TIFF 2016 Movie Review: DAGUERROTYPE (LE SECRET DE LA CHAMBE NOIRE) (France/Belgium/Japan 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

daguerrotype_poster.jpgDAGUERROTYPE (LE SECRET DE LA CHAMBE NOIRE) (France/Belgium/Japan 2016) **
Directed by Kiyoshi Kurosawa

Starring: Tahar Rahim, Constance Rousseau, Olivier Gourmet

Review by Gilbert Seah

Non French directors often do not translate well when making a French film. The latest casualty is Japanese director Kiyoshi Kurosaw (TOKYO SONATA, CURE). His latest film is a ghost story, a genre that Kurosawa is already familiar with. He is blessed with some great French speaking talent including Tahir Rahim (UN PROPHET, UNE SEPARATION), Matthieu Amalric and Olivier Gourmet.

Gourmet plays a photographer who after the suicide of his wife becomes obsessed with her portrait being able to live forever. His obsession turns towards his daughter and soon, his new assistant (Rahim) also falls for the apparition.

The story is not well told with bouts of reality and fantasy flowing into each other uncomfortably. Kurosawa loves filming trains, and again the TGV trains are shown in the opening segment. If only his film would run as fast.

The film is a slow burning process with an unsatisfying and open ending.

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

FILM REVIEWS: SULLY (USA 2016)

sully.jpgSULLY (USA 2016) **
Directed by Clint Eastwood

Starring: Tom Hanks, Aaron Eckhart, Laura Linney, Anna Gunn

Review by Gilbert Seah

Director Clint Eastwood follows his high successful AMERICAN SNIPER, a story of an unlikely American hero with SULLY, a story of a likely American hero.

SULLY is the movie based on Chesley “Sully” Sullenberg’s 2010 autobiography, Highest Duty that envisions the American sense of common humanity.

The so-called miracle on the Hudson occurred in 2009. This was the safe landing on the Hudson of a plane that had two of its engines blown. The captain of the flight known fondly as SULLY piloted the plane to safety saving the lives of all 155 passengers and crew. Heralded a hero but not until cleared of accusations that his decisions were not the best, this is the film that praises, or over-praises the deed.

The question is that do we need to re-watch a re-enactment of a story already told and known to most Americans? There is always a need at any time for a story of heroism. In these times of terrorist attacks, Americans need to be reminded of their heroes. SULLY seems a film to do just that.

Eastwood, known to be right-winged, has directed SULLY (Tom Hanks) to show a hero with all the right words to say and a man who can do no harm. He is blessed with a loving family and a wife (Laura Linney) who professes her lover for him constantly.

Eastwood’s film, shot in IMAX shows the plane’s landing on the Hudson in all its glorious images. But there is no suspense or thrills as the audience is well aware of the fact that everyone on board survived. The landing is shown in clumsy flashback, when Sully is having a drink at the bar, again congratulated at very possible moment in the film. Parts of the landing are shown twice as if the audience need be reminded of the heroic deed.

But with the story of SULLY already known, and no real facts provided or insight on the story, Eastwood’s film grows to be quite a bore quite soon, and remains so throughout its full 2 hours and 10 minutes, that seems to be the staple running time for all of his films.

Though Hanks has been praised for his portrayal of SULLY, his performance is nothing new. Like his role in HOLOGRAM, Hanks looks as if he is sleepwalking through his performance. Often sleepless like his character in HOLOGRAM and always thinking of what would have happened or what would have not, Hanks sulks most of the time, looking as if the plane landing was all a dream. Laura Linney who plays Lorraine, Sully’s wife mopes all the time too. The audience gets a glimpse of the real Lorraine Sullenberger, i.e. Sully’s wife at the closing credits.

The audience at the promo screening applauded and seem pleased with the film. Who would not applaud a hero? Still Eastwood’s SULLY is nothing more than a recounting of events, overpraising its hero and lacks any solid thrills or imagination.

Trailer: https://www.youtube.com/watch?v=mjKEXxO2KNE

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

TIFF 2016 Movie Review: THE UNTAMED (Mexico/Switz/France/Germany/Denmark 2016) ***

tiMovie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

the_untamed_poser.jpgTHE UNTAMED (Mexico/Switz/France/Germany/Denmark 2016) ***
Directed by Amat Escalante

Starring: Kenny Johnston

Review by Gilbert Seah

Director Amat Escalante stars and directs this supernatural mystery in a family drama setting.

There is a sex monster loose in the country. Though its keepers have described it as one that will give extreme sexual pleasure and will not harm anyone, the monster has done some harm, both physically and emotionally.

This monster gives a new meaning to the saying of having a snake in ones pants. The main protagonist is Ale (Ruth Ramos) who has a husband and two kids and a gay brother. It turns out that her husband is also having sexual relations with her brother.

Ale is not that sexually monogamous either, having a fling with the sexual snake herself. If all this sounds silly, Escalante’s film actually works because he is always several steps ahead of the story.

THE UNTAMED ends up quite an intriguing film despite the abrupt ending.

Trailer: http://remezcla.com/film/trailer-amat-escalante-the-untamed-clip/

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

TIFF 2016 Movie Review: FREE FIRE (UK 2016) **

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

free_fire_poster.jpgFREE FIRE (UK 2016) **
Directed by Ben Wheatley

Starring: Brie Larson, Enzo Cilenti, Sam Riley, Michael Smiley

Review by Gilbert Seah

Irrelevant as his A FIELD IN ENGLAND, tho hate it or love it British film set entirely in the U.S. in 1878 for no apparent reason, Bn Whetaley returns to his black comedy roots of SIGHTSEERS, the film that shot him to recognition. his is a 70’ crime caper set totally in an abandoned warehouse where a guns deal takes place.

But a previous altercation between two separate members of the different sides results in a free-for-all shoot out hat lasts the entire joie.

The humour and violence is entertaining initially, but greadullay wears out its welcome. Known names Sharlto Copley, Armie Hammer, Oscar Winner Brie Larson and Cillian Murphy do their best to liven up the proceedings but they can only do so much with the limited amtrial.

Director Wheatley works with his loving wife, Amy Jump who wrote the script and co-edited the film with him.

FREE FIRE may work for a few but will not for the majority as FREE FALL is a queer piece for a select few.

Trailer: https://www.youtube.com/watch?v=oDD3I0uOlqY

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

TIFF 2016 Movie Review: THE DUELIST (Russia 2016) ***

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

the_duelist_poster.jpgTHE DUELIST (Russia 2016) ***
Directed by Alexey Mizgirev

Starring: Pierre Bourel, Nikolay Butenin, Pyotr Chubko

Review by Gilbert Seah

THE DUELIST is a very accomplished film very handsomely mounted and shot in IMAX and a film that has to be seen in IMAX. The period setting shows aristocratic Russia and is set in both Russia and Germany.

The audience is introduced to the rules of nobility as well as the rules of duelling. The film centres on dashing Yakovley, returning to Saint Petersburg after a long exile. Yakovley makes a comfortable living by winning other people’s duels. An enigmatic, focused, and extremely skilled professional, he leaves a trail of dead bodies behind him as he swirls through polite society, frequently called upon to wield a pistol as a surrogate in duels at dawn.

But when Yakovlev meets the naïve young Prince Tuchov and his beautiful sister, Princess Martha, the normally cold-hearted mercenary is surprised by hitherto undetected emotions. He falls in love. The film has magnificently suspenseful duels as well as some graphic scenes of flogging.

Stunning art direction, costume design and cinematography.

Trailer: https://www.youtube.com/watch?v=oQZQg4KT-YY

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

TIFF 2016 Movie Review: SAFARI (Austria 2016) ***

ffMovie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

auf_safari_poster.jpg SAFARI (Austria 2016) ***
Directed by Ulrich Seidl

Review by Gilbert Seah

Austrian director Ulrich Seidl is known for his ‘shock’ movies that are more than provocative. His films DOG DAYS, the PARADISE trilogy and his latest SAFARI are not for everyone.

At least half a dozen critics walked out dying the press screening for SAFARI. There is a lot of blood and guts, displayed when the animals shot on SAFARI are gutted in real time. Seidl’s film is also very sly in its humour – the way the over privileged hunters justify the killings as humane.

Seidl provides his audience with access points into the thrill-seeking and power-hungry tourism of the “sport.” Guided by an official hunter and a local hunting caddy, his protagonists appear as nothing more than opportunist marksmen.

A lot of his scenes are set up with his stationary camera while his characters move in and then out of the frame. Occasionally, the camera would track his characters after they move into the frame.

SAFARI is an unforgettable and remarkable feature, if one can handle it.

Trailer: https://www.youtube.com/watch?v=HVMktu2Seuk

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

TIFF 2016 Movie Review: PRANK (Canada 2016)

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

prank_poster.jpgPRANK (Canada 2016) *
Directed by Vincent Biron

Starring: Alexandre Auger, Eric K. Boulianne, Normand Daoust

Review by Gilbert Seah

The film PRANK must be a prank of some kind. The no-brainer film is about 3 losers and a loser girl that go about town doing pranks of various kinds. Stefie (Étienne Galloy) is a bored, awkward teenager with giant train tracks, a mouth that’s constantly agape, no apparent friends, and nothing better to do than throw a tennis ball listlessly against a schoolyard wall.

Enter older pranksters Martin (Alexandre Lavigne) and Jean-Se (Simon Pigeon), who con Stefie into collaborating on a YouTube ruse. One might include dancing on a bridge until someone comes long when he will be told to f*** off.

This prank is not at all funny, nor are the other ranks nor the film itself.

This is a small budget Quebec film that serves no purpose. One wonders why it has even been selected as a TIFF film. The film that makes the film JACKASS look like a masterpiece.

(No need to bother with a trailer here!)

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

TIFF 2016 Movie Review: THE OATH (Iceland 2016) ***1/2

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

the_oath_posterTHE OATH (Iceland 2016) ***1/2
Directed by Baltasar Kormákur

Starring: Hera Hilmar, Baltasar Kormákur, Gísli Örn Garðarsson

Review by Gilbert Seah

THE OATH is TAKEN Icelandic style, while making good use of the Icelandic landscape.

Not a revenge film with all violence, beatings and car chases, THE OATH is a thinking man’s revenge flick. Finnur (Kormákur), a prominent physician, is dealing simultaneously with both the death of his father and the increasingly erratic behaviour of his eldest daughter, Anna (Hera Hilmar).

Perplexed, he suspects that Anna’s new boyfriend, Óttar (Gísli Örn Garðarsson), may be the cause. A frantic late-night call from Anna convinces Finnur that he must get the creepy Óttar out of his daughter’s life for good.

The father devises a scheme to save his daughter with the cops having him as the prime suspect for a killing. A large part of the film is his planning for both the killing and the alibi. What would a father not do to save his family?

Trailer: https://www.youtube.com/watch?v=7vPNwJ4yab8

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

TIFF 2016 Movie Review: THE LEVELLING (UK 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

the_levelling_poster.jpgTHE LEVELLING (UK 2016) ****
Directed by Hope Dickson Leach

Starring: Ellie Kendrick, David Troughton, Jack Holden

Review by Gilbert Seah

Writer/director Leach’s debut feature is a meticulously executed piece proving her a new force to be reckoned with. Leach does marvellously with her material while eliciting almost perfect performances from her two leads.

The script balances both characters and none are totally in the right or wrong. Clover (Ellie Kendrick), the film’s clearheaded young protagonist, comes home to Somerset after learning that her younger brother Harry has committed suicide. There she is met by her sullen father, Aubrey (David Troughton), a brooding hulk of a man whose past woes have derailed his life.

Quiet and dour, wishing never to express himself, he finds himself trapped in quiet anger. The farm is in disrepair. Recent floods have rendered the main house uninhabitable, and Aubrey lives in a trailer.

Harry was meant to take over the farm, but those plans also lie in ruins. But a secret is eventually revealed in the plot bringing the film to a satisfying emotional climax and making it a rewarding gut wrenching family drama.

Trailer: https://www.youtube.com/watch?v=oFfaxS6Go5k

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com

 

TIFF 2016 Movie Review: THE BELKO EXPERIMENT (USA 2016) ****

Movie Reviews of films that will be playing at TIFF (Toronto International Film Festival) in 2016. Go to TIFF 2016 Movie Reviews and read reviews of films showing at the festival.

the_belko_experiment_poster.jpgTHE BELKO EXPERIMENT (USA 2016) ****
Directed by Greg McLean

Starring: Josh Brener, Tony Goldwyn, Michael Rooker

Review by Gilbert Seah

Aussie director (Australians always have their special edgy sense of humour) and scriptwriter James Gunn (remember his super-gross SLITHER?) join forces to deliver the perfect Midnight Madness vehicle, which would get my vote for the Midnight Madness Best Film Award.

Office politics turns into a real-life survival of the fittest when a group of co-workers are forced into a sick game of kill or be killed by unknown sinister forces that lock down their building, in this gruesomely funny horror thriller. It at first seems to be an ordinary morning on the job for a group of Americans working for a not-for-profit company in a modern office building in Colombia.

After noticing that their Colombian colleagues have not arrived for work, office worker Mike (John Gallagher, Jr.) spots some unfamiliar security guards entering a large hangar nearby. Moments later, an icy voice comes over the building’s PA system and calmly explains that the employees must kill a certain number of their co-workers — if not, they will be killed themselves.

While the boss (Tony Goldwyn) tries to calm the troops, Mike belatedly realizes that something truly sinister is going on — and when metal doors come sliding down on all the building’s exits and windows, it becomes clear that friends and colleagues are now suddenly enemies in a bloody and brutal battle to the death. Even before the action begins, McLean delivers lots of inside office jokes like the isolation of working in a cubicle, sexual harassment and the introduction of new employees.

The film is a mix between disaster, sci-fi, horror and comedy which means that the filmmakers have plenty to play around with. In the kill to survive scenario, there is the good guy with all the right motives, the bad boss (handsome Goldwyn doing the villain as he did in GHOST), the unstable psycho, the asshole, the plump good meaning lady and so on. Though I and expected the ending to be a let down, a surprising twist in the story proved me wrong.

THE BELKO EXPERIMENT proves to be very violent fun, if one can stomach the violence.

Trailer: https://www.youtube.com/watch?v=9W46xo3AvBA

Free logline submissions. The Writing Festival network averages over 95,000 unique visitors a day.

Great way to get your story out: http://www.wildsound.ca/logline.html

Deadlines to Submit your Screenplay, Novel, Story, or Poem to the festival:http://www.wildsound.ca

Watch recent Writing Festival Videos. At least 15 winning videos a month: http://www.wildsoundfestival.com