Interview with Kristine Renee Farley (MayDay Film Festival)

The MayDay Film Festival originated in May 2009 at the University of Southern Indiana. It was created by a group of student filmmakers.. Year one was about showing off student films at their event to the student body. Since then, it has evolved into a full fledged festival showcasing films from all over the world.

Website: www.maydayfilmfestival.com

Twitter @MayDayFilmFest

I recently sat down with the Festival Director of the Festival:

Matthew Toffolo: What is the MayDay Film Festival succeeding at doing for filmmakers?

Kristine Renee Farley: I consider MayDay Film Festival’s biggest achievement our audience members. Last year we had 500 people in attendance across our 2-day event. Sometimes it can be difficult for independent film to find an audience, but we don’t have that problem at MayDay. We’re also currently in negotiations with international distribution companies. We want to partner with one to get MayDay Film Festival official selections in front of their eyes, and hopefully the rest of the world.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Kristine: MayDay is alway a fun experience for attendees. We pride ourselves on not being a pretentious film festival. We have vendor booths similar to what you see at conventions. This gives filmmakers a chance to sell their movies as well as other merchandise like tshirts. But we also invite local businesses and artists to rent booth space as well. We want to be interactive with the whole community, and invite anyone who thinks indie film fans would like to buy their product a chance to get it out there. All the info to get a booth is on our website. We also always have a guest artist or two to do a Q&A panel. We’ve had cosplayer Collin Royster, Emmy-award winning writer of Friday the 13th Victor Miller, Jake Lloyd of Star Wars & Jingle all the Way, and the Star Wars 501st Legion in past years.

Matthew: What are the qualifications for the selected films?

Kristine: Our submission guidelines are pretty loose. We like to have a wide variety of films screen at MayDay. During the selection process, we try to keep a good balance of looking at the quality of everything from camera work, image, audio, acting, and story. A filmmaker may not have had the best camera when they made their film, but if the story is amazing, we’ll still take it. Likewise, if a film looks too beautiful to pass up, we sure won’t.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Kristine: I agree to a certain extent, yes. I think the bigger film festivals only take “independent” films that are only so just because a studio wasn’t involved. Yes, TECHNICALLY they’re “independent,” but they have huge stars and the best equipment. It makes sense for a festival to accept such movies because it will help their festival be more successful, so I can’t really discredit them for that at all. But I do believe that a lot of really amazing films that didn’t have the budget and didn’t have the stars do get ignored sometimes. Just because they don’t have that selling power. Which kind of leads into your next question…

Matthew: What motivates you and your team to do this festival?

Kristine: We want to give people a chance to get their films seen. That’s the whole point of making a movie! For people to see it! In addition to our fantastic & growing attendance numbers, filmmakers have the opportunity to secure booth space to sell their DVDs to the right audience – people interested in watching indie film.

For me personally, I’m also an actress working in TV & indie film. It’s a wonderful opportunity to see who’s making amazing films & to check out other actors & actresses who are getting work. We have films that come to us from all over the country & the world. It’s a wonderful networking opportunity for anyone in the indie film scene.

Matthew: How has the festival changed since its inception?

Kristine: This festival has changed SO much! It first started as a few students at the University of Southern Indiana showing off short films that they had made that school year. Then the Filmmakers’ Club was created to give students a more organized foundation to create their films since the school doesn’t have a film program. Each year it’s gotten bigger & bigger, incorporating local filmmakers and businesses. Now we’re in an actual movie theatre (Shout out to Showplace Cinemas in Evansville, IN! They’re the best!), showing films on 3 screens, and have international selections each year. I started helping with the fest in year 3. We had 38 submissions total. This year we had 40 our first day. We’re up to 470 currently, and we don’t close submissions until May 1st! We’ve had to bring on more people to get through the first round of watching films.

Matthew: Where do you see the festival by 2020?

Kristine: I certainly hope we continue to grow as much as we have already. At this time, we’re a not for profit event in the sense that we make absolutely no profit, haha. All fees & admissions go straight back into the festival costs. A lot of the time myself and the other coordinators will spend money out of pocket to make sure everything goes off without a hitch. I’d certainly like to see it begin to turn a profit because we have some amazing ideas to expand the MayDay brand into other film related events. If I had my way, we’d have a different themed event each month!

Matthew: What film have you seen the most times in your life?

Kristine: The absolute most times is probably Harry Potter and the Sorcerer’s Stone. I may have been a teenager when it came out, but I geeked hard core over it. My sister and I were probably watching it 3 times a day that summer we were off from school. I started developing a bit of a British accent. It was pretty crazy, haha. As an adult, it’s probably either Kill Bill or Kiss Kiss Bang Bang. Those films just never get old for me. I notice something new each time I watch them. If you’re talking indie film, you should totally check out Bounty Killer. God, I love that movie.

Matthew: In one sentence, what makes a great film?

Kristine: Oy. ONE sentence? And “great” is so subjective… I’d have to say, “A great film understands it’s audience.” Understanding your audience and how your film is perceived really helps tell a great story. That sentence also allows for films that may not be technically sound, but are still entertaining. &#X1f60a AND it transcends genres. Someone who loves horror may not like romantic comedy, but that doesn’t mean either genre isn’t great.

Matthew: How is the film scene in your city?

Kristine: Well, I’m living in New York City now, so pretty awesome, haha. Back in Evansville, things are pretty hopping, too. The work I got there and the experience I gained have been invaluable to me in pursuing my career. Last year at MayDay Film Fest in particular, the quality of local films skyrocketed. Evansville, IN is definitely holding their own against some of the best films from around the country. Some even won awards against them too! I continue to be impressed year after year at how much my friends & associates in indie film have grown.
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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to http://www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Dave Merson Hess (Rush Process Festival of Handcrafted Animation)

Rush Process celebrates handcrafted animation. The festival’s first edition – set for August 27-28, 2016 in Houston, Texas – will combine curated and competition screenings with filmmaker Q&As and a DIY animation jam. RP aims to screen visually and emotionally stunning, non-digital animation.

I recently sat down with Festival Director Dave Merson Hess to talk more about the festival:

What is Rush Process succeeding at doing for animated filmmakers? 

On the screening side, we’re bringing handcrafted animated films to an enthusiastic audience that appreciates the gesture of choosing to work with tangible, analog materials. And with our workshops, we’re encouraging absolutely everyone to embrace low-budget, DIY animation as both a rich area for visual exploration and an accessible entry point into personal filmmaking.

What would you expect to experience if you attend the festival?

Eye-opening screenings of handcrafted animated shorts from around the world, workshops offering the opportunity to collaborate with complete strangers who share a passion for time-based collage and scribbling, and snacks. We’ll definitely have snacks.

What are the qualifications for the selected films? 

I’m not involved with judging, but I can tell you that we only screen handcrafted animation. These are painstakingly produced films made by hand, with real ink and paint, and often by lone practicioners. To quote our site, handcrafted is “a materials-focused practice at the intersection of DIY, auteur-driven cinema and analog animation art.”

What makes a great independent film? 

A great independent film: 1) chooses the discomfort of honesty and doubt over audience-pandering via formula and cliche, 2) embraces the limitations of the particular context of its own making, and 3) demonstrates a passionate dedication to a unique and highly developed personal or collective vision.

What motivates you and your team to do this festival?

The opportunity to become DIY animation enablers for as large an audience as possible, and the genuine feeling that we’re filling a niche programming void.

>Where do you see the festival by 2020?

I see the workshop element expanding dramatically. Imagine a DIY animation-focused Hack Week, with independent animators, artists and film lovers of all ages meeting and collaborating on free-form, time-bound production challenges.

How has the festival changed since its inception?

Well, 2016 will be our first edition but I’ve been working on Rush Process for a year and a half. It began as an idea for a monthly screening series, then after some reshuffling and delays it morphed into a full-fledged animation festival. On the workshop side, we were inspired by Tom 7’s Crap Art Manifesto, and our friends at Beta Theater’s Make-A-Movie Night, which was this rad monthly happy hour event where filmmakers got together in teams and each made a short start-to-finish in about three hours.

What film have you personally seen the most in your life?

As a teen: Elvira: Mistress of the Dark, Wayne’s World, and Jan Svankmajer’s “Alice”.

While in film school: “Rehearsals for Extinct Anatomies”, by The Brothers Quay.

As an adult: I’m not really someone who re-watches films much anymore. Despite this tendency, the films I’ve spent the most time with in the last five years have been: Penny Lane’s “The Voyagers”, Terence Nance’s feature, “An Oversimplification of Her Beauty”, Karolina Glusiec’s “Velocity”, and my friend Dax Norman’s whole body of work.

How is the film scene in your city?

On the production side, it’s relatively small and a bit fractured, with grant-funded video artists at one end of the spectrum, indie genre filmmakers at the other, documentarians somewhere in the middle, and the vast majority of local film professionals focused on industrials and commercial work.

In terms of curating and screenings, Houston’s film scene is downright incredible. We’ve got Mary Magsamen at Aurora Picture Show bringing the likes of Jodie Mack and Roger Beebe, Houston Cinema Arts Fest, annual festivals hosted by the Museum of Fine Arts Houston, even more screenings at the CAMH, video art/installations/transmedia madness at Civic TV Collective, Peter Lucas’s “Jazz On Film”, the Menil projecting work in a museum context (William Kentridge, anyone?), plus Mystical Crystal Revelations Movie Club showing rad cult flicks, and newer nomadic programmers like Suplex starting to screen stuff around town.

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Bio:
Dave Merson Hess is an animator, media arts educator and film curator based in Houston, Texas.
Twitter: @lofiaction

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to http://www.wildsound.ca for more information and to submit your work to the festival.

 

 

 

2015 Poetry Winner – Jane Gill Wilson

poetryfest's avatarPOETRY FESTIVAL. Submit to site for FREE. Submit for actor performance. Submit poem to be made into film.

The Poetry Festival is proud to announce its 2015 Poetry Winner.

They will now have their poem made into a film.

Paris – The Atrocity 13th November 2015 by Jane Gill-Wilson

Gunfire out of nowhere
Bullets ricochet,
Blood shed in the city
On another Parisian day.
Eyes closed in anguish
As the shocking events unfold,
There is no rhyme or reason
As evil takes control.

Armed with Kalashnikov’s
On their killing spree,
Intent on ending life
As victims start to flee.
Mayhem in the city
Bodies on the ground,
Echoing explosion
Causing carnage all around.

The unfolding horror
An onslaught of war,
Is a crime against humanity
One the world abhors.
A nation now in mourning
Struggles to comprehend,
How lives were extinguished
Brought callously to an end.

Holding hands together
United we must stand,
To eradicate the evil
Infiltrating our land.
Drastic measures needed
As time is running out,
The…

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Movie Review: STAR WARS: REVENGE OF THE SITH (2005)

WILDsound Festival's avatarFAN FICTION Film and Writing Festival

Submit your Fan Fiction Screenplay to the Festival: http://fanfictionfestival.com

Read Interview with Star Wars Storyboard Artist Kurt Van der Basch

REVENGE OF THE SITH MOVIE POSTERREVENGE OF THE SITH, 2005
Movie Reviews

Directed by George Lucas
Starring: Ewan McGregor, Hayden Christensen, Natalie Portman, Samuel L. Jackson, Ian McDiarmid, Frank Oz
Review by Andrew Kosarko

SYNOPSIS:

A long time ago, in a galaxy far, far away…. Sometime during Star Wars: Episode III Revenge of the Sith, Jedi Knight Anakin Skywalker will make a fateful decision. Faced with a choice between losing the one he loves or giving up his soul to gain the power to save her, Anakin will fall prey to the seductive temptations of the dark side of the Force. Just what Anakin’s decision is, why he makes it and how it leads him to don a frightening suit of black armor have been the stuff of Star Wars legend.

One word: Finally. And…

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Read interviews from the top film crew members working in Hollywood today.

WILDsound Festival's avatarWILDsound Festival

Read the best of Interviews this week. 

Interviews from Matthew Toffolo  from WILDsound

Interview with 1st AD Mathew Dunne (War for the Planet of the Apes)

Interview with 1st AD Mathew Dunne (War for the Planet of the Apes)

Interview with Storyboard Artist Kurt Van der Basch (Star Wars Episodes VII and VIII)

Interview with Storyboard Artist Kurt Van der Basch (Star Wars Episodes VII and VIII)

Interview with Foley Artist Marko Costanzo (Silence of the Lambs, The Departed, Life of Pi)

Interview with Foley Artist Marko Costanzo (Silence of the Lambs, The Departed, Life of Pi)

Interview with Art Director Jeremy Woolsey (Pitch Perfect, Million Dollar Arm, Dirty Grandpa)

Interview with Art Director Jeremy Woolsey (Pitch Perfect, Million Dollar Arm, Dirty Grandpa)

Interview with Kami Asgar, Oscar Nominated Sound Editor

Interview with Kami Asgar, Oscar Nominated Sound Editor

Interview with Glen Gauthier, Sound Mixer (Spotlight, Pacific Rim, Kick-Ass)

Interview with Glen Gauthier, Sound Mixer (Spotlight, Pacific Rim, Kick-Ass)

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Interviewer Matthew…

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Deadline Feb. 5th – First Scene Screenplay Festival

WILDsound Festival's avatarWILDsound Festival

FIRST SCENE SCREENPLAY CONTEST

New Years Special Deadline February 5th. Submit and get your first 10 pages performed!

Go to: http://firstscenescreenplay.com/ and submit

Watch over 50 1st Scene Screenplay Festival Winners:

FULL FEEDBACK on your screenplay from our committee of Professional Screenwriters, Production Heads and Script Consultants.

Are you just starting off your screenplay and want immediate feedback on your first scenes/first moments of your script?

Send your first scene (or first moments – 10pg. limit) and get feedback. Winners (at least 40 a year) get their first scene read at the MONTHLY WILDsound Screenplay Festival (see video on right for example of what you’ll get when you win).

Great way to promote your script!

Submissions take 3-5 weeks for evaluation. Looking for screenplays

Go to: http://firstscenescreenplay.com/ and submit

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Interview with Storyboard Artist Stephen Forrest-Smith (Star Wars, Harry Potter, The Dark Knight)

matthewtoffolo's avatarMatthew Toffolo's Summary

A storyboard artist, or story artist, creates storyboards for film productions.

I had a blast sitting down with the very talented storyboard artist Stephen Forrest-Smith. Stephen has worked on some of the most popular films in the last 15 years, including “The Dark Knight,” the last three “Harry Potter” films, and last year’s “Star Wars” film.

His candor in the following interview is educational and very entertaining. Enjoy:

Matthew Toffolo: When coming aboard a project on a Hollywood film, how does the process generally work? Do you start with a preminary chat with the director about themes etc..? How early do you arrive before production? When do you generally exit the job?

Stephen Forrest-Smith: There really is no normal to my job anymore. Every project seems to be different and now and asks for different. A film project could call on a storyboard artist at any stage from pre-pre production…

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Interview with Festival Director Bobby Keller (Nepa Horror Film Festival)

I recently sat down with the Festival Director of the new festival Nepa Horror Film Festival. Bobby Keller is a big champion of Horror and it shows in this interview. Enjoy:

Matthew Toffolo: What is the Nepa Horror Film Festival succeeding at doing for filmmakers?

Bobby Keller: Getting their films shown to an audience. The festival is still just starting out, but as a filmmaker, I am grateful for ANY screening of my movies, so I would hope that I am helping other horror filmmakers out.

Matthew: What would you expect to see if you attend the festival?

Bobby: Our first festival was in October. It was 13 short horror films, local, national, and international. Now I do monthly screenings at Ale Mary’s in Scranton, which have been consisting of ‘cult following’ shot-on-video horror movies from the 1990’s feature films along with a few short films prior to the features. Last month I did a tribute to Todd Sheets and screened his Zombie Bloodbath trilogy. And February 18th, we will be showing Boardinghouse, Death Metal Zombies, and Warlock Video’s remake of Evil Night.

Matthew: What are the qualifications for the selected films?

Bobby: For the short films, basically be under 20 minutes, be horror themed, and don’t suck.

Matthew: What are people’s fascination with horror films?

Bobby: “It’s a way of life, maaaaan!” Seriously though, horror fans are the greatest people in the world. I think that’s part of what makes the festival so much fun. If 100 people show up or 5 people show up, everyone is still going to have a great time and get along. It’s not a bunch of hipsters with Twin Peaks TEETH saying “Shutter Speed” loud enough for girls to hear them.

Matthew: What motivates you and your team to do this festival?

Bobby: I started it to ‘showcase’ local filmmakers in Scranton and Wilkes-Barre. And maybe one guy in Nanticoke. I had shown my own films locally with a friend of mine, Stachio. He asked me if I wanted to do anything in October, and I figured since it would be around Halloween, a horror film festival would be a great idea. I set up a FilmFreeway page for submissions, and ended up getting dozens of films from all over the world. The theme was “13 Short Films”, so only being able to pick 13 was tough. I guess my love for horror, being a filmmaker, and wanting to provide something for people in my area to do besides GET THEIR GLUG ON.

Matthew: How has the festival changed since its inception?

Bobby: We’re slowly and surely getting to the point where we won’t screw something up at a screening. Haha. It’s usually just little things that I’m sure the audience doesn’t even notice, but I’ll be sitting in the back having an anxiety attack and choking on popcorn.

Matthew: Where do you see the festival by 2020?

Bobby: In space.

Matthew: What film have you personally seen in your life?

Bobby: I think I saw Creepshow 700 times.

Matthew: In one sentence, what makes a great film?

Bobby: Chainsaws and The Butter Cream Gang.

Matthew: How is the film scene in your city?

Bobby: Not bad.. Voyager Video, JVW, and Twenty Five Eight are doing some cool stuff. But then you have assholes who spend more time updating the trivia on their IMDB page that nobody is going to read. I’m more into the Frog scene in Scranton. Philadelphia isn’t too bad either, check out Johnny Dickie and NEPA native Sam Valenti’s stuff.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to http://www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Mark Mos (Los Angeles Short Film Festival)

Don’t miss Los Angeles Short Film Festival
Sat-Sun, March 5-6
Promenade Playhouse, Santa Monica CA

smarturl.it/lsff

I recently sat down with the Festival Director Mark Mos to chat more about the festival.

Matthew Toffolo: What is the Los Angeles Short Film Festival succeeding at doing for filmmakers?

Mark Mos: We invite specialists from Industry. They see potential dreaming in hearts of filmmakers. For sure they have great audience and if we screen web episode for example, same audience go online and follow rest of the episodes.

Matthew: What would you expect to experience if you attend the festival this year (2016)?

Mark: We have short film with James Franco, called Walk in the Winter, but also 30+ films, directors, producers, actors at Q and A we organize after each block/program.

Matthew:  What are the qualifications for the selected films?

Mark: Quality of the story. You don’t have to rent or purchase great camera if you want to tell what is inside you. Just invite your friends, shoot something, practice. One of your films maybe good, another not, but let judges of the festival decide. Each judge is different, so you never know what they will pick up. But please…place credits at the end of the film. We do not want to see your sponsors, or whole bunch of names at the beginning. We want to see first scene of yours…not bunch of letters and who sponsored you. This may wait, when we select your film.

Matthew:  Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Mark: First 2 minutes of the film is very important. I guess festivals want to see some professional skills, even if film is submitted by student. If your actress reads script in her mind and her work is terrible, festival judges will not suffer for rest of the film. Directing might be good, cinematography brilliant, but if you actor is terrible then whole project you may considered trash. I know it’s heavy, but you do the same while watching TV…you skip channels to see something interesting. I guess judges go to another film if yours is not interesting or not well done.

Matthew:  What motivates you and your team to do this festival?

Mark: Helping each other. We like to see smiling faces when they get award or certificate. There is nothing more beautiful then happiness of another person.

Matthew:  How has the festival changed since its inception?

Mark: Oh it changes constantly. We have more films for screenings, Q and As are longer and venue is upgraded with bigger screen with new seats.

Matthew:  Where do you see the festival by 2020?

Mark: Bigger, better, nicer

Matthew:  What film have you seen the most times in your life?
Mark: I’m a fan of Die Hard, so when it’s on TV it’s not easy for me to switch channel for something else.

Matthew:  In one sentence, what makes a great film?
Mark: Having soul in it.

Matthew:  How is the film scene in your city?
Mark: Well… Santa Monica is a film city. Bay Watch was shooting here and many…I mean many, many more.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

Interview with Festival Director Juri Koll (Fine Arts Film Festival)

The Fine Arts Film Festival (FAFF) is dedicated to showing the finest films in the world about art, photography, collectors and artists of all mediums in and out of their studios, galleries, museums, public art, and alternative art spaces. This includes video art, curated as a film medium.

For more information, go to http://www.thefineartsfilmfestival.com/

I recently met with the Festival Director Juri Koll to talk more about the festival.

Matthew Toffolo: What is your festival succeeding at doing for filmmakers?

Juri Koll: We provide a wonderful audience for films that focus on art or the art world in some way – which is a very niche place in the film world. Lots of films of this kind are lost in the mix of film festivals so we provide a place to showcase these kinds of films.

Matthew: What would you expect to experience if you attend the festival?

Juri: You will see films here that you may never see anywhere else in the world. Sometimes they screen with us before a quick run at theaters.

The location for the screenings is the historic Beyond Baroque Theater in Venice, California, long renowned as a hub of creative endeavor in Los Angeles, and Southern California in general.

You will meet exceptionally creative filmmakers, artists, musicians and literary artists of all kinds, along with your usual film crowd, as many of the filmmakers who work in the studios and independent productions houses live and also work in Venice. Plus it’s a block or two from the world famous Boardwalk and the beach, so there’s plenty to do after you’ve seen the films!

Matthew: What are the qualifications for the selected films?

Juri: Film subject matter must be related to the art world in some way, whether it be art and artists in or outside their studios, collectors, galleries, museums, public art, and alternative art spaces or other art related subject. It can also be a video art piece itself, which may be accept to be curated with others for a film debut.

Films must have been completed after January 2, 2014.

Other than that it can be any kind of film – narrative, doc, experimental, music video, art – anything that speaks to creativity.

Matthew: Do you think that some films really don’t get a fair shake from film festivals? And if so, why?

Juri: Yes, in our case that’s the reason we created the Festival – because these kinds of films are sort of lost in the mix of all the great films you can see when you go to festivals. I think films about artists – especially documentaries – are often overlooked because people feel they have probably seen one and seen them all – that could not be further from the truth. The films we show are dramatic, funny, witty, jarring, crazy, creative, emotional, awe-inspiring, heartfelt, and real.

Matthew: What motivates you and your team to do this festival?

Juri: A love of and belief in the creative spirit in everyone. We love artists because we are artists.

Matthew: How has the festival changed since its inception?

Juri: We’ve gone from a small regional festival with a few entries into a truly international event in the place we believe to be the center of creativity in the arts in the entire world right now – Los Angeles.

In Los Angeles, Venice is known as one of the top creative hubs of the city. It’s got a century long history of making art that has impacted the art and entertainment worlds globally.

Matthew: Where do you see the festival by 2020?

Juri: We hope to move to a larger venue next year, and perhaps by 2020 we’ll be in multiple venues across the city. We’re working with local museums to bring programming to them as well.

Matthew: What film have you seen the most times in your life?

Juri: That’s a tough one. Apocalypse Now, perhaps. Maybe Rocky. There’s lots of them.

Matthew: In one sentence, what makes a great film?

Juri: A film where each shot and each cut are done for a purpose, where the whole film becomes the story, where you remember the film long after you leave the theater.

Matthew: How is the film scene in your city?

Juri: We are the film capital of the U.S. and the world, so our standards are the highest anywhere. The scene is dynamic, vibrant. Constantly – 24/7 – projects are being talked about, bought, sold, started and completed…

and sometimes never completed. We live where dreams are made. People here will help you our on your project if you just ask – you just have to be honest, open, easy to work with, and have a great idea.

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Interviewer Matthew Toffolo is currently the CEO of the WILDsound FEEDBACK Film & Writing Festival. The festival that showcases 10-20 screenplay and story readings performed by professional actors every month. And the FEEDBACK Monthly Festival held in downtown Toronto on the last Thursday of every single month. Go to www.wildsound.ca for more information and to submit your work to the festival.

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Juri Koll Bio:

Along with regularly curating and managing traveling exhibits, and exhibiting his paintings and photographs, Juri Koll produces and directs documentaries on artists and other art world figures. He has produced and managed feature films such as Texas Heart (Lin Shaye), Until The Music Ends (Slash, Chrystal Method), American Cowslip (Val Kilmer, Bruce Dern, Rip Torn), Hardcore Hearts, and The Truth About Kerry (Stana Katic). Juri has produced and/or directed over 90 short films, both fiction and documentaries. His films have screened all over the world, in over 70 festivals, including Cannes, the Cork International Film Festival, the Australian International Film Festival, and won many awards. He is a member of the Directors Guild of America and a regular signatory to SAG/AFTRA.

After graduating from California Institute of the Arts with majors in Fine Art and Filmmaking, Mr. Koll produced the first Art/World documentaries from 1990 – 1995. He worked with major curators in their museums and galleries, such as the Metropolitan Museum of Art, The National Gallery in Washington, D.C., the Los Angeles County Museum of Art, and the Museum of Modern Art in San Francisco. His subjects included world famous and infamous artists and curators from the Renaissance period to the present. Recently, Juri’s first documentary, In The Steel: A Portrait of Mark di Suvero, (1991), was accepted into the Archives of American Art at the Smithsonian Institution. A Founder/Director of the Venice Institute of Contemporary Art, which produces FAFF, he recently curated the traveling show Water Works, which exhibited at the Museum of Art and History in Lancaster, CA in Fall, 2015, and presented films from FAFF at the LA Art Show at the LA Convention Center in January 2016. For more information: juri@veniceica.org