February 2019 Screenwriter Interviews

Read interviews with top screenwriters from around the world.

Interviews conducted by Matthew Toffolo

Interview with Winning Screenwriter Gracious Vallarious (VIN AND JILL)
Interview with Winning Screenwriter Gracious Vallarious (VIN AND JILL)

Interview with Winning Screenwriter Farook Qais (THE PORTAL)
Interview with Winning Screenwriter Farook Qais (THE PORTAL)

Interview with Winning Screenwriter Robert Tartell (Hard-Hearted Hannah & Funny Boneyard)
Interview with Winning Screenwriter Robert Tartell (Hard-Hearted Hannah & Funny Boneyard)

Interview with Winning Screenwriter Gregory N. Ranky (GECKO ON-SIGHT)
Interview with Winning Screenwriter Gregory N. Ranky (GECKO ON-SIGHT)

Interview with Winning Screenwriter Maurizio Caduto (LIKE A BLOODY MONKEY)
Interview with Winning Screenwriter Maurizio Caduto (LIKE A BLOODY MONKEY)

Interview with Winning Screenwriter Anoop Judge (THE RUMMY CLUB)
Interview with Winning Screenwriter Anoop Judge (THE RUMMY CLUB)

Interview with Winning Screenwriter David Hearne (STARFARERS)
Interview with Winning Screenwriter David Hearne (STARFARERS)

Interview with Winning Screenwriter Anna Milun Walsh (GIRLS TV Show)
Interview with Winning Screenwriter Anna Milun Walsh (GIRLS TV Show)

Interview with Screenwriter Tali Zingman (HEADSTRONG)
Interview with Screenwriter Tali Zingman (HEADSTRONG)

Interview with Screenwriter Marilyn Lee (WOMEN OF STEEL)
Interview with Screenwriter Marilyn Lee (WOMEN OF STEEL)

Interview with Screenwriter Eileen Wilson (GINGER SNAP)
Interview with Screenwriter Eileen Wilson (GINGER SNAP)

Interview with Screenwriter Rodrigo Juatco (ROAR)
Interview with Screenwriter Rodrigo Juatco (ROAR)

November 2018 – Read the best of Filmmaker Interviews

Interviews by Matthew Toffolo

Touch the link and read 8 different interviews with the best of new filmmakers from around the world.

Dominic McCafferty (BOONDOGGLE)

Interview with Filmmaker Dominic McCafferty (BOONDOGGLE)

Bevin Hamilton & Rachel Murphy (INCALL)

Interview with Filmmakers Bevin Hamilton, Rachael Murphy (INCALL)

Marvin Nuecklaus (CROSSROADS)

Interview with Filmmaker Marvin Nuecklaus (CROSSROADS)

Max Mortl (ISLAND)

Interview with Filmmaker Max Mörtl & Robert Löbel (ISLAND)

Nick Dolinski (CLOUD COVER)

Interview with Filmmaker Nick Dolinski (CLOUD COVER)

Erik Bloomquist (SHE CAME FROM THE WOODS)

Interview with Filmmaker Erik Bloomquist (SHE CAME FROM THE WOODS)

Mark Howling (OBE: THE OUT OF BODY EXPERIENCE)

Interview with Filmmaker Mark Howling (O.B.E. THE OUT OF BODY EXPERIENCE)

Andres Passoni (3:32)

Interview with Filmmaker Andres Passoni (3:32)

STEEL MAGNOLIAS, 1989

STEEL MAGNOLIAS MOVIE POSTER
STEEL MAGNOLIAS, 1989
Movie Reviews

Directed by Hebert Ross
Starring: Shirley MacLaine, Sally Field, Dolly Parton, Olympia Dukakis, Julia Roberts
Review by Matthew Toffolo

SYNOPSIS:

Revolving around Truvy’s Beauty Parlor in a small parish in modern-day Louisiana. A film about female friendship. The funniest movie ever to make you cry.

REVIEW:

Steel Magnolias was one of three films that we owned when I was a kid growing up. The other two being Lethal Weapon 2 and When Harry Met Sally. Why we owned those films I had no idea, but I burned out the tapes after many viewings.

I had no idea what I was going to do with my life when I was 12-13 years old, All I knew is that I loved watching movies. But back then it was a world of only 5 TV channels, renting a movie at the video store was a big thing, and going to a movie theater was as rare as rain in Los Angeles. So Steel Magnolias was one of those films that I’ve seen many times. I hadn’t seen it in years until recently and it still stands the test of time.

This is a movie about friendship with a group of southern woman living in Louisiana. It could of easily been a movie about friendship of a group of athletes in a football locker room. The themes will remain the same. There is a lot of love in this movie and it was love that I craved for as a child, which is why I kept watching this film over and over again.

Only later did I realize that this is what they called a chick flick. And men weren’t supposed to watch this type of movie. So I abandoned Steel Magolias in my teenage years never to be watched again until 2009. Of course this is just silly stuff and I’m sure men would like these ‘chick flicks’ a lot more than woman do. After all, what better way understand women than to watch a movie about women?

I also grew up with a mother and two older sisters, so my influences growing up were mainly females. With their friends and other female family members, my mother and sisters formed a clan just like the women did in at the beauty shop in Steel Magnolias. A clan I attempted to join but was not welcome. They couldn’t talk the same when a boy was in presence. Of course I listened anyway as I eavesdropped on their conversations so I could hear what they talked about. A talent I formed then and continue to use to this day.

When the girls got together it was usually to talk about men and gossip about other woman. Why they were so fascinated about other people always blew my mind. After awhile the talk began a version of the same thing every time and that was when I fell in love with baseball and football. So I left the group of women behind and began to form or belong to my own male groups. In hindsight you sort of wish that there are more opportunities in life for woman and men to merge. But I guess these days there is, because almost as many men now go to beauty shops as woman do.

Watching Steel Magnolias was like watching my own mother and sisters. Except in the movie they were a lot nicer and the gossip talk always started with a rationalization to why they are speaking about someone else when they aren’t present. Gossip they did while they also learn a lot about themselves and their deep love to each other.

I loved the themes of this film and all of the performances are top notch. I always found it unfair that the male characters all had limited scenes but of course compared to almost every other Hollywood movie, this is a silly statement. Hollywood needs to tell more stories like this. And there are a ton of female actors who are ready and waiting for them.

 

Interview with Festival Director Rob Lobosco (MELBOURNE INTERNATIONAL CINEMA EXTRAVAGANZA)

The Melbourne International Cinema Extravaganza M.I.C.E. aims to be one of Melbourne’s leading cinema extravaganza, raising awareness and celebrating these wonderful totem animals- Mice.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Rob Lobosco: As a new film festival it is a great opportunity for filmmakers to submit and be part of something evolving, bringing together a collection of great films and celebrate their efforts.

2) What would you expect to experience if you attend the festival 2019?

A collection of great work in honour of the millions of mice that are used in research to save lives.

3) What are the qualifications for the selected films?

Films will be judged and the best will be selected. Of course All film creations are the best in which case all films will get a mention.
We are most excited about looking for an amazing script.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I think all festivals do their best In judging and sharing their viewpoint about the films. It is a collective decision amongst the judges and sometimes it may be disappointing to filmmakers not to be selected. But there is a huge celebration for filmmakers to complete a title and that’s the main focus for filmmakers to embrace. We all see the amazing creation in your film and are honoured to watch it and ‘not selected’ should not dishearten you, it should propel you to keep going.

5) What motivates you and your team to do this festival?

Creation, stories, characters, situations and how they all blend together to become a film. Film fascinates me in that there are limitless ways to tell a story and the filmmaker chose this particular way. It’s amazing to judge film with this in mind.
The motivation also is for the life saving totem animal of our festival – mice.

6) How has your FilmFreeway submission process been?

Film freeway is a great platform and fantastic place to submit films all around the globe.

7) Where do you see the festival by 2023?

We see it as a hub for emerging new talent and with its creators actively writing, producing and judges for other film festivals, it will become something quite special for filmmakers. A festival to bring together film makers with their new creations, network, collaborate and ultimately create!

8) What film have you seen the most times in your life?

A few- Beaches, Titanic and Muriel’s Wedding!

9) In one sentence, what makes a great film?

Investigating a situation/story and truthfully following the character’s physical, emotional, esoteric and spiritual journey, makes an Oscar winning film.

10) How is the film scene in your city?

Melbourne is a multicultural hub for amazing artistic talent and wonderful films. It’s a great place to be to create.

Even though we are so far away ‘downunder,’ we are very well connected to filmmakers all over the globe because of the need to collaborate and connect and create!

October 2018 – Read Interviews with the best of NEW Poetry and Writers

Interviews by Matthew Toffolo

Touch the link and read 9 different interviews with the best of new writers and poets from around the world.

Interview with Poet Lauren White (First Contact)

Interview with Poet Lauren White (First Contact)

Interview with Poet Susan L. Brown (Response To 8 Philosophers)

Interview with Poet Susan L. Brown (Response To 8 Philosophers)

Interview with Poet Sam Allen (Viola’s Rebellion)

Interview with Poet Sam Allen (Viola’s Rebellion)

Interview with Writer Pat Jourdan (DECEMBER)

Interview with Writer Pat Jourdan (DECEMBER)

Interview with Writer Peter Inson (HATS OFF TO THE TEACHERS, SMASHED)

Interview with Writer Peter Inson (HATS OFF TO THE TEACHERS, SMASHED)

Interview with Writer Diane Elliott (Remembering Momma)

Interview with Writer Diane Elliott (Remembering Momma)

Interview with Nia Markos (ELEMENTS: BOOK ONE)

Interview with Nia Markos (ELEMENTS: BOOK ONE)

Interview with Novelist James Charles (Spirit Of The Amaroq)

Interview with Novelist James Charles (Spirit Of The Amaroq)

Interview with Novelist Bogdan Dzakovic (FORTRESS OF DECEIT)

Interview with Novelist Bogdan Dzakovic (FORTRESS OF DECEIT)

Interview with Festival Director Daryl Bates (A SHORT NIGHT)

A Short Night consists of a variety of short films. The majority are produced, directed, and acted by local film talent. These films range from drama, horror to films that deal with current “hot button” issues. This event is a chance for local film makers to get their creativity and talent, in front of lovers of film.

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

Daryl Bates : Our goal for film makers is to get their projects seen. That’s our number one priority. We know there’s a ton of talent literally floating around. We want the up and comers, the dreamers, the people who never give up. Hollywood is running out of ideas for films. We are seeing a lot of retreads. What better place to find uniqueness and originality than regular everyday people.

People who have a different perspective on things. For example, one of my favorite movies is the original Paranormal Activity. It wasn’t the brain child of a Hollywood executive or the hottest screen writer. It was a regular guy who had an idea and made something special.

2) What would you expect to experience if you attend your upcoming festival?

Attendees can expect a broad range of short films. Since each short is five minutes or less, festival goers will have a different experience every five minutes. One minute you could be looking at a tear jerker while five minutes later you could be fully enthralled in a horror film.

3) What are the qualifications for the selected films?

As far as qualifications, we are lax. Of course, the usual, it has to be your work, you have to have the necessary permissions, sound quality has to be sufficient. We also want to keep it as fan friendly as possible. No explicit nudity, over the top coarseness etc. But for our films, each film should be five minutes or less. We are looking for a quick dynamic story. Our goal, when the
five minute film is completed is to have our audience saying “Wow, I want to see more of that!”

4) Do you think that some films really don’t get a fair shake from film
festivals? And if so, why?

It’s like anything else, we can’t really expect fairness. The world isn’t a fair place, it’s not right, but it’s the way that it is. A lot of film festivals aren’t immune to this reality. Film festivals are usually looking for “something” in particular. That something, in their eyes, should cater to the
main stream. If they don’t see that “something” they will probably move on. With our festival, we are looking at concepts. Concepts that can be expanded and created into something more.

5) What motivates you and your team to do this festival?

I guess the biggest motivation is the You Tube Short that I saw a few years ago called “Lights Out” I was impressed with the simplicity of it and its originality. Obviously Lights Out went on to become a Hollywood movie, and a sequel is in the works. I’m convinced there are others out there just like it.

We know for certain, there are talented people out there. We understand that life happens, and making a living takes precedent. We want to awaken those individuals. Have those individuals keep dreaming keep pursuing. Dust off those old shorts, and let’s display them. The world needs their unique creativity. Our goal is to find that type of person.

6) How has your Film Freeway submission process been?

Film Freeway has been great so far, it has been a one stop shop for us. From tickets to submissions, to website integration. Exactly what we were looking for.

7) Where do you see the festival by 2023?

In the next five years we are planning to have more of the same. Getting exposure for more people. Like anything else we will probably have to tweak a few things, but we fully expect to have larger venues, more eyeballs on the shorts that our talented Film makers are producing, and hopefully at least a few of our shorts become major motion pictures.

8) What film have you seen the most times in your life?

Probably “The Shawshank Redemption” or “The Mist”.

9) In one sentence, what makes a great film?

Really hard to answer, lovers of film have different taste depending on mood. And different criteria based on genre. In other words, I liked the movie Avengers for different reasons than what made me like The Shawshank Redemption. But I thought they were both good films, which is why we created the five minutes or less criteria for our festival. It has the ability to cater to moods.

There is one thing that I like about films, and that’s the conflicts between characters, anything that makes the audience pick a side or makes you think. Like ‘12 Angry Men’

10) How is the film scene in your city?

Atlanta is a great film city. Quickly being regarded as the “New Hollywood.” The state has invested in creating an atmosphere to attract film makers. You’d be hard pressed to find a better place for this industry, then right here, right now.
 


Daryl Bates is a writer and director of short films. An avid movie watcher, his favorite movie genres are horror and suspense. Daryl loves to use his imagination to create powerful entertaining films.

Interview with Festival Founder J.O. Malone (National Black Film Festival)

 

In a short time the National Black Film Festival has established themselves as one of the premier film festivals in the country. Educational workshops and panels that give the filmmaker and/actor insight into their chosen field. You want to miss our networking events starting with our opening night mixer and followed by the NBFF All Black Party and 2019 NBFF Awards Show. Join us and your film can be the next projecting on the big screen!

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Matthew Toffolo: What is your Film Festival succeeding at doing for filmmakers?

J.O. Malone: In our 1st two years our festival has given filmmakers an crash course into the film industry and a platform to let their stories be told.

2) What would you expect to experience if you attend your upcoming festival?

Giving you this basics. Knowledge into the film world. Screenwriting, directing, acting and amazing info from our diverse panels.

3) What are the qualifications for the selected films?

Lead actor/actress, director, writer, producer must be African American decent. Quality cinematography, sound, acting, writing and directing.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

It’s important that filmmakers submit to festivals were the organizers and board members understand your culture. We you come from.

5) What motivates you and your team to do this festival?

Giving a platform for African Americans to tell their story for their perspective. Also. Building the Houston film community.

6) How has your FilmFreeway submission process been?

We love FilmFreeway.

7) Where do you see the festival by 2023?

Top 10 festival in the country.

8) What film have you seen the most times in your life?

Do the Right Thing – Spike Lee

9) In one sentence, what makes a great film?

The flow of the story.

10) How is the film scene in your city?

The city of Houston is growing as a film city. As the 4th largest city in the country we have the talent to make an impact in the film world. Our passion is unmatched.
 

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*****

James Rowlins left his native England for Paris, France, to study French cinema. His passion for visual culture subsequently took him to Los Angeles, where he earned a doctorate at the University of Southern California while learning the ropes of filmmaking. He has published articles on the French New Wave and film noir. After serving as Head of Film Studies at the Singapore University of Technology and Design, he now dedicates himself to the full-time running of Brighton Rocks Film Festival.

Interview with Festival Director Edward Payson (an Anti-Hero Production Genre Fest)

This film fest was created to celebrate genre films of all kinds that tend not to have too many outlets on the festival circuit. Being filmmakers ourselves, we know the work that goes into making a film so our entry fees are low and we have a lot of rewards to give out. We are a film fest made by and for filmmakers.

Interview with Festival Director Cato ML Ekrene (The Norwegian International Seagull Short Film Festival)

The Norwegian International Seagull Short Film Festival is a Film Festival with live screening, the festival also have a Live streamed award show. The Main host for 2019 is International Award winner Hector Luis Bustamante from Hollywood. They accept films/animations/documentary under 60 min. We also have a category called Best International Game.

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1) What is your Film Festival succeeding at doing for filmmakers?

Our film festival stands out that we are a festival for everyone, and the jury is made up of the best people that have the experience required to evaluate a movie. Not least because at our festival we have trophies that are specially made in pure Alleminum, which has a value of almost 800 Euro as all the winners receive.

What’s great with this festival is that we accept all movies within 60 minutes. We do not want to stop filmmakers to submit movies just because they break the game time because you can watch the festivals that have a limit of 15, 25, 35, 45 min. We also have a masterclass too that is free for the filmmakers under 18.

2) What would you expect to experience if you attend your upcoming festival?

They will experience a completely different festival, but lots of people who come to views, professionals who get to know, annotated personalities from all over the world as well as Oscar winner they can talked with. We have stands, concerts and a film program that is may the best the best in the world. and we must not forget that we have live award show with main host from USA.

3) What are the qualifications for the selected films?

We search for all movies, it is the jury who decides which movie is on the program. We recommend everyone to send, but you should know that it a strong competition and the film must have a high level in production, acting and story. But in the end we want the best films, we don’t care if you have filmed it with a Red or a 8 mm Camera, just make sure you have a strong story. In the 2018 festival we had over 1200 films but only 150 were chosen.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Yes, I think there are many in the jury at different film festival that have too little experience and are too noisy. That’s why it was so important to bring a jury and a host who is recognized and can stand for what they have done. That the professionals can actually go in to read about them and what they’ve done. To me as a festival director, it was very important to find out that this is a festival where the jury stands for it and that it is different nationality so those who submit their movie see that we have a strong maneuver.

5) What motivates you and your team to do this festival?

Well plan the festival for 4 years and stated it up in 2017. the planing was all, because i need the right person in the jury as the main host. But it all fall on place that we needed a festival that was for films under 60 min but with a high level of professional in the board, jury and host. So i think the best was when we found out that it was not that much festival for films up to 60 min, but now it is, but it’s a festival of a high level with a low submit cost.

6) How has your FilmFreeway submission process been?

It have been great, we have a great page, a lot of submitter and it comes in film from all over the world. We are very proud and happy for all submitter. For the festival in 2019 we have submissions from over 69 different nations.

7) Where do you see the festival by 2023?

That we have a big festival for films up to 60 min and that we have a program full of stands, films, and professional courses. Like we are today but a bigger program with films, concerts and stand and a lot of master class for the professional and guest.

8) What film have you seen the most times in your life?

Well there are a lot of films I like but I think my top 3 will be Aliens, Predator and The Untouchables

9) In one sentence, what makes a great film?

It`s all about the story, a story that touch my feelings, joy, sad, happy and pain.

10) How is the film scene in your city?

We are very proud of our city, because we do not only have short festival, we also have Norway’s biggest film festival for feature films. Our city has The Norwegian International Film Festival, known worldwide, where they award “Amanda” award. The city is called “The Film City of Norway»

 

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Interview with Festival Director Aleksander Sakowski (THE VISION FEAST)

The Vision Feast has returned with a vendetta; to showcase the world’s finest visual media. Their third year features all new awards with a lineup of world renowned Judges.

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1) What is your Film Festival succeeding at doing for filmmakers?

Our main objective is to celebrate and promote visually stunning and experimental films, and to acknowledge the hard work and talent behind those projects.

2) What would you expect to experience if you attend your upcoming festival?

We are currently an online based festival, our goal within the next 2 years will be to expand into a physical screening festival that will follow our philosophy of making the experience visually interesting. As for now viewers can visit our website which we have endeavor to make it a visual experience.

3) What are the qualifications for the selected films?

Our qualifications range but in particular we look for films that make your eyes go pop, this does not mean we over look story, quite the opposite, we want the visuals to match the stories and display the film makers understanding of how the 2 complement each other.

4) Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

I my self am a film maker and have gone to the festival market with multiple projects. I founded The Vision Feast out of frustration with other festival not really meeting my expectations, that and at the time, New Zealand did not really have anything like this. As a film maker, I felt that I was entering festivals like I was gambling. I might pay exorbitant amounts to enter a festival only to receive a email saying “thanks but no thanks” and even if I won sometimes in the festivals I entered, I wouldn’t really get anything accept a digital laurel. We are striving to move away from this culture. Having run the festival for 3 years now it is clear that programming is not easy. This year we have made it a priority to give a prize for most award. The prizes vary from Cash Prizes to Rental Prizes and others. Our entry fees are low so when you enter its like buying into a prize pool worth $10’000 nzd.

5) What motivates you and your team to do this festival?

My original goal was to promote New Zealand projects around the world, and that still is one of my priorities but since most of our entries are from over seas Its inspiring to be inspired by the amazing artistry of the Vision Feast Submissions and celebrate the blood sweat and tears that go into each and every project.

6) How has your FilmFreeway submission process been?

Quite smooth, film freeways platform makes it easy to manage entries from all over the planet.

7) Where do you see the festival by 2023?

In the top 50 festivals, screening in LA & NZ, showcasing the best of the best brain melting visuals, I would like to expand into categories that are not usually celebrated like concept art and poster design.

8) What film have you seen the most times in your life?

I’m a animation geek, I also work in animation, so Id say Ghost in the Shell (1995) that movie blew my mind in more ways than one.

9) In one sentence, what makes a great film?

The rubix cube of arts, science, engineering and nature and how the film makers has woven those ingredients together.

10) How is the film scene in your city?

Its great, the Film crews here are world class and the infrastructure gets stronger every year.

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