film festival

Short Film Movie Review: YO SOY PEDRO (10min, France, Sci-Fi/Comedy)

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YO SOY PEDRO was the winner of Best Musical Score at the WILDsound FEEDBACK Film Festival in January 2016. 

MOVIE POSTERYO SOY PEDRO, 10min, France, Sci-Fi/Comedy
Directed by Jordan Inconstant

1977. Mackenzie and Banks are two Americans cops who encounter an alien that has just crashed. The police take him for a film actor and decide to bring it back to Hollywood studios. 

Movie Review by Amanda Lomonaco:

Yo Soy Pedro is one of the most unique films I have seen in a while, and it took me a little discussion with other audience members in order to truly appreciate it in all its glory. I guess that just serves as all the more proof of how misunderstood the science fiction genre can be. Nevertheless once I got a better handle on it, I realized how great of an example this film was that science fiction doesn’t need complex story-lines or super expensive production values to create quality entertainment.

Jordan Inconstant’s short film could not embody the director’s own name more. A Hollywood based film, spoken almost entirely in French, with extremely obvious, not-so-special effects Yo Soy Pedro manages to embrace two different genres while still making a political statement. Tired of watching numerous films based in different countries where everyone speaks English, Inconstant decided to create one in the United States, where everyone speaks French. Moreover, he adds to his critique of Holywood cinema by very poorly dubbing the only supposedly Spanish speaking actor in the film. In fact, despite my fluency with the language I could barely tell it was even Spanish that he was speaking – thank goodness for subtitles.

It’s impossible not to appreciate the cleverness of Inconstant’s creation, through everything from his plotline, to his production values, to his intricate use of language. Inconstant proves that he is able to laugh at himself, and at the film industry as a whole, while still embracing it with all its flaws. He not only seizes at Hollywood’s cheesiest cliches, he subverts them so cleverly that you could watch his film repeatedly and discover a new facet each time.

I’m not sure I’d go so far as to declare this film is for everyone, but it certainly has a strong appeal to a well-informed cinemaphile. In fact, for fans of Tim Burton, I have to admit some aspects of this film reminded me quite a bit of Ed Wood.Anyone who’s seen Burton’s infamous flop will quickly understand why Yo Soy Pedro might incite equally mixed reactions. If you’re a fan of clever, self-reflexive Hollywood comedy, give Inconstant’s film a shot. If he doesn’t have you on the floor laughing, he’ll at the very least be able to force our an involuntary smile from you.

Watch the AUDIENCE FEEDBACK Festival of the Short Film:

Short Film Movie Review: ARTIFICIAL (20min, Spain, Sci-Fi/Thriller)

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ARTIFICIAL was the winner of Best Cinematography at the WILDsound FEEDBACK Film Festival in January 2016. 

ARTIFICIAL, 20min, Spain, Sci-Fi/Thriller
Directed by Luis Espinosa

A man goes to a job interview. What he doesn’t know is that he has already been selected. CORPSA offers to pay him 80,000 Euros if he agrees to be cloned. But more than just a lot of money depends on his decision.

Movie Review by Amanda Lomonaco:

I’ve always found Science Fiction to be a tricky genre in the film industry. People seem to either love it or hate it most of the time. I’ve never been sure if that’s because of how expensive it is to produce a good sci-fi film, or because people have a hard time wrapping their heads around them, but the genre often provokes a lot of mixed reviews. That’s the only explanation I could find for the audience’s reaction to Artificial. During moderation people seemed a bit at a loss for what to say about their experience, whereas I wasn’t sure how anyone could have helped but fall in love with it.

Harkening back to a recent Indie sci-fi favourite, Ex-Machina, David P. Sanudo manages to simplify Alex Garland’s original concept and cause an even bigger impact. By condensing the films’ twists and turns into a smaller time span, Sanudo, the mastermind behind Artificial, keeps the audience constantly on their toes. 20 minutes pass by in an instant as you constantly try to figure out what’s actually happening and then get slammed with more shocking information just as you think you’ve figured it all out.

Connoisseurs of Spanish cinema will easily recognize Aitor Mazo and be disappointed to hear this was his final performance. Suffice to say hiswork in this short film was no less impressive than those of his blockbusters. It’s heartwarming to know the famous star passed away after such a great contribution to independent cinema, but it’s always sad to lose such a valuable component to the International film scene.

Fans of Spanish cinema and science fiction alike will appreciate this film for its simplicity in the face of such complex, and deeply philosophical concepts. Sanudo’s use of the ever familiar job interview setting also appeals to a less tech obsessed audience and provides an interesting fantasy relief to a commonly nerve-racking situation. With a thought provoking storyline, excellent performances and amazing production quality, Artificial certainly deserves every award it has won. Hats off to David Sanudo and his team for such an impressive final tribute to one of Spain’s cinema greats.

Watch the AUDIENCE FEEDBACK Festival of the Short Film:

Movie Review: EMBRACE OF THE SERPENT (Colombia/Venezuela/Argentina 2015) ***

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Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

embrace_of_the_serpent.jpgBest Foreign Language Film of the Year

EMBRACE OF THE SERPENT (Colombia/Venezuela/Argentina 2015) ***
(EL ABRAZO DE LA SERPIENTE)
Directed by Ciro Guerra

Review by Gilbert Seah

Touted as the first Colombian film to be nominated for the best Foreign Film Oscar, EMBRACE OF THE SERPENT might just be the sleeper hit if voters for MUSTANG and SON OF SAUL cancel each other out.

The Colombian film plays like an a weird combination of art-house primitive feature. The film is set in the early 1900s, centring on a young shaman, Karamakate (Nilbio Torres) in the Colombian Amazon. He is reluctantly hired to help a sick German explorer, Theo (Jan Bijvoet) and his local guide (Miguel Dionisio Ramos) search for a rare healing plant. Flash forward a decade or so later when the same shaman (each played by a different actor, Antonio Bolivar) takes an American to search for the same plant.

Unfortunately, the film’s uncomfortable intercutting between the two twin stories makes little sense and spoils the momentum built in each segment before a switch. It would be better to tell the two tales in two parts one after another. Both stories are equally interesting.
The villain of the film and hero appears to be the white man. But director Guerra also shows the pompous native shaman as one that could learn a lesson or two. In short, the native and white man could do best to learn from each other, one of the messages hidden in the story. But the priest that beats up the native children for nonsensical sins is quite the shock to take in. Religion and colonization is treated as totally evil in Guerra’s film.

The film is shot in black and white, which enhances the images. The scenes of the boat gliding down the rivers of the Amazon are breath-taking.

But the slow pace of Guerra’s film and lack of narrative might be hard to take for some, despite the rare see images of the Colombian jungle.

It is revealed in the end credits that it is from the diaries of the two German and American explorers that the world got to learn about these Amazon tribes. And Guerra’s heartfelt film (must be his labour of love) will extend the knowledge to the world as well.

 

 

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month:http://www.wildsoundfestival.com

Interview with Festival Director Gabor Pertic (Breakthroughs Film Festival)

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Now in its 5th amazing year, the Breakthroughs Film Festival is the only festival in Canada devoted exclusively to short films by New Generation women filmmakers. We show films in any and every genre made by talented young artists from all over the world. 

Breakthroughs Film Festival also features a panel discussion with the participating directors, giving the audience a chance to learn more about what these amazing women can do!

http://www.breakthroughsfilmfestival.com/

Get to know Festival Director Gabor Pertic:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Gabor Pertic: In an industry where women still struggle to get their work seen and heard, Breakthroughs provides an opportunity for new generation female filmmakers to have their films programmed and brought to a big screen. The films and filmmakers we showcase are often times just entering the film industry, which is a crowded, intimidating space to begin with. It can be quite difficult to get your work noticed by a festival or play to an audience, so we’re providing a place where one of our main goals is to give voice to these emerging talents.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Gabor: Audiences are going to be able to see a curated selection of creative, fresh visions from young female filmmakers. It’s an opportunity to see original content from names you may have not seen on a marquee just yet. It becomes a discovery moment for any audience member, an opportunity to see an incredibly talented group of women at a stage when their art is taking shape and rising.

Matthew: What are the qualifications for the selected films?

Gabor: The basic guidelines for any submitted film to Breakthroughs is that it’s directed by a female between the ages of 18-30 and the film runtime sits under 20 minutes. There is an abundance of filmmakers that fit within these parameters who are looking for places to get their film seen. Be it fictional narratives, documentaries, or anything that falls in more of an experimental group, Breakthroughs aims to highlight local and international short films that offer up a mix of these film forms.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Gabor: Film programming is a multilayered process, one that has many factors to consider within any given festival. Like Breakthroughs, there are many festivals that work on highlighting more specific programming, be it with regard to content, region, style, and/or theme. Certain top-tier festivals can be ambitious goals for any filmmaker looking to premiere their film but in an incredibly large and competitive space, it may be hard to get noticed. At the end of the day, film festivals strive to showcase the best group of films in any given year that fit with the festival’s specific mandates and artistic direction. It’s just a matter of finding the right partnership between the film and the festival.

Matthew: What motivates you and your team to do this festival?

Gabor: We all are here because we have a passion for film and we believe that women are making some of the most interesting work out there. We see the daily struggles of female filmmakers not getting the attention or respect they deserve and we hope to be able to provide a change in that narrative, to put the next generation of talented women front and center.

Matthew: How has the festival changed since its inception?

Gabor: One of the biggest changes the festival has undergone was that it opened up to international submissions. Breakthroughs started out only showcasing local Canadian work but we now are actively able to showcase a global perspective and we continue to grow on this worldview, seeking films from every continent.

Matthew: Where do you see the festival by 2020?

Gabor: We are currently right in the middle of a cultural landscape where there are daily discussions being had of women within the film space. Breakthroughs wants to maintain this conversation by working hard to improve upon a consistently unbalanced system. In the next few years, we can only hope that things start to progressive positively and that our festival has contributed in some way to showcasing why it is essential to give a platform for female filmmakers. We aim to be both a voice for these women and a destination for all those who support them.

Matthew: What film have you seen the most times in your life?

Gabor: This would be a great moment to just write The Double Life of Veronique or Meshes of the Afternoon but if we’re talking pure statistical numbers, I should be honest and say there are a few others that outrank them in terms of views. I’ve certainly made my way through a number of formats of When Harry Met Sally… through VHS to DVD to Streaming. Nora Ephron’s script is magical and it’s been a comfort and touchstone at different parts of my life. But, if some biographer where ever to comb through my life in detail, they would uncover that when Space Jam came to video in 1997, there was a six-month window where I easily watched it over a dozen times… This answer went real fast from incredible achievements in the cinematic artform to Michael Jordan playing basketball with Bugs Bunny. Which, I suppose, is a different kind of art all around…

Matthew: In one sentence, what makes a great film?

Gabor: Not sure if I can narrow it down to one sentence, so I’ll just say that a great film is one worth watching.

Matthew: How is the film scene in your city?

Gabor: Toronto is an absolutely incredible city for film. Within any given week, you can go see a film at one of the many festivals the city has to offer, and on your way there, have to walk around a film shoot happening live on one of the streets downtown. People here are filmmakers and film lovers, and more often than not, the answer to the question “hey, do you want to go see a movie?” is “yes”.

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GABOR PERTIC BIO

Executive Director: Gabor Pertic attended the University of Toronto as a Specialist in Cinema Studies, graduating with an Honours B.A. After working as a film critic in Toronto, he transitioned into the world of film festival programming. For several years, he worked in the programming department of the Toronto International Film Festival, four of those years working as Programming Associate to TIFF Director & CEO Piers Handling. In addition to TIFF, Gabor has been continuously working and programming for North America’s largest documentary-exclusive film festival Hot Docs. Over the last decade, Gabor has had the privilege of curating a diverse, international selection of films for Toronto audiences.

 

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Tina Borek (Comics in Film Festival)

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A film Festival for Comic and Super hero fans at Santa Fe Comic Con AND Albuquerque Comic Con Providing a weekend of Film, Celebrity guests, panels, workshops and more!

Interview with Tina Borek:

Matthew Toffolo:What is your Film Festival succeeding at doing for filmmakers?

Tina Borek: We offer expoosure in a unique environment. A film Festival for Comic and Super hero fans at Santa Fe Comic Con AND Albuquerque Comic Con

Judged by a panel of industry luminaries, the Comics In Film Festival accepts genre-related films in the following categories: Action/Adventure, Animation, Comics-Oriented, Documentary (Pop Culture–Related), Horror/Suspense, Humor, and Science Fiction/Fantasy. Awards and prizes will be given out at Comic-Con, with film screenings all three days of the event.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Tina: Providing a weekend of Film, Celebrity guests, panels, workshops and more!
http://www.santafecomiccon.com
http://www.albuquerquecomiccon.com

Matthew: What are the qualifications for the selected films?

Tina: CONTENT

To qualify as a “genre film” your movie must have at least one (or a combination) of the following themes: horror, fantasy, science-fiction, comic-book, superhero, fan-fiction, animation and parody.

Matthew: Do you think that some films really don’t get a fair shake from film festivals?

Tina: And if so, why? What I hear my friends say is film festivals are turning into beauty contests and we aim to change that. We dont choose films based on the Actors, or IMDB credits, we choose films we think are entertaining to our attendees and sometimes they may not have the best sound or lighting but there are many different criteria that go into what we choose to screen.

Matthew: What motivates you and your team to do this festival?

Tina: Our team is comprised of Actors, Directors, Producers, and Film Makers….. we get it, we know what Film Makers want and it isnt a certificate. We provide a networking opportunity like no other in a really fun environment by combining a pop culture convention and film we have created an amazing opportunity.

Matthew: How has the festival changed since its inception?

Tina: We have expanded our attendance every year which means film makers have a larger audience to screen too, at a really great venue. We also have added some fun perks for the film makers to get to know our fan base and inivited guests.

Matthew: Where do you see the festival by 2020?

Tina: We are hoping to grow with the convention and expand to screenings at the local Theatres as well as have larger sponsors to provide great awards.

Matthew: What film have you seen the most times in your life?

Tina: This is a great question, I come from the era of THE MOVIE CHANNEL, which had only a few movies a month and we watched them over and over, so I may have been skewed as to what was popular based on what was popular in my living room. I would have to say Valley Girl with Nicholas Cage, and Wedding Singer as a close runner up.

Matthew: In one sentence, what makes a great film?

Tina: I personally like a movie I can’t figure out, my favorite film is The Game, for that reason.

Matthew: How is the film scene in your city?

Tina: Amazing, we film in all budget ranges from studio productions including Breaking Bad, Longmire, Better Call Saul, Preacher, The Night shift and countless others to webseries like Enter The Dojo. Our Festival is held in NM, an emerging Film location. We have an amazing crew base, talent pool and Indie scene here that has become like family.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Robert David Duncan (Miniature Film Festival)

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The Miniature Film Festival is exactly what it sounds like – a small celebration of small films. We want to acknowledge and promote filmmakers from around the world who make one-minute micro short films. Our inaugural event in 2015 was held at the beautiful Barclay Manor heritage venue in Vancouver. Now in our second year, we are remaining true to our roots as a small scale festival that helps create a community for tiny films and the ingenious filmmakers who make them – a miniature festival for miniature films!

Check out our festival listing here: https://filmfreeway.com/festival/MiniatureFilmFestival

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Robert David Duncan: We are succeeding at creating a worldwide community for makers of one-minute micro short films, and the people who love those films. I also suspect that we are the first set of Official Selection laurels for many of our participants, because we seek to include films as much as possible, since there is no right or wrong way to tackle a one-minute film. Filmmakers also have a chance to meet one another at our screening event, but perhaps even more importantly, we provide a hub on Facebook (https://www.facebook.com/MiniatureFilmFestival/) and Twitter (@miniatureFF) where they can connect up around the world and form a network.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Robert: If you can make it to Vancouver, you will experience an intimate gathering by filmmakers for filmmakers with the public welcome too. The films will be screened in our attractive heritage venue, and there is an opportunity for attending filmmakers to introduce their films and do Q&A. Our screenings are in a great location in downtown Vancouver, and the discussions and friendships can flow out into neighboring attractions such as the Seawall, English Bay and Stanley Park. We also award prize laurels for the films we consider to have been the best of the festival.

Matthew:  What are the qualifications for the selected films?

Robert: All films have to be one-minute or less in length, with 60 seconds being a bullseye. I personally watch each film and do the programming myself. Although I am always open to new approaches, I do have a preference for films that have a strong story or message, and get that message across effectively. If the film affects me, makes me laugh, smile, cry or think, then that is a good sign! A minute isn’t a lot of time to work with, so any special effects or music really should support the story and not detract from it. One of my mottoes is that “constraint breeds ingenuity,” and I am always impressed by the ingenuity of filmmakers out there.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Robert: I’m a filmmaker myself, and have had really good experiences with festivals. I think filmmakers taking the time to target the right festivals with the right offerings helps minimize disappointments all around. On the festival side, I think it is a good practice for a festival programmer or festival director to see each film, and not “job out” the selection process so much that new and innovative approaches get weeded out by an inexperienced set of eyes. This is why I see each film myself, and filmmakers can know that their work was seen by me. Finally, I think every festival can be courteous to its entrants by honoring deadlines, and communicating the results in a friendly and supportive manner. Tools like FilmFreeway make this very easy.

Matthew:  What motivates you and your team to do this festival? 

Robert: Being a filmmaker, I remember how thrilled I was when my first micro short film got accepted into a festival and I received my first ever set of Official Selection laurels. I wanted to spread that happiness and encouragement around, and decided to create a “miniature festival for miniature films.” I operate very much from a punk/DIY ethos, and believe that everybody has a story to share, and that they should just pick up their phone or whatever gear they have lying around and bash out a film, like the early punk rockers bashed out songs. It’s a labor of love for me, and has become a fun part of my busy annual calendar. I also wrote a book called “Micro Short Filmmaking: A guided learning journey” and I teach classes in order to help spread the message that anyone can and should make a film.

Matthew:  How has the festival changed since its inception?

Robert: Interestingly, my challenge is to keep the Miniature Film Festival miniature! Everything seems to have a natural tendency toward getting bigger, which is not what I want. I want the festival to always be financially self-sustaining, so that I can self-manage it and not need to rely on grants or other sources of funding. We operate with a small, no-frills budget that comes from our entry fees, and that pays for the venue rental and miniature cupcakes, which have become our signature event snack. We offer a no-fee window at the beginning of the season that helps make the festival accessible to a lot of people, and we publish deadlines before we stage in our fee increases, which I feel are are very modest and reasonable.

Matthew: Where do you see the festival by 2020?

Robert: Still miniature! Seriously, I see us building out a longer day of events that could include a teaching and filmmaking component. We are also collaborative colleagues with other festivals, and we help each other out with guest speaking and additional screening opportunities for some of our winning films. I could also see our festival traveling, and popping up in different locations over the years. But mostly, I want to be consistent in creating a fun little festival that celebrates filmmakers and builds community.

Matthew:  What film have you seen the most times in your life?

Robert: Hmmm… tough call! I’d have to say between “When Harry Met Sally,” “Moonstruck” and “The Godfather: Part II” that “The Godfather: Part II” would have to win. I can watch movies like these endlessly.

Matthew: In one sentence, what makes a great film?

Robert: A story that moves you, makes you laugh, cry or think, and that keeps returning to your mind after seeing it.

Matthew:  How is the film scene in your city?

Robert: Vancouver is an amazing and beautiful place to make films. There is a great indie/DIY spirit here, and plenty of talent and gear floating around. I have been very fortunate to work with a wonderful collection of talented people over and over again, to the point where I can often write scripts with specific actors in mind. The only real challenge is our legendary rainfall, which makes it a headache to film outside, so you may want to write a lot of interior scenes! That said, I shot a completely exterior feature this summer and we had great weather every single filming day, so you never know.

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Robert David Duncan is an actor, filmmaker and founder of Fat Punk Productions and the Miniature Film Festival. With over 30 titles in production ranging from micro shorts to feature length films, Robert has over 100 official selections in festivals around the world, and also serves as a judge and panel speaker at festivals. He teaches acting and filmmaking and is the author of the books “Acting: A guided learning journey” and “Micro Short Filmmaking: A guided learning journey.” You can check out his IMDb page here: http://www.imdb.com/name/nm5399017

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with the Brooklyn Short Film Festival

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Brooklyn Short Film Festival brings together the world’s best short films in an engaging atmosphere for the purpose of developing connections and building new relationships in the film industry.

brooklynshorts.com/

Matthew: What is your Film Festival succeeding at doing for filmmakers? 

Showcasing the world’s best short films.  We consider ourselves New York’s premiere short film festival.

Matthew: What would you expect to experience if you attend the festival this year (2016)? 

A high profile short film festival in some of Brooklyn’s premiere cinema venues.  We break our festival up into short film programs, each very unique and diverse with a wide breadth of short films.  We try to pair more local and independent short films together with high budget fare to make for a diverse experience.

Matthew:  What are the qualifications for the selected films? 

The films must be short.  Nothing longer than 45 minutes.  We tend to program mostly in the 8-12 minute range.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I would say there are at least 400+ legitimate festivals in the world.  The onus lies on the filmmakers for selecting which festival is best suited to the strengths of their films.  The only festival I am able to speak for is the Brooklyn Short Film Festival, and we give films of all stripes and persuasions “a fair shake”.  We watch each film entry multiple times.  We attempt to program at least 60% from direct submissions to the festival.  The other 40% is alumni and invitations. Once a film has been accepted into a festival, most filmmakers believe their work is finished, but this is far from the case.  Again, the onus lies on the filmmakers to fully utilize what a festival provides, and they should be prepared with a press agent, a marketing campaign, social media, etc. to create their own “shake” and momentum from the festival.

Matthew:  What motivates you and your team to do this festival? 

We like short films.  We enjoy watching filmmakers develop in their trade, going onto creating features or film/television work.  Short films are a great way to connect and the format is very broad in terms of what can be done.  Features are much more limited by the very nature of the scope.  A concept can be very funny at 5 minutes, or very engaging.

Matthew: How has the festival changed since its inception? 

We have had a very focused mission and our festival has stayed on point from inception to current versions.

Matthew:  Where do you see the festival by 2020? 

We hope to be Academy Award eligible for our filmmakers.

Matthew:  What film have you seen the most times in your life? 

Casablanca or Don Hertzfeld

Matthew:  In one sentence, what makes a great film? 

An appropriate length to concept ratio.

Matthew: How is the film scene in your city? 

New York is world class.  Brooklyn is a powerhouse and has a brilliant scene.  I would like to give a shout out to the Brooklyn Academy of Music and Videology for maintaining a high calibre program of diverse films.  Many of the world’s foremost directors, actors, producers, crew, editors and fans live in New York and Brooklyn.

 

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Crystal Pelkey (Short Shorts Film Festival)

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The Short Shorts Film Festival in Duluth, MN is celebrating its 11th year in 2016. 
It is the only festival of its kind in Northern Minnesota. The festival brings 
together amateur and professional filmmakers from all across the globe to 
compete for cash prizes. Each film must be under five minutes. The audience 
scores each film and ultimately, the top three winners. The festival features many 
genres including, but not limited to: animation, comedy, drama, documentary, 
experimental, and music videos.

Interview with Festival Director Crystal Pelkey:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Crystal Pelkey: ​Our film festival provides an opportunity for amateur filmmakers to be on the same stage as professional filmmakers. It’s a place for creative storytelling to take center stage and telling that story in less than five minutes is a unique challenge that many filmmakers embrace and succeed at.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Crystal: Our audiences can expect to play an active role in our festival, in that that ​​they score each film and ultimately pick the top three cash prize winners!​​ Audiences can also expect to see many genres of film: animation, comedy, drama, documentary, experimental, and music video. to name a few.

Matthew: What are the qualifications for the selected films?​

Crystal: The finalists are selected by a panel of judges–the film must be under five minutes, be appropriate for all audiences (rated G).

Since the audience chooses the winners, the primary qualification, other than it being five minutes or less, is really overall impact–audiences are encouraged to consider things like, creativity, quality, cinematography, etc. while scoring each film.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?.

Crystal: There are so many wonderful films and filmmakers out there, and many festivals are limited by time, schedule and resources, so it’s often impossible to screen all the entries and give every film a fair shot. I know it’s very difficult for us to select our finalists, and some great films often get left out.​ ​In terms of programming, producers have to consider things like variety of genres presented, duration of films in conjunction with the festival time frame, content, overall impact of the work presented, etc.​

Matthew: What motivates you and your team to do this festival?

Crystal: ​We are the only short film festival of our kind in our region (Northern, Minnesota) and our audiences have supported our festival over the past ten years (sold-out houses) so that momentum helps keep our team motivated to produce the best festival possible and continue to improve it from year to year.

Matthew: How has the festival changed since its inception?

Crystal: ​Our format has stayed the same– in that films have always needed to be five minutes or less, and that the audience chooses the winners. Over the years, we’ve added local celebrity emcees and this year we are honoring a local filmmaker that has made great films and helped put our community on the map.

Matthew: Where do you see the festival by 2020?

Crystal: ​Maybe by 2020 we will be accepting 20 minute short films? :)​

Matthew: What film have you seen the most times in your life?
Crystal: ​Friends would tease me and say “The Notebook” (that may be true), but I have a very happy family memory of seeing The Fugitive in the theater when it first came out, and I’ve probably seen it 100 times. Similar story for Shawshank Redemption.

Matthew: In one sentence, what makes a great film?

Crystal: ​A great film is one of the greatest gifts–it can transport you out of a moment in time, and allow you to momentarily forget all of your troubles, and at the end, it may even allow you to understand yourself better, and this wild ride called the human experience.

Matthew: How is the film scene in your city?

Crystal: ​We have a great film scene in Duluth, MN. We have a local art house cinema that continues to bring films to our city that we may not get otherwise. We have an exciting film festival that takes place in a barn every summer (Free Range Film Festival) and ​we have an annual Duluth/Superior Film Festival each Spring that often brings Hollywood starts to our beautiful city on the shores of Lake Superior.

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Crystal Pelkey is the producer of the Short Shorts Film Festival and one of the 
festivals co-founders. Her day job is the Director of Patron Services & Special 
Events at the Duluth Playhouse, Minnesota’s oldest community theater. She is an 
active community member, local playwright, and freelance jewelry designer.  
Crystal loves film and is often known to watch Lifetime on Saturday afternoons. 
She once punked George Clooney, by asking him for a photo, then handing him 
her camera to take a picture of her and her friend.  
PHOTO of Crystal Pelkey:
CrystalPelkey1

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Richard Hooban (ZERO Film Festival)

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Zero Film Festival is an independent film festival exclusive to self-financed filmmakers. Founded by Brad Bores and Richard Hooban in 2007, Zero Film Festival holds annual festival events in Toronto, New York, Los Angeles, London and Miami Beach. The American Buffalo is the symbol for the festival, representing the independent spirit.

http://www.zerofilmfest.com

Interview with Festival Co-Founder Richard Hooban:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Richard Hooban: ZERO is the first and only festival exclusive to self-financed filmmakers. After 8 years, I would say we are succeeding at sharing authentically independent films with cinema lovers.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Richard: You would expect to see some of the most talented filmmakers in the world sharing their art, you would expect an opportunity to speak with them, and to have a really fun time in the process.

Matthew: What are the qualifications for the selected films?

Richard: Each and every film must be self-financed.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Richard: This is a tough question, and for this there are two answers. First, the larger and most prestigious festivals aren’t looking for micro-budget and low budget films, they are looking for films with celebrities, with press agents, films with producers and directors with deep connections. There are the occasional deserving films that slip through, but this is akin to winning the lottery. Second, I’ve seen in the past 8 years a proliferation of new festivals, most of which seem to lack a raison d’etre, and some which don’t physically exist at all, so filmmakers sending them hard earned cash really aren’t getting a fair shake in my opinion. I would encourage all filmmakers to do due diligence on a prospective festival prior to entering.

Matthew: What motivates you and your team to do this festival?

Richard: We were, or are, independent filmmakers. We saw how stacked the deck was against true independent filmmakers so we created a festival exclusive to them, taking everything we learned as filmmakers along the way to create a good experience.

Matthew: How has the festival changed since its inception?

Richard: Wow… in the beginning we were wild and crazy. We held screenings in warehouses in downtown Los Angeles before it was gentrified, we were running on pure passion, we had warehouse parties that went until dawn, we didn’t pay attention to budgets, we used our credit cards to support the festival and filmmakers the same way that indie filmmakers use them to make their films. For the long run though, that type of festival isn’t sustainable, and we believe that ZERO deserves, in fact, should exist, so unfortunately that meant screening less films, thinking about effective budgets, and moving from the wild warehouses into elite and highly respected venue, which in the end, is better for filmmakers in the long run, even if the warehouse days were more fun.

PHOTO: Zero Film Festival’s old warehouse days:

zero_warehouse_days.jpg

Matthew: Where do you see the festival by 2020?

Richard: Doing exactly the same thing. Its an authentic film festival with a purpose.

Matthew: What film have you seen the most times in your life?

Richard: The filmmakers I have watched and studies the most: Richard Linklater, his structuralism is brilliant, and Tarkovsky, he’s brilliant. Guilty pleasure? Zoolander.

Matthew: In one sentence, what makes a great film?

Richard: Thoughtful craft and integrity.

Matthew: How is the film scene in your city?

Richard: I live in New York. Its incredible. Its inspiring. I’m spoiled.

 

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Marc Bati (Très Court International Film Festival)

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Très Court International Film Festival is an event without borders, with screenings during 9 days simultaneously in nearly one hundred cities in France and 28 other countries. The major program of the festival is the international competition. Fifty films of less than 3 minutes (excluding title and credits) representing the best and especially the shorter of the global audiovisual production year are presented each year.

http://www.trescourt.com/

Because this is a festival featuring the best of under 3min. short films, it’s only fitting that this was the shortest interview I ever had. Short but too the point and terrific!

Interview with Charlotte Lasne:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Marc Bati : We offer a screening space for very short films and their filmmakers, to make their work known.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Marc: One shall be ready to discover original uncommon films!

Matthew: What are the qualifications for the selected films?

Marc: First qualification is runtime: under three minutes (except title and credits), that is the only rule. Then there is no denying that the selected films show talent and originality.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Marc: Very short films are often considered too short to be taken into account in most festivals. At Très Court, it is the contrary!

Matthew: What motivates you and your team to do this festival?

Marc: Très Court is often most filmmakers’s first festival. Sometimes it is the first step to make a career! Some of “our” filmmakers moved on to feature films.

Matthew: How has the festival changed since its inception?

Marc: When the festival was created in 2000, Youtube did not exist. A festival for very short videos was an underground project! It originated in Paris and now the same films are presented in almost a hundred cities in twenty-nine countries in the world.

Matthew: Where do you see the festival by 2020?

Marc: This is a hard one. You know, it is hard for us to see ourselves beyond three minutes!

Matthew: What film have you seen the most times in your life?

Marc: It has no point with Très Court but it is 2001: A Space Odyssey.

Matthew: In one sentence, what makes a great film?

Marc: What makes a great film is “grace” (in one word, even shorter!). Because talented people can make bad films. So “grace” and “magic”.

Matthew: How is the film scene in your city?

Marc: Paris is one of the world capital for cinema. You find lots of movie theaters here.

 

***

Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Fesival held in downtown Toronto on the last Thursday of every single month. Go tohttp://www.wildsound.ca for more information and to submit your work to the festival.