REMAND, 40min., Uganda, Documentary
Directed by Craig Detweiler 

Henry, a Ugandan boy, is losing hope, languishing in prison, awaiting trial for two murders he didn’t commit. Jim’s comfortable life as a Los Angeles lawyer and law professor nearly ensured he and Henry would never meet. REMAND tells the true story of how Tumusiime Henry and Jim Gash, separated by an ocean, thousands of miles, and differing cultures, worked together to inspire justice reform for an entire country.

CLICK HERE – and see full info and more pics of the film!

REMAND, 40min., Uganda, Documentary
Directed by Craig Detweiler 

Henry, a Ugandan boy, is losing hope, languishing in prison, awaiting trial for two murders he didn’t commit. Jim’s comfortable life as a Los Angeles lawyer and law professor nearly ensured he and Henry would never meet. REMAND tells the true story of how Tumusiime Henry and Jim Gash, separated by an ocean, thousands of miles, and differing cultures, worked together to inspire justice reform for an entire country.

CLICK HERE – and see full info and more pics of the film!

WILDLAND, 25min., USA, Documentary
Directed by Daniel Steiner

Three young inmates enlist in one of the last firefighting programs in the country for juveniles offenders; but a deadly incident forces them to contemplate their futures both on and off the fire-line.

CLICK HERE – and see full info and more pics of the film!

You can also submit your film exclusively via Film Freeway: 

IT BEGAN WITHOUT WARNING, 6min., USA, Horror

THE LAST DREAM WARRIOR – Fan Fiction Screenplay June 2018 Reading by Mike Meade

GOD OF INSECTS – HORROR Short Screenplay June 2018 Reading by James R. Cowley

ME & CINDERELLA – HORROR Short Screenplay June 2018 Reading by Jason Boaden

TOUCH – Best Scene Screenplay June 2018 Reading by Scott Timmins

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Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: John Johnson, Isabal Cupryn, Aser Santos Jr., Zack Arch

Genre: Horror, Thriller, Drama

When Jesse returns to his childhood home after hearing about his abusive mother’s suicide, he soon discovers that something evil lurks within the depths of the house, and it’s been waiting for him to return after all these years.

CAST LIST:

Narrator: Val Cole
Jesse: Jolly Amoako
Helen: Alicia Payne

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Producer: Matthew Toffolo http://www.matthewtoffolo.com

Director: Kierston Drier

Casting Director: Sean Ballantyne

Editor: Kimberly Villarruel

Camera Op: Mary Cox

You can also submit your film exclusively via Film Freeway: 

Winning SCI-FI 1st Scene Script: POLE by Robert Dodrill

Winning HORROR 1st Scene Script: WHERE THE BAD KIDS GO by Sean Elwood

Winning 1st Scene Script: EDEN by Jean Barker

Winning THRILLER 1st Scene Script: FIELDS OF BLOOD by Michael Meade

Winning FANTASY 1st Scene Script: FORGET ME NOTS by John Dummer

Winning HORROR Short Screenplay – THE SNEEZE by Martin Reese

Novel Reading: THE SANGUINARIAN ID by L.M. Labat

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Producer/Director: Matthew Toffolo http://www.matthewtoffolo.com

Festival Moderators: Kierston Drier, Shepsut Wilson
Casting Director: Sean Ballantyne
Editor: Kimberly Villarruel

Festival Directors: Mary Cox, Rachel Elder, Natasha Levy

Camera Operators: John Johnson, Isabal Cupryn, Aser Santos Jr., Zack Arch

From Sean Elwood, Where the Bad Kids Go:

The idea of possibly having my script read/performed by actors was a major influencing factor as not very many festivals provide that as a perk to the officially selected script. I believe that reading the script by actors shines a spotlight on the script and gives it the recognition it deserves. It is also an amazing opportunity to promote the screenplay if the screenwriter wants to market it to investors or production companies by giving them something to watch/read along to. My thoughts and feelings regarding the initial feedback that I received was nothing but a positive experience. The feedback was wonderful and touched on many aspects of the screenplay that really had the gears in my head turning, and made me think more about the story or certain parts of the screenplay. It was nothing but positive suggestions to help make…

The idea of possibly having my script read/performed by actors was a major influencing factor as not very many festivals provide that as a perk to the officially selected script. I believe that reading the script by actors shines a spotlight on the script and gives it the recognition it deserves. It is also an amazing opportunity to promote the screenplay if the screenwriter wants to market it to investors or production companies by giving them something to watch/read along to. My thoughts and feelings regarding the initial feedback that I received was nothing but a positive experience. The feedback was wonderful and touched on many aspects of the screenplay that really had the gears in my head turning, and made me think more about the story or certain parts of the screenplay. It was nothing but positive suggestions to help make the script better, and was very professional and…