Movie Review of the short film “The Little Missus”

“The Little Missus” played at the WILDsound FEEDBACK Film Festival in October 2015, part of their best of Horror/Thriller short films from around the world. Ironically this is the funniest movie that has ever played at this festival. 

3min, Canada, Comedy/Horror
Directed by Adam Beal

A devoted housewife discovers that her slob of a husband has been cheating on her. She takes her revenge by feeding him dozens of tiny metal items — paperclips, ball bearings, thumbtacks — and pulling them out with a powerful electromagnet.

The Little Missus Review by Amanda Lomonaco

Some people might find it strange to mix horror and comedy, but I have always loved it. Yes, I am one of those people who laughs during horror films. I thought Hostel and the entire Chuckie series were hilarious, and while Little Missus is no where near as gory as those flicks, it still finds the perfect balance between comedy and disturbance.

This is definitely one case where I can say my bias did not get in the way, as the rest of the audience seemed to enjoy it about just as much as I did. With absolutely no dialogue, some peppy, upbeat music, a colourfully bright set and quick cuts, director Adam Beal was able to turn an otherwise distressing turn of events, into something pleasantly comical.

Perhaps what’s most interesting about this film is Beal’s use of magical realism. Though generally associated with Latin culture, and cartoons, Beal somehow managed to transfer this fictional genre into horror, and use it to emphasize the comedic elements of this gory tale. It’s not every day we’d be willing to accept that a man would eat an entire disgusting meal filled with bolts, and metal objects, without noticing a thing, or that his wife would have an industrial sized magnet laying around. The way the film is set up, and edited, however, lets us suspend our disbelief and remain content in the world of the film.

I could find nothing wrong with this film. The acting was excellent, the casting was brilliant, the cinematography, editing, art design, even the length. I loved it. And I loved it even more because it was a Canadian film. This is one I definitely advise you not to take my word for on, though. Go see it for yourself, biases aside, I’m certain you’ll enjoy yourself.

Watch the Audience FEEDBACK Video of THE LITTLE MISSUS:

Best of Festival Tweets for Today

Read the best of Twitter Tweets from Festivals from around the world:

Today’s Best of Tweets in the Festival World

Read the best of Twitter Tweets from Festivals from around the world:

Watch SCHOOL Stories from the Writing and Film Festival

Watch Stories with a school plot or theme from the writing and film festival:
http://www.wildsoundfestival.com/school_stories.html

Watch SCHOOL Story Videos from the Festival:

ALIENATION
WATCH Audience FEEDBACK
6min, Germany, Animation/Documentary
http://www.wildsoundfestival.com/alienation.html

CHUB
WATCH Audience FEEDBACK
27min, USA, Youth/Drama
http://www.wildsoundfestival.com/chub.html

TV SPEC: NEW GIRL “Career Day”
May 2015 Reading
Written by Melissa K. Willis
http://www.wildsoundfestival.com/new_girl.html

GO AGAINST
WATCH Audience FEEDBACK
18min, Drama/Teen, Belguim
http://www.wildsoundfestival.com/go_against.html

10pg. STAGE PLAY – HELEN REDDY WOULD BE ASHAMED
June 2015 Reading
Written by Katie Grotzinger
http://www.wildsoundfestival.com/helen_reddy_would_be_ashamed.html

1st Scene SCRIPT – ETERNITY
June 2015 Reading
Written by Kevin Bibo
http://www.wildsoundfestival.com/eternity.html

1ST SCENE SCRIPT – CAVE KISSES
March 2014 Reading
Written by Ingrid Goldberg
http://www.wildsoundfestival.com/cave_kisses.html

1ST SCENE SCRIPT – THE SCIENCE OF IMAGINARY SOLUTIONS
September 2014 Reading
Written by Stephen Fretz
http://www.wildsoundfestival.com/the_science_of_imaginary_solutions.html

POUND FOR POUND TV Pilot Script
August 2014 Reading
Written by Travis Hodgkins
http://www.wildsoundfestival.com/pound_for_pound.html

TV PILOT – GOTHAM NIGHTS
June 2013 Reading
Written by Adam Kennedy
http://www.wildsoundfestival.com/gotham_nights.html

The Hardest Good Bye
Poetry Reading by Sean Patrowich

* * * * *

Also, Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.
Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival: http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

7 Questions with FilmFreeway.com Founder Zachary Jones

Today we are in conversation with Zachary Jones, the Founder of FilmFreeway.com, the new alternative submission center for Film Festivals and Filmmakers/Screenwriters. A startup from Canada that launched in February 2014 that is already becoming stiff competition to the dominance of withoutabox for over 15 years.

Matthew Toffolo – First off, congrats on announcing 1250 Film Festivals in your database as of this interview. That’s amazing in such a short time. What has been the key to your success so far?

Zachary – Thank you so much! The secret is really quite simple. We set out to re-invent festival submissions with modern technology and a fair business model. FilmFreeway offers a simple, user-friendly service that is always 100% free to filmmakers and writers. We back that up with friendly, reliable customer service from real people who care and are happy to assist our customers anytime.

MT – What motivated you to begin this start up?

Zachary – Festival submissions have been dominated for far too long by a company with grossly outdated technology, a miserable user experience, excessive fees and an overall predatory business model. It was about time somebody changed that.

MT – There have been many other startups attempting to compete with the competition, but almost all have failed. Why do you think your company has succeeded so far over the rest?

Zachary – We created FilmFreeway to be incredible simple and easy to use for both filmmakers and festivals. We added to that by offering the service 100% free to filmmakers. Our mandate when building FilmFreeway was to make it fair and simple. That seems to be the magic formula that has resonated with over 85,000 filmmakers and counting so far!

MT – Bottom-line, why is your site better than the competition?

Zachary – FilmFreeway is lightyears ahead of Withoutabox when it comes to the user experience we offer. Our online screeners play in beautiful, crystal-clear HD. We also integrate with Vimeo and YouTube. The days of paying $3 each time to submit a pixelated, standard definition online screener are over. With FilmFreeway, filmmakers can have their project added and ready to submit in under 5 minutes. Also, our search engine for discovering amazing festivals is powerful and fast. It’s a night and day experience when compared to Withoutabox. Here what filmmakers are saying on Twitter: https://filmfreeway.com/pages/love

MT – The main issue with film festivals is that you were forced to use the main submission source in order to succeed because that’s where all the filmmakers were submitting their films. But, because the company took so much commission from the festivals, it was impossible for most of them to not to lose money and therefore many festivals have been forced to shut down. Or, they were forced to raise their submission fees to stay in the black, which takes more money from the filmmakers themselves, which in the end forces them to submit to less festivals than they want and therefore gives them less opportunity to get their film out there. It has been a vicious cycle. How are you going to be different while still being profitable for your own company and site?

Zachary – You’re exactly right! We’ve already heard from many festivals that have told us that thanks to FilmFreeway they can once again afford to operate their festivals and stay in business. We are actually helping the industry thrive, rather than suck the blood out of it like Withoutabox. We offer optional paid marketing services for festivals which helps to pay our overhead and make sure that FilmFreeway will always remain 100% free for filmmakers and writers.

MT – What was the first film festival to sign up to your website?

Zachary – The wonderful Food & Farm Film Festival was the very first to sign up:https://filmfreeway.com/festival/foodfarmfilmfestival

MT – What is FilmFreeway’s ultimate goal?

Zachary – To simply provide the best film festival submissions experience in the world for filmmakers and festivals alike. You can expect to see continued improvement and added features as we grow and develop as well. We’re always listening to the feedback of the community to make FilmFreeway even better. Thank you again for all of your support!