster is on the horizon and headed right towards are quite hero. But Snoot will not have their evening ruined, and fast thinking is required.

What is great about this film, is that the story is well developed, despite the tiny time allotment. Snoot is able to use what they glean in the first few seconds of the movie to great effect later. By utilizing a faulty heating system and their own sheer grit, Snoot can defend their home and their evening from a hideous invader.

Bravo to Stephanie Davidson and her team. They clearly know that most important part of any film is the story! And to deliver one so clear and comical in a compact 60 seconds is a talented feat. Great job team, Snoot in the City is worth a watch, maybe two!

AUDIENCE FEEDBACK VIDEO. Moderated b Matthew Toffolo:

Film Review: WALL, Taiwan, Animation

Played at the March 2017 ANIMATION Film Festival

  MOVIE POSTERWALL, 5min, Taiwan, Animation
Directed by Chia-Yin Chou

Their are evolutionary stories happened on ordinary street. The sight from the bottom can only see a huge foot wearing somethings nice , stepping on the poor for fun , giving leftover for handouts occasionally.

Review by Kierston Drier:

Quick, symbolic and filled with stunning visual metaphor, Wall is a piece about social power and economy, although at first glance it gives the cheery tone of a Pixar short. Rats and mice litter the inner city streets-scurrying about as best as a bottom feeder can and praying to the Big cheese above them for the crumbs that filter down.

And against the colorful crowd of feet walking past and a sweeping orchestra of music, one Rat attempts to climb the steep steps to a better future. But is whatever lives above him willing to open its’ doors?

Wall is a funny little film. It’s metaphors are not immediately obvious. Unless you are critically looking at it, this film appears to be a simply physical-schtick comic piece, full of patchwork scurrying mice, a slick fast thinking Rat and a ominous and unknowable villain towering above them.

But if you give it thought, it becomes a deeply layered piece about our society, economy and our difficulty in climbing the corporate ladder, when even its bottom rungs are high above you.

Watch Wall if you want a short, subtle comic piece that is a metaphor to the human rat race. Watch Wall if you want a relaxing visually pleasing comedy. Or watch it simply because it’s good.

AUDIENCE FEEDBACK VIDEO. Moderated b Matthew Toffolo:

Film Review: MY LIFE I DON’T WANT, Myanmar, Animation

Played at the March 2017 ANIMATION Film Festival

  MOVIE POSTERMY LIFE I DON’T WANT, 12min, Myanmar, Animation
Directed by Nyan Kyal Say

A short animated film about the life of a Myanmar girl inspired by a true story.

Review by Kierston Drier:

With bright simple visuals and powerful symbology, this dramatic and powerful Myanmar animation coming to us from director Nyan Kyal Say is the story of one sunny optimistic young girl put through the hardest sides of life simply because she is born female.

Victim of a systemic gender bias family and society, our heroine is a unrelenting easy to love, even when she walks alone down a road that will lead her to endless heartache.

What makes this piece so admirable is it’s ability to draw on hope- our character is broken again and again by life’s cruel circumstances. She is shuffled from family to family, from one abusive situation to the next, from one misfortune to another- all while appearing to never give up. Until, of course, all seems dark…

But what happens to our heroine is just one story in a sea of heartache. For the issues of gender injustice in our world are plentiful, and the fight for equality rages on.What choice does our heroine have?

Where does she go when all is lost? To know, you must watch the beautiful, simple, powerful and bright film that is My Life I Don’t Want.

AUDIENCE FEEDBACK VIDEO. Moderated b Matthew Toffolo:

Film Review: HANGING, USA, Animation

Played at the March 2017 ANIMATION Film Festival

  MOVIE POSTERHANGING, 6min, USA, Animation
Directed by Nick LeDonne

An abstracted animated documentary based off of Nick LeDonne’s personal struggle with depression and suicidal thoughts after a near attempted hanging in November 2014. His feelings of depression are personified through a dark luring fog and a loving mother desperately trying to keep her son alive.

Review by Kierston Drier:

Hanging a USA animation directed by Nick LeDonne, is a deeply emotional, deeply powerful piece that takes a raw and honest look at the seriousness of the depression in the mind of a misunderstood boy longing for comfort.

Told through a voiceless abstract lense, our character battles the onslaught of words and labels- symbologies for the troubling thoughts that plague his mind- and must choose between the relief of death or the trauma of continuing to live. The personification of a mind of suffering may be a difficult viewing experience for some- but for many it will be an eye opening and important film.

There are very few films that so clearly capture the sense of entrapment and suffocation of mental illness. The visual style personifies the depth of despair- something that is perhaps difficult to understand if never experienced first hand.

While Hanging has a darkness to it, it also has unspeakable bravery- a clear and heart wrenching look at the battle one men wages between his inner demons and the sanity of his mind and soul. A difficult film to distill, because it is such a powerful film to witness.

 

AUDIENCE FEEDBACK VIDEO. Moderated b Matthew Toffolo:

Film Review: KAROUMA, United Arab Emirates, Animation

  MOVIE POSTERKAROUMA, 12min, United Arab Emirates, Animation
Directed by Boubaker Boukhari

Karouma is a Unique gift striving to break through and to leave his parent’s nest to live pursue his dreams and live his life in its full potential.

Review by Kierston Drier:

This UAE animation is the story of a strong bright child born without arms. Despite the limitations of their lives, our hero Karouma refuse to lose his sunny disposition and bright optimism.

Perhaps most surprising in this film is that the dialogue is nonsense words- the inflection of speak is certainly there, but what is actually being said is unknown. This creates a beautiful sense of anomie within films’ universe and the child’s world.

Through the eyes of childhood, Karouma is sheltered from the gazes and whispers of the world around him. What matters is not the dialogue, but the actions.

Although fairly sheltered, Karouma is able to break free and see the world, only to discover it a difficult place to be when you are different. But Karouma’s uncrushable spirit allows him to rise above his differences- literally.

Whether symbolic and based on true events, Karouma is a tale of triumph over adversity. Karouma reminds us we are as free and boundless as our imaginations.

 

AUDIENCE FEEDBACK VIDEO. Moderated by Matthew Toffolo: