Interview with Wendy Markson, Founding Artistic Director for Breakthroughs Film Festival

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The Breakthroughs Film Festival is the only festival in Canada devoted exclusively to short films by New Generation (18-30) female artists. We showcase films from any and every genre made by talented young women from all over the world. The title ‘Breakthroughs’ refers to the struggles emerging women artists face in an industry where they make up only 6 percent of directors, and must, in many cases, work even harder than their male counterparts to make their voices heard.

The 2015 Breakthroughs Film Festival will be held June 5-6, 2015.

For more information, please contact us at wendy@breakthroughsfilmfestival.com, and check out our website: http://www.breakthroughsfilmfestival.com

Matthew Toffolo Interviews Founding Artistic Director Wendy Markson:

Matthew: Why is the city of Toronto the perfect fit for what you’re showcasing at the festival?

Wendy: Toronto is the 4th largest city in North America and one of the most multicultural cities in the world, allowing Breakthroughs to draw on a great…

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Interview with Festival Director Gabor Pertic (Breakthroughs Film Festival)

festreviews's avatarFestival Reviews

Now in its 5th amazing year, the Breakthroughs Film Festival is the only festival in Canada devoted exclusively to short films by New Generation women filmmakers. We show films in any and every genre made by talented young artists from all over the world. 

Breakthroughs Film Festival also features a panel discussion with the participating directors, giving the audience a chance to learn more about what these amazing women can do!

http://www.breakthroughsfilmfestival.com/

Get to know Festival Director Gabor Pertic:

Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Gabor Pertic: In an industry where women still struggle to get their work seen and heard, Breakthroughs provides an opportunity for new generation female filmmakers to have their films programmed and brought to a big screen. The films and filmmakers we showcase are often times just entering the film industry, which is a crowded, intimidating space to begin with. It…

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Interview with Kelly Michael Stewart, Festival Director for Blood in the Snow Canadian Film Festival

festreviews's avatarFestival Reviews

A weekend long festival celebrating the best in contemporary Canadian horror filmmaking.

http://bloodinthesnow.ca/

Matthew Toffolo Interviews Artistic Director Kelly Michael Stewart:

Matthew: Why is the city of Toronto the perfect fit for what you’re showcasing at the festival?

Kelly: In many ways I don’t think Blood in the Snow (BITS) could have happened in any other city. We have a thriving festival culture in Toronto with over 70 festivals in the city including of course TIFF.

The film scene here is very collaborative and filmmakers really do like to help each other here. I’ve been told from filmmakers from other regions that that don’t get along the way that Toronto filmmakers tend to do. It can be competitive but its rarely done in a backstabbing way here. Part of BITS success comes from the other filmmakers plugging and supporting the films playing at the festival, so in a way I…

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Interview with Festival Director Michael McLaughlin (Disappear Here Film Festival)

The Disappear Here Film Festival is a first of its kind in Donegal, Ireland. The inaugural DHFF is a 3 day festival taking place in Ballyliffin, Co Donegal from (Culture Night) Friday 22nd September 2017.  Our versatile programme will include screenings, talks, educational workshops and a host of entertainment events through which we will provide a unique festival experience.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Michael McLaughlin: It is offering them the opportunity to have their work seen by an audience that wouldn’t necessarily get a chance to see it. It also gives them the chance to network and make connections with others working within the industry. Gaining feedback from an impartial audience is something that can be worthwhile, especially for those that are starting out in the industry. To showcase your work on a big screen, in an environment such as a film festival is a an excellent platform for all filmmakers to avail of.

What would you expect to experience if you attend the festival this year (2017)?

The festival is for anyone that loves films, as well as those working or considering working within the industry in the future. We are aiming to offer something for children and adults alike. Disappear Here Film Festival will be another opportunity for the people to get together and celebrate the creative talent on offer through the medium of film. There will be various art installations dotted around the village, allowing people to experience not only film but also, other forms of creative expression.

What are the qualifications for the selected films?

There are no set qualifications and we decided against running with a theme for this inaugural year. What we are after is film making that is engaging, that is entertaining and ultimately that challenges audiences, & makes an audience feel something.

Do you think that some films don’t get a fair shake from film festivals? And if so, why?

Yes, I would probably accept that, but obviously I can’t speak on behalf of other film festivals. Films that are maybe high quality and tick all the boxes in terms of one panel member, might be deemed exceptional while another might deem it average, meaning that some films get dropped and don’t make it to selection. Also programmers have a very specific programme duration for short films, so lots of longer short films cannot get shown. My advice to filmmakers making shorts, is to actually keep them short – below 12mins max.

What motivates you and your team to do this festival?

The film festival came about by a desire to showcase the talents of
independent film making in Ireland and to allow audiences in Donegal
access to films they wouldn’t ordinarily be able to see.

How has your FilmFreeway submission process been?

In a word, incredible. It streamlined the whole application and submission process. It allowed us to make direct contact iwhtdirectors to clarify any information during the submission process. It made the experience more seamless and less stressful.

Where do you see the festival by 2020?

As a major player not just on the national scene here in Ireland, but internationally as well.

What film have you seen the most times in your life?

True Romance! Loved the screenplay by Tarantino and it’s one of Tony Scotts best as far as I’m concerned. Also, like everyone else I fell in love with Alabama, just a little bit!

In one sentence, what makes a great film?

A great film needs to be always entertaining, never ever boring.

How is the film scene in your city?

Getting better all the time! Lots of great filmmakers, crew & locations that have to be seen to be believed! Actually Star Wars- The Last Jedi filmed here last year, so we can’t wait to see our area showcased for an international audience in that film.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Interview with Festival Director Barry J. Gillis (Edmonton Festival of Fear)

This is a great opportunity for Filmmakers World Wide to Submit their Films. Plans are already in the works to expand the Edmonton FESTIVAL OF FEAR for 2018, and beyond.

Interview with Festival Director Terrence Sanders (Platform Film Festival)

Platform Film Festival’s mission is to celebrate the masters of filmmaking and discover the next generation of innovative creatives. Platform is the connective tissue that bonds the wondrous union between art and film. PFF will present an uncensored view of the World through the most important and relevant artists and filmmakers creating 2D and 3D work without fear, monetary incentives or artificial borders. PFF is a creative forum where like minds can have a sense of community being celebrated by the publlc-at-large and their contemporaries.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Terrence Sanders: Platform Film Festival mission is to provide a necessary platform for filmmakers in hopes of creating a greater awareness for important films.

What would you expect to experience if you attend the festival this year (2017)?

TS: Eclectic programming with an artistic bend. Films that entertain and educate. New discoveries that will resonate with the viewer long after they leave the venue.

What are the qualifications for the selected films?

TS: Voice, substance and vision.

Do you think that some films don’t get a fair shake from film festivals? And if so, why?

TS: It’s a power struggle whenever money is part of the equation. Each film submitted is competing for exposure and notoriety. Each jury favors a different trend, celebrity, subject matter or theme on a yearly basis. What’s favorable this year might not be favorable the next. Sometimes the unknown underdog is the winner and most times whether we like it or not it’s the financed studio favorite.

What motivates you and your team to do this festival?

TS: The love of the medium. I owe everything that I am today to the transformative power of cinema. I want to share great films with my audience.

How has your FilmFreeway submission process been?

TS: It’s been great. We were going to partner with Withoutabox but the process was complicated to say the least. Filmfreeway was simple and personable. It was a great fit. I hope to grow with this company and community.

Where do you see the festival by 2020?

TS: Joining the list of respected, important and relevant film festivals in the World.

What film have you seen the most times in your life?

TS: I’m a film freak. I have literally watched 5 movies a day for that last 25 years. I’ve seen everything. A few favorites are; The Life Aquatic with Steve Zissou, The Libertine, A Pure Formality, The Royal Tenenbaums, Blue Caprice, Ballast, O Brother Where Art Thou?, In the Mood For Love, Maderlay, I’ll Sleep When I’m Dead, Gangster No. 1, etc.

In one sentence, what makes a great film?

TS: Three words: writing, cinematography and performance.

How is the film scene in your city?

TS: I live in Los Angeles – what do you think?

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Interview with Festival Director Orvil Kunga (Afrikans On Film Festival)

A unique opportunity to see films rarely seen on the big screen. A well attended festival noted for shining a light on the multilayered aspect of Afrikan filmmaking. It boasts informed discussions, workshops, a unique Afrikan craft market and great cultural food (vegan options available). With performance, poetry and story-telling thrown in for good measure. A true Afrikan experience that will tingle the senses, inform, insight and educate.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Orvil Kunga: Afrikans on Film festival has been successful in premiering work for filmmakers who are often overlooked in the wider discourse of mainstream cinema.

What would you expect to experience if you attend the festival this year (2017)?

Our festival exists solely to promote the multilayered aspect of African centred, creativity. Those who attend our festival should expect films from the African continent, along with African centred films from US, UK and Europe. Many of them are UK premiers. All have been selected because they speak to the essence of the on-going journey of the African body.

What are the qualifications for the selected films?

We look at films across the board. Animation, documentaries, drama and even music videos.

There is no criteria as such. As the curator, I am interested in films which skilfully portray where African filmmaking is now but also where these contemporary stories sit within Africa’s uniquely spiritual nature of story-telling. Whilst a few of the films screened might be made by non-Black, African people (either from the continent or the diaspora), it is ultimately, the African-centred nature that forms the main criteria for selection.

Do you think that some films don’t get a fair shake from film festivals? And if so, why?

Certainly. African people within the creative industries are often marginalised in the West and the African narrative has almost been erased from mainstream TV and cinema globally. The representation of the African body has historically been mediated through a white (all too often male) gaze. This is problematic and has severely hindered the African’s ability to tell our human stories to the world.

What motivates you and your team to do this festival?

Our lived experience guides our passion for creating a platform for pushing the multi-prismic nature of these stores. It is great when we see this work on the big screen. It’s great when we see a room full of young and older people, their eyes wide open looking at the screen, in total awe at the quality, richness and range of these stories.

How has your FilmFreeway submission process been?

Its been amazing! Although we’ve been running for 6 years, we’ve not tried FilmFreeway before and have been blown away by the amount of submissions received in such a short space of time since registering on the site. If there is a gripe, then it would be that some people avoided (deliberate or otherwise), the fact that we seek African films. Films either made by Africans or films which focus on African people.

Where do you see the festival by 2020?

Our Afrikans on film festival has been serving films to the public for over 5 years, free of charge. Which is amazing! It has been partially funded by a small organisation in London, called Peckham and Nunhead Free Film Festivals, who receive funding from the local borough of Southwark and thankfully collaborate with us in order to get these beautiful films on screen. Whilst the ‘free’ film festival may well continue under this relationship, Afrikans on Film as a subsidiary film provider, seeks wider sponsorship as we aim to push the festival to twice a year and provide pop-up screenings throughout the year. We hope to provide an out-reach programme, working with creatives here in the UK and linking them with creatives around the African world. If all goes to plan, by 2020 we should be bigger and better!

What film have you seen the most times in your life?

Aah difficult one! Black Girl (Ousmane Sembene), Sankofa (Haile Gerima). BAFTA nominated, Short film – Mwansa The Great (Rungana Nyoni), watched and shared many times! Battledream Chronicles (Alain Bidard). An animated feature from Guadeloupe. The first feature from Guadeloupe is a gem on many levels and I’ve watched it too many times! Summer Of Gods (Eliciana Nascimento), Oya Rise of The Orishas (Nosa Igbinedion). Award-winning web-series Ackee and Saltfish (Cecile Emeke).

I know you said ‘film’ but an unfair question deserves an unfair answer!lol

In one sentence, what makes a great film?

A great film speaks to an inert truth, appeals to the viewer through codes and tropes which unites the soul and lingers on, connecting others as its memories ripple.

How is the film scene in your city?

In London the independent scene is vibrant.

Online platforms have changed the game as cities/filmmakers become more and more interconnected.

Although all the big and medium films come through this city, the home of BFI’s LFF (London Film Festival), Afrikans on Film festival, attempts to serve a need and we feel, remains among the best places to see unique work from up-coming filmmakers who are equally passionate about sharing the Afrikan story.

‘K’ in Afrikan represents a disruption from the contemporary spelling, echoing the politicised presence of the festival and the consciousness of Afrikan-centred creative.

 

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

Interview with Festival Director Sarah Marshall (Bluenose-Ability Film Festival (BAFF))

Bluenose-Ability Film Festival (BAFF), is Atlantic Canada’s first and only disability focused film festival for adults and youth. Our festival’s taking place Thursday, November 30 through Sunday, December 3, 2017. We’re excited to announce that our theme is Celebrating 150 Years of Diversity, in honour of Canada’s 150 Years of Confederation.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Sarah Marshall: The Bluenose-Ability Film Festival (BAFF) is Atlantic Canada’s first and only disability-focused film festival. We, therefore, offer a unique and open platform for filmmakers to express themselves. Our culture of inclusion allows filmmakers to portray their experiences and perceptions of disability culture in an open and accepting environment.

What would you expect to experience if you attend the festival this year (2017)?

This year, you can expect an inviting environment, tons of local and international films, specialty screenings (Such as LGBTQIA+,) a mental health discussion panel, and a glamourous awards gala. This is our third year of operations, and we’ve just undergone a bit of fine-tuning and rebranding. We aim to deliver a modern, unique experience to our community.

What are the qualifications for the selected films?

This year, our theme is “150 Years of Diversity,” in honour of Canada’s 150th birthday. Films must fit with this theme. Diversity is a broad word – we’re seeing films about disability, mental health, immigration, and personal journeys. If the film isn’t directly related to the theme, we ask that the filmmaker be from a diverse background. Other than that, we ask that films be under the 25 minute mark. We also look for technical excellence such as a well-written script, thoughtful cinematography, and good music selection. We, however, have different award categories for all levels of filmmakers. Youth can submit films into their own category. We think it’s important to give new filmmakers an opportunity to tell their stories.

Do you think that some films don’t get a fair shake from film festivals? And if so, why?

I think that some film festivals ignore work from inexperienced filmmakers and miss out on some important messaging. We offer a community of growth and support to new filmmakers, and offer year-round Future Filmmaker workshops to youth who wish to improve their skills. We also have youth categories so less experienced filmmakers get a chance to rule their own section of the festival.

What motivates you and your team to do this festival?

Our main motivation is to provide a unique and creative platform for the disability community to share their stories. There’s a huge lack of diversity in the mainstream film industry. We want to encourage people from all backgrounds to participate in film culture. Our festival encourages disabled actors/actresses to play their own parts, and for diverse filmmakers to tell their stories and experiences without judgement or biases. We also have a scripted category that allows creative individuals to share their own crafted stories.

How has your FilmFreeway submission process been?

It’s been pretty wonderful. We receive tons of submissions, and they’re very easy to assess and download through FilmFreeway. It’s also easy to get in touch with the filmmakers.

Where do you see the festival by 2020?

We’d like to expand our attendance and strengthen our relationships with our supports and sponsors. We’d also like to add a few more members to our team. All in all, we just want to see BAFF get bigger and better each year!

What film have you seen the most times in your life?

I’ve watched “The Butterfly Effect” an unreasonable amount of times. Something about the flashback effects and the twisted plot makes me hang on to my seat every time. I’ve also watched the entire “Breaking Bad” series more than once or twice. The cinematography is absolutely stunning.

In one sentence, what makes a great film?

A unique, engaging story paired with thoughtful artistic choices.

How is the film scene in your city?

There’s a few other film festivals around and quite a booming industry for filmmakers in Halifax, Nova Scotia. There’s college programs nearby for film students, and lots of opportunities for filmmakers to showcase their work. BAFF, however, is the only FREE film festival you can find in Halifax. We made the decision to be a free festival so we can be inclusive and accommodating to our entire community. We want to share film culture with everyone, regardless of background or barriers.

Bluenose-Ability Film Festival2.jpg

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 20-50 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto, and Los Angeles at least 2 times a month. Go to www.wildsound.ca for more information and to submit your work to the festival.

SUBMIT your TV PILOT Screenplay or TV SPEC Script
Voted #1 TV Contest in North America.
Screenplay CONTESTSUBMIT your Short Screenplay or FEATURE Script
FULL FEEDBACK on all entries. Get your script performed

HIGHLIGHTS & VIDEOS: Toronto August 2017 Film Festival

femalefilmfestival's avatarFEEDBACK Female Film Festival

AUDIENCE FESTIVAL AWARDS

Best Film: KAJAL

Best Performances: THE SESSION

Best Cinematography: WE WERE SWIMMING

Best Music: The music from KAJAL

Watch the Audience FEEDBACK Videos from each film: 


festival posterMAGIC RADIO, 9min, USA, Family/Comedy
WATCH Audience FEEDBACK

festival posterGRACE & GRIT, 3min, USA, Thriller/Drama
WATCH Audience FEEDBACK

festival posterWE WERE SWIMMING, 3min, UK, Art/Surreal
WATCH Audience FEEDBACK

festival posterTHE MAN WHO DOESN’T SLEEP, 15min, Canada, Drama
WATCH Audience FEEDBACK

festival posterTHE SESSION, 7min, USA, Comedy
WATCH Audience FEEDBACK

festival posterNO STRINGS ATTACHED, 5min, USA, Music Video
WATCH Audience FEEDBACK

festival posterKAJAL, 20min, India, Drama
WATCH Audience FEEDBACK

The FEMALE AUGUST 2017 FEEDBACK Film Festival gave our audiences the best NEW films by women directors from around the world.

The theme of the festival was “SELF DISCOVERY”.

Every film showcased was about a setting where a character finds out who they are deep inside of themselves.

NOTE: Our 4th Female Director’s festival!

The Female FEEDBACK Film Festival…

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